Academic literature on the topic 'Marilynne Fiction Literature'

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Journal articles on the topic "Marilynne Fiction Literature"

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Brower Latz, A. "Creation in the Fiction of Marilynne Robinson." Literature and Theology 25, no. 3 (2011): 283–96. http://dx.doi.org/10.1093/litthe/frr017.

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Vogelzang, Robin. "The Likeness of Modernism in Marilynne Robinson’s Fiction." English Studies 99, no. 7 (2018): 744–54. http://dx.doi.org/10.1080/0013838x.2018.1510625.

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Mouw, Alex. "‘Free to act by your own lights’: Agency and Predestination in Marilynne Robinson’s Gilead Novels." Literature and Theology 35, no. 2 (2021): 198–219. http://dx.doi.org/10.1093/litthe/frab007.

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Abstract This article explores Marilynne Robinson’s attempt to reconcile the doctrine of predestination with a commitment to human agency by reading her novels Gilead, Home, Lila, and Jack alongside their intertextual companion, John Calvin. I argue that, rather than attempting to penetrate the enigma of predestination and agency through theological treatises, Robinson embodies the tension between them in fiction. Rather than defining a solution to the problem, she meaningfully charts the lived experience of it. Indeed, in the Gilead novels the experience of agency is itself agency within a un
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Morrison, Spencer. "Cormac McCarthy, Marilynne Robinson, and the Responsibility to Protect." American Literary History 31, no. 3 (2019): 458–81. http://dx.doi.org/10.1093/alh/ajz024.

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AbstractThis essay describes a new context for understanding the political stakes of US fiction described as postsecular—namely, the emergence of global human rights consciousness in the later twentieth century. Placing Americanist literary criticism’s recent “religious turn” in dialogue with the field of literature and human rights yields new insights for each, I argue. To demonstrate the benefits of this critical dialogue, I interpret two major novels studied by the “religious turn”—Cormac McCarthy’s The Road and Marilynne Robinson’s Gilead—in relation to the United Nations’ responsibility t
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Horton, Ray. "“Rituals of the Ordinary”: Marilynne Robinson's Aesthetics of Belief and Finitude." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 119–34. http://dx.doi.org/10.1632/pmla.2017.132.1.119.

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Marilynne Robinson, the author of Housekeeping, Gilead, Home, and Lila, has garnered attention for her sustained engagement with religious themes. Yet for all its robust participation in the theology of a distinctively Calvinist Protestantism, Robinson's fiction is invested in religious forms that are less propositional than phenomenological. It imagines belief as both a perceptual background and a system of thought that activates concentrated aesthetic attention to quotidian moments of temporal contingency and worldly ephemerality. Consequently, Robinson's work intervenes in the burgeoning cr
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Baker, Timothy C. "Perpetual Vanishing: Animal Lives in Contemporary Scottish Fiction." Humanities 8, no. 1 (2019): 12. http://dx.doi.org/10.3390/h8010012.

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Animals, writes Akira Mizuta Lippit, ‘exist in a state of perpetual vanishing’: they haunt human concerns, but rarely appear as themselves. This is especially notable in contemporary Scottish fiction. While other national literatures often reflect the ‘animal turn’ in contemporary theory, the number of twenty-first-century Scottish novels concerned with human–animal relations remains disproportionately small. Looking at a broad cross-section of recent and understudied novels, including Mandy Haggith’s Bear Witness (2013), Ian Stephen’s A Book of Death and Fish (2014), Andrew O’Hagan’s The Life
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Ghosal, Nilanjana, and Srirupa Chatterjee. "Fictive Kinship in Marilynne Robinson’s Gilead." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, December 28, 2020, 1–4. http://dx.doi.org/10.1080/0895769x.2020.1864616.

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Pearce, Hanne. "News and Announcements." Deakin Review of Children's Literature 8, no. 2 (2018). http://dx.doi.org/10.20361/dr29403.

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Happy fall and early winter everyone! It seems most of the book festivals and meetings have passed for the year but there are certainly award announcements worth noting. 
 TD Canadian Children’s Literature Awards
 
 Town Is by the Sea, written by Joanne Schwartz and illustrated by Sydney Smith, won the TD Canadian Children’s Literature Award ($50,000) 
 When the Moon Comes, written by Paul Harbridge and illustrated by Matt James, won the Marilyn Baillie Picture Book Award ($20,000) 
 #NotYourPrincess: Voices of Native American Women, edited by Lisa Charleyboy and Mary
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Mead-Willis, Sarah. "News and Announcements." Deakin Review of Children's Literature 1, no. 2 (2011). http://dx.doi.org/10.20361/g29887.

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The end of summer and the beginning of autumn saw some notable developments in the world of children’s books, particularly in Canada. It is a great delight to announce that The Deakin Review’s namesake, Dr. Andrea Deakin, is one of the joint recipients of the 2011 Claude Aubry Award. Conferred every two years by the Canadian chapter of the International Board on Books for Young People (IBBY), the Claude Aubry Award recognizes distinguished service within the field of children’s literature. Dr. Deakin, founder of the Deakin Newsletter (which this Review succeeds), is a prolific reviewer, collec
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Sulz, David. "Awards, Announcements, and News." Deakin Review of Children's Literature 2, no. 1 (2012). http://dx.doi.org/10.20361/g2vs3g.

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First, we would like to follow up on news about award shortlists reported in the last issue of the Deakin Review. The UK’s Chartered Institute of Library and Information Professionals (www.cilip.org.uk ) announced the winners for the 2012 Carnegie and Kate Greenaway Children’s Book Awards. Interestingly, both the Carnegie Medal for outstanding book for children and the Kate Greenaway Medal for distinguished illustration in a book for children were awarded for the same book - A Monster Calls published by Walker Books. Patrick Ness received the Carnegie award as author and Jim Kay the Kate Green
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Dissertations / Theses on the topic "Marilynne Fiction Literature"

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Van, Roekel Christina Marie. "Homing to Authenticity: Iowa Testimony in "Gilead"." The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-09172009-080046/.

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Iowa history reveals a long-term progressive stance towards implementing civil liberties laws. Yet many outside of the state equate Iowa with staid provincialism because of its rural isolation in the American heartland. Novelist Marilynne Robinsons Gilead brings attention to a little known time in Iowa history when residents were actively involved in the Underground Railroad. Her protagonist, John Ames, recalls family stories of past activism from a hundred year vantage point. Due to the gradual, but pervasive homogeneity of his Iowa small town, Ames struggles with implementing his progressive
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Winget, Lindsay. "What Is America Reading?: The Phenomena of Book Clubs and Literary Awards in Contemporary America." Thesis, Boston College, 2008. http://hdl.handle.net/2345/569.

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Thesis advisor: Judith Wilt<br>Experience as an English major, a bookseller, a publishing intern, and a reader has formed questions in my mind about why people read what they do. My interest is focused in two particular "categories" of literature that vie for readers' attention: book clubs and literary awards. Because my skills are in literary interpretation and not societal or industrial analysis, I explored this supposed dichotomy by reading and comparing books from each category. In the "book club" books (My Sister's Keeper by Jodi Picoult and The Memory Keeper's Daughter by Kim Edwards), I
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Books on the topic "Marilynne Fiction Literature"

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Tolhurst, Marilyn. Somebody and the three Blairs. ABC, 1990.

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ill, Abel Simone, ed. Somebody and the three Blairs. Orchard Books, 1991.

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(Editor), Richard Peabody, and Lucinda Ebersole (Editor), eds. Mondo Marilyn: An Anthology of Fiction and Poetry. St Martins Pr, 1995.

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1951-, Peabody Richard, and Ebersole Lucinda, eds. Mondo Marilyn. St. Martin's Press, 1995.

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James, David. Discrepant Solace. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198789758.001.0001.

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Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic for late twentieth- and twenty-first-century fiction and memoir. Making close readings of emotion crucial to understanding literature’s work in the precarious present, David James examines writers who are rarely consid
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Milne, Ira Mark. Novels for Students. Thomson Gale, 2006.

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Lego Friends: New Girl in Town. Scholastic Inc., 2013.

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Somebody and the Three Blairs. 6th ed. Scholastic Inc., 1995.

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Somebody and the Three Blairs. Scholastic, 1995.

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Tolhurst, Marilyn. Somebody and the Three Blairs. Rebound by Sagebrush, 1999.

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Book chapters on the topic "Marilynne Fiction Literature"

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Jack, Alison M. "Prodigal Ministers in Fiction." In The Prodigal Son in English and American Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817291.003.0006.

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In three novels focused on the lives of ordained ministers, J. G. Lockhart’s Adam Blair, James Robertson’s The Testament of Gideon Mack, and Marilynne Robinson’s Gilead, the meaning of home and the movement from being lost to being found are key themes shared with the parable of the Prodigal Son. In Adam Blair, the paradigm informs the movement towards being found; in Gilead, the minister comes home to himself, to others, and to God; in Gideon Mack, it is the bleakness of being lost which the parable brings into sharp relief. The connection between the parable and this unusual category of literary figures is particularly strong and illuminates the theological context out of which each is drawn.
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Nelson, Claudia, and Anne Morey. "Introduction." In Topologies of the Classical World in Children's Fiction. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198846031.003.0001.

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The introduction lays out the scope and methodology of the book as a whole, while offering discussions of three additional cases that represent examples of texts that are relevant to the project but that represent lines of examination not pursued later in the book. The book deals with Anglo-American children’s and young adult fiction from the early twentieth century through the present that reuses and redeploys elements of the classical world. Having noticed in this relatively constrained body of literature the prevalence of place in structuring metaphors, these works are then grouped into five chapters according to the major topological metaphors that they rely on, as primarily palimpsest, map, or fractal texts. The major methodology on display throughout is a cognitive poetics approach. The sample exception texts, designed to highlight the advantages and disadvantages of our groupings and methodological approach, are Marilyn Singer’s Echo Echo: Reverso Poems about Greek Myths, David Elliott’s Bull, and Rosemary Sutcliff’s The Mark of the Horse Lord, which offer contrasting spatial metaphors of a type that are here briefly acknowledged: original/mirror, inside/outside, and straight lines/spirals.
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