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1

Mușat, Mircea. Drama României mari. București: Editura Fundației România Mare, 1992.

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2

Fomina, A. Peled, tu̇zlane, shochmo Mariĭ Ėlem: St͡senariĭ-vlak. Ĭoshkar-Ola: Mariĭ Ėl Respublikyn tu̇vyra, pechatʹ da kalyk-vlakyn pashasht shotyshto ministersvyzhe, Respublikyse ustalyk ru̇der, 2005.

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3

Lukianov, S. S. "Shanavẏl": Folʹklor ansamblʹyn folʹklor kartin st͡senarivläzhẏ. Ĭoshkar-Ola: Respublikyn khalyk tvorchestvo t͡sentr, 2006.

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4

Leconte, Patrice, Thierry de Ganay, and Patrick Cauvin. Le Mari de la coiffeuse: The Hairdresser's husband. Place of publication not identified]: Severin, 2009.

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5

Boi︠a︡rinova, G. N. Problema kharaktera v sovremennoĭ mariĭskoĭ dramaturgii: Monografii︠a︡. Ĭoshkar-Ola: Mariĭskiĭ gos. universitet, 2005.

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6

Dokle, Namik. Shën Maria e Beratit: Katër drama. Tiranë: Botimet Toena, 2012.

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7

Druță, Ion. Maria Cantemir, ultima dragoste a lui Petru cel Mare: Epopee istorică în unsprezece tablouri, cu epilog. [Chișinău]: Editura "Universul", 2008.

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8

Løveid, Cecilie. Maria Q. Oslo: Gyldendal, 1994.

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9

Schiller, Friedrich. Maria Stuart. Weimar: H. Böhlaus Nachf., 2010.

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10

Libera, Leszek. Maria Stuart: Dramat Juliusza Słowackiego. Zielona Góra: Uniwersytet Zielonogórski, 2003.

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11

Libera, Leszek. Maria Stuart: Dramat Juliusza Slowackiego. Zielona Gora: Oficyna Wydawnicza Uniwersytetu Zielonogorskiego, 2003.

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12

Boniecki, Edward. Modernistyczny dramat ciała: Maria Komornicka. Warszawa: IBL Wydawn., 1998.

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13

Schiller, Friedrich. Phreideriku Siller Maria Stuart: Drama se pente praxeis. Athe na: Ekdoseis Epikairote ta, 2001.

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14

Veit, Laura Riccioli. Maria di Magdala, la magnificente. Napoli: Bibliopolis, 2009.

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15

Donizetti, Gaetano. Maria Stuarda. Milano: G. Ricordi, 1989.

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16

Gomes, António Ferreira. Nuno de Santa Maria: Herói e santo. Lisboa: Aletheia Editores, 2009.

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17

Gomes, António Ferreira. Nuno de Santa Maria: Herói e santo. Lisboa: Aletheia Editores, 2009.

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18

Gomes, António Ferreira. Nuno de Santa Maria: Herói e santo. Lisboa: Aletheia Editores, 2009.

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19

Grissom, Doug. Fish kill on Maria Sanchez: A drama in one act. New York: Playscripts, Inc., 2005.

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20

blog, As/Is group poetry, ed. Song for Maria Gingerich: perma.cc. Conshohocken, Pa: As/Is, 2016.

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21

1689-1733, Hasegawa Senshi, ed. Kiichi Hōgen sanryaku no maki. Tōkyō-to Machida-shi: Tamagawa Daigaku Shuppanbu, 2007.

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22

Hwang, Kir-yong. Chŏnu ka namgin han madi. Taehan Min'guk, Sŏul: K'ŏmyunik'eisyŏn Puksŭ, 2005.

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23

Yōseika, Kokuritsu Gekijō Okinawa Chōsa. Kenbo sansen no maki: Jishu kōen. Okinawa-ken Urazoe-shi: Kokuritsu Gekijō Okinawa, 2012.

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24

Vesić, Dušan. Magi: Kao da je bila nekad : ilustrirana drama u pet činova. Zagreb: Naklada Ljevak, 2018.

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25

Ihimaera, Witi Tame. Woman far walking. Wellington, N.Z: Huia, 2000.

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26

McDowell, Bettina. Maria Stuart und die Männer, die sie liebten: Das Bild der Maria Stuart im britischen Drama vom 17. bis zum 20. Jahrhundert. Essen: Die blaue Eule, 2003.

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27

1828-1906, Ibsen Henrik, ed. Nga tangata toa. Wellington, [N.Z.]: Victoria University Press, 1994.

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28

1968-, Kouka Hone, ed. Ta matou mangai: Our own voice. Wellington, N.Z: Victoria University Press, 1999.

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29

Schiller, Friedrich. Maria Stuart: Ein Trauerspiel, Tübingen 1801. München: Deutscher Taschenbuch Verlag, 1997.

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30

Schiller, Friedrich. Maria Stuart: Trauerspiel in fünf Aufzügen. Stuttgart: Reclam, 1990.

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31

Donizetti, Gaetano. Maria Stuarda: Tragedia lirica in due atti. Torino: Teatro regio, 1999.

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32

Accerboni, Anna Maria. Trieste nella psicoanalisi: Prigionieri in riva al mare : voci e immagini. Trieste: LINT, 2002.

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33

Tennessee, Williams. Endstation Sehnsucht: Drama in drei Akten. Frankfurt: S. Fischer Verlag, 1988.

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34

Dwek, Tuna. Maria Adelaide Amaral: A emoção libertária. São Paulo: Cultura, Fundação Padre Anchieta, 2005.

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35

Maria, Antonio. La Spagna, il teatro, la Sardegna: Antonio Maria da Esterzili : "comedias" e frammenti dramatici. Cagliari: CUEC, 1992.

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36

Jäcksch, Hartmut. Bühne am Ende der Welt: Kleine Geschichte des neuseeländischen Theaters. Berlin: Mana-Verlag, 1999.

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37

Renganathan, Mala. Understanding Maria Irene Fornes' theatre. Champaign, Ill: Common Ground Pub., 2010.

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38

Strâmbeanu, Andrei. Oltea: Mama lui Ștefan cel Mare și Sfânt : dramă în două acte. Chișinău: Baștina-Radog, 2004.

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39

Guzmán, José Antonio. La adoración de los Reyes: Reconstrucción musical y escenica de un auto novohispano en lengua Náhuatl. Coyoacán, México: Escuela Nacional de Música Universidad Nacional Autónoma de México, 2007.

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40

Ottemiller, John H. Ottemiller's index to plays in collections: An author and title index to plays appearing in collections published between 1900 and 1985. 7th ed. Metuchen, N.J: Scarecrow Press, 1988.

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41

López, Josefina. Simply Maria, or, The American dream: A one-act play. Woodstock, Ill: Dramatic Pub., 1996.

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42

Love, Harry. Hūrai. Wellington, Aotearoa, N.Z: Steele Roberts, 2011.

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43

Kyzytse mariĭ pʹese. Ĭoshkar-Ola: Mariĭ Ėl Respublikyn tu̇vyra, pechatʹ da kalyk koklase pasha shotyshto ministersvyzhe, Respublikyse kalyk ustalyk ru̇der, 2007.

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44

Tebar, Pedro Lopez. Drama de Maria. Independently Published, 2020.

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45

Schiller, Friedrich, Martina Herrmann, and Hans Peter Herrmann. Grundlagen und Gedanken, Drama, Maria Stuart. Diesterweg, 1998.

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46

Hofer-Robinson, Joanna, and Beth Palmer, eds. Sensation Drama, 1860–1880. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439534.001.0001.

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Featuring previously unpublished material alongside famous plays,this pioneering edition provides access to some of the most popular plays of the nineteenth century. Characterised by exhilarating plots, large-scale special effects and often transgressive characterisation, these dramas are still exciting for modern readers. This anthology lays the foundation for further scholarly work on sensation drama and focuses public attention on to this influential and immensely popular genre.It features five plays from writers including Dion Boucicault and Mary Elizabeth Braddon. These are supported by a substantial critical apparatus, which adds further value to the anthology by providing rich details on performance history and textual variants. The critical introduction situates the genre in its cultural context and argues for the significance of sensation drama to shifting theatrical cultures and practices.
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47

Maria Stuart. Suhrkamp Verlag, 2011.

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48

Mpenyana, M. B., and C. M. Lubisi. Ndzi Ta Swi Byela Mani? (Radio Drama). Nasou / Via Afrika, 2003.

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49

Hugo, Victor. Maria de Inglaterra: Drama en Taes [sic] Jornadas... Creative Media Partners, LLC, 2023.

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50

Britland, Karen. Drama at the Courts of Queen Henrietta Maria. Cambridge University Press, 2009.

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