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1

Champagne, John. ""A Feminist Just like Us?" Teaching Mariama BA's so Long a Letter." College English 58, no. 1 (1996): 22. http://dx.doi.org/10.2307/378532.

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2

Abuk, Christina. "Urbanisation's long shadows: Mariama Baâ's So Long A Letter." Journal of Ethnic and Migration Studies 29, no. 4 (2003): 723–40. http://dx.doi.org/10.1080/1369183032000123477.

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3

Chijioke, Agbasiere. "Cultural Inhibitions as Threat to Advancement of African Women: The Case of Mariama Ba's So Long a Letter." International Journal of Languages and Culture 1, no. 3 (2021): 1. http://dx.doi.org/10.51483/ijlc.1.3.2021.1-7.

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4

Latha, R. H. "The development of critical and cultural literacies in a study of Mariama Ba's So Long a Letter in the South African literature classroom." Literator 23, no. 3 (2002): 179–96. http://dx.doi.org/10.4102/lit.v23i3.349.

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The Languages, Literacy and Communication learning area of Curriculum 2005 endorses “intercultural understanding, access to different world views and a critical understanding of the concept of culture” (National Department of Education, 2001:44). Although this curriculum is learner-centred and tries to create a better balance in the previously asymmetrical relationship between teacher and student, it does place great demands on the educator to avoid reinforcing cultural and multipolitical ideals which are not concomitant with the principles of a multicultural democracy. Since learners are expe
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5

Freitas, Anne E. "Review: So Long A Letter by Mariama Ba." Explorations in Ethnic Studies ESS-5, no. 1 (1985): 9. http://dx.doi.org/10.1525/ess.1985.5.1.9.

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6

Abdulkadir, Hamzat. "A Marxist Reading of Mariama Bâ's So Long a Letter." International Journal of Linguistics and Translation Studies 2, no. 2 (2021): 67–75. http://dx.doi.org/10.36892/ijlts.v2i2.155.

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This work examines Mariama Bâ's So Long a Letter from a Marxist perspective. It explores the radical and feminist tendencies on the stereotype of African women with the awareness that women are equal with men without prejudice to the interpretation of the theory of creation. Based on Marxist theoretical framework, our analysis shows that the oppression and exploitation of women is a process involving women themselves. The woman, in effect, continually reproduces the conditions of her subservience as Marx will add, through alienation, competition, rivalry and docility. Through alienation, women
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7

Chukwukaelo, Anwuri. "Sentence Patterns in Mariama Ba’s So Long a Letter." AFRREV LALIGENS: An International Journal of Language, Literature and Gender Studies 5, no. 1 (2016): 121. http://dx.doi.org/10.4314/laligens.v5i1.11.

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8

Ali, Souad T. "Feminism in Islam: A Critique of Polygamy in Mariama Ba’s Epistolary Novel So Long A Letter." HAWWA 10, no. 3 (2012): 179–99. http://dx.doi.org/10.1163/15692086-12341236.

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Abstract This paper calls for an understanding of feminism in Islam as a unique approach to feminism with potential contributions to world feminism. The paper analyzes Mariama Ba’s epistolary novel So Long A Letter within the context of a feminist approach in Islam. This paper’s primary focus is Ba’s critique of polygamy and her celebration of female bonding in the face of male oppression. Ba explores her themes through an epistolary exchange between two intimate friends who both suffered the abuse of their polygamous husbands and highlights the contrasting reactions of the two women in regard
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9

FAYE, Diome. "The Expression of Love in Long Distance Life (1989) by Marita Golden." Addaiyan Journal of Arts, Humanities and Social Sciences 1, no. 10 (2020): 30–40. http://dx.doi.org/10.36099/ajahss.1.10.5.

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In Long Distance Life (1989), Marita Golden, one of the most outstanding African American female writers, follows up her first novel,A Woman’s Place (1986) with an impressionistic sort of saga about a black American family living in Washington, D.C., from the 1920’s to the present. In Marita Golden’s Long Distance Life as in Mariama Ba’s So Long a Letter (1979), most of the couples’s love lives come to an abrupt end by means of death, divorce or a presence of an intruder that is to say another lover between the two spouses. The question of love occupies a central role in the novel in so far as
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10

Warner, Tobias. "How Mariama Bâ Became World Literature: Translation and the Legibility of Feminist Critique." PMLA/Publications of the Modern Language Association of America 131, no. 5 (2016): 1239–55. http://dx.doi.org/10.1632/pmla.2016.131.5.1239.

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How did Mariama Bâ‘s 1979 novel Une si longue lettre (So Long a Letter) become one of the most widely read, taught, and translated African texts of the twentieth century? This essay traces how the Senegalese author's work became recognizable to a global audience as an attack on polygamy and a celebration of literary culture. I explore the flaws in these two conceptions of the novel, and I recover aspects of the text that were obscured along the way—especially the novel's critique of efforts to reform the legal framework of marriage in Senegal. I also compare striking shifts that occur in two k
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11

Celarent, Barbara. "Une si longue letter. By Mariama Bâ. Dakar: Les Nouvelles Editions Africaines, 1980. Pp. 131.So Long a Letter. By Mariama Bâ. Translated by Modupé Bodé-Thomas. London: Heinemann, 1981. Pp. 90." American Journal of Sociology 116, no. 4 (2011): 1391–96. http://dx.doi.org/10.1086/659876.

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12

Dadjo, Servais Dieu-Donné Yédia. "Analysing Linguistic Stylistic Devices in The Adventures of Tom Sawyer and So Long a Letter: A Comparative Appraisal." International Journal of English Linguistics 12, no. 2 (2022): 1. http://dx.doi.org/10.5539/ijel.v12n2p1.

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This research work focuses on linguistic stylistic analysis of Mark Twain’s The Adventures of Tom Sawyer and Mariama Bâ’s So Long a Letter. It aims to identify the various translation procedures used in each novel in order to establish a comparison between the different translation procedures and style of each translator of modern and old English. A sampling method has been used to carry out this research work. Thus, one extract has been selected with its corresponding translation from the French and English versions of each novel. The results show that, in The Ad
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13

Ngozi Dick, Angela. "Technique of Exploring Women’s Choice in Select Novels of El Sadaawi, Ba, Alkali and Adichie." English Linguistics Research 7, no. 3 (2018): 42. http://dx.doi.org/10.5430/elr.v7n3p42.

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Women writers in Africa have enjoyed wider audience especially in higher institutions where the curriculum includes African Women Writers, Gender Studies and other related courses. African women writers may focus on a variety of subject matters but what is common to their literary art is that they concentrate on the experience of women. This article focuses on how the authors use their literary art to portray women’s experiences in their social melieu. Nawal El Sadaawi, Mariama Ba, Zaynab Alkali and Chimamanda Ngozi Adichie are women writers from Africa. The first three women are older and fro
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14

Okpala, Ebele Peace. "TRACING THE EVOLUTION OF THE IMAGE OF AFRICAN FEMALES THROUGH THE AGES: AN OVERVIEW OF SELECTED LITERARY WORKS." Volume-3: Issue- 1 (January) 3, no. 1 (2020): 24–32. http://dx.doi.org/10.36099/ajahss.3.1.4.

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The image of African women has evolved over the years. The study traced and critically analyzed how African female persona and experience have been depicted starting from pre-colonial, colonial to postcolonial eras using selected literary texts. It highlighted the impacts made by feminist writers towards a re-definition of the African woman. The theoretical framework was hinged on Feminist theory. Feminism, feminist ideologies and their proponents were also highlighted. The research revealed that the image of pre-colonial and colonial African women as portrayed in Chinua Achebe’s Things Fall A
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15

Faye, Diome. "Economic Violence, Sexual Exploitation and Psychological Trauma: A Comparative Study of The Predicament of Women in Gloria Naylor’s The Women of Brewster Place and Mariama Ba’s So Long a Letter." Journal of Advances in Education and Philosophy 03, no. 09 (2019): 335–41. http://dx.doi.org/10.36348/jaep.2019.v03i09.005.

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16

Walker, Keith L. "The Transformational and Enduring Vision of Aimé Césaire." PMLA/Publications of the Modern Language Association of America 125, no. 3 (2010): 756–63. http://dx.doi.org/10.1632/pmla.2010.125.3.756.

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As the Nineteenth Century was the Century of Colonization, The Twentieth Century was the Century of Decolonization, THE neologism entered popular usage during the 1950s, gained sudden prestige, and was declared crucial and, indeed, “beautiful” by Aimé Fernand David Césaire (“L'homme” 116). Césaire lived at the center of the global tempest and cultural sea change that characterized the anticolonial, civil rights, independence-movement years from 1932 to 1968. Césaire's rhetorical virtuosity and intellectual genius coincided with a moment of worldwide paradigm shifts and conceptual earthquakes,
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17

"Cross-Disciplinary Teaching of Mariama Bâ’s So Long a Letter." ADE Bulletin 156 (2018): 171–83. http://dx.doi.org/10.1632/ade.156.171.

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18

"Cross-Disciplinary Teaching of Mariama Bâ’s So Long a Letter." ADFL Bulletin 45, no. 1 (2018): 171–83. http://dx.doi.org/10.1632/adfl.45.1.171.

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19

Azzoug, Fatima. "Cadmus Myth In Mariama Ba’s "So Long A Letter":, An Intertextual Study." مجلة أفكار وآفاق, 2020, 335. http://dx.doi.org/10.46448/1698-008-002-017.

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20

Simon, ED. "Mixed marriages in Ba's so long a letter and scarlet song." Lwati: A Journal of Contemporary Research 3, no. 1 (2007). http://dx.doi.org/10.4314/lwati.v3i1.36797.

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21

Emenyi, I. A. "Intertextuality in Ba's So Long a Letter and Umunnakwe's Dear Ramatoulaye." Humanities Review Journal 5, no. 1 (2007). http://dx.doi.org/10.4314/hrj.v5i1.5962.

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22

Mutunda, Sylvester. "Women Subjugating Women: Re-Reading Mariama Bâ's So Long a Letter and Scarlet Song." Ufahamu: A Journal of African Studies 33, no. 2-3 (2007). http://dx.doi.org/10.5070/f7332-3016489.

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23

André, Datondji Cocou. "Foregrounding Direct and Oblique Translation Methods in Mariama Bâ’s So Long a Letter : A Comparative Stylistic Perspective." International Multilingual Journal Of Contemporary Research 8, no. 1 (2020). http://dx.doi.org/10.15640/imjcr.v8n1a2.

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24

Gonzo, Tsitsi Roselene, and Yemurai Chikwangura. "Reconfigurations of Polygamy in Mariama Bâ’s So Long a Letter and Paulina Chiziane’s Niketche: Uma História de Poligamia." Imbizo 8, no. 1 (2018). http://dx.doi.org/10.25159/2078-9785/2391.

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It is a given that men have long enjoyed cultural and symbolic superiority in traditional patriarchal African societies. The hierarchy of social importance among women seems to cascade down from married to single women. Polygamous marriages, though widely accepted in many African societies, remain contentious and draw divergent sentiments from women and men alike. Drawing on African feminist perspectives such as those broached by Sylvia Tamale, this paper argues that polygamy is presented in the literary works of Mariama Bâ and Paulina Chiziane in two polarized viewpoints. Polygamy is at once
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25

Worugji, GE, ED Simon, and ED Simon. "The Theme of Marriage in Dear Ramatoulaye as a Response to Mariama Ba\'s So Long a Letter." Lwati: A Journal of Contemporary Research 5, no. 1 (2008). http://dx.doi.org/10.4314/lwati.v5i1.36861.

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26

Agbasiere, Chijioke. "Cultural Inhibitions As Threat to Advancement of African Women: The Case of Mariama Ba’s ‘So Long a Letter’." SSRN Electronic Journal, 2020. http://dx.doi.org/10.2139/ssrn.3720085.

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27

Ojaruega, Enajite E. "REPRESENTATION OF FEMALE MENTAL ILL HEALTH IN THE AFRICAN NOVEL." International Review of Humanities Studies 7, no. 1 (2022). http://dx.doi.org/10.7454/irhs.v7i1.390.

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This study examines the depiction of female mental ill health in selected African novels. We intend to explore some causes and manifestations of, as well as responses to women’s emotional disorders. Through the prism of psychoanalytical feminism, our paper identifies those socio-cultural and environmental factors that are drivers of female mental ailments as represented in Mariama Ba’s So Long a Letter and Scarlet Song, Tsitsi Dangarembga’s Nervous Conditions, Chris Abani’s Becoming Abigail, Nawal El Saadawi’s Women at Point Zero, and Sindiwe Magona’s Beauty’s Gift. A close reading of these se
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