Academic literature on the topic 'Maria delle Grazie (Este, Italy)'

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Journal articles on the topic "Maria delle Grazie (Este, Italy)"

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Ventura, Luca, Mirko Traversari, Gianni D'Altri, Luca Castellani, Mattia Ianella, and Ilaria Vaccarelli. "Mumije u crkvi Santa Maria Delle Grazie, Calascio." Collegium antropologicum 46, no. 4 (2022): 295–99. http://dx.doi.org/10.5671/ca.46.4.5.

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The inner Abruzzo region, corresponding to the province of L’Aquila, is a land of mountains and highlands in central Italy. Its environmental conditions greatly foster spontaneous mummification, and the area is well known for the human mummies found in the last decades. We present a newly discovered collection of mummified remains in the village of Calascio, located 1,210 meters above sea level, near Gran Sasso Mountain. Here, the Franciscan convent of Santa Maria delle Grazie was built in 1594. The preliminary survey of a crypt in the conventual church allowed us to observe wooden coffins wit
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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o
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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o
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Aiello, Damiano, and Cecilia Bolognesi. "Reliving history: the digital reconstruction of the convent of Santa Maria delle Grazie in Milan." Virtual Archaeology Review 11, no. 23 (2020): 106. http://dx.doi.org/10.4995/var.2020.13706.

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<p class="VARAbstract">Can we preserve cultural heritage and, consequently, the memory of the past? To answer this question, one should look at the digital revolution that the world has gone through in recent decades and analyse the complex and the dialectical relationship between cultural heritage and new technologies. Thanks to these, increasingly accurate reconstructions of archaeological sites and historical monuments are possible. The resulting digital replicas are fundamental to experience and understand cultural heritage in innovative ways: they have complex and dynamic relationsh
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Privitera, Antonella, Maria Francesca Alberghina, Elèna Privitera, and Salvatore Schiavone. "Multispectral Imaging and p-XRF for the Non-Invasive Characterization of the Anonymous Devotional Painting ‘Maria Santissima delle Grazie’ from Mirabella Imbáccari (Sicily, Italy)." Heritage 4, no. 3 (2021): 2320–36. http://dx.doi.org/10.3390/heritage4030131.

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This work presents the results of the in situ, non-invasive diagnostic investigations performed on the canvas oil painting depicting Madonna and Child, venerated as ‘Maria Santissima delle Grazie’ by the local religious community. The work of art (72 cm × 175 cm) is located on the high altar of the main Church in Mirabella Imbáccari, near Catania (Sicily, Italy). The painter is anonymous, and the supposed dating is the late eighteenth century. Although the painting has never been studied before, it has been attributed to a Sicilian workshop in the literature, raising the doubts of the art hist
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Salvatori, Elisabetta, Chiara Gentile, Antonella Altieri, Fabio Aramini, and Fausto Manes. "Nature-Based Solution for Reducing CO2 Levels in Museum Environments: A Phytoremediation Study for the Leonardo da Vinci’s “Last Supper”." Sustainability 12, no. 2 (2020): 565. http://dx.doi.org/10.3390/su12020565.

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This work investigates the possibility of implementing a nature-based solution (NBS) based on the photosynthetic process of Laurus nobilis L. (common laurel), for reducing peak CO2 concentrations in an air-tight museum environment, namely the Refectory of the Santa Maria delle Grazie Church (Milan, Italy), home of Leonardo da Vinci’s painting “Last Supper”. The phytoremediation potential of laurel plants was evaluated at CO2 ≅ 1000 ppm under controlled environmental conditions. Furthermore, light-saturated net assimilation (Pnmax) was measured at two CO2 concentrations (380 and 1000 ppm) durin
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Custodi, Alberto, and Nicola Santopuoli. "Modeling and Design of the Restoration and Seismic Strengthening of the Sanctuary of Santa Maria Delle Grazie at Fornò under New Italian Rules NTC 2018." Key Engineering Materials 817 (August 2019): 650–58. http://dx.doi.org/10.4028/www.scientific.net/kem.817.650.

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The Sanctuary of “Santa Maria delle Grazie” at Fornò is in the countryside near Forlì (Italy). The first edification time was in 1450, the today's configuration was reached at the beginning of the sixteenth century, due to various modifications: from static necessities to changes in tastes related to the time, as well as natural disasters and war damage. From a structural point of view, the Sanctuary is constituted by two masonry cylinders, without horizontal floors in elevation: the exterior cylinder around 33m diameter and 15m in height, with four semicircular niches protruding outwardly;
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Arpioni, Maria Pia. "Lo sguardo sul paesaggio nella fotografia di Giovanni Pasinato // The Look into Landscape in the Photography of Giovanni Pasinato // La mirada sobre el paisaje en la fotografia de Giovanni Pasinato." Ecozon@: European Journal of Literature, Culture and Environment 6, no. 1 (2015): 73–96. http://dx.doi.org/10.37536/ecozona.2015.6.1.639.

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Il saggio presenta il lavoro di un giovane fotografo del Nord Est italiano, Giovanni Pasinato (Venezia 1974-), attraverso l’analisi della sua opera e un’intervista all’autore, impegnato in un’attività dalle consistenti valenze cognitive ed etiche, ascrivibile alla Scuola italiana di fotografia del paesaggio (Luigi Ghirri, Guido Guidi, Giovanni Chiaramonte), ma dotata di tratti originali in forte sviluppo. Il contributo intende mostrare come la fotografia di Pasinato—dalle esplorazioni del “terzo paesaggio” lungo strade e autostrade, alla ricerca condotta sulle scene urbane di Treviso e Venezia
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Kohls-Santos, Pricila, and Marília Costa Morosini. "Trilha para internacionalização em casa: Brasil-Colômbia em espaços não formais (Trail to internationalization at home: Brazil-Colombia in non-formal spaces)." Revista Eletrônica de Educação 15 (November 30, 2021): e4884048. http://dx.doi.org/10.14244/198271994884.

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e4884048One of the impacts of the pandemic caused by Covid-19 is the decrease in internationalization via academic mobility and the need to consolidate other forms of internationalization, such as “internationalization at home” – IaH. In this context, this article discusses an internationalization experience between Brazil and Colombia, with the aim of offering subsidies to the concept of internationalization at home. To reach the proposed objective, qualitative research was carried out, through a case study, in the discipline of Education in Non-Formal Spaces, in a community university. The e
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Tulić, Damir. "Nepoznati anđeli Giuseppea Groppellija u Zadru i nekadašnji oltar svete Stošije u Katedrali." Ars Adriatica, no. 6 (January 1, 2016): 155. http://dx.doi.org/10.15291/ars.182.

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As the former capital of Dalmatia, Zadar abounded in monuments produced during the 17th and 18th century, especially altars, statues, and paintings. Most of this cultural heritage had been lost by the late 18th and the first decades of the 19th century, when the former Venetian Dalmatia was taken over by Austrian administration, followed by the French and then again by the Austrian one. Many churches were closed down, their furnishings were sold away or lost, and the buildings were either repurposed or demolished. One of them had been home to two hitherto unpublished angels-putti located on th
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Books on the topic "Maria delle Grazie (Este, Italy)"

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Mario, Frassineti, ed. Santa Maria delle Grazie. F. Motta, 1998.

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Cenci, Letizia. L'ultima cena: Leonardo in Santa Maria delle Grazie. Libreria dello Stato, Istituto poligrafico e Zecca dello Stato, 2003.

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Roberto, Cecchi, and Mulazzani Germano, eds. Il cenacolo e Santa Maria delle Grazie. Electa, 1986.

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Conforti, Generoso. Il Convento di Santa Maria delle Grazie di Roccadaspide. ARCI Postiglione, 2007.

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Laura, Moroni Maria, Astolfi Roberto, and Istituto d'arte "Orneore Metelli" di Terni., eds. La chiesa di Santa Maria delle Grazie in Terni. Edizioni Thyrus, 2009.

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Segattini, Roberto. Santa Maria delle Grazie a Gravedona: Restauri e scoperte. Nodolibri, 2021.

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Comes, Federica. Santa Maria delle Grazie a Milano: Lavori di restauro e manutenzione, 2015-2020. Il prato, 2021.

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Barcilon, Pinin Brambilla. Le lunette di Leonardo nel refettorio delle Grazie. Olivetti, 1990.

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Italy) Santa Maria delle Grazie (Church : Milan. Una stanza ritrovata: Il restauro della piccola sacrestia di Santa Maria delle Grazie. Electa, 2006.

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Friello, Antonio. Il Convento di Santa Maria delle Grazie di Caiazzo: Storia, architettura e restauro. Aracne editrice, 2019.

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Book chapters on the topic "Maria delle Grazie (Este, Italy)"

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Garozzo, Raissa, Carmelo Pino, Cettina Santagati, and Concetto Spampinato. "Harnessing the Power of Artificial Intelligence for Modelling and Understanding Cultural Heritage Data." In Impact of Industry 4.0 on Architecture and Cultural Heritage. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1234-0.ch015.

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This chapter combines traditional artificial intelligence (AI) concepts, i.e., computational ontologies, with more recent trends, i.e., deep learning for content-based semantic retrieval in Cultural Heritage. More specifically, the proposed AI-empowered system employs computational ontologies for modelling photographs of religious historical buildings. The ontology, besides supporting data-modelling and concept-level annotation, guides a learning process – implemented through Convolutional Neural Network (CNN) – for automated image categorization and retrieval. The whole system has been tested
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Najemy, John M. "Sins of Princes." In Machiavelli's Broken World. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780199580927.003.0002.

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Chapter 2 surveys Machiavelli’s critical assessment of Italy’s princes and republics. He faults Venice for insatiable ambition for expansion without adequate arms. He criticizes Florence for inconsistent policies in its regional dominion, which produced the rebellions of Pisa (1494) and Arezzo (1502). Florentine policy in Italy he saw as controlled by private interests after Cosimo’s controversial decision to abandon Venice and support Francesco Sforza. The Milanese duchy under the Visconti and Sforza was frequently beset by succession crises and family rivalries. Machiavelli faults Sforza (be
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Conference papers on the topic "Maria delle Grazie (Este, Italy)"

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Colica, Emanuele, Giovanni Leucci, Giorgio Rizzo, et al. "GPR and passive seismic investigations in the church of Santa Maria delle Grazie at Campi Salentina (Lecce, Italy)." In 2021 11th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2021. http://dx.doi.org/10.1109/iwagpr50767.2021.9843185.

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