Academic literature on the topic 'Marie-Antoinette'

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Dissertations / Theses on the topic "Marie-Antoinette"

1

Berly, Cécile. "Marie-Antoinette et ses biographes : histoire d'une écriture de la Révolution française /." Paris ; Budapest ; Kinshasa [etc.] : l'Harmattan, 2006. http://catalogue.bnf.fr/ark:/12148/cb402436915.

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Maior-Barron, Denise Cristina Ioana. "Petit Trianon and Marie Antoinette : representation, interpretation, perception." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3930.

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This interdisciplinary thesis belongs to Marie Antoinette studies. The contemporary dissonant commodification of the controversial historical character of the last Queen of France, detected at her former home, Petit Trianon, drives the course of the thesis research. Considering the complexity and controversy of the subject, the thesis seeks to make a contribution to extant scholarship by clarifying important modern history issues through a fresh approach: by using art history as an indicator in assessing the historical truth of the narrative of Petit Trianon, the residence identified as home t
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Sommer, Heather J. "Of Crimes and Calamities: Marie Antoinette in American Political Discourse." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1532967916465092.

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Thomas, Chantal. "Le personnage de Marie-Antoinette dans les pamphlets : éléments d'une mythologie." Lyon 2, 1991. http://www.theses.fr/1991LYO20050.

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Ce travail porte sur un corpus peu étudié : les pamphlets contre Marie-Antoinette, notre réflexion s'organise sur trois parties respectivement intitulées : le genre pamphlétaire, les métamorphoses de l'image d'une reine, rencontres entre l'œuvre de Sade et l'univers des pamphlets. - la première partie est constituée d'une approche du pamphlet par ses caractéristiques matérielles et stylistiques. Pour illustrer ces considérations nous présentons une analyse d'un pamphlet particulier : Essai historique sur le vie de Marie-Antoinette d'Autriche, reine de France et de Navarre. . . 1789; choisi pou
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Sogos, Giorgia [Verfasser]. "Le biografie di Stefan Zweig tra Geschichte e Psychologie: Triumph und Tragik des Erasmus von Rotterdam, Marie Antoinette, Maria Stuart : Triumph und Tragik des Erasmus von Rotterdam, Marie Antoinette, Maria Stuart / Giorgia Sogos." Bonn : Universitäts- und Landesbibliothek Bonn, 2014. http://d-nb.info/105162147X/34.

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6

Tabet, Guillaume. "De Marie-Antoinette aux Merry Antoinettes, le détournement contemporain d'une figure historique aux États-Unis." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR069.

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Marie-Antoinette apparaît aujourd’hui aux Etats-Unis comme un personnage éblouissant. Tout comme la Chimère, monstre mythologique auquel la propagande révolutionnaire l’avait comparée, Marie-Antoinette présente une image composite aux facettes apparemment inconciliables : celle d’une reine méprisante et scélérate et d’héroïne tragique. Si l’image de la reine est évoquée de manière acerbe pour critiquer la conduite de certains politiciens ou célébrités, on la cite avec compassion pour illustrer le féminisme dont elle serait une martyre. Symbole d’une idée du luxe « français », Marie-Antoinette
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7

Bulman, Julie Catherine. "L'Habit en Révolution: Mode et Vêtements dans la France d'Ancien Régime [Revolution in Style: Dress and Fashion in Pre-Revolutionary France]." Thesis, Boston College, 2008. http://hdl.handle.net/2345/533.

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Thesis advisor: Ourida Mostefai<br>This thesis addresses the role of dress in the blurring of social class lines in pre-revolutionary France. The Ancien Régime had a set code for costume, in accordance with rank and birth. I outline this particular order, and the resulting disorder from this social structure through factual evidence and literary examples. The second part will discuss the creation and practice of fashion in the 18th century, leading up to the Estates General of 1789. This building significance of appearance in France made dress both a political and social tool that became incre
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Grant, Sarah. "Representations of the princesse de Lamballe (1749-1792) : the portraiture, patronage and politics of a royal favourite at the court of Marie-Antoinette." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1797d7c6-5c22-44a9-8ab3-adfcddfd43fc.

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This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the princesse de Lamballe (1749-1792). It is the first comprehensive and detailed study to be undertaken of the princess's activities as patron. Lamballe was Marie-Antoinette's longest-serving confidante and Superintendent of the Queen's Household. Through close formal analysis of the portraits combined with careful consideration of the sitter's personal circumstances and the wider cultural and historical context, the thesis challenges scholarly assumptions that the princess had only negligible inf
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Strasik, Amanda Kristine. "Reconceiving childhood: women and children in French art, 1750-1814." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/5647.

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My dissertation examines visual representations of children and childhood in French art from the 1750s until the first decades of the nineteenth century. This period in France is distinct because of the sweeping social and political changes with which images of children and childhood were in dialogue, including the redefinition of bourgeois familial relationships, new medical discoveries that influenced how artists interpreted the human mind and body, the chaos of the French Revolution, and the rise of Napoleon and his codification of the laws of nature. By 1750, Enlightenment thinkers and soc
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PECCHENINI, FEDERICO. "Evoluzione e caratteri formali dell'influenza francese sulla moda nobiliare del XVIII secolo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1857.

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La tesi vuole evidenziare il carattere continuativo che l’influenza francese ha esercitato sulla moda curiale nel XVIII, fino allo scoppiare delle Rivoluzione. I primi tre capitoli, sono necessari per comprendere la nascita di questa fortuna. Lo scontro tra corona francese e corona spagnola si è caratterizzato nel XVII secolo anche come scontro di codici vestimentari. Il perdurare delle “divise” di corte maschile e femminile nel XVIII perfezionate durante la seconda metà del regno di Luigi XIV è funzionale al mantenimento del ruolo guida: riconoscendo la necessità di uniformarsi agli abiti pre
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