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Dissertations / Theses on the topic 'Mari fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2024

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1

Weatherford, Anna Christine. "Mari When It's Light Out and Other Stories." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/1382.

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These stories all take place in the city of Riverside, California. In each story, the narrator or characters struggle with the complicated push/pull that they feel towards their home--be that a home defined by place, memory, another person, or something found within themselves.

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2

Nakata, Kaori. "The room of sweet honey : the adult Shôjo fiction of Japanese novelist Mori Mari /." Connect to resource, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1192480867.

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3

Nakata, Kaori. "The Room of Sweet Honey: the adult Shôjo fiction of Japanese novelist Mori Mari (1903-1987)." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1192480867.

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4

Doran, Kristin J. "Matute's Short Fiction: Metaphorical Journals of Trauma." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/195680.

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Renowned Spanish author, Ana Maria Matute, lived through the violent and uncertain years of the Spanish Civil War (1936-1939) and the Franco dictatorship (1939-1975) that followed. Her writing is a reflection of the dysfunctional society that was left in the wake of decades of social upheaval and it serves as a greater metaphor for the national identity crisis Spain experienced in the 20th Century. The intent of this study is to demonstrate how trauma and memory influence individual and national identity formation in selected short stories by Matute. Little study has been done on the role of

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5

Burgess, Elizabeth. "Understanding interactive fictions as a continuum : reciprocity in experimental writing, hypertext fiction, and video games." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/understanding-interactive-fictions-as-a-continuum-reciprocity-in-experimental-writing-hypertext-fiction-and-video-games(5202be2d-db6d-4791-aa53-004072ffa4a7).html.

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This thesis examines key examples of materially experimental writing (B.S. Johnson’s The Unfortunates, Marc Saporta’s Composition No. 1, and Julio Cortázar’s Hopscotch), hypertext fiction (Geoff Ryman’s 253, in both the online and print versions), and video games (Catherine, L.A. Noire, The Elder Scrolls IV: Oblivion, and Phantasmagoria), and asks what new critical understanding of these ‘interactive’ texts, and their broader significance, can be developed by considering the examples as part of a textual continuum. Chapter one focuses on materially experimental writing as part of the textual c

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6

Lavoie, Marie-Renée. "Maria Chapdelaine, part II, la fiction contre le mythe." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0004/MQ44692.pdf.

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7

Knutsson, Emma. "Wollstonecraft's Mary and Maria: Creating Feminist Propaganda through Fiction." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27164.

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This essay attempts to define Mary Wollstonecraft’s Mary: A Fiction and Maria or The Wrongs of Woman as early feminist propaganda from its historical perspective. Initially, feministic values as well as propaganda are connected to the eighteenth century with the help of contemporary scholars. These theories are then applied on Wollstonecraft’s Mary: A Fiction and Maria or the Wrongs of Woman, in order to establish these as propaganda. The conclusion reached is that Wollstonecraft had a political and feminist aim when writing her novels as there are many similarities between Mary: A Fiction an

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8

Dale, Daniel. "Beyond the Textual: Multimodal Print Fiction, Postmodernism, and Digital Literacies." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522319323132118.

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9

Anderson, Robyn Lisa, and n/a. "The decolonisation of culture, the trickster as transformer in native Canadian and Maori fiction." University of Otago. Department of English, 2003. http://adt.otago.ac.nz./public/adt-NZDU20070508.145908.

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The trickster is a powerful figure of transformation in many societies, including Native Canadian and Maori cultures. As a demi-god, the trickster has the ability to assume the shape of a variety of animals and humans, but is typically associated with one particular form. In Native Canadian tribes, the trickster is identified as an animal and can range from a Raven to a Coyote, depending on the tribal mythologies from which he/she is derived. In Maori culture, Maui is the trickster figure and is conceptualised as a human male. In this thesis, I discuss how the traditional trickster is contexua

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10

Gagnon, Daniel. "Lettres de Claude Martin à sa mère Marie de l'Incarnation : fiction et essai." Thèse, Université de Sherbrooke, 1994. http://hdl.handle.net/11143/10362.

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Mon projet de roman est de reconstituer fictivement les lettres perdues de Claude Martin (1619-1696) à sa mère Marie de l’Incarnation (1599- l 672. Malgré son désir de devenir religieuse, Marie Guyart est mariée à 17 ans à Claude Martin, maître ouvrier en soie à Tours. Le 2 avril 1619, elle met au monde un petit garçon. Six mois plus tard, Marie Guyart-Martin devient veuve. Elle refuse de se remarier. Comme elle approche de la trentaine, elle aspire de plus en plus à la vie religieuse. 1- Marie confie son fils Claude, âgé de 11 ans, à sa soeur et à son beau-frère et se cloître. Elle dira se «f

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11

Green, Dawn. "Imagining the past [electronic resource] : contemporary Italian women's historical fiction /." Full text available, 2001. http://images.lib.monash.edu.au/ts/theses/greend.pdf.

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12

Oliveira, Mônica Castelo Branco de. "Going for the jugular : strategies of resistance in the fiction of Helena Maria Viramontes." Universidade do Estado do Rio de Janeiro, 2006. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4263.

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O objetivo desta dissertação é analisar contos selecionados e o romance Under the Feet of Jesus da escritora chicana Helena María Viramontes, enfocando a apropriação de mitos astecas e lendas mexicanas protagonizados por figuras femininas, históricas ou míticas, como La Manlinche, La Llorona e The Hungry Woman. Esta re-visão crítica do passado tem um papel vital para as chicanas, reais e ficcionais, ao enfrentarem o domínio patriarcal, colonial e neocolonial. Devido à complexidade gerada pela ausência de linearidade narrativa, tanto nos contos como no romance, tornou-se necessária uma breve an

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13

Gomez-Vidal, Elvire. ""Conversación en La Catedral" de Mario Vargas Llosa : de l'ordre du récit au roman secret de la fiction." Bordeaux 3, 1996. http://www.theses.fr/1996BOR30004.

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La lecture "litterale" du texte revele un univers romanesque regi par ses propres codes et nettement detache d'une realite de reference dont il pretendait pourtant rendre compte. En partant du titre conversacion en a catedral considere comme un rigoureux programme de lecture et l'ecriture, l'etude de la structure romanesque fait apparaitre un edifice textuel labyrinthique mais meticuleusement agence dont la cle de voute est le meurtre de la "muse". Le lecteur, grace a des mises en abyme successives, est mis en demeure de participer a la decouverte de la signifiance du monde romanesque. Son dec

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14

Hampshire, Angharad. "Ordinary Women? Writing the Female Camp Guard in Fiction (an exegesis) and The Mare (a novel)." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25050.

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According to Nazi statistics, in 1945, approximately 10% of concentration and death camp guards were women. And yet, the Aufseherin, or female camp guard, is barely there in both Holocaust historiography and literature. This is due to their relatively low numbers, gendered readings of the Holocaust, including the post-war categorisation of all women as victims of National Socialism, as well as reluctance to examine female perpetration. This reluctance extends into fiction, which has tended to focus on Holocaust victims not perpetrators due to a long-held belief that it’s unseemly at best, unet

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15

Gorbina, Nataliya [Verfasser], Christiane Maria [Akademischer Betreuer] Binder, and Gerold [Gutachter] Sedlmayr. "The ekphrastic gaze in British postmodern fiction / Nataliya Gorbina ; Gutachter: Gerold Sedlmayr ; Betreuer: Christiane Maria Binder." Dortmund : Universitätsbibliothek Dortmund, 2020. http://d-nb.info/1214887643/34.

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16

Allan, Marc. "Dr. Mengelt." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/502.

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An obstetrician implants microchips in the babies he delivers so he can track their movements when they get older. The doctor is a white supremacist and determined to find evidence that supports his twisted vision of racial distinction. Eighteen years after his first implantations, two of the children he worked with commit a particularly brutal murder. The doctor turns them in anonymously and quickly becomes a kind of folk hero. But after a relentless New York Daily News reporter finds out how the murderers were identified, the doctor becomes a man on the run.

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17

Johnston, Elizabeth. "Competing fictions eighteenth-century domestic novels, women writers, and the trope of female rivalry /." Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4149.

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Thesis (Ph. D.)--West Virginia University, 2005.<br>Title from document title page. Document formatted into pages; contains v, 297 p. Vita. Includes abstract. Includes bibliographical references (p. 283-294).

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18

Barfoot, Nicola. "Frauenkrimi : generic expectations and the reception of recent French and German crime novels by women = Polar féminin /." Frankfurt am Main [u.a.] : Lang, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015744779&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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19

Jacques, Guy. "Chut, les amoureux! les échos du silence dans la nouvelle littéraire (essai et fiction) /." [S.l. : s.n.], 2008.

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20

CRINITI, STEPHEN FRANCIS. "NAVIGATING THE TORRENT: DOCUMENTARY FICTION IN THE AGE OF MASS MEDIA." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1189530451.

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21

Lagerqvist, Anna. "”Shouldn’t I be in your position?” : En studie av klass och kön i Marie Lus Legendtrilogi." Thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105846.

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Syftet med uppsatsen är att studera de två huvudkaraktärerna i Marie Lus Legendtrilogi för att undersöka om och i så fall hur deras egenskaper är formade av deras klass- och könstillhörighet, vad som möjliggör eller orsakar deras klassresor samt hur de påverkas av att röra sig mellan olika samhällsklasser. Studiens teoretiska utgångspunkt är att det inte enbart går att analysera en maktordning utan att även ta hänsyn till andra maktordningar. Jag har utgått ifrån Maria Nikolajevas uppställning av stereotypt manliga och kvinnliga egenskaper, Roberta Seelinger Trites teorier om hur makt fungerar

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22

Bérard, Catherine. "Le personnage de Sindbad le Marin études, analyses et critiques /." [S.l.] : [s.n.], 2002. http://www.enssib.fr/bibliotheque/documents/dessid/rrbberard.pdf.

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23

Savariaud, Christine. "Traduction et réception de la fiction hispano-américaine en France et aux Pays-Bas entre 1960 et 1973." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040098.

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A partir des années 1960, la fiction hispano-américaine connaît un essor sans précédent, auquel la critique littéraire internationale a donné le nom très contesté de boom. Le principal problème de ce terme est qu’il renvoie à un phénomène touchant à la fois la production et la diffusion de la littérature hispano-américaine.Notre travail prose une relecture du phénomène à travers l’étude de la traduction et de la réception de Julio Cortázar, Carlos Fuentes, Gabriel García Márquez et Mario Vargas Llosa en France et aux Pays-Bas entre 1960 et 1973.En retraçant l’historique des premières traductio

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24

Fleischhack, Maria [Verfasser]. "Narrating Ancient Egypt : The Representation of Ancient Egypt in Nineteenth-Century and Early-Twentieth-Century Fantastic Fiction / Maria Fleischhack." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/1080456961/34.

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25

Belanger, Jacqueline E. "Educating the reading public : British critical reception of the Irish fiction of Maria Edgeworth and Lady Morgan, 1800-1830." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300951.

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26

Little, Jean A. "Poe's Entangled Fiction: Quantum Field Theory in "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt"." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6009.

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When seen among the constellation of Edgar Allan Poe's works culminating in Eureka, "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt," take on an important role as vehicles for scientific contemplation. Similar to early quantum physicists, such as Einstein and Schrödinger, Poe uses macro-level analogies to explore the unity of individual entities, which becomes an important tenet of his explanation of the universe. His thought experiments also resemble those of modern physics in their approach to reality as probabilistic, an idea that finds its echo in quantum field theory, whic

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27

Garvey, Brenda. "The dynamics of time and space in recent French fiction : selected works by Annie Ernaux, Patrick Modiano, Jean Echenoz and Marie Darrieussecq." Thesis, University of Chester, 2018. http://hdl.handle.net/10034/621585.

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This thesis investigates the ways in which literary texts negotiate spatio-temporal movements and how, through the nature of narrative, they may offer models for expressing the lived experience of time and place. The theoretical framework traces developments in philosophies of time and space beginning with Henri Bergson’s concepts of duration and simultaneity. The desire to portray both of these informs Gilles Deleuze’s study of cinema to produce his writings on the image-temps and image-mouvement which highlight the constant change undergone in moving through space and time which he defines a

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28

Martins, de Carvalho Adilia Cristina Ferreira Castro. "Lecture des marges dans les oeuvres de Maria Velho da Costa et Teolinda Gersão." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030032/document.

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Les textes de Maria Velho da Costa et de Teolinda Gersão sont habités par des paysages, des archétypes et des autoréflexivités configurés dans des marges, lieux périphériques, qui révèlent simultanément la place centrale occupée par le sujet féminin. La notion de paysage, matière de la première partie de cette étude, s’articule avec celle d’archétype (de relation archétypique) et d’autoréflexivité, notions traitées respectivement dans la deuxième et troisième parties, à travers - une coordonnée commune - l’espace envisagé sous les trois aspects suivants : le physique, le social et le mental. L

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29

Huber, Christina Maria [Verfasser], and Peter Paul [Akademischer Betreuer] Schnierer. "Will Spook You For Real. Inspiring Societal Anxieties in Popular Forms of Fiction / Christina Maria Huber ; Betreuer: Peter Paul Schnierer." Heidelberg : Universitätsbibliothek Heidelberg, 2017. http://d-nb.info/1180737768/34.

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Heidingsfelder, Marie Verfasser], Thomas [Gutachter] Düllo, and Martina [Gutachter] [Schraudner. "Zukunft gestalten Design Fiction als Methode für partizipative Foresight-Prozesse und bidirektionale Wissenschaftskommunikation / Marie Heidingsfelder ; Gutachter: Thomas Düllo, Martina Schraudner." Berlin : Universität der Künste Berlin, 2018. http://d-nb.info/1203555091/34.

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31

Schmukler, Enrique. "Fictions en quête d'auteurs : figures d'auteur chez César Aira, Roberto Bolaño, Mario Bellatin et Enrique Vila-Matas." Paris 8, 2012. http://www.theses.fr/2012PA083867.

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Après la mort de l’auteur et à une époque où la figure de l’auteur prend souvent le relais, les fictions littéraires de César Aira (Argentine, 1949), de Mario Bellatin (Mexico, 1960), de Roberto Bolaño (Chili, 1953-2003) et d’Enrique Vila-Matas (Espagne, 1948) partagent un trait essentiel, celui de mettre en amont une réflexion autour de la création littéraire. C’est ainsi que leurs fictions s’engagent à interroger et à dévier l’histoire littéraire (en imaginant, par exemple, une autre histoire possible qui entraîne à son tour une logique toute différente) et encore à créer des figures d’auteu

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32

Barreiro, Idegar Alves [UNESP]. "O narrador e a presença da sátira menipéia em The adventures of Tom Sawyer." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/94122.

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Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-07-26Bitstream added on 2014-06-13T18:07:46Z : No. of bitstreams: 1 barreiro_ia_me_assis.pdf: 2278877 bytes, checksum: 4c4bea83dd40428a92a61112081fe584 (MD5)<br>Secretaria da Educação<br>Nossa pesquisa busca verificar a presença da sátira menipéia na obra The Adventures of Tom Sawyer de Mark Twain e discutir a atuação do narrador na mesma. É uma obra aparentemente elaborada para jovens, mas também tece críticas às normas pré-estabelecidas e abarca fantasia e humor inserindo-se nas caracterí

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33

Lagouarde, Clément. "Le "pour de vrai" et le "vrai" en art performance : fiction vs trace." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30017/document.

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L’art performance est un art contemporain difficile à définir. Néanmoins il peut se décrire par l’action d’un artiste de performance qui, à la différence du théâtre traditionnel, se présente lui-même devant un public, s’infligeant parfois de véritable blessure. Cet art questionne le « pour de vrai » et le « vrai ». En le comparant au théâtre il semble moins fictif car les blessures est le sang sont « vrais », et sa trace (captations vidéos, captations sonores, photographies, objets, croquis, écrits, etc.) le prouve. La fiction et la trace paraissent opposées, là où la première est une inventio

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Colombo, Natalia Ruggiero 1987. "Exílio, ficção e memória em Mario Benedetti : uma leitura introdutória." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269976.

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Orientador: Francisco Foot Hardman<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-23T18:57:06Z (GMT). No. of bitstreams: 1 Colombo_NataliaRuggiero_M.pdf: 761892 bytes, checksum: bc7a3657d7d4d8ff081dbab511eb3e7f (MD5) Previous issue date: 2013<br>Resumo: Este trabalho pretende investigar as relações entre realidade e ficção em Mario Benedetti debruçando-se, para isso, sobre três romances do autor - Primavera con una esquina rota (1982), La borra del café (1992) e Andamios (1996) - cuja temática principal

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35

Vasil, Christina Jane. "Ann-Marie MacDonald in the context of Hugh MacLennan and Alistair MacLeod, gender formation in three Cape Breton writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0026/MQ33830.pdf.

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Beth, Marc. "We Are Not Alone." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237768652.

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Neidenbach, Elizabeth Clark. "The Woman, the Legend, the Power: Fictional Representations of Marie Laveau in Twentieth-Century Literature." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539626474.

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Robitaille, Marie-Ève. "Les princesses n'existent pas ; : suivi de Le conflit narratif dans les textes de fiction." Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/18982.

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Lepage, Pascale. ""L'effarement du réel" : étude des lieux de tension entre réalité et fiction dans les récits de Marie-Sissi Labrèche et d'Annie Ernaux." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28396/28396.pdf.

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Bentley, Trevor William. "Images of Pakeha-Māori: A Study of the Representation of Pakeha-Māori by Historians of New Zealand From Arthur Thomson (1859) to James Belich (1996)." The University of Waikato, 2007. http://hdl.handle.net/10289/2559.

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This thesis investigates how Pakeha-Māori have been represented in New Zealand non-fiction writing during the nineteenth and twentieth centuries. The chronological and textual boundaries range from Arthur Thomson's seminal history The Story of New Zealand (1859) to James Belich's Making Peoples (1996). It examines the discursive inventions and reinventions of Pakeha-Māori from the stereotypical images of the Victorian era to modern times when the contact zone has become a subject of critical investigation and a sign of changing intellectual dynamics in New Zealand and elsewhere. This thesis i

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Adam, Marie-Hélène [Verfasser], and A. [Akademischer Betreuer] Böhn. "Technikutopien und Genderkonzepte. Populärkulturelle Repräsentationen von Geschlecht in Science-Fiction-Filmen und -Fernsehserien als Prozess ambivalenter Bedeutungskonstruktion / Marie-Hélène Adam ; Betreuer: A. Böhn." Karlsruhe : KIT-Bibliothek, 2021. http://d-nb.info/1229514678/34.

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42

Volz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.

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There are many factors that contributed to the proliferation of visual codes, metaphors and references to the gendered gaze in women's fiction of the late-eighteenth and early-nineteenth centuries. This thesis argues that the visual details in women's novels published between 1778 and 1815 are more significant than scholars have previously acknowledged. My analysis of the oeuvres of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney shows that visuality — the nexus between the verbal and visual communication — provided them with a language within language capable of circumventing the

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Patrocinio, Gabriela Trevizo Gamboni. "Ana Maria Machado: da criação ficcional à crítica: o valor da leitura literária." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/14741.

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Made available in DSpace on 2016-04-28T19:58:53Z (GMT). No. of bitstreams: 1 Gabriela Trevizo Gamboni Patrocinio.pdf: 1106684 bytes, checksum: bd1c0b652f87602ffe80a50a0ec5dda2 (MD5) Previous issue date: 2014-08-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This essay proposes to establish, in Ana Maria Machado s books, the relation between writings and literacy criticism of the author, showing how both of them are based on similar aspects, revealing a literary project, ruled by the importance of literary reading. In order to do it, we are going to approach how criticis

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Martins, de Carvalho Adilia Cristina. "Lecture des marges dans les oeuvres de Maria Velho da Costa et Teolinda Gersão." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00978569.

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Les textes de Maria Velho da Costa et de Teolinda Gersão sont habités par des paysages, des archétypes et des autoréflexivités configurés dans des marges, lieux périphériques, qui révèlent simultanément la place centrale occupée par le sujet féminin. La notion de paysage, matière de la première partie de cette étude, s'articule avec celle d'archétype (de relation archétypique) et d'autoréflexivité, notions traitées respectivement dans la deuxième et troisième parties, à travers - une coordonnée commune - l'espace envisagé sous les trois aspects suivants : le physique, le social et le mental. L

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Carlini, Versini Dominique. "Le Corps-frontière : figures de l'excès dans les fictions de Marie Darrieussecq, Virginie Despentes, Laurence Nobécourt et Marina de Van." Thesis, University of Kent, 2018. https://kar.kent.ac.uk/69465/.

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De, Wet Michelle. "Fiction en tant qu histoire: une etude de l evolution des roles de la femme dans le vingtieme siecle dans le roman La Poussiere des Corons par Marie-Paul Armand." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008392.

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Georges Duby and Michelle Perrot’s work, Histoire des femmes en Occident, Antoine Prost and Gérard Vincent’s work A History of Private Life as well as Chantal Antier’s work Les Femmes dans la Grande Guerre and Carol Mann’s work Femmes dans la Guerre, show that women have been largely ignored in the annals written about the twentieth century. This period was one marked by two World Wars, which had an enormous impact on women, especially in terms of their roles in society. These events resulted in women moving from the home to the world of work. These writers acknowledge that women in the twenti

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Carter, Ellen Angharad. "Inside job ? : how cultural outsiders write, translate, and read cross-cultural crime fiction." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0134.

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Cette thèse combine l’approche des études cognitives et culturelles ainsi que de la traductologie afin d’examiner l’écriture, l’édition, la traduction et la réception internationale des romans policiers interculturels, en prenant comme modèle deux romans qui se déroulent en Nouvelle-Zélande par le romancier français Caryl Férey, Haka (1998) et Utu (2004). Nous situons d’abord Férey par rapport aux polars français du pacifique sud et aux polars néo-zélandais, et nous montrons que ses livres en diffèrent de façon significative, surtout à cause de son choix d’écrire de l’intérieur de la Nouvelle-

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Turon, Mejías Ma Àngels. "La tradición judía y la narración en la pintura de Marc Chagall." Doctoral thesis, Universitat de Girona, 2014. http://hdl.handle.net/10803/145861.

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Among the many readings of this painter, I try to draw up a narrative reading of his work, taking into account the Jewish tradition in which both his biography and his artistic work were deeply involved. Once I have discussed this point in the first part of my doctoral thesis, I suggest the possibility of developing a hermeneutic narrative in painting, with the help of other contributions. Chagall is an artist who passes on and expresses experiences, recreates moments of his childhood, constantly expressing love for his hometown, Vitebsk; he narrates building and making fiction of images and p

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Wyrill, Beth Alexandra. "The interface of history and fiction in Russel Brownlee’s Garden of the plagues, Ingrid Winterbach’s To hell With Cronjé, and Etienne van Heerden’s The long silence of Mario Salviati." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015517.

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Both historiographical and literary practices have undergone revision in recent years in attempting to address the inheritance of nineteenth-century realism. Since the object of realist stylistics, employed in both the writing of fiction and history, is to render authorship authoritative or even invisible, the ideological import of these narratives is often such that the constructedness of the historical record and its absences are veiled. In developments beginning in the 1980s with the advent of ‘New Historicism’ and with the emergence of postmodern literary techniques, the interface of liter

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McElwee, Johanna. "The Nation Conceived : Learning, Education, and Nationhood in American Historical Novels of the 1820s." Doctoral thesis, Uppsala University, Department of English, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6226.

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<p>This study explores the role of learning and education in American historical fiction written in the 1820s. The United States has been, and still is, commonly considered to be hostile to scholarly learning. In novels and short stories of the 1820s, however, learning and education are recurrent themes, and this dissertation shows that the attitudes to these issues are more ambivalent than hitherto acknowledged. The 1820s was a period characterized by a political struggle, expressed as a battle between intellectuals, represented by the sitting president, John Quincy Adams, a Harvard professor

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