Academic literature on the topic 'Marin, pompier'
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Journal articles on the topic "Marin, pompier"
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Coutinho, Marina Henriques. "Bordados de vida e arte." Revista NUPEART 23 (August 14, 2020): 09–38. http://dx.doi.org/10.5965/2358092521232020009.
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Lamy, Andre, and Louis-Michel Leroy. "Fast Oil Spill Team: A Medium-Size Oil Spill Response Centre." International Oil Spill Conference Proceedings 1999, no. 1 (March 1, 1999): 1153–56. http://dx.doi.org/10.7901/2169-3358-1999-1-1153.
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ABSTRACT The Mediterranean Sea is a very sensitive zone; it is a virtually closed sea with an important economic and environmental pressure. ELF Aquitaine has decided to create its own oil spill response team called FOST (Fast Oil Spill Team) and its design makes it unique. This paper discusses the main innovations of this centre and describes materials available there, and also presents the partnership established between ELF Aquitaine and the Marseille batallion of the Marins Pompiers (Marine Emergency Services).
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Sales, Kall Lyws Barroso. "A TRADUÇÃO DA COMÉDIA ACARNENSES, DE ARISTÓFANES, POR ANA MARIA CÉSAR POMPEU." Belas Infiéis 6, no. 2 (December 20, 2017): 301–4. http://dx.doi.org/10.26512/belasinfieis.v6.n2.2017.11475.
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"E inda inchi foi o copo de vin puro e tumei todin” (POMPEU, p. 135, 2014), um dos trechos finais da tradução de Ana Maria César Pompeu de Acarnenses para o português, ou, como a tradutora afirma já no título do livro, para o “cearensês”, traz para a linguagem do matuto cearense um texto cômico grego. Assim, para compreender o sentido de se ler Aristófanes contemporaneamente, precisamos entender que a produção, reprodução e manutenção de seus textos são imprescindíveis para os estudos da tradução e da cultura grega, pois parte do que se conhece sobre as festividades helênicas só sobrevive pelos textos aristofânicos e suas traduções.
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Alves, Lindomberto Ferreira. "Notas inferenciais sobre o encargo e as diretrizes poéticas em O Jardim de Rubiane Maia." POIESIS 20, no. 33 (June 8, 2019): 437. http://dx.doi.org/10.22409/poiesis.2033.437-452.
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A performance O Jardim (2015), da artista multimídia contemporânea brasileira Rubiane Maia, objeto desta resenha crítica, trata-se de um trabalho especificamente concebido por ela, a convite das curadoras Paula Garcia e Lynsey Peisinger, para compor o projeto “Oito performances”, da exposição Terra Comunal – Marina Abramović + MAI, aberta à visitação de março a maio de 2015, no Sesc Pompeia, São Paulo/SP, Brasil.
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Alves, Lindomberto Ferreira. "Notas inferenciais sobre o encargo e as diretrizes poéticas em O Jardim de Rubiane Maia." POIESIS 20, no. 33 (June 8, 2019): 437. http://dx.doi.org/10.22409/poiesis.v20i33.29021.
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A performance O Jardim (2015), da artista multimídia contemporânea brasileira Rubiane Maia, objeto desta resenha crítica, trata-se de um trabalho especificamente concebido por ela, a convite das curadoras Paula Garcia e Lynsey Peisinger, para compor o projeto “Oito performances”, da exposição Terra Comunal – Marina Abramović + MAI, aberta à visitação de março a maio de 2015, no Sesc Pompeia, São Paulo/SP, Brasil.
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Da Silva, Rafael Guimarães Tavares. "Variedades linguísticas na tradução da comédia antiga: Sobre as variadas formas de rir da diferença." Dramaturgias, no. 7 (July 4, 2018): 51–79. http://dx.doi.org/10.26512/dramaturgias.v0i7.9515.
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Partindo da importância que as discussões acadêmicas têm reconhecido nos debates sobre a diferença e a alteridade atualmente, este texto pretende con- siderar os modos segundo os quais o riso e a linguagem podem se posicionar socialmente perante tais questões. Para isso, proponho considerações gerais sobre certas dimensões sociais do riso e da linguagem – como formas de afir- mar determinados valores em grupo – e analiso, em seguida, os casos espe- cíficos do uso (ou não) de diferentes variedades linguísticas como modo de suscitar o riso nas traduções de comédias antigas para o português contem- porâneo. Concentro-me nas traduções das seguintes peças de Aristófanes: Acarnenses (traduzida por Ana Maria César Pompeu, em 2014, e por Maria de Fátima de Sousa e Silva, em 1980) e Lisístrata (traduzida por Millôr Fernandes, em 2003; Adriane da Silva Duarte, em 2005; Ana Maria César Pompeu, em 2010; e Trajano Vieira, em 2011). Mais do que fazer avaliações decisivas sobre tais traduções, a proposta do presente texto é fomentar o de- bate sobre a teoria e a prática da tradução de teatro no Brasil, especialmente em sua sempre delicada e difícil tarefa de manifestar o riso pela linguagem, respeitando a diferença e a alteridade.
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Picone, R., and L. Cappelli. "THE SUBURBAN BATHS IN POMPEII: INNOVATIVE STRATEGIES OF CONSERVATION AND DIGITAL HUMANITIES FOR AN IMPROVED USE AND PERCEPTION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 489–96. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-489-2020.
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Abstract. The paper aims to examine the results of an experimental research on the enlarged fruition and “communication” of Pompeii archeological heritage. The main focus of the research were the Suburban Thermal baths in Pompeii, the ancient Roman city buried during the Vesiuvus volcano eruption in 79 a.C. The Suburban Thermal baths are located within the Insula Occidentalis, a wide area at West of the old city of Pompeii. They have been a special entrance to the archeological site since the rediscovery of the ancient city. The Thermal baths area was neglected for a long time, but then it was included in the conservation project for Porta Marina and the superintendence offices, led by Amedeo Maiuri. However, these measures didn’t lead to in-depth, systematic studies, that were to be conducted only during the early ‘2000. Nowadays, new technologies can be helpful to convey the actual value of the big archeological heritage. In fact, they represent a real asset to show any transformation or restoration work, that made the thermal baths a peculiar, stratified artefact. The historical and artistic information have been reinterpreted in a more technological, contemporary language; therefore, the visitor has the opportunity to experience a more conscious and multilayer reading of the Pompeii thermal complex. In addition, in this paper will be examined new opportunities of collection, analysis and information sharing of the case study. A special focus will vert on how the conscious use of new technologies and storytelling may be the key to understand the material and immaterial traces of the Suburban Thermal baths.
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Currás, Brais X. "The salinae of O Areal (Vigo) and Roman salt production in NW Iberia." Journal of Roman Archaeology 30 (2017): 325–49. http://dx.doi.org/10.1017/s1047759400074146.
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In antiquity, the production of sea salt was one of the most important sources of salt. According to Pliny the Elder (NH 31.81), the most common way of obtaining salt was through marine salinae: facticii varia genera, volgaris plurimusque in salinis mari adfuso. There are plenty of textual references to marine salt evaporation ponds: Livy (1.33) reported that Ancus Marcius opened saltworks on the Tiber next to Ostia; Pliny (NH 31.84-87) mentioned a series of examples of such installations distributed throughout the Mediterranean, while Columella (Rust. 10.135) indicated the existence of saltworks at Pompeii, and Cassiodorus (Var. 12.24) spoke of those located near Venice. Passages in Rutilius Namatianus (De red. 475-90) and Manilius (Astr. 5.682-92) are also well known for their explanations of how ancient saltworks operated.
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MacCannell, Daniel. "King Henry IX, or cardinal called York? Henry Benedict Stuart and the reality of kingship." Innes Review 58, no. 2 (November 2007): 196–209. http://dx.doi.org/10.3366/e0020157x07000066.
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A picture belonging to the National Portrait Gallery, London, attributed as of 1958 to Pompeo Batoni,1 is now listed as ‘Unknown Cardinal, formerly known as Henry Benedict Maria Clement Stuart, Cardinal York, [by the] circle of Anton Raphael Mengs’ ( Fig. 1 ).2 It is not the identity of the artist that poses the central question of this article, but of the sitter – in this, and in a very different painting: the Scottish National Portrait Gallery's Prince Charles Edward Stuart, by Maurice Quentin de La Tour ( Fig. 2 ).3
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CORREA, RUBENS ARANTES. "História e Crônica: Raul Pompéia e a série "Da Capital" * History and Chronicle: Raul Pompeia and the series "Da Capital"." História e Cultura 1, no. 1 (May 4, 2012): 41. http://dx.doi.org/10.18223/hiscult.v1i1.423.
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<p class="MsoNormal" style="text-align: justify; line-height: normal; margin: 0cm 0cm 10pt;"><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 11.0pt;">O presente trabalho integra os quadros de uma pesquisa mais ampla, na qual investigamos a trajetória, a militância e os ideais políticos de Raul Pompeia (1863-1895), situando-o no contexto brasileiro do final do século XIX. Enfatizamos, particularmente, a produção cronística de Raul Pompeia para o jornal <em>O Estado de S. Paulo </em>em uma série que o próprio autor intitulou de “Da Capital” e que foi publicada pelo vespertino paulista entre 1891 e 1893. Procuramos compreender, por meio deste trabalho, como a crônica, enquanto gênero na fronteira entre a literatura e a história, opera como um testemunho documental capaz de revelar as tensões políticas de uma época.</span><span><span style="background: #FBFBF3;"></span></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span><strong><span style="background: #FBFBF3;">Palavras-chave:</span></strong><span style="background: #FBFBF3;"> </span></span><span style="font-size: 11.0pt;">Crônica </span><span><span style="background: #FBFBF3; mso-ansi-language: EN-US;" lang="EN-US">–</span></span><span style="font-size: 11.0pt;"> Raul Pompeia </span><span><span style="background: #FBFBF3; mso-ansi-language: EN-US;" lang="EN-US">–</span></span><span style="font-size: 11.0pt;"> Intelectuais.</span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span> </span></p> <p class="MsoNoSpacing"><span><strong><span style="font-family: ";Times New Roman";,";serif";; background: #FBFBF3;">Abstract:</span></strong></span><span><span style="font-family: ";Times New Roman";,";serif";; background: #FBFBF3;"> </span></span><span style="font-family: ";Times New Roman";,";serif";; mso-ansi-language: EN-US;" lang="EN-US">This paper integrates the charts of a larger study in which we investigate the trajectory, the militancy and Raul Pompeia’s political ideals (1863-1895) placing him in the Brazilian context in late nineteenth century. We highlight, particularly, Raul Pompeia’s chronicals for the newspaper “<em>O Estado de São Paulo</em> in a series which the author titled "Da Capital" and was published by an afternoon newspaper from São Paulo between 1891 and 1893. We have tried to understand, through this work, how the chronicle, as a genre on the border between literature and history, works as a documentary witness able to reveal the political tensions of an era. </span></p> <p class="MsoNoSpacing"><span><strong><span style="font-family: ";Times New Roman";,";serif";; background: #FBFBF3; mso-ansi-language: EN-US;" lang="EN-US">Keywords:</span></strong></span><span><span style="font-family: ";Times New Roman";,";serif";; background: #FBFBF3; mso-ansi-language: EN-US;" lang="EN-US"> </span></span><span style="font-family: ";Times New Roman";,";serif";; mso-ansi-language: EN-US;" lang="EN-US">Chronicle <span><span style="background: #FBFBF3;">–</span></span> Raul Pompeia <span><span style="background: #FBFBF3;">–</span></span> Intellectuals. </span></p></p>
Dissertations / Theses on the topic "Marin, pompier"
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PREVOST, JEAN-MARIE. "Les interventions medicalisees des marins pompiers a marseille en 1988." Aix-Marseille 2, 1989. http://www.theses.fr/1989AIX20406.
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CAILLETEAU, BENOIT. "Bilan de l'activite medicale d'urgence du bataillon des marins pompiers de marseille de l'annee 1987." Aix-Marseille 2, 1988. http://www.theses.fr/1988AIX20486.
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ESTIENNE, CYRIL. "Les interventions pediatriques medicalisees par le bataillon des marins-pompiers de marseille en 1989 et 1990." Aix-Marseille 2, 1992. http://www.theses.fr/1992AIX20026.
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PEREZ, ALAIN. "Accouchements survenus accidentellement en dehors d'un service specialise a marseille : a propos de 130 observations du bataillon de marins-pompiers de marseille de 1986 a 1988." Aix-Marseille 2, 1989. http://www.theses.fr/1989AIX20318.
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Perez-Ramirez, Arturo Antonio. "Suicides et tentatives de suicide : étude épidémiologique réalisée en 1989 par le SMUR du bataillon des marins pompiers de Marseille." Montpellier 1, 1991. http://www.theses.fr/1991MON11204.
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Pons, Dominique. "Bilan sur un an des arrets cardio-circulatoires extrahospitaliers au service medical d'urgence et de reanimation du bataillon de marins-pompiers de marseille." Aix-Marseille 2, 1990. http://www.theses.fr/1990AIX20294.
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Gehlhar, Maria [Verfasser], Gerhard [Gutachter] Rödel, and Tilo [Gutachter] Pompe. "Generierung und Charakterisierung von Proteinderivaten zur gezielten Mineralisierung von DNA-Konstrukten / Maria Gehlhar ; Gutachter: Gerhard Rödel, Tilo Pompe." Dresden : Technische Universität Dresden, 2021. http://d-nb.info/1236383753/34.
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Martinez, Laurent. "Intérêt de la compression-décompression active dans la prise en charge des arrêts cardio-ventilatoires extra-hospitaliers par le SMUR du bataillon de marins pompiers de Marseille." Montpellier 1, 1995. http://www.theses.fr/1995MON11097.
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Meilland, Julie. "Rôle des foraminifères planctoniques dans le cycle du carbone marin des hautes latitudes (Océan Indien Austral)." Thesis, Angers, 2015. http://www.theses.fr/2015ANGE0059/document.
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Les foraminifères planctoniques vivants (LPF) contribuent à la pompe biologique du carbone océanique en générant des flux de Corg (cytoplasme) et de Cinorg (test calcaire). Dans cette étude, la morphométrie des tests, les abondances et les compositions spécifiques des assemblages de LPF dans l'océan Indien Sud (30°S-60°S, 50°E-80°E), ont été caractérisées à partir de la collecte par filet à plancton stratifié (Multinet) sur 19 stations échantillonnées pendant trois étés consécutifs (2012- 2014). En démontrant l'efficacité d'échantillonnage du Continuous Plankton Recorder pour spatialiser les données observées en 19 stations, l’étude de la dynamique de population des LPF montre l'effet de la position des fronts sur la production des LPF. Pour mieux contraindre l'impact des LPF dans la pompe biologique du carbone des hautes latitudes, la biomasse protéique et la masse calcique de plus de 2000 foraminifères ont été mesurées. Les différences de biomasse protéique et de poids normalisé par la taille entre années, espèces et masses d'eau suggèrent que les paramètres environnementaux affectent la production de Corg et de Cinorg des LPF. Le rôle des LPF sur la pompe biologique de carbone marin dépend des conditions hydrologiques et trophiques du milieu. Le rapport Corg/Cinorg est très différent selon les espèces considérées. L'applicabilité des tests de foraminifères planctoniques comme proxy de paléopompe du carbone dans les hautes latitudes dépendrait donc de l'effet exercé par les variations des conditions écologiques, et de la composition de l’assemblage. Cette étude propose une première estimation des budgets Corg et Cinorg produits par les LPF dans l’Océan Indien AustralPlanktonic foraminifera contribute to the marine biological carbon pump by generating organic (cytoplasm) and inorganic (shell) carbon fluxes. In this study, we characterized LPF total abundances, assemblages and test morphometry (minimum diameter) along 19 stations sampled by stratified plankton net (Multinet), during three consecutive austral summers (2012-2014) in the Southern Indian Ocean (30°S-60°S, 50°E-80°E). By demonstrating the efficiency of CPR for LPF sampling, we analysed population dynamic between 19 multinet sampling stations, showing the effect of frontal position on LPF production. To better constrain the impact of those organisms in the biological carbon pump at high latitudes, we have quantified the individual protein-biomass and test calcite mass of more than 2000 LPF. Differences in size-normalized protein-biomass and in size-normalized weight between years, species, and water bodies suggest that environmental parameters affect the production of planktonic foraminifera organic and inorganic carbon to varying degrees. Consequently, planktonic foraminifera are assumed to affect the biological carbon pump, depending on ecological conditions and biological prerequisites. The applicability of planktonic foraminifera tests as proxy of the past biological carbon pump in high latitudes would hence critically depend on the effect exerted by changing in ecological conditions, and the presence of different species. This study proposes a first estimation of planktonic foraminifera Corg and Cinorg standing stock and fluxes in the Southern Indian Ocean
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Fabbri, Joël. "Thrombolyse préhospitalière de l'I. D. M. (infarctus du myocarde) : conceptions actuelles et revue de la littérature : à propos d'une série de 40 patients thrombolysés à domicile par les marins-pompiers de Marseille." Aix-Marseille 2, 1990. http://www.theses.fr/1990AIX20229.
Full textBooks on the topic "Marin, pompier"
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Avvisati, Carlo. Plinio il vecchio: Il mistero dello scheletro scoperto sulla marina di Pompei antica. Pompei (Napoli): Marius, 2001.
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Rediscovering antiquity: Karl Weber and the excavation of Herculaneum, Pompeii, and Stabiae. Cambridge: New York, 1995.
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Parslow, Christopher Charles. Rediscovering antiquity: Karl Weber and the excavation of Herculaneum, Pompeii, and Stabiae. Cambridge: New York, 1998.
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Marie-Claire, Mussat, ed. A mon cher cousin: Une femme en Bretagne à la fin du XVIIIe siècle : correspondance de Mme de Pompéry avec son cousin Kergus. Paris: Ed du Layeur, 2006.
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Pompery, Anne-Marie Audouyn de. À mon cher cousin--: Une femme en Bretagne à la fin du XVIIIe siècle : correspondance de Mme de Pompery avec son cousin de Kergus, suivie des lettres du Soissonnais. Paris: Layeur, 2007.
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Christine, Smith. Building the kingdom: Giannozzo Manetti on the material and spiritual edifice. Tempe: Arizona Center for Medieval and Renaissance Studies, 2006.
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Morrell, Kit. Cato’s policy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198755142.003.0009.
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The conclusion draws together the main threads of the argument before considering, briefly, the ‘afterlife’ of republican reform efforts under the principate. It also reflects on some broader implications of this study for our understanding of Pompey and Cato, of reform and politics in the Roman republic, and of the very viability of republican government.
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van der Ploeg, Ans T., and Pascal Laforêt. Pompe Disease. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199972135.003.0055.
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Pompe disease, also named acid maltase deficiency and glycogen storage disease type II (GSDII), is a rare autosomal recessive disorder caused by the deficiency of the glycogen-degrading lysosomal enzyme acid α-glucosidase. The clinical spectrum of this disease is broad, varying from a lethal infantile-onset generalized myopathy including cardiomyopathy, to late-onset slowly progressive muscle weakness mimicking limb-girdle muscular dystrophy. Respiratory insufficiency is a frequent complication and the main cause of death. The prognosis of Pompe disease has changed considerably with the use of enzyme replacement therapy using recombinant acid α-glucosidase (alglucosidase alfa), which has been widely available since 2006. Improvements in survival and major motor achievements can be observed in patients with infantile forms, and recent studies demonstrate improvement of walking distance and stabilization of pulmonary function in late-onset forms. A longer-term study of the safety and efficacy of ERT, based on data gathering across the complete spectrum of Pompe disease via national or international patient registries, is needed in order to formulate more precise guidelines for treatment.
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Classica (ovvero "Le cose della flotta") - Storia della marina di Roma, testimonianze dall'antichita': VI - Pompeo Magno e il dominio del mare. Rome, Italy: Rivista marittima, 1997.
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Cassiman, David, Pascal Laforêt, and Fanny Mochel. Glycogen Storage Disorders. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199972135.003.0001.
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Glucose is the body’s major energy source, and carbohydrate serves as fuel—particularly during high-intensity exercise that requires rapid energy release. A deficiency of any of the enzymes involved in the catabolism of glycogen to glucose may cause symptoms, with hypoglycemia and exercise intolerance as the most common presentations. Glycogen storage disorders (GSD) affect muscle, liver, and brain. The most common GSDs affecting muscle are GSD II (Pompe disease) and GSD V (McArdle disease). GSDs affecting mainly the liver are GSD I, III, IV, VI, IX, XI. Most liver-GSDs present during infancy, with symptoms of hypoglycemia, impressive hepatomegaly, and retarded growth. Adult presentations have been reported for GSD Ia, III, IV, and IX.Adult polyglucosan body disease (APBD) is the main GSD affecting primarily the brain and mainly characterized by spastic paraplegia, axonal neuropathy and leukodystrophy. APBD is a subtype of GSD IV and is due to a deficiency of glycogen branching enzyme (GBE). Besides GSD IV, other GSDs have been reported to have CNS effects in some patients—notably GSD II and GSD III.
Book chapters on the topic "Marin, pompier"
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"Imperial Villa / Marine Gate (Figure 21)." In Pompeii. I.B. Tauris, 2017. http://dx.doi.org/10.5040/9781350987555.0008.
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Allison, Penelope M. "Casa del Menandro Supplement." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0024.
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The descriptions and measurements in following entries have been translated directly from the inventories compiled by Antonio d’Ambrosio. D’Ambrosio carried out the organization of the finds that were reportedly removed from the Casa del Menandro between 1979 and 1981, and stored in the Casa di Bacco storerooms in Pompeii. These finds had been left in situ, presumably in this house, since its excavation in the 1930s. However, it is not absolutely certain that the artefacts now inventoried as being from the Casa del Menandro were actually all excavated from that house, particularly figurative pieces. Such artefacts are unlikely to have been left in the house and not inventoried at the time of excavation. Also precise provenances, within the house, have not been provided in these recent inventories. Some of these items can be identified as particular finds recorded in the excavation reports, and these have been included in the main catalogue for the Casa del Menandro. For others there are a number of possibilities which are included here and in the main catalogue. None of these artefacts have been studied in detail. Dimensions: 185 mm × 215 mm; d.: 41 mm. Description: fragment of white marble with part of an inscription in two lines (h. of letters: 38 mm): ‘MANTON / MAMI’. Present location: Pompeii Collection, GF (inv. no. 17594, locatable). Reference: Pomp. archive neg. 42120. Discussion: possibly cat. no. 765 or 920. Dimensions: h.: 140 mm; max. diam.: 158 mm. Fabric: yellowish-orange. Description: Cylindrical neck and part of an ovoid body of an amphora. Stamped. Present location: Pompeii Collection, CB (inv. no. 17595). Discussion: possibly cat. no. 275, 382, 401, 549, 551, 593, or 634. Dimensions: h.: 380 mm; diam. of rim: 113 mm. Fabric: orange. Description: fragments of an amphora of Dressel form 5. Present location: Pompeii Collection, GF (inv. no. 17596, locatable). Reference: Pomp. archive neg. D/82718. Discussion: possibly cat. no. 275, 382, 401, 549, 551, 593, or 634. Dimensions: h.: 152 mm; diam. of rim: 123 mm. Fabric: orange. Description: Fragment of an amphora with a large rounded rim, cylindrical neck, oblique shoulder, and double strap handle from the shoulder to the centre of the neck.
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Allison, Penelope M. "House I 10,1." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0012.
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Giornali degli Scavi: A,VI,6 (May 1912–Mar. 1929): 452 (29 Nov. 1926); 458 (3 Dec. 1926). A, VI,7 (Apr. 1929–Dec 1935): 209 (28–29 July 1932); 210 (29, 31 July 1932); 215 (2–3 Aug. 1932); 216 (3 Aug. 1932); 218 (10 Aug. 1932); 218–19 (13 Aug. 1932). Elia 1934: 265–70. The façade of this house was excavated in November 1926, the entrance on 29 November (GdSc A,VI,6: 451–3). The house was completely excavated between 28 July and 13 August 1932 (GdSc A,VI,7: 209–18). Present location: unknown, not inventoried at time of excavation. Description: presumably cylindrical pivot lining to line the base of the wooden pivot pole of the main entrance door. See cat. no. 285. Present location: unknown, not inventoried at time of excavation. Discussion: possibly door handle for the main entrance. Present location: unknown, not inventoried at time of excavation. Discussion: probably from main entrance door and frame. Dimensions: l.: 45 mm. Description: small bronze slide key with a large suspension ring (diam.: c.20 mm) and L-shaped bit. Three remaining teeth. Present location: Pompeii Collection, CB (inv. no. 5093). Discussion: This probably originally had five teeth (see Stead 1986: 137 fig. 59, nos. 371–2), similar to Manning type 2 (1985: 93, fig. 25.7), and was used in a tumbler lock. Its small size suggests that it was from storage furniture. See discussion on locks and keys. Dimensions of case: 85 mm × 85 mm × 30 mm. Description: Fragmentary iron lock consisting of a lock case and the remains of iron fastening bars (max. preserved l. of fragment: 120 mm), iron key and bronze bolt. Lock case with iron attachment nails in the corners and in the middle of each side. Iron key (l.: 70 mm), with suspension ring (diam. c.23 mm) and L-shaped bit, preserved in the lock. Bronze bolt made from a solid strip of bronze (dimensions: 70 mm × 15 mm × 6 mm) with a key pattern of five triangular holes arranged in two rows. Small cylindrical bronze rod (l.: 16 mm), probably part of a tumbler, inserted into one of the triangular holes.
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Allison, Penelope M. "House I 10,2–3." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0013.
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Giornali degli Scavi A,VI,6 (May 1912–Mar. 1929): 451 (12 Nov. 1926); 452 (23–7 Nov. 1926); 459 (6–10 Dec. 1926). A,VI,7 (Apr. 1929–Dec 1935): 202 (5–6 July 1932, probably this house); 203 (8 July 1932); 204 (14 July 1932); 205 (16 and 19 July 1932); 206 (20 July 1932); 207 (22–3 July 1932); 235 (31 Oct. 1932). Elia 1934: 271–5. The façade of this house was excavated in November 1926, the main entrance on 12 November and the shop entrance on 23 November (GdSc A,VI,6: 451–3). The shop was excavated in December 1926 (GdSc A,VI,6: 459), and the rest of the house was completely excavated between 14 and 23 July 1932 (GdSc A,VI,7: 204–7), although a small excavation was carried out on 31 October between rooms 4 and 6 to see if there were any traces of an impluvium (GdSc A,VI,7: 235). Description: medium size, illegible. Present location: sent to Naples, Coll. Med., missing (Pompeii inv. no. 3823: not reinventoried). Description: As, of Gaius (ad 37–8). Present location: Naples, Coll. Med. (Pompeii inv. no. 3824A: not reinventoried). Description: Sestante, Republican (post 211 bc). Present location: Naples, Coll. Med. (Pompeii inv. no. 3824B: not reinventoried). Description: remains of iron rod, of square section (10 mm × 10 mm). Present location: in situ in west jamb. Discussion: undoubtedly fragments from closing system for the main entrance to this house. i. Base dimensions: 250 mm × 100 mm (GdSc). Marble base with rectangular incision. ii. fragment of a small square pilaster: h.: 460 mm. Present location: unknown, not inventoried at time of excavation. Discussion: probably from furniture such as a pedestalled basin (e.g. Pernice 1932: pl. 26.3) or a table (e.g. cat. no. 737). Dimensions: h.: 0.84 m (GdSc). Description: Amphora with traces of inscription in red on the neck. One-third full of yellowish material. Inscription of six lines, last three possibly reading: Della Corte interpreted the fourth and fifth lines as ‘annorum III, CXC Norbani’. Present location: unknown, not inventoried. Reference: possibly Della Corte 1933: 282, no. 55. Discussion: According to Elia (1934: 275) the contents were similar to bran. They were probably foodstuffs.
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Ling, Roger, and Lesley Ling. "GENERAL COMMENTS." In The Insula of the Menander at Pompeii. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199266951.003.0014.
Full textAbstract:
The Decorations have so Far Been Considered house by house because their main interest lies in what they tell us about the residential units for which they were designed and the householders who commissioned them. We may conclude, however, by looking at them globally to draw some general conclusions about patterns of distribution and about the contribution made by Insula I.10 to our knowledge of Pompeian interior decoration. The nature of our study, covering a whole insula rather than focusing on individual houses, provides an exceptional opportunity to consider decorations across a range of properties which together constitute a ‘neighbourhood’ within Pompeii. We can thus pick out some of the patterns of economic and social differentiation within a small area of the city. Even if few of our conclusions prove to be unexpected, they none the less provide some kind of model against which to measure the results of studies of individual houses or of whole insulae elsewhere in Pompeii. Our discussion will, inevitably, concentrate on the seven more substantial dwellings in the insula, namely the Case del Menandro, degli Amanti and del Fabbro, and houses 1, 3, 8, and 18. The various one- or tworoom units, including independent shops and workshops, and the upstairs apartment entered via entrance 5, either lacked any form of interior decoration (other than largely plain plaster and mortar paving) or have yielded too little evidence to enable worthwhile conclusions to be drawn. one in the Casa del Fabbro and one in the Casa degli Amanti, hints at the former existence of even more luxurious paintings of which no trace remains. But the record is simply too defective to bring this material into the equation: as in other parts of Pompeii, details of arrangements on the upper floors are mostly unrecoverable. We are forced to base our figures on the ground floors alone, acknowledging the danger that this may result in some distortion of the picture. First, pavements. The decorated paving can be divided into three main types: true mosaic, pavements of mortar sprinkled with pieces of white and coloured stones, and pavements of mortar with patterns formed by lines of tesserae.
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Ling, Roger, and Lesley Ling. "Descriptive Catalogue." In The Insula of the Menander at Pompeii. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199266951.003.0016.
Full textAbstract:
The pavement of room 1, like that of 3, is mortar (cocciopesto), containing isolated fragments of white and coloured marbles, including bardiglio scuro (or Hymettan?), giallo antico, and portasanta(?), amid a regular scatter of white chips, from 0.05 to 0.10 apart. A band of more closely spaced white tesserae, approx. d. 0.60 × w. 2.90 (tesserae from 0.005 to 0.008), marks the threshold between rooms 1 and 3. The three fragments of bardiglio scuro have maximum measurements of 0.20 × 0.125; 0.15 × 0.07; 0.06 × 0.065. Wall-paintings (Figs. 4, 5a; Pl. 133; Elia, 265; PPM ii. 231–2, figs. 2–4) State of preservation. The wall-paintings are late Third Style, with design and colours now damaged but with a few exceptions relatively easy to decipher. The W wall is the most complete, with plaster preserved to full height on the right, but dropping to just above the top of the dado near the left end before rising again to half-height in the SW angle. On the E wall, decorated only to the right of the doorway to room 2, the plaster is well preserved to mid-height. The S side of the room is open to room 3, but the shallow responds at each side retain plaster to mid-height. The N wall has no decoration other than fragments of a lararium painting to the right of the street entrance. The plaster overlaps the pavement. West wall. The DADO (ht. 0.82) is black with a delicate design of white and yellow lines, focused on a series of four little panels containing decorative motifs, one beneath each of the intervals of the main zone. Within an overall frame formed by a narrow white base-line (0.15 above the floor) and vertical white lines at each end (0.07 from the left angle, 0.19 from the right) the space is divided into five parts (w. resp. 0.70, 0.95, 1.17, 0.92, and 0.72) corresponding to the fivefold structure of the main zone. The two central divisions are each effected by a vertical white line interrupted at mid-height by a tiny square tilted at 45º; this is framed by the same white line, with an inner border-line in yellow, and contains a central rosette in white.
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Ling, Roger, and Lesley Ling. "I. 10. 7: CASA DEL FABBRO." In The Insula of the Menander at Pompeii. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199266951.003.0011.
Full textAbstract:
The Surviving Decorations in the Casa Del Fabbro belong to two main phases: the late Third Style and a crude and simple form of the Fourth Style. Late Third Style paintings occur in the two rooms (8 and 9) that open southwards to the portico (10) and garden at the rear of the house, one on either side of the tablinum. They are accompanied in one case (room 9) by a decorated pavement assignable to the same phase. The only other space which may have had Third Style paintings at the time of the eruption was the tablinum itself (room 7). Here Elia records a wall-decoration that was ‘molto rovinata’, a description often applicable to paintings which had been on the walls for some decades before 79; remnants on the east wall consisted of ‘specchi rossi e gialli, divisi da sottili fasce verdi e zoccolo a fondo nero ornato di sagome verdi e gialle’. This description could fit a Third Style scheme, though it does not exclude the Fourth Style. Unfortunately nothing legible now survives, but the plaster of the pilasters at the entrance predates the final coat of plaster in the atrium. Simple Fourth Style paintings occur in the cubicula to the west of the fauces and atrium (rooms 2, 4, and 5). Further fragments in the rooms above these cubicula are too incomplete for detailed analysis but are likely to belong to the same period. The atrium itself (room 3) is plastered plain white, and the fauces has only coarse plaster: one wonders whether these were provisional arrangements pending full redecoration or a sign of the house’s conversion to commercial or manufacturing activities (see below, pp. 144–5). The only decorated pavement which can be dated, with some confidence, to the Third Style is that of the black room (9), a cocciopesto containing patterns of inset white tesserae which delineate the position of triclinium couches (pp. 262–3; Fig. 111). The area covered by the couches is marked by a semis of five-tessera crosslets, the central area by a mat of swastika meander, and the area at the front and sides by mats containing lozenge grids.
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Allison, Penelope M. "Casa del Fabbro (I 10,7)." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0016.
Full textAbstract:
Giornale degli Scavi A,VI,6 (May 1912–Mar. 1929): 545 (Apr. 1928). A,VI,7 (Apr. 1929–Dec. 1935): 258–302 (intermittently from 12 Dec. 1932 to 28 Feb. 1933). Elia 1934: 278–308. The main excavations of this house were carried out between December 1932 and February 1933. The standard of excavation recording is perhaps more careful than that in the Casa del Menandro. More precise locations of objects are reported but sometimes with incorrect compass points. Elia has often published inventory numbers which do not concord with those in the Giornale degli Scavi. Dimensions: l.: 170 mm (GdSc). Description: quadrangular lock. Present location: unknown, not inventoried at time of excavation. Discussion: Relatively large lock, probably for structural door. Possibly one of the locks or possible lock fragments in the Casa del Fabbro Supplement: see cat. nos. 8, 10, 21, 34, and 68. See discussion on locks and keys. Present location: unknown, not inventoried at time of excavation. Discussion: possibly one of fragments in the Casa del Fabbro Supplement: see cat. nos. 41 and 92. Present location: unknown, not inventoried at time of excavation. Dimensions: l.: 150 mm (GdSc). Description: key with six teeth. Present location: unknown, not inventoried at time of excavation. Discussion: Probably similar type to cat. no. 136. Possibly key in the Casa del Fabbro Supplement: see cat. no. 23. See discussion on locks and keys. Dimensions: small key. Present location: unknown, not inventoried at time of excavation. Discussion: see discussion on locks and keys. Dimensions: l.: 350 mm (GdSc). Description: with knob. Present location: unknown, not inventoried at time of excavation. Discussion: possibly one of the door-latch remains in the Casa del Fabbro Supplement: see cat. nos. 16, 34–5, 38, and 63. Present location: unknown, not inventoried at time of excavation. Discussion: possibly one of door-latch fragments in the Casa del Fabbro Supplement: see cat. nos. 34–5, 38, and 63. Description: studs, sixteen of which have a hole in the centre. Present location: unknown, not inventoried at time of excavation. Discussion: see discussion on studs. Description: nails and remains of nail heads. Present location: unknown, not inventoried at time of excavation. Discussion: possibly some of nails in the Casa del Fabbro Supplement: see cat. nos. 43–7, 73, 75, and 79.
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Allison, Penelope M. "Casa del Menandro (I 10,4)." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0030.
Full textAbstract:
To either side of this main entranceway, on the street front, are fixed masonry seats. Such seats have been assumed to have been for waiting clients. However, in Pompeii these seats are not always in front of the largest and most elaborate houses, that is those whose occupants were likely to have had clients. They were therefore likely to have served as a public facility available to anyone, including the house occupants. No loose finds were reported from this entranceway. The only visible sign of possible post-eruption disturbance to the volcanic deposit is a small hole towards the south end of the east wall of this ‘atrium’. However, the hole seems too small to have been the breach made by a post-eruption intruder. Maiuri noted, that the wall decoration of this ‘atrium’ was of a fresh and well-preserved Fourth Style executed after the last transformation of the house. The pavement was in lavapesta. Fixtures here included a central catchment pool (impluvium), revetted in white marble that was damaged either before or during the eruption, and a lararium aedicula in the north-west corner. According to Maiuri, the aedicula was constructed after the last well-preserved wall decoration, but Ling believes they are contemporary. At least forty-five small bronze studs were found in the north-west corner of this area. These had decorated the wooden lattice of the aedicula, now reconstructed in plaster. All the other recorded moveable finds were from the south side of this space. These included: a household storage jar; two clay lamps; bronze and iron fittings, possibly from the closing system for room 8, the so-called ‘tablinum’; and bone fragments probably from a piece of furniture. In the south-west corner were found a large bronze basin and a bronze patera, both of which were conceivably associated with bathing. Contrary to what might be expected, no statuettes of Lares or other representations were found in the lararium aedicula. Maiuri therefore concluded that these must have been made of wood. If this were so, then the excavators, who were able to make a cast of the wooden latticing, would surely also have observed any statuettes inside the aedicula, objects which would seem to have been more important than the latticing.
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Ling, Roger, and Lesley Ling. "Introduction." In The Insula of the Menander at Pompeii. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199266951.003.0008.
Full textAbstract:
The Present Volume takes Forward the Study of the Insula of the Menandro started with the architectural analysis of Volume I (1997). It examines the interior decorations (paintings on walls and ceilings, mosaics and other patterned pavements on floors, and stucco relief on ceilings). This is done, as in Volume I, by separating the analytical discussion, which comes first, from a full descriptive catalogue—the counterpart of the architectural gazetteer (Appendix A) of the fiirst volume— which occupies the second half. In the analytical discussion the decorations are tackled from three main viewpoints. A first section deals with typology and chronology. This involves analysing both the general syntax and also individual motifs, using comparanda from other houses at Pompeii and where necessary outside Pompeii, to determine their place within the evolution of the decorative formulae for each medium. In the second section we examine iconography, concentrating especially on mythological scenes and figures which are more than simple stereotypes. These are related to parallels in other houses to establish how far they conform to, or conflict with, the normal patterns of representation, viewed where possible from a chronological standpoint. The final section scrutinizes the relationship of the decorations to the house as a functioning unit. This entails addressing various questions: how mosaics and paintings were adapted to the shape and scale of rooms, to the position of viewers, and to patterns of circulation, how far choices of patterns and subjects may have reflected the uses to which rooms were put, and to what extent such choices justify us in drawing conclusions about the tastes and aspirations of successive householders. Once again we attempt, where possible, to look at these questions in relation to different chronological periods within the houses’ history. One of the most important aspects of our study of the Insula del Menandro is that we are analysing the whole city-block and not (as many other studies have done) isolated houses. But the nature of the material covered by the present volume leads to one major difference in structure in relation to Volume I. Our discussion (but not the catalogue) deals with the houses not in numerical order, that is proceeding counterclockwise round the block, but in a hierarchical order, that is according to size and importance.