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Journal articles on the topic 'Margollus'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Ahmad, Wasim, Sumaya Ahad, and Dieter Sturhan. "A new species of the rare nematode genus Margollus Peña-Santiago, Peralta & Siddiqi, 1993 (Nematoda: Tylencholaimoidea) from Turkey." Zootaxa 3646, no. 5 (2013): 575–80. https://doi.org/10.11646/zootaxa.3646.5.6.

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Ahmad, Wasim, Ahad, Sumaya, Sturhan, Dieter (2013): A new species of the rare nematode genus Margollus Peña-Santiago, Peralta & Siddiqi, 1993 (Nematoda: Tylencholaimoidea) from Turkey. Zootaxa 3646 (5): 575-580, DOI: 10.11646/zootaxa.3646.5.6

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Peña Santiago, R., M. R. Siddiqi, and M. Peralta. "Taxonomy of Some New and Known Species of the Genus Tylencholaimellus With a Proposal for Margollus Gen. N. (Nematoda: Dorylaimida)." Nematologica 39, no. 1-4 (1993): 218–33. http://dx.doi.org/10.1163/187529293x00178.

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3

AHMAD, WASIM, SUMAYA AHAD, and DIETER STURHAN. "A new species of the rare nematode genus Margollus Peña-Santiago, Peralta & Siddiqi, 1993 (Nematoda: Tylencholaimoidea) from Turkey." Zootaxa 3646, no. 5 (2013): 575. http://dx.doi.org/10.11646/zootaxa.3646.5.6.

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4

Villanueva, Isabela. "Teresa Margolles." Review: Literature and Arts of the Americas 43, no. 1 (2010): 3–4. http://dx.doi.org/10.1080/08905761003688351.

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5

Bacal, Edward. "Pervasive death: Teresa Margolles and the space of the corpse." Human Remains and Violence: An Interdisciplinary Journal 4, no. 1 (2018): 25–40. http://dx.doi.org/10.7227/hrv.4.1.3.

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I focus on two contemporary art installations in which Teresa Margolles employs water used to wash corpses during autopsies. By running this water through a fog machine or through air conditioners, these works incorporate bodily matter but refuse to depict, identify or locate anybody (or any body) within it. Rather, Margolles creates abstract works in which physical limits – whether of bodies or of art works – dissolve into a state of indeterminacy. With that pervasive distribution of corporeal matter, Margolles charts the dissolution of the social, political and spatial borders that contain d

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Daramola, Fisayo Y., Rinus Knoetze, Antoinette Swart, and Antoinette P. Malan. "First report and molecular characterization of the dagger nematode, Xiphinema oxycaudatum (Nematoda, Dorylaimidae) from South Africa." ZooKeys 894 (December 3, 2019): 1–17. https://doi.org/10.3897/zookeys.894.35281.

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Plant-parasitic nematodes of the genus Xiphinema Cobb, 1913 comprise a complex group of nematode species, some of which are important vectors of plant viruses. During a field survey to determine the soil health of an abandoned honeybush (Cyclopia genistoides) monoculture, a high density of the dagger nematode, Xiphinema oxycaudatum Lamberti & Bleve-Zacheo, 1979 (Nematoda, Dorylaimidae), was observed in soil around the roots of honeybush plants in an abandoned farmland at Bereaville, an old mission station in the Western Cape province of South Africa. Soil samples were taken from the rhizos

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Sheren, Ila N. "Between Ruin and Resilience." Latin American and Latinx Visual Culture 7, no. 3 (2025): 27–41. https://doi.org/10.1525/lavc.2025.7.3.27.

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This paper analyzes the intersection of ruins, memory, and cultural heritage within the necropolitical landscape of Ciudad Juárez. Mexican artist Teresa Margolles, in her 2016 photographic series Pistas de baile (Dance floors), depicts trans sex workers posing in the ruins of demolished nightclubs in Ciudad Juárez. Margolles has spent her career mining the affective dimensions of death, frequently using bodily fluids and cadavers to confront the viewer. Rather than the inert matter Margolles encounters in the morgue, the women in the Pistas de baile images portray resilience and agency, all th

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Nguyen, Duong, Tam Vu, Michael Bonkowski, and Reyes Peña-Santiago. "New data of three rare belondirid species (Nematoda, Dorylaimida, Belondiridae) from Vietnam, with the first record and description of the male of Oxybelondira paraperplexa Ahmad & Jairajpuri, 1979." Biodiversity Data Journal 2 (August 11, 2014): e1156. https://doi.org/10.3897/BDJ.2.e1156.

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Three rare nematode species of the family Belondiridae, originally described from and only known to occur in India are recorded for the first time in Vietnam: <i>Axonchium thoubalicum</i>, <i>Belondira murtazai</i> and <i>Oxybelondira paraperplexa</i>. It is the first report of these three genera in this country. The three species are described, including new morphological data, morphometrics and light microscope pictures. The male of <i>O. paraperplexa</i> is collected and described for the first time. It is characterized by its 1.54 mm long body, ad-cloacal pair of genital papillae situated

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9

Campiglia, María. "Teresa Margolles. Reiterar la violencia." Barcelona Investigación Arte Creación 2, no. 1 (2014): 100. http://dx.doi.org/10.17583/brac.2014.v2i1.a908.100-125.

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<p>Desde hace más de dos décadas el trabajo de Teresa Margolles ocupa un destacado lugar en el circuito artístico mexicano, y durante los últimos años ha logrado consolidarse a nivel internacional, exhibiéndose en importantes ferias y bienales y siendo acreedor a prestigiosos reconocimientos. ¿Pero qué clase de mirada en relación a nuestro entorno ofrece?</p><p>Suele argumentarse que la importancia de su obra radica en visibilizar la violencia que se vive hoy en México, permitiendo la aparición de la voz de las víctimas. Y ella sostiene que el sentido fundamental de su trabaj

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Olivas, Adriana Miramontes. "Los neoliberarchivos de Teresa Margolles." Latin American and Latinx Visual Culture 5, no. 2 (2023): 57–71. http://dx.doi.org/10.1525/lavc.2023.5.2.57.

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In Lote Bravo (2005), What Else Could We Talk About? Cleaning (2009), and Irrigation (2010), contemporary Mexican artist Teresa Margolles exposes and denounces the política de negación, or politics of denial, that conceals or disregards the violence and the precarious conditions that define life along the US border in Ciudad Juárez, Chihuahua, Mexico. Here, neoliberal rationality has empowered a corrupt political and economic class to sanction behavior that favors profit over life and creates a culture of fear and death. To investigate Margolles’s confrontational approach and her recurring eng

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11

Odendaal, Hendrik Johannes, and Peter Wranz. "Kenneth Margolis." South African Medical Journal 103, no. 10 (2013): 712. http://dx.doi.org/10.7196/samj.7427.

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12

Marques, Ângela, and Angie Biondi. "(In)visibilidade de mulheres sem rosto: ética e política em imagens fotográficas de Teresa Margolles." Comunicação e Sociedade 32 (December 29, 2017): 269–86. http://dx.doi.org/10.17231/comsoc.32(2017).2761.

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Na contramão dos quadros morais produzidos pelos discursos fotojornalísticos tradicionais e pela cobertura mediática dos casos de femicídio no cotidiano, a artista mexicana Teresa Margolles cria obras onde a brutalidade de assassinatos em série conecta o sofrimento individual a uma responsabilidade ética coletiva. Neste texto, analisaremos as construções fotográficas de duas obras recentes da artista mexicana: La búsqueda (2014) e Pesquisas (2016). A partir das noções de vulnerabilidade e de precariedade (Butler, 2006; Butler et al., 2016), argumentamos que a relação entre violência e gênero n

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Marques, Ângela, and Angie Biondi. "The (in)visibility of the faceless women: ethics and politics on the photographic images by Teresa Margolles." Comunicação e Sociedade 32 (December 29, 2017): 287–304. http://dx.doi.org/10.17231/comsoc.32(2017).2762.

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In the opposite side of these moralizing pictures produced by traditional journalistic and photojournalistic narratives, the Mexican artist Teresa Margolles creates art works that disclose the vulnerable condition of women in the brutality of serial murders in order to connect individual suffering to a collective ethics of responsibility. In this text, the analytical work focuses on two of Margolles recent art works: La búsqueda (2014) and Pesquisas (2016). Taking the concepts of vulnerability and precariousness (Butler, 2006; Butler et al., 2016), we argue that the relation between violence a

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Wu, Wen-Jia, Lu Yu, Hui Xie, Chun-Ling Xu, Jiao Yu, and Dong-Wei Wang. "Description and molecular analysis of Tylencholaimus helanensis sp. n. from China (Dorylaimida, Tylencholaimidea)." ZooKeys 792 (October 23, 2018): 1–14. https://doi.org/10.3897/zookeys.792.27255.

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A new species, Tylencholaimus helanensis sp. n., extracted from the rhizosphere soil of unidentified grasses from Helan Mountain, Inner Mongolia, China was identified. The new species is characterized by having a body length of 0.93–1.07 mm with the lip region approximately one-quarter of the body diameter at the posterior end of the neck region wide; female didelphic-amphidelphic; pars proximalis vaginae violin-shaped. Males were not found. SEM observations of the new species were made and a phylogenetic analysis of both the 18S rDNA and the D2-D3 region of 28S rDNA is presented.

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15

Erzen, Jale N. "Joseph Margolis – Pragmatist Realism Viewing Human Culture and Historicity." Contemporary Pragmatism 19, no. 2 (2022): 126–36. http://dx.doi.org/10.1163/18758185-bja10041.

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Abstract In his long and productive life Joseph Margolis approached many subjects that had been the concern of philosophy all through history. However, when his texts are read carefully it is clear that his main interest was to understand humanity and its cultural values. In my text I will first introduce Margolis philosophy in general and the underlying premises that he defended throughout his work, moving on to specific claims and arguments. I will pursue my analysis through several of Margolis’ texts concerning his main philosophical arguments, such as the definition of the human, relativit

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McHugh, Fergal. "Informality and Philosophy: A Response to Margolis." Contemporary Pragmatism 13, no. 1 (2016): 122–28. http://dx.doi.org/10.1163/18758185-01301007.

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Joseph Margolis argues that philosophy must acknowledge its radical informality. I provide a brief account of what Margolis means by informality and its consequences for the practice of a pragmatist philosophy. I discuss his criticism of Robert Brandom's analytic pragmatism on the grounds that it overemphasizes the potential gains of a formal approach. I highlight two concerns with Margolis’ insistence on informality recommending a reduced emphasis on the consequences of informality for the pragmatist philosopher.

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Levy, Lior. "Imagining the Given and Beyond." Contemporary Pragmatism 13, no. 1 (2016): 70–87. http://dx.doi.org/10.1163/18758185-01301004.

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Imagination is crucial to Joseph Margolis’ philosophy: he addresses its significance for the experience of works of art and, more importantly, he portrays it as constitutive of human reality itself. I explicate these claims and define Margolis’ notion of imagination vis-à-vis Jean-Paul Sartre’s, whose own conception of imagination Margolis rejects. Studying Margolis and Sartre in relation to each other illuminates crucial differences between their positions and highlights the different commitments that underlie their philosophical anthropology as a whole. In the conclusion of this paper, I arg

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Loftus, Corey. "Bloodstained." Latin American and Latinx Visual Culture 4, no. 3 (2022): 44–53. http://dx.doi.org/10.1525/lavc.2022.4.3.44.

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Teresa Margolles subverts the epistemic hierarchy of the archive. Her work privileges and affirms embodied memory and material meaning as essential modes for knowing, understanding, and documenting social violence. Margolles invests her concern for societal injustice through her use of bodily fluids derived from actual human corpses. Specifically, in the textile, Sutura—a work arising out of Margolles’s research at the Venezuelan-Colombian border during the migration crisis—the artist and her collaborators commemorate the life of a murdered migrant in material and method. Embroidery is utilize

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19

Young, James O. "Margolis on Defining Art." East Asian Journal of Philosophy 2, no. 2 (2023): 71–86. http://dx.doi.org/10.19079/eajp.2.2.71.

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Joseph Margolis’ writings on definitions of art, which often take the form of a debate with Morris Weitz, are under-appreciated. Margolis agrees with Weitz that the concept of art is open in the sense that works can be admitted to the class of artworks when these works do not have all of the properties thought to be necessary and sufficient for membership in the class prior to the time of its admission. Margolis also agreed that we cannot go back to the old project of defining art by determining the real essence of art. Nevertheless, he does not abandon the project of defining art in terms of

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Rooney, Austin. "Tuesdays (and Thursdays [and Sometimes Fridays or Saturdays]) with Joe." Contemporary Pragmatism 19, no. 2 (2022): 146–50. http://dx.doi.org/10.1163/18758185-bja10040.

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Abstract The piece shares reminiscences of the recently deceased Joseph Margolis. Margolis’s character, pedagogy, and contribution to the philosophical world are considered. Margolis was an important, maverick thinker whose impact on the philosophical community has yet to be fully understood.

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Kosarev, Andrey. "REALIST ARGUMENT BY J. MARGOLIS TO RORTY AND PATNAM POLEMIC." Respublica literaria, no. 1 (December 25, 2020): 103–6. http://dx.doi.org/10.47850/s.2020.1.29.

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J. Margolis suggested constructing a version of realism that would be based on the conceptual scheme, which take into account the problem of incommensurability and be compatible with relativism. The paper examines the arguments of Margolis, allowing him to construct a way to reconcile realism and relativism.

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22

Georgiev, Danko D. "Time–Energy Uncertainty Relation in Nonrelativistic Quantum Mechanics." Symmetry 16, no. 1 (2024): 100. http://dx.doi.org/10.3390/sym16010100.

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The time–energy uncertainty relation in nonrelativistic quantum mechanics has been intensely debated with regard to its formal derivation, validity, and physical meaning. Here, we analyze two formal relations proposed by Mandelstam and Tamm and by Margolus and Levitin and evaluate their validity using a minimal quantum toy model composed of a single qubit inside an external magnetic field. We show that the ℓ1 norm of energy coherence C is invariant with respect to the unitary evolution of the quantum state. Thus, the ℓ1 norm of energy coherence C of an initial quantum state is useful for the c

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23

Carroll, Amy Sara. "Muerte Sin Fin: Teresa Margolles's Gendered States of Exception." TDR/The Drama Review 54, no. 2 (2010): 103–25. http://dx.doi.org/10.1162/dram.2010.54.2.103.

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There is a forensic prescience evident in the corpus of Mexican performance and conceptual artist Teresa Margolles. The gendered “states of exception” of Margolles's medium and message—the corpse, its presence and absence—relate to broader representations of Mexico's escalating “domestic violence.”

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Pastor Mirambell, Luisa. "Contra la estilización de la imagen exhumada." Antropología Experimental, no. 20 (April 13, 2020): 155–63. http://dx.doi.org/10.17561/rae.v20.11.

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En un México atravesado por el crimen y la violencia, la palabra exhumación trae a la memoria el dolor, la rabia y la desesperación por esos miles de muertos, que comparten una fosa en común, en el extenso territorio mexicano. En este contexto, este trabajo es una reflexión filosófica y conceptual, acerca de la capacidad política y contestataria que tiene la obra de la artista Teresa Margolles (Culiacán, México, 1963), ante la deriva necropolítica y de extrema violencia, que atraviesa el Estado mexicano. Así, a partir de una colección de obras críticas y despojadas del artificio espectacular d

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Jacquette, Dale. "Émergence et incorporation selon Margolis." Articles 13, no. 1 (2006): 53–63. http://dx.doi.org/10.7202/203303ar.

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Résumé L'analyse de la personne ou de l'oeuvre d'art comme entité matériellement incorporée et culturellement émergente est centrale dans l'oeuvre de Joseph Margolis : il tente de développer un dualisme des propriétés, comme alternative au réalisme platonicien et au dualisme ontique cartésien, en esthétique et en « philosophy of mind ». La définition de l'incorporation proposée par Margolis est ici critiquée par le moyen d'un contre-exemple, et plusieurs révisions possibles de cette définition, en vue d'éviter l'objection, sont aussi rejetées. La théorie de Margolis nous délivre en principe de

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Kulagin, Anton E., and Alexander V. Shapovalov. "Analytical Description of the Diffusion in a Cellular Automaton with the Margolus Neighbourhood in Terms of the Two-Dimensional Markov Chain." Mathematics 11, no. 3 (2023): 584. http://dx.doi.org/10.3390/math11030584.

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The one-parameter two-dimensional cellular automaton with the Margolus neighbourhood is analyzed based on considering the projection of the stochastic movements of a single particle. Introducing the auxiliary random variable associated with the direction of the movement, we reduce the problem under consideration to the study of a two-dimensional Markov chain. The master equation for the probability distribution is derived and solved exactly using the probability-generating function method. The probability distribution is expressed analytically in terms of Jacobi polynomials. The moments of the

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27

Levine, Steven. "Kantianism and Pragmatism: A Response to Margolis." Contemporary Pragmatism 13, no. 1 (2016): 118–21. http://dx.doi.org/10.1163/18758185-01301006.

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In this piece I respond to Joseph Margolis’ article “The Future of Pragmatism’s Second Life.” I make two arguments. First, I argue that Margolis misinterprets the true contest between Kantianism and Pragmatism, and that his vision of Pragmatism’s second life is overly Kantian. Second, I question his conclusion that truths about our agential norms can only ever be ‘second best’.

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Cahoone, Lawrence. "Margolis as Columbia Naturalist." Metaphilosophy 52, no. 1 (2021): 49–59. http://dx.doi.org/10.1111/meta.12477.

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29

Campbell, James. "Joseph Margolis on Pragmatism." Metaphilosophy 52, no. 1 (2021): 10–26. http://dx.doi.org/10.1111/meta.12466.

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Kreidl-Rinofner, Sonja. "J. MARGOLIS’ RELATIVISTISCHER PRAGMATISMUS." Grazer Philosophische studien 45, no. 1 (1993): 135–62. http://dx.doi.org/10.1163/18756735-90000542.

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31

Coats, Karen. "Ghosted by Leslie Margolis." Bulletin of the Center for Children's Books 72, no. 2 (2018): 79–80. http://dx.doi.org/10.1353/bcc.2018.0684.

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Marsoobian, Armen T. "SYMPOSIUM ON JOSEPH MARGOLIS." Metaphilosophy 36, no. 5 (2005): 551. http://dx.doi.org/10.1111/j.1467-9973.2005.00392.x.

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33

Sarna, Nahum M., and Leonard Greenspoon. "Greenspoon, "Max L. Margolis"." Jewish Quarterly Review 82, no. 3/4 (1992): 557. http://dx.doi.org/10.2307/1454893.

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McCain, Glenn A., and Roger A. Scudds. "Reply to Dr. Margoles." Pain 36, no. 3 (1989): 392. http://dx.doi.org/10.1016/0304-3959(89)90102-4.

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Schulkin, Jay. "The Significance of Joseph Margolis to Late 20th and Early 21st Century Pragmatism." Contemporary Pragmatism 19, no. 2 (2022): 85–90. http://dx.doi.org/10.1163/18758185-bja10037.

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Abstract Joseph Margolis’ philosophical work is both sanguine and fair. It is sanguine because much of it captures the inherent worth and dignity of the human condition. This includes aesthetics, anthropological diversity and history, the diversity of cognitive orientations and objectivity without foundations. Margolis embraces science and naturalism without reductionism. His pragmatism, though, is rooted more in James’ perspectivism, his local nice adaptation, and his relativism than that of Peirce and Dewey and their sense of science and the community of inquirers. Margolis’ strength is his

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Main, R. W. "The Point of Margolis’ Dissatisfaction with Peirce (and Pragmatism)." Contemporary Pragmatism 19, no. 2 (2022): 137–45. http://dx.doi.org/10.1163/18758185-bja10038.

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Abstract Margolis’ philosophical thought and career is framed by the pragmatism that dominated his early education and his vision of a “resurgent” pragmatism as the most promising direction for an increasingly eclectic Western philosophical tradition. This version of pragmatism is based on Peirce’s formulation of the pragmatic maxim, but Margolis sees the implications of that maxim as running counter to a central strand of Peirce’s own thought: fallibilism as an infinitist, self-correcting process of inquiry asymptotically tending toward to truth and reality. Margolis argues that this version

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Andrecut, M., and M. K. Ali. "The adiabatic analogue of the Margolus–Levitin theorem." Journal of Physics A: Mathematical and General 37, no. 15 (2004): L157—L160. http://dx.doi.org/10.1088/0305-4470/37/15/l01.

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van Camp, Julie. "A Note on Mr. Margolis and the Definition of Dance." East Asian Journal of Philosophy 2, no. 2 (2023): 53–56. http://dx.doi.org/10.19079/eajp.2.2.53.

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I demur to Margolis’ insistence that we form a generalized concept of art before the formation of a definition of specific art forms. I consider the elements proposed for a definition of “dance” by Margolis, including “dance notation, dance style, and dance as the expression of a contingent culture.” I note the problems with the third element, especially the blind spot shared by many of us to anything other than Western culture.

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Contreras, Mónica. "Algunas Reflexiones sobre el Arte Político para América Latina." Revista Farol 12, no. 16 (2016): 24–30. http://dx.doi.org/10.47456/rf.v1i16.14853.

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El texto presenta diferentes reflexiones sobre el arte contemporáneo de cuño político en América Latina, región que ha experimentado una escalada de violencia y explotación en los últimos años, este trabajo se centra en 3 casos: Santiago Sierra, Teresa Margolles y Doris Salcedo. Aquí encontramos discusiones sobre las relaciones entre la ética, la política y la institución artística en el contexto latinoamericano.

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Margolis, Eric, and Mary Romero. ""The Department Is Very Male, Very White, Very Old, and Very Conservative": The Functioning of the Hidden Curriculum in Graduate Sociology Departments." Harvard Educational Review 68, no. 1 (1998): 1–33. http://dx.doi.org/10.17763/haer.68.1.1q3828348783j851.

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In this article, Eric Margolis and Mary Romero examine the effect of the "hidden curriculum" on women of color graduate students in sociology. They interview twenty-six women of color enrolled in Ph.D. programs in sociology to uncover how the graduate school curriculum not only produces professional sociologists, but also simultaneously reproduces gender, race, class, and other forms of inequality. In their analysis, Margolis and Romero identify two forms of the hidden curriculum at work: the "weak" form, which is the professionalization process essential to "becoming a sociologist," and the "

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41

Zagar, John. "News Discussion Project." Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse 1, no. 2 (2009): 139–45. http://dx.doi.org/10.29173/cjfy6095.

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The Edmonton Sun newspaper recently carried an interesting article entitled "Maybe U.S. needs yard sale" written by Eric Margolis. In Eric Margolis's article, he talks about the recent financial crisis devastating the Unites States of America's (US) economy, along with much of the other global economies as well (Margolis, 2008). The current economic situation has been blamed on the tendency of certain banks to lend out loans (at low interest rates) to individuals and corporations who do not have the funds to payback those loans. This mistake has occurred in nation-states such as the United Sta

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Pryba, Russell. "Margolis Looks at the Arts." Metaphilosophy 52, no. 1 (2021): 60–74. http://dx.doi.org/10.1111/meta.12469.

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Gracyk, Theodore. "Margolis on Art and Culture." East Asian Journal of Philosophy 3, no. 2 (2024): 41–58. http://dx.doi.org/10.19079/eajp.3.1.41.

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Gracyk, Theodore. "Margolis on Art and Culture." East Asian Journal of Philosophy 3, no. 2 (2024): 41–58. http://dx.doi.org/10.19079/eajp.3.2.41.

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Welch, D. W. "Obituary: Leo Margolis, 1927-1997." Canadian Journal of Fisheries and Aquatic Sciences 54, no. 7 (1997): 1682–84. http://dx.doi.org/10.1139/f97-126.

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JACQUETTE, DALE. "Margolis on Emergence and Embodiment." Journal of Aesthetics and Art Criticism 44, no. 3 (1986): 257–62. http://dx.doi.org/10.1111/1540_6245.jaac44.3.0257.

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Hermeren, Goran. "THE PHILOSOPHY OF JOSEPH MARGOLIS." Metaphilosophy 36, no. 5 (2005): 552–67. http://dx.doi.org/10.1111/j.1467-9973.2005.00393.x.

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Jacquette, Dale. "MARGOLIS ON HISTORY AND NATURE." Metaphilosophy 36, no. 5 (2005): 568–77. http://dx.doi.org/10.1111/j.1467-9973.2005.00394.x.

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Alvarez, Walter, James P. Kennett, Peter Kroopnick, and Jeffrey F. Mount. "Stanley V. Margolis (1943–1992)." Eos, Transactions American Geophysical Union 74, no. 52 (1993): 612. http://dx.doi.org/10.1029/93eo00661.

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Jacquette, Dale. "Margolis on Emergence and Embodiment." Journal of Aesthetics and Art Criticism 44, no. 3 (1986): 257. http://dx.doi.org/10.2307/429735.

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