Relevant bibliographies by topics / Maria Helena

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Maria Helena'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Maria Helena"

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Cruz, Silvia Helena Vieira. "Maria Helena Patto, minha orientadora." Psicologia USP 22, no. 3 (September 2011): 529–50. http://dx.doi.org/10.1590/s0103-65642011005000026.

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O encontro com a professora Maria Helena Patto na graduação em Psicologia influenciou profundamente as minhas opções teóricas, profissionais e políticas. As suas ideias e posições, que me impressionaram nesse momento, adquiriram mais sentido ao longo da sua orientação da minha dissertação de mestrado e tese de doutorado. Na dissertação, ouvi um grupo de crianças pobres para acompanhar as transformações da representação de escola durante o seu primeiro ano nessa instituição. A tese investigou como a escola se apropriava do projeto Ciclo Básico, buscando compreender o processo de mudança em curso. Nesses trabalhos, ficou clara a necessidade de procurar apreender o ponto de vista dos sujeitos que integram as instituições educativas e situar os fatos historicamente, considerando as suas relações com o contexto socioeconômico, político e cultural. Também a capacidade de me indignar diante de situações que desrespeitam a dignidade humana são parte do meu aprendizado com a Maria Helena.
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Ramos, Rosangela Patriota, Rodrigo de Freitas Costa, and Thaís Leão Vieira. "Entrevista com Maria Helena Capelato." albuquerque: revista de história 12, no. 24 (December 26, 2020): 213–19. http://dx.doi.org/10.46401/ardh.2020.v12.12336.

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A professora Maria Helena Capelato contribuiu com o Dossiê Cultura e Democracia: convergências, conflitos e interesses públicos, por meio de entrevista online preparada pelos professores Rosangela Patriota, Thaís Leão Vieira e Rodrigo de Freitas Costa. O dossiê que tem como um dos objetivos colocar em análise a cultura política brasileira nos últimos anos, nos remete a uma pluralidade de discussões que envolve diferentes áreas do conhecimento acadêmico.
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Fausto Neto, Antonio, and Aline Weschenfelder. "Entrevista com Maria Helena Weber." InMediaciones de la Comunicación 14, no. 2 (December 27, 2019): 289. http://dx.doi.org/10.18861/ic.2019.14.2.2935.

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Motta, Maria Euchares. "Maria Helena Novaes: uma homenagem." Psicologia: Reflexão e Crítica 12, no. 1 (1999): 259–65. http://dx.doi.org/10.1590/s0102-79721999000100017.

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Coimbra, Cecília Maria Bouças. "Práticas de estranhamento, indignação e resistência." Psicologia USP 22, no. 3 (September 2011): 579–86. http://dx.doi.org/10.1590/s0103-65642011005000024.

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O presente texto aponta algumas das importantes contribuições trazidas por Maria Helena Souza Patto para a Psicologia e a Educação em nosso país, em especial através de seu último livro, Exercícios de Indignação. Afirma-se ali não só a pesquisadora competente e cuidadora, a professora requisitada e respeitada, mas também a mulher solidária, amiga, acolhedora e indignada que indaga, estranha e coloca em análise o que vem sendo considerado como natural. São muitas e múltiplas Marias aqui apresentadas por uma de suas alunas da Pós-graduação da USP em 1988. Em especial toma relevo neste texto a prática cotidiana da resistência que os escritos de Maria Helena enfatizam. Resistência não como simples reação, mas como criação, produção de rupturas e afirmação de outras lógicas, de outras realidades. Essa é uma das múltiplas Marias aqui presentes.
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Garcez, Maria Helena Nery. "Poemas de Maria Helena Nery Garcez." Linha D'Água, no. 9 (April 14, 1995): 81. http://dx.doi.org/10.11606/issn.2236-4242.v0i9p81-83.

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Silva, Terezinha, Daiane Bertasso, and Carlos Augusto Locatelli. "Comunicação pública e jornalismo em tempos antidemocráticos." Estudos em Jornalismo e Mídia 17, no. 1 (June 18, 2020): 217–27. http://dx.doi.org/10.5007/1984-6924.2020v17n1p217.

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Ferreira, José Ribeiro. "In Memoriam Maria Helena da Rocha Pereira Paradigma de cidadã e de dedicação ao ensino e à cultura." Humanitas 69 (July 11, 2017): 171–75. http://dx.doi.org/10.14195/2183-1718_69_8.

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Fedorovič, Irena. "“Z zawodu i zamiłowania jestem przede wszystkim rolniczką”. Nieznana korespondencja Marii Rodziewiczówny z 1908 roku — przyczynek do życiorysu pisarki." Slavistica Vilnensis 63 (October 29, 2018): 285–96. http://dx.doi.org/10.15388/slavviln.2018.63.11856.

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Obiektem badań są dwie kartki pocztowe i dwa listy z 1908 r., adresowane do Heleny Hurynowicz, wysłane przez powieściopisarkę Marię Rodziewiczówną (1864–1944) z Norwegii oraz z Warszawy. Korespondencja ta została odnaleziona w zbiorach Litewskiego Archiwum Literatury i Sztuki (Lietuvos literatūros i meno archyvas, F43, ap. 1, b. 46) w Wilnie i zidentyfikowana w 2016 r. Dotyczy ona spraw związanych nie z literaturą, ale z życiem codziennym a nawet handlem. Adresatką kartek i listów jest bliżej nieznana Helena Hurynowicz, która, jak można się domyślić, na czas przebywania pisarki poza majątkiem rodzinnym, zastępowała ją w prowadzeniu majątku Hruszowa w guberni grodzieńskiej. „Iš pašaukimo ir meilės esu žemdirbė“. Nežinoma Marijos Rodzevičuvnos 1908 metų korespondencija – papildomi rašytojos biografijos duomenysStraipsnyje analizuojami iki šiol nežinomi rašytojos M. Rodzevičuvnos (1864–1944) korespondencijos objektai – du atvirukai ir du laiškai, parašyti iš Norvegijos ir Lenkijos (Varšuva) Helenai Hurynovič. Korespondencija buvo aptikta ir identifikuota 2016 m. Lietuvos literatūros ir meno archyve Vilniuje (F43, ap. 1, b. 46). Laiškų ir atvirukų tema neturi nieko bendro su literatūra, ji susijusi su buities ir prekybos reikalais. Helena Hurynovič, galima spėti, nepriklausė rašytojos artimųjų ratui; greičiausiai, Rodzevičuvnai laikinai išvykus, ji prižiūrėjo jos Hrušovos dvarą Gardino gubernijoje.Reikšminiai žodžiai: Marija Rodzevičuvna (Maria Rodziewiczówna), korespondencija, XX a. pr.
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Witter, Geraldina Porto. "Entrevista com a Profª Maria Helena Novaes." Psicologia Escolar e Educacional 1, no. 2-3 (1997): 83–87. http://dx.doi.org/10.1590/s1413-85571997000100012.

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Dissertations / Theses on the topic "Maria Helena"

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Buckles, Christina Marie. "The transnational feminist literature of Helena Maria Viramontes." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3269.

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In this thesis, I am interested in transnational feminist scholarship and dialogue. Through close readings of Helena Maria Viramontes's texts, I place her writing in conversation with several transnational feminist scholars and themes. I begin with home, a frequently discussed topic within transnational feminism, as the experiences of diasporic and migrant populations challenge the notion of home. I locate the multiple homes presented in Viramontes's texts, arguing that these homes are unreliable spaces for their residents. I then consider male characters and masculinity in Viramontes's stories, as these men significantly influence the homes of women. In Viramontes's later texts, some of these characters support the women in their lives, as well as embrace the multiplicity of masculinity. I also explore invisibility and hypervisibility, two themes which figure prominently within transnational feminism and Viramontes's texts. Viramontes makes visible women, workers, and youth, challenging their invisibility and hypervisibility. In my analysis, I include Viramontes's two novels, Under the Feet of Jesus (1995) and Their Dogs Came With Them (2007), as well as two short stories, "Growing" (1983) and "The Jumping Bean" (1992). By analyzing these works, which were published over a period of twenty four years, we can more intricately see Viramontes's exploration of transnational feminist themes.
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Burford, Arianne. "Between Women: Alliances and Divisions in American Indian, Mexican American, and Anglo American Literatures of Protest to Colonialism." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195349.

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Between Women: Alliances and Divisions in American Indian, Mexican American, and Anglo American Literatures of Protest to Colonialism investigates nineteenth- and twentieth-century women writers' negotiation of women's rights discourses. This project examines the split between nineteenth-century women's rights groups and the Equal Rights Association to assess how American Indian, Mexican American, Anglo women, and, more recently, Chicana writers provide theoretical insights for new directions in feminisms. This study is grounded historically in order to learn from the past and continue efforts toward "decolonizing feminisms," to borrow a phrase from Chandra Mohanty. To that end, current feminist theories about alliances and solidarity are linked to ways that writers intervene in feminisms to simultaneously imagine solidarity against white male colonialist violence and object to racism on the part of Anglo women. Like all the writers in this study, Sarah Winnemucca's Life Among the Piutes: Their Wrongs and Claims (1883) challenges Anglo women to not be complicit with Anglo male colonialist violence. Winnemucca's testimony illuminates the history of alliances between Anglo and Native women and current debates amongst various Native women activists regarding feminism. Between Women traces how Anglo American writer Helen Hunt Jackson's Ramona (1884) protests effects of U.S. colonialism on Luiseno people and her negotiation of feminisms compared with Winnemucca's writing and Maria Amparo Ruiz de Burton's The Squatter and the Don (1885) and Who Would Have Thought It? (1872), novels that protest the effects of U.S. colonialism on Mexican Americans, particularly women. It then compares Ruiz de Burton's writing to Helena Mari­a Viramontes's Under the Feet of Jesus (1995) and Cherri­e Moraga's Heroes and Saints (1994), texts that acknowledge the difficulties of forming alliances between women in the context of exploitation, pesticide poisoning of Chicanas/os, and border policies. The epilogue points to Evelina Lucero's Night Sky, Morning Star (2000), demonstrating how an understanding of the history that Winnemucca engages elucidates American Indian literature in the twenty-first century. By looking deeply at how nineteenth-century conflicts effect us in the present, scholars and activists might better assess tactics for feminisms in the twenty-first century that enact an anti-colonialist feminist praxis.
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Daval, Béran Diane. "L'œuvre de Maria Helena Vieira de Silva : étude générale et catalogue raisonné." Paris 4, 1994. http://www.theses.fr/1994PA040068.

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Le texte analytique se divise en deux grandes parties : une introduction historique et technique, puis l'étude de l'oeuvre, elle-même scindée en deux mouvements. Le premier (avant et pendant la guerre) se compose de trois périodes clairement délimitées : les origines et la formation, vers une redéfinition de la perspective, enfin l'exil au Brésil, marque par un retour au réel. Le second, beaucoup plus long (après la guerre), ne pouvait plus se satisfaire d'aucune division classique, a savoir chronologique, biographique ou iconographique ; une approche synchronique des différentes préoccupations plastiques s'est finalement imposée comme seule valable, autour de variations poursuivies à des mois, voire des années d'intervalle, avec pour guide les oppositions qui toujours les sous-tendent. La conclusion d'attache a développer les grands axes idéologiques esquissés par l'obervation des tableaux, afin de mettre en lumière comment Vieira da Silva, malgré son indépendance picturale, s'ancre dans son époque. La contribution de l'auteur au catalogue raisonné consista a établir, pour chaque numéro, la bibliographie et la liste des expositions, le même travail ayant été effectué le plus exhaustivement possible pour l'ensemble de l'oeuvre, suite a la prospection systématique de toutes les archives disponibles (prosopographie)
The analytical part is presented in two major sections : a historical and technical introduction, followed by the study of the artist's work, wich consists in two phases : the first one (before and during the second world war) covers the origins and the formative years, toward a redefinition of perspective, and the years of exile in Brazil, marked by a return to realism ; the second one, much longer (the post-war period), could not be patterned according to any classical approach (chronological, biographical or icinographical) and is arranged therefore following synchronicity themes wich highlight the various aesthetic concers of the artist wich underly different creative moods, sometimes in contrast, marked by intervals of several moths and even years. The concluding section aims to show the artist's main ideological pursuits suggested by close observation of her paintings, and reveals that Vieira da Silva's creative independance is firmly anchored in the complexities of her times. The autor's aim in establishing the descriptive catalogue has been to give for each number a bibliography and a list of exhibitions, and to pursue this method as exhaustively as possible for all Vieira da Silva's work, on the basis of a careful search of all available archives (prosopography)
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Oliveira, Mônica Castelo Branco de. "Going for the jugular : strategies of resistance in the fiction of Helena Maria Viramontes." Universidade do Estado do Rio de Janeiro, 2006. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4263.

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O objetivo desta dissertação é analisar contos selecionados e o romance Under the Feet of Jesus da escritora chicana Helena María Viramontes, enfocando a apropriação de mitos astecas e lendas mexicanas protagonizados por figuras femininas, históricas ou míticas, como La Manlinche, La Llorona e The Hungry Woman. Esta re-visão crítica do passado tem um papel vital para as chicanas, reais e ficcionais, ao enfrentarem o domínio patriarcal, colonial e neocolonial. Devido à complexidade gerada pela ausência de linearidade narrativa, tanto nos contos como no romance, tornou-se necessária uma breve análise das estratégias narrativas a fim de ilustrar como tais estratégias estão intrinsecamente ligadas à apresentação fragmentada da vida dos trabalhadores migrantes. Foi igualmente indispensável examinar as demais práticas narrativas da autora tais como focalização, desconstrução, simultaneidade e justaposição, assim como o elo, por ela proposto em Under the Feet of Jesus, entre leitura, identidade, e engajamento com o mundo para promover a transformação social
The aim of this dissertation is to analyze selected short stories and the novel Under the Feet of Jesus by Chicana writer Helena María Viramontes, focusing on her appropriation of Aztec myths and Mexican legends whose protagonists are feminine figures, whether of historical or mythical origin, such as La Malinche, La Llorona and The Hungry Woman. This critical re-view of the past plays a vital role for real and fictional Chicanas when facing patriarchal, colonial and neocolonial domination. Due to the complexity brought by the lack of linearity in the narrative, both in the short stories and in the novel, a brief analysis of the narrative strategies became necessary to show how these strategies are intertwined with the fragmented presentation of the migrant workers lives. It became equally indispensable to examine other narrative practices adopted by the author, namely, focalization, deconstruction, simultaneity and juxtaposition, as well as the link she establishes in Under the Feet of Jesus between reading, identity and effective human agency in order to achieve social changes
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Halkias, Maria. "Les yeux de la mémoire : the paintings of Maria Helena Vieira da Silva 1930-1946." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/835.

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Hepburn, Drobnjak Helena Maria [Verfasser]. "Long term cellular immune response to prophylactic human papillomavirus (HPV) vaccines / Helena Maria Hepburn Drobnjak." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2012. http://d-nb.info/1030382581/34.

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Marreco, Maria Ines de Moraes. "Para aplacar uma grande saudade: estudo da obra memorialística de Maria Helena Cardoso (1903-1997)." Universidade Federal de Minas Gerais, 2014. http://hdl.handle.net/1843/ECAP-9KBGVL.

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This thesis, by analyzing the memorialistic work of Maria Helena Cardoso, seeks to explain the reflection of the ramifications that its route can generate: the role of memory in autobiographical texts, oblivion, fiction, the construction of the autobiographical I, identity and difference. It investigates the many faces of objectivity/subjectivity, in a game of perceptions played in the field of language, clarifying its importance as the responsible for the images which are offered to the thoughts they recall. It conceptualizes the triad author-narrator-character, demonstrating the necessity of identity between them and considering the possibility of uniting the autobiographical and fictional, through games, combinations, contracts or agreements. It analyzes the transformation occurred in the memory on Cardosos books, which starts in the traditional format of autobiography, goes thru a more elaborated diary, and ends in the form of a false romance. It demonstrates the contribution of Maria Helena Cardoso to Brazilian literature, which makes each one of her texts, a strong presence in the world of its readers.
Este trabalho, ao analisar a obra memorialística de Maria Helena Cardoso, procura explicar o reflexo das ramificações que o percurso da mesma pode gerar: o papel da memória no texto de caráter autobiográfico, o esquecimento, a ficção, a construção do eu autobiográfico, a identidade e a diferença. Investiga as múltiplas faces da objetividade/subjetividade, num jogo de percepções que se efetuam no campo da linguagem, esclarecendo sua importância como responsável pelas imagens que se oferecem ao pensamento que as recorda. Conceitua a tríade autor-narrador-personagem, demonstra a necessidade de identidade entre eles e considera a possibilidade de unir o autobiográfico e o ficcional, através de jogos, combinações, contratos ou pactos. Verifica a transformação ocorrida no registro da memória dos livros da escritora, que começa no formato tradicional da autobiografia, passa pelo diário mais elaborado e termina sob a forma de um falso romance. Demonstra ainda a contribuição de Maria Helena Cardoso à literatura brasileira, que faz de cada um de seus textos, presença marcante no mundo de seus leitores.
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Lamoia, Milena Guerson. "Tessituras entre espaço e memória na obra de Maria Helena Vieira da Silva e Arpad Szenes." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/420.

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Esta dissertação de mestrado possui como tema o estudo conjunto da obra de Maria Helena Vieira da Silva e Arpad Szenes, um casal de artistas atuantes no contexto da moderna École de Paris, sendo que viveram exilados no Brasil na década de 1940, ante as circunstâncias da 2ª Guerra Mundial. A obra de Vieira da Silva centra-se nas fronteiras do diálogo pictórico entre tempo e espaço ou, mais especificamente, na tensão dialética entre a construção e a desconstrução da perspectiva. Por sua vez, Arpad Szenes possui uma reconhecida série de obras nas quais retrata a esposa em momentos cotidianos, incluindo-se as ocasiões em que ela se dedica à atividade criadora. O dueto de poéticas empreendido pelo casal, além de promover um questionamento “metalinguístico” da pintura entre o tradicional e o moderno, nos permite tecer ressignificações sobre a interface arte/vida. Ao retratar Vieira da Silva em seus momentos de ateliê, Arpad Szenes traduz o pensamento plástico da artista sob seu olhar, na criação de um “mito” que reconta a sua história junto com a esposa, viabilizando a construção de uma pintura compartilhada. Tal compartilhamento se origina no diálogo da obra do casal entre si, mas se reforça nas produções de poetas, críticos e escritores, os quais constituem um círculo de convivência artístico-cultural em torno dos dois artistas, nos moldes das sociabilidades do modernismo. Na riqueza das trocas de experiências e produções, a arte revela sua melhor interface, pela valorização do instante cotidiano. Arma-se um cenário em que a materialidade do espaço se une à temporalidade subjetiva da memória, de onde a obra de Vieira e Szenes emerge como caso exemplar.
The theme of this masters dissertation is the joint study of Maria Helena Vieira da Silva and Arpad Szenes´s work, artists who were a couple, active in the context of the modern École de Paris, having lived exiled in Brazil during the 1940s, due to the Second World War. Vieira da Silva´s work focuses on the borders of pictorial dialogue between time and space or, more specifically, on the dialectic tension between the construction and the deconstruction of perspective. In turn, Arpad Szenes has a recognized series of works where he portrays the wife on everyday moments, including occasions that she dedicates herself to creative activities. The poetics‟ duet undertaken by the couple, beyond promoting a “metalinguistic” questioning of painting between traditional and modern, allows us to weave new meanings for the interface art/life. By portraying Vieira da Silva in her atelier moments, Arpad Szenes translates the artist´s plastic thinking under his gaze, on the creation of a “myth” that retells his story with his wife, enabling the construction of a shared painting. Such sharing originates on the dialogue between the couple´s works, but it is reinforced on the poets´ productions, critics and writers, what constitutes a circle of artistic-cultural acquaintanceship around the two artists, in the shapes of modernism´s sociability. In this rich exchange of experiences and productions, the art reveals its best interface, by the appreciation of everyday instant. A scenario is set up where space´s materiality joins memory‟s subjective temporality, from where Vieira da Silva and Szenes´ work emerges as an exemplar case.
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Peixoto, Ferraz Maria Helena. "An Overview of Almeida Prado's "Transtonal" System in his Cartas Celestes, First Six Volumes, for Piano Solo." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194305.

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This study attempts to demonstrate the singular synthesis of influences and compositional techniques represented by the work Cartas Celestes (Celestial Maps) for piano by José Antonio Rezende de Almeida Prado (born in Santos, São Paulo, Brazil, on February 8, 1943). Although Almeida Prado, clearly one of the more influential Brazilian composers, wrote a vast repertoire for all genres, his piano works are fundamental throughout his compositional career. This significant body of work allows one to track his evolution as a composer and to define the changing characteristics of his style within the different phases of his trajectory. This study will examine Cartas Celestes Volumes IVI, Almeida Prado's most important work for piano solo, with particular attention to Volume I. This document will also discuss "Transtonalism," the "System of Organized Resonances," and the Twenty-Four chords, all created by him. The examination of Cartas Celestes Volume I will focus on Almeida Prado's innovative compositional devices and techniques. In addition, this study will investigate the most important aspects of Almeida Prado's music, including timbre exploration and the use of the piano with emphasis on touch, attacks, pedaling, pianistic gestures, and technique.
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Sousa, Maria Helena de. "Efeito do extrato de Schinus terebinthifolius Raddi sobre osteítes induzidas em maxilares de ratos / Maria Helena de Sousa ; orientadora, Marina de Oliveira Ribas." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2004. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=50.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2004
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A osteíte alveolar é uma das complicações pós-exodontias que mais trazem transtornos para pacientes e também para profissionais que defrontam com ela. O objetivo da presente pesquisa foi estudar, histologicamente, em ratos, o processo de reparação em feri
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Books on the topic "Maria Helena"

1

Andrés, Maria Helena. Maria Helena Andrés. Edited by Lopes Almerinda da Silva, Silva, Fernando Pedro da, 1965-, and Ribeiro Marília Andrés 1948-. Belo Horizonte: Editora C/Arte, 2004.

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Kühner, Maria Helena. Maria Helena Kühner. [Rio de Janeiro] Brasil: Ministério da Cultura, Instituto Nacional de Artes Cênicas, Biblioteca Edmundo Moniz, do CENACEN, 1985.

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Maria Helena Andrés: Depoimento. Belo Horizonte, MG: Editora C/Arte, 1998.

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Maria-Helena Vieira da Silva nas coleccións portuguesas. [Spain]: Deputación de Pontevedra, 1993.

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Chartuni, Maria Helena. Maria Helena Chartuni: La memoria dell'immagine : opere, 1967-1987. Milano: Mazzotta, 1988.

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Barbosa, Joaquim. Joaquim Barbosa: Entrevistado por Heloisa Helena Barboza e Maria Andréa Loyola. Rio de Janeiro: EdUERJ, 2014.

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Fernandes, Alberta Marques. As primeiras-damas: De Maria Helena Spínola a Maria Cavaco Silva: as Mulheres dos Presidentes da República em Democracia. Lisboa: A Esfera dos Livros, 2011.

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Silva, Vieira da. O fulgor da luz: Conversas com Maria Helena Vieira da Silva e Arpad Szenes. Lisboa: Edições Rolim, 1995.

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Konttinen, Riitta. Totuus enemmän kuin kauneus: Naistaiteilija, realismi ja naturalismi 1880-luvulla : Amélie Lund[a]hl, Maria Wiik, Helena Westermarck, Helena Schjerfbeck ja Elin Danielson. Helsingissä: Otava, 1991.

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1968-, Simões Claudio, and Simões Claudio 1968-, eds. Quem matou Maria Helena?: Quem não ama não mata : abismo de rosas ; Nada será como antes. Salvador: Secretaria de Cultura e Turismo, 2004.

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Book chapters on the topic "Maria Helena"

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Sánchez, Juan. "Helen Maria Williams’s Peru and the Spanish Legacy of the British Empire." In Romanticism's Debatable Lands, 172–85. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230210875_14.

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Davies, Kate. "The Poem that Ate America: Helen Maria Williams’s Ode on the Peace (1783)." In The History of British Women’s Writing, 1750–1830, 125–49. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297012_7.

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Vizcaíno-Alemán, Melina V. "Ethnography and the Place of Gender: Jovita González, Mario Suárez, Mary Helen Ponce." In Gender and Place in Chicana/o Literature, 73–98. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59262-6_4.

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Franklin, Caroline. "Romantic Patriotism as Feminist Critique of Empire: Helen Maria Williams, Sydney Owenson and Germaine de Staël." In Women, Gender and Enlightenment, 551–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230554801_35.

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"HELENA MARiA VIRAMONTES (1954-)." In Literatura chicana, 1965-1995, 177–81. Routledge, 1997. http://dx.doi.org/10.4324/9781315805412-24.

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Jorge, Ana, Helena Alves, Fátima Carvalho, Maria Amélia Ferreira, and Maria-Ceu Machado. "Gender Equity Evaluated by Five Successful Women in the Medical Profession." In Gender Equity in the Medical Profession, 182–98. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9599-1.ch013.

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The authors (five women with successful experiences in different medical specialties, researchers, academics, Hospital Service Director, Presidents of Board of Health Institutions and National Agency, Minister of Health and Director of the Medical Faculty), make a reflection about gender equity in Portugal and the impact of 45 years of democracy. The medical profession in Portugal has a high rate of women, but this is not the same in leadership positions. The role of women in the medical profession needs to be re-evaluated, especially in top positions. This chapter is divided into four sub-chapters: “The role of organizations and professional associations to improve gender equality”, “Gender equity in Academia: past, present and future”, “Gender Equity in the Medical Profession as a Management Strategy”, and “The role of gender to the networks in research and medical education”, by Fátima Carvalho and Helena Alves, Maria do Céu Machado, Ana Jorge and Maria Amélia Ferreira.
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Jorge, Ana, Helena Alves, Fátima Carvalho, Maria Amélia Ferreira, and Maria-Ceu Machado. "Gender Equity Evaluated by Five Successful Women in the Medical Profession." In Research Anthology on Challenges for Women in Leadership Roles, 161–77. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-8592-4.ch009.

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The authors (five women with successful experiences in different medical specialties, researchers, academics, Hospital Service Director, Presidents of Board of Health Institutions and National Agency, Minister of Health and Director of the Medical Faculty), make a reflection about gender equity in Portugal and the impact of 45 years of democracy. The medical profession in Portugal has a high rate of women, but this is not the same in leadership positions. The role of women in the medical profession needs to be re-evaluated, especially in top positions. This chapter is divided into four sub-chapters: “The role of organizations and professional associations to improve gender equality”, “Gender equity in Academia: past, present and future”, “Gender Equity in the Medical Profession as a Management Strategy”, and “The role of gender to the networks in research and medical education”, by Fátima Carvalho and Helena Alves, Maria do Céu Machado, Ana Jorge and Maria Amélia Ferreira.
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Quadros, Dênis Moura de. "Pode a mulher negra gaúcha falar? A Precursora Maria Helena Vargas da Silveira." In Dissonantes e (r) existentes vozes: A literatura negra escrevivente, 15–31. Mares Editores, 2019. http://dx.doi.org/10.35417/978-85-5927-061-7_15.

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"Empowering Women through Sport: Women’s Basketball in Brazil and the Significant Role of Maria Helena Cardoso." In Women, Sport, Society, 149–61. Routledge, 2013. http://dx.doi.org/10.4324/9781315874807-10.

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Kelly, Gary. "Feminizing Revolution: Helen Maria Williams." In Women, Writing, and Revolution 1790–1827, 30–79. Oxford University Press, 1993. http://dx.doi.org/10.1093/acprof:oso/9780198122722.003.0002.

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Conference papers on the topic "Maria Helena"

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Siso Monter, Montserrat. "Marga Clark la última Roësset. Arte a través del tiempo y de las fronteras." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5677.

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La fotógrafa Marga Clark, última descendiente de la saga familiar Roësset, donde destacan las artistas femeninas, es una poeta y fotógrafa que combina ambas disciplinas en su obra, la misma, destaca por un lirismo único, que traspasa fronteras y unifica sentimientos en un mundo globalizado. Resultando ser un claro exponente de la plástica artística actual. En la comunicación que propongo, pretendo realizar un recorrido por sus cuarenta años de trayectoria profesional y sus tres etapas más destacadas, analizando la evolución de su realización artística.Marga Clark ha publicado varios libros de sus obras, el primero de ellos, Static Movement/Movimiento Estático, fue adquirido por el MOMA de Nueva York con el fin de ser vendido en su librería. En 1991 publica Impresiones Fotográficas, un libro ensayo sobre el lenguaje fotográfico. Esta artista colabora con diversos medios de comunicación desde la década de los 80 como reportera gráfica, entre ellos La Vanguardia o El País.A lo largo de su carrera ha expuesto su obra fotográfica en numerosas exposiciones, tanto individuales como colectivas en América y Europa. En estos momentos se puede apreciar su exposición retrospectiva Marga Clark, Cosmología (1976-2016) en la Fundación Antonio Pérez, y en el Museo de la Fotografía de Huete, Cuenca. Por otro lado, cabe destacar que su obra se puede encontrar de modo permanente en colecciones como la del Museo de Brooklyn de Nueva York, la Biblioteca Nacional de Paris, el Museo Español de Arte Contemporáneo de Madrid, la Col.lecció Testimoni de la Caixa de Barcelona, la Sociedad Estatal para Exposiciones Internacionales, la Fundación Telefónica o la Colección Helga de Alvear, entre otras.Se puede decir que esta fotógrafa-poeta destaca por su obra, que une países y los interrelaciona, a la vez que unifica de manera magistral fotografía y poesía.http://dx.doi.org/10.4995/ANIAV.2017.5677
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Sani, Mario Febrianus Helan, and Nanda Agustian Simatupang. "Difference of Knowledge Toward Hiv/Aids in Adolescents in Sleman, Yogyakarta." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the6thicph.02.49.

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Background: In many countries throughout the world, sexually transmitted disease such as HIV/ AIDS also occurred in adolescents. A study by National Behavioral Surveillance Survey stated that the level of awareness and knowledge among young people about HIV/ AIDS was low. This study was aimed to explore the difference of knowledge toward HIV/AIDS in adolescents in Sleman, Yogyakarta. Subjects and Method: A descriptive study was carried out at Public Senior High School 1 and Muhammadiyah Senior High School 1, Sleman, Yogyakarta, in April 2019. A sample of 65 students was selected randomly. The study variable was knowledge toward HIV/AIDS. The data were collected by questionnaire and analyzed by Mann whitney test. Results: Mean of knowledge toward HIV/AIDS in students in Public Senior High School 1 (Mean= 63.69; SD= 24.9) was higher than Muhammadiyah 1 Senior High School Sleman (Mean= 45.84; SD= 21.7) and it was statistically significant (p<0.001). Conclusion: Adolescents knowledge toward HIV/AIDS in Public Senior High School 1 is higher than Muhammadiyah 1 Senior High School, Sleman, Yogyakarta. Keywords: HIV/AIDS, knowledge, adolescents Correspondence: Mario Febrianus Helan Sani. Masters Program in Public Health, Universitas Sebelas Maret. Jl. Ir. Sutami 36A, Surakarta 57126, Central Java. Email: rhyansani@gmail.com. Mobile: +6281326608972. DOI: https://doi.org/10.26911/the6thicph.02.49
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