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Dissertations / Theses on the topic 'Margollus'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Banwell, Julia Mary. "Teresa Margolles' aesthetic of death." Thesis, University of Sheffield, 2010. http://etheses.whiterose.ac.uk/14529/.

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The artist Teresa Margolles, Mexico's foremost proponent of corpse art, is based in Mexico City and exhibits her work across the world. Her central obsessions are death, the dead body, and violence, themes which are manifested in her exploration of `la vida del cadaver' (`the life of the corpse'). For the early part of her career during the 1990s, Margolles worked as part of the SEMEFO collective, and she has subsequently maintained her artistic career on a solo basis. She works with the bodies of individuals who were socially and economically disadvantaged during life, and has used body parts

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2

Merrill, Leanne. "Periodic Margolis Self Maps at p=2." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23144.

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The Periodicity theorem of Hopkins and Smith tells us that any finite spectrum supports a $v_n$-map for some $n$. We are interested in finding finite $2$-local spectra that both support a $v_2$-map with a low power of $v_2$ and have few cells. Following the process outlined in Palmieri-Sadofsky, we study a related class of self-maps, known as $u_2$-maps, between stably finite spectra. We construct examples of spectra that might be expected to support $u_2^1$-maps, and then we use Margolis homology and homological algebra computations to show that they do not support $u_2^1$-maps. We also s

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3

Campiglia, María. "Santiago Sierra y Teresa Margolles. Estética de la impotencia y el desencanto." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/350023.

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La presente investigación realiza un estudio a profundidad de la obra de Santiago Sierra y Teresa Margolles, quienes han trabajado en México desde el inicio de la década de los 90, y que ocupan hoy un destacado lugar en el circuito artístico internacional. Suele argumentarse que la importancia de su obra radica en visibilizar los increíbles niveles de violencia y polarización de la riqueza existentes en nuestra sociedad, constituyendo no sólo una denuncia sino un llamado a la reflexión ya la toma de postura crítica. Este trabajo cuestiona estos argumentos y enuncia que en la obra de ambo

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4

Abellán, Aguilar Tatiana. "La sutura imposible : muerte y experiencia estética en la obra de Teresa Margolles." Doctoral thesis, Universidad de Murcia, 2015. http://hdl.handle.net/10803/362650.

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The artistic project of the Mexican Teresa Margolles is one of the most vast, complex and coherent in the international scene, although there is not a complete catalog, monograph or rigorous study of it. Her focus of interest, her radical post-minimalist aesthetic, her display of ethical conflicts and the political implications that locate her within a post-autonomy art, give her work the highest validity and raise her as one of the leading figures in contemporary art. All her production is crossed by death and violence issues, addressed in a Baroque and visceral way at the beginning of her ca

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5

Bonacossa, Federico Jes. "Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/321.

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This essay came about as a result of the desire to study and collect the guitar music of Franco Margola. Franco Margola composed over 450 works for guitar, most of which are unpublished and virtually all of which are unknown to most guitarists. This essay focuses on Margola's chamber works with guitar, which include some of his best compositions. The study contains historical background information, an ample biography, as well as an overview of the currently published works for solo guitar. The main portion of the essay consists of an outline and an annotated catalog of all of Margola's chambe

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6

GODINEZ, M. E. C. "MATERIALIDADE E CONFLITO: visões sobre corporalidade e o objeto artístico por três artistas latinoamericanas. Janine Antoni, Teresa Margolles e Doris Salcedo." Universidade Federal do Espírito Santo, 2017. http://repositorio.ufes.br/handle/10/8494.

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Made available in DSpace on 2018-08-01T23:30:14Z (GMT). No. of bitstreams: 1 tese_10997_MONICA_CONTRERAS_DISERTACAO.pdf: 7122957 bytes, checksum: 41ace7668ab273d20c22b737a707af3d (MD5) Previous issue date: 2017-05-09<br>Esta dissertação tem por objetivo trazer a tona uma reflexão sobre a produção artística contemporânea em três artistas latino-americanas, especificamente Janine Antoni (Bahamas, 1962- ), Teresa Margolles (México,1963- ) e Dóris Salcedo (Colômbia 1958- ), artistas que procuram uma exploração da noção de corporalidade por meio da análise de alguns processos esculturais-objetua

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7

Breen, Rebecca. "Sin título : contemporary women artists from Latin American & testimonio (Ana Mendieta, Doris Salcedo, Teresa Margolles)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610383.

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8

Margolis, Leo [Verfasser], and Wolfgang [Akademischer Betreuer] Kimmerle. "Torsionseinheiten in ganzzahligen Gruppenringen nicht auflösbarer Gruppen / Leo Margolis. Betreuer: Wolfgang Kimmerle." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1077212070/34.

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9

Rico, Aillapán Tania Valentina. "Deslocalización de la violencia política y su circulación mundial en la producción artística visual de Doris Salcedo y Teresa Margolles entre los años 2000 - 2012." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/135482.

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No autorizada por la autora para ser publicada a texto completo en el repositorio institucional.<br>Magíster en artes con mención en teoría e historia del arte<br>La presente tesis trata sobre la problemática de la deslocalización de la violencia política presentes en la producción artístico-visual en dos de las artistas más influyentes en el devenir del arte político- crítico latinoamericano contemporáneo, la colombiana Doris Salcedo y la mexicana Teresa Margolles. Se trata de un análisis y diálogo entre sus obras trabajadas principalmente entre los años 2000 - 2012, las cuales tanto por su c

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10

Oblitas, Jordán Raura Raquel. "Del cuerpo asesinado al cuerpo vivo segregado : Necropolítica, estado de excepción y biopolítica en la obra de Teresa Margolles." Master's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12967.

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La presente investigación propone una lectura amplificada sobre la obra de la artista Teresa Margolles. Su trabajo ha sido investigado en relación con el cadáver y con la muerte violenta, aspectos que se consideran importantes pero insuficientes. Se propone hacer una presentación de su obra de modo que abarque la totalidad de su trabajo que incluye el cuerpo vivo y la señalización del problema social de marginación, segregación y precarización de la vida en el contexto político, económico y social de México contemporáneo. Se ha planteado una ruta interpretativa que mediante el análisis

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11

Ragazzi, Francesco <1983&gt. "Not my Type. Note sull'ontologia dell'opera d'arte a partire da Margolis, Wollheim e Rohrbaugh." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10372.

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Che cos'è un'opera d'arte? È con un rinnovato interesse ontologico, in un epoca in cui l'ontologia sembrava tramontare, che la filosofia analitica ha guardato ai fenomeni estetici e culturali. La risposta che dagli anni '60 del '900 fino ai primi 2000 ha mantenuto un'egemonia incontrastata rispetto ad ipotesi alternative si fonda sulla classificazione degli artefatti come occorrenze di tipi. Attraverso questa tesi, dapprima analizzo le teorie dei filosofi che per primi hanno seguito questo approccio: Joseph Margolis e Richard Wollheim. Avanzo quindi alcune critiche al modello dominante sulla b

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12

Platter, Johanna [Verfasser], and Sabine [Akademischer Betreuer] Fastert. "Mitleiden, Mitwissen, Mitfühlen : Über das Moment der körperlichen Wahrnehmung in den Werken von Teresa Margolles und Doris Salcedo / Johanna Platter ; Betreuer: Sabine Fastert." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2016. http://d-nb.info/1123957487/34.

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13

Bauer, Lisa. "Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/10144.

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Through the analysis of aspects such as experience, vocal expression, improvisatory techniques and teaching approach of two jazz vocalists from different social, educational and musical backgrounds in the United States of America, the hope is to achieve a greater understanding of and confirm the factors which play important roles in the vocalist's improvement of effective, authentic jazz improvisation. The focus is on the effect which experience, mentors and musical training have on the two vocalists' approach to teaching and performing jazz styles. This study also investigates the possibility

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14

Marcuzzo, Francesco <1996&gt. "Arte e filosofia dell'arte: il pensiero di Arthur C. Danto e le sue conseguenze, tra Dickie e Margolis." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21528.

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Arthur C. Danto è una delle figure più autorevoli e discusse nel panorama della filosofia dell'arte contemporanea poiché ha elaborato una teoria che vuole individuare le caratteristiche necessarie a qualche cosa perché essa sia considerata oggi un'opera d'arte. La sua teoria non solo ha animato un lungo e fecondo dibattito, ma ha anche causato dei fraintendimenti che hanno portato autori come George Dickie a elaborare nuove teorie in stretta connessione con la sua. Nella prima parte di questa tesi ricostruirò la filosofia dell'arte di Danto a partire dal saggio "The Artworld" del 1964 fino ad

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15

Duong, Quang Thien. "Feasibility of agent-based modelling of articular cartilage including a conceptual representation of its structure." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/57989/1/Quang_Duong_Thesis.pdf.

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Articular cartilage is a complex structure with an architecture in which fluid-swollen proteoglycans constrained within a 3D network of collagen fibrils. Because of the complexity of the cartilage structure, the relationship between its mechanical behaviours at the macroscale level and its components at the micro-scale level are not completely understood. The research objective in this thesis is to create a new model of articular cartilage that can be used to simulate and obtain insight into the micro-macro-interaction and mechanisms underlying its mechanical responses during physiological

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16

Horn, Elizabeth. "Developing the Individual to Strengthen the Whole: The Application of Viewpoints Training to Impact the Social Cognitive Development of Actors in a High School Ensemble." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2865.

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This research explores the application of Viewpoints and Composition training with a cast of high school students to measure changes in the social cognitive development (SCD) of individuals and the collective group. The research centers on the writing of Michael F. Mascolo and Deborah Margolis, which takes a coactive approach to the relationship between one's social cognitive development and how it is manifested in his or her actions within a social group. Using this framework, the researcher assesses the personality types within the cast and analyzes how utilizing Viewpoints training creates

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17

Lindenberger, Laura Augusta. "From morgue to museum : contextualizing the work of SEMEFO and Teresa Margolles." Thesis, 2006. http://hdl.handle.net/2152/30506.

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While the work of contemporary Mexican artist Teresa Margolles and her collaborators in the death-metal band and performance group SEMEFO is often contextualized within a national framework or within specific artistic developments of the 1990s, meager writing exists to explore how the artist and the audience experience the work. This thesis examines the work of Margolles and SEMEFO to contextualize their work with dead bodies and animal carcasses within a historical moment in Mexico City, but also to relate it to its many venues and audiences. In it, I study the work's relationship to affect,

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18

Aragón, Miguel A. "The invisible picture." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5231.

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This report outlines the conceptual, procedural and formal descriptions of the artistic development I have acquired over the course of the past three years. The current violent events caused by the War on Drugs in México –my home country- led me to this research. Beginning with the idea of erasure as language, I concentrated on the use of processes that are reductive in nature to create the bodies of work mentioned in this report. Thousands of people die in drug-related violence every year in México; by using metaphors and visual metonymies to tie together process and subject matter I explore

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19

Soukupová, Klára. "Autobiografie v kontextu teorie pozicionality." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-409160.

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Mgr. Klára Soukupová Autobiography in the Context of the Positioning Theory Abstract This doctoral thesis is a theoretical and an interpretative study that deals with the genre of autobiography, its position in the contemporary literary theory and problems related to an interpretation of autobiographical texts. Autobiography as a genre of non-fictional literature refers to real characters and events, but at the same time it is a literary work of art, a verbal construct in which the representation of reality is subject to the intentions of the author and to the rules of construction, that are c

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20

Vieira, Ana Rita Sousa Gaspar. "O quotidiano deslocalizado : o desenho como mapa." Doctoral thesis, 2015. http://hdl.handle.net/10451/25108.

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Tese de doutoramento, Belas-Artes (Desenho), Universidade de Lisboa, Faculdade de Belas-Artes, 2016<br>A presente tese teórico-prática tem como questão central de investigação o modo como o desenho, entendido em sentido lato, edifica um mapa do quotidiano, que antecipa o território antes de coincidir com ele, em termos temporais e espaciais. Neste sentido, o desenho, enquanto médium, fixa o gesto, regista e situa o quotidiano, dando a ver a minha circunstância privada, entendida como ponto notável desse mapa. A vertente teórica da investigação aborda, no primeiro capítulo, conceitos fundadores

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