Relevant bibliographies by topics / Maria in Monserrato (Church : Rome, Italy)

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  2. Dissertations / Theses
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Academic literature on the topic 'Maria in Monserrato (Church : Rome, Italy)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Maria in Monserrato (Church : Rome, Italy)"

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Rodríguez Suárez, Alex. "bells of Santa Maria in Monserrato degli Spagnoli." Anthologica Annua, no. 71 (December 6, 2024): 213–56. https://doi.org/10.59530/anthann.2024.71.7.

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The history and the art of the Spanish national church in Rome, known as the church of Santiago, San Ildefonso and Santa Maria di Monserrato degli Spagnoli, has been the object of research. Nevertheless, its bells have not received any scholarly interest so far. This short contribution deals with these artefacts, four bells dated to the fifteenth, eighteenth and twentieth centuries. Their inscriptions and artistic features are described and placed in the evolution of bell casting in Rome. Moreover, two documents related to one of the bells (no. 2), the contract between the church and the bell
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Sturm, Saverio. "1622, the Fatal Year for the Discalced Carmelites: The Canonisation of Teresa, the Crystallisation of Conventual Typologies, and the Reinvention of Iconography." Journal of Early Modern Christianity 9, no. 2 (2022): 341–73. http://dx.doi.org/10.1515/jemc-2022-2033.

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Abstract 1622 was a crucial year for the Discalced Carmelite Order. This essay intends to highlight and connect a series of events surrounding the fateful canonisation of the foundress Teresa of Ávila on 12 March 1622. On 6 January of that year, the Congregation of Propaganda Fide had been founded with the fundamental contribution of Carmelite missionaries. On 8 May 1622, the important Carmelite Church of San Paolo Apostolo in Rome was re-consecrated to Santa Maria della Vittoria, with celebrations and popular processions, in memory of the “victory” of the White Mountain in 1620 over the Prote
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Verbaal, Wim. "Resurrecting Rome. Liturgy and Rome's Second Revival." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 101–12. http://dx.doi.org/10.5617/acta.7802.

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Liturgy is one of the more underestimated entries of the Gregorian reform. Surely, this is due to the difficulty of getting a clear view of concrete and detailed liturgical evolutions and renewals. It seems, however, to have been one of the more important elements at stake during the short period of the bitter and hard confrontations between the leading layers of the Church around 1100. Besides, between about 1050 and 1150, Rome saw an intense building activity of new churches according to new plans that seem to have been partly dictated by liturgical renovations. Notably, Pope Innocent II see
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Westwell, Arthur. "The Ordines Romani and the Carolingian Choreography of a Liturgical Route to Rome." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 63–79. http://dx.doi.org/10.5617/acta.7800.

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This article examines a number of Carolingian liturgical manuscripts (Wolfenbuttel Herzog August Bibliothek Wissenbourg 91, Cologne Dombibliothek MS 138, Vienna Österreichische Nationalbibliothek cod.ser.n. 2762 and Paris Bibliothèque de l'Arsenal 227) each containing texts now known as the ordines romani. These texts are "stage directions" for the liturgy, distinguished by their reference to the practices of the church of Rome. While the ordines romani certainly give precious information about Roman liturgical practice, the Frankish contribution to shaping and displaying these texts inline wi
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Tracz, Szymon. "Italian Inspiration for the Painting Decorations by Maciej Jan Meyer from the First Half of the Eighteenth Century in Szembek Chapel at the Cathedral in Frombork." Perspektywy Kultury 30, no. 3 (2020): 151–78. http://dx.doi.org/10.35765/pk.2020.3003.11.

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The Bishop of Warmia, Krzysztof Andrzej Jan Szembek from Słupów (1680– 1740), erected a domed reliquary chapel devoted to the Most Holy Savior and St. Theodore the Martyr (Saint Theodore of Amasea) at the cathedral in Frombork, also known as Szembek Chapel. The entire interior of the chapel is covered with frescoes dating from around 1735 by Maciej Jan Meyer (Mat­thias Johann Meyer) from Lidzbark Warmiński. Educated in Italy, the artist made polychrome decorations in the style of illusionistic architectural paint­ing known as quadrature. In the lower part of the chapel stand busts of saints an
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Kinney, Dale. "Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 81–100. http://dx.doi.org/10.5617/acta.7801.

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The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community - are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up
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7

Van Den Boogert, C. "Habsburgs imperialisme en de verspreiding van renaissancevormen in de Nederlanden: de vensters van Michiel Coxcie in de Sint-Goedele te Brussel." Oud Holland - Quarterly for Dutch Art History 106, no. 2 (1992): 57–80. http://dx.doi.org/10.1163/187501792x00082.

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AbstractThe introduction and diffusion of Italian Renaissance forms in sixteenth-century Netherlandish art has usually been described as a process initiated by artists who travelled south, adopted the new style and reaped success after their return to the Netherlands. In giving full credit to the artists and considering this phcnomenon to be a process of artistic exchange in the modern sense, art historians have wrongly disregarded the historical circumstances that caused patrons' preference for the new style. The earliest use of Renaissance forms in the Low Countries on a large scale may be o
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8

SLUHOVSKY, MOSHE. "AUTHORITY AND POWER IN EARLY MODERN ITALY: RECENT ITALIAN HISTORIOGRAPHY Fonti ecclesiastiche per la storia sociale e religiosa d'Europa: XV–XVIII secolo. Edited by Cecilia Nubola and Angelo Turchini. Bologna: Società editrice il Mulino, Annali dell'Istituto storico italo-germanico in Trento, 50, 1999. Pp. 563. ISBN 88-15-07070-2. Benandanti e inquisitori nel Friuli del Seicento. By Franco Nardon. Foreword by Andrea Del Col. Trieste: Editioni Università di Trieste, 1999. Pp. 254. ISBN 88-8303-022-2. Tempi e spazi di vita femminile tra medioevo ed età moderna. Edited by Silvana Seidel Menchi, Anne Jacobson Schutte, and Thomans Kuehn. Bologna: Società editrice il Mulino, Annali dell'Istituto storico italo-germanico in Trento, 51, 1999. Pp. 577. ISBN 88-15-07234-9. Partial translation: Time, space, and women's lives in early modern Europe. Kirksville, MS: Truman State University Press, Sixteenth Century Essays and Studies, no. 57, 2001. Pp. 336. ISBN 0-943549-82-5 (hb). ISBN 0-943549-90-6 (pb). Church, censorship and culture in early modern Italy. Edited by Gigliola Fragnito. Translated by Adrian Belton. Cambridge: Cambridge University Press, 2001. Pp. 264. ISBN 0-521-66172-2. Court and politics in papal Rome, 1492–1700. Edited by Gianvittorio Signorotto and Maria Antonietta Visceglia. Cambridge: Cambridge University Press, 2002. Pp. 257. ISBN 0-521-64146-2." Historical Journal 47, no. 2 (2004): 501–10. http://dx.doi.org/10.1017/s0018246x04233817.

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The five books under review represent some of the recent achievements of Italian historiography of the early modern period. The gradual opening of Inquisitional archives in the 1990s and the growing sophistication of historical analysis of Inquisitorial documents have expanded dramatically our knowledge of and familiarity with the institutional and legal histories of the Inquisition and of the operation of justice in the Italian peninsula. One result of this is that the earlier and innovative work of Carlo Ginzburg in Inquisitorial archives has come under scrutiny. The books under review prese
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Jamska, Barbara. "From Vienna to Mentorella. Empress Maria Theresa’s gift to the Sanctuary of Our Lady." Facta Simonidis, December 31, 2023, 221–41. http://dx.doi.org/10.56583/fs.2373.2259.

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The Sanctuary of Our Lady of Graces on Mentorella (Lazio region, about 50 km east of Rome), one of the oldest in Italy and the world, was built on the site of the conversion of St. Eustace. In the first millennium it was taken care of by the Benedictines, who popularized the cult of Mary there and probably in the 12th century placed a wooden statue of Our Lady with the young Jesus inside the temple. The monks’ abandonment of the site (presumably in the late 14th century) resulted in the decline of pilgrimage traffic and considerable neglect of the place, which regained its former glory only af
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Dissertations / Theses on the topic "Maria in Monserrato (Church : Rome, Italy)"

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Bolgia, Claudia. "The church of S. Maria in Aracoeli, Rome : from the earliest times to circa 1400." Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/2963/.

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This thesis aims to reconstruct the history, building phases, original appearance and role in mediaeval Rome of the church of S. Maria in Aracoeli, from its origins to c. 1400. The introduction describes the topographical setting of the church and traces its historiography . The first chapter investigates previous churches, their documentary sources, archaeological evidence and surviving components of church furniture. Patronage, date and original appearance of the so-called ‘ara coeli’, the extant main altar of the former church, are discussed. The second chapter concerns the present church,
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Matos, Michael Anton Hahn Cynthia J. "The icon of the Madonna Della Clemenza patronage, placement, purpose /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04102005-191335.

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Thesis (M.A.)--Florida State University, 2005.<br>Advisor: Dr. Cynthia Hahn, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vii, 70 pages. Includes bibliographical references.
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Kalas, Gregor A. "Sacred image, urban space image, installations, and ritual in the early medieval Roman forum /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/49623530.html.

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Books on the topic "Maria in Monserrato (Church : Rome, Italy)"

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Mortari, Luisa. S. Maria Maddalena. Istituto nazionale di studi romani, 1987.

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Luciani, Roberto. Santa Maria dei Miracoli e Santa Maria di Montesanto. F.lli Palombi, 1990.

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Serlorenzi, Mirella. Terme di Diocleziano, Santa Maria degli Angeli. EDUP, 2002.

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Gröbner, Christine. S. Maria del Pianto. Istituto nazionale di studi romani : F.lli Palombi editori, 1993.

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Luciani, Roberto. Santa Maria in Trastevere. F.lli Palombi, 1993.

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Matthiae, Guglielmo. The Church of Santa Maria della Vittoria. Ats Italia Editrice, 1999.

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Baumüller, Barbara. Santa Maria dell'Anima in Rom: Ein Kirchenbau im politischen Spannungsfeld der Zeit um 1500 : Aspekte einer historischen Architekturbefragung. Gebr. Mann, 2000.

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Carta, Marina. S. Maria in Aracoeli. Istituto nazionale di studi romani, 1988.

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Saveria, Muratore, ed. Santa Maria in Monticelli. Elio de Rosa editore, 2005.

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Lio, Anna. L'ospedale di San Giacomo e la chiesa di Santa Maria Porta Paradisi. Palombi, 2000.

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