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Journal articles on the topic 'Marines, fiction'

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1

Gilg, A. "Marine nature reserves: fact or fiction?" Biological Conservation 62, no. 3 (1992): 229. http://dx.doi.org/10.1016/0006-3207(92)91055-w.

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2

Blessing Febisola Okunola. "Environmental degradation and its symbolic representation in Nnedi Okorafor’s Lagoon." International Journal of Science and Research Archive 13, no. 2 (2024): 2139–44. https://doi.org/10.30574/ijsra.2024.13.2.2413.

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This paper investigates how Lagoon critiques environmental neglect, employing speculative fiction to engage with pressing ecological issues. Through an ecocritical lens, it emphasizes the novel’s call for reimagining humanity’s relationship with nature, advocating for sustainable futures rooted in both cultural and ecological resilience. Nnedi Okorafor’s Lagoon stands out as a landmark in African speculative fiction, blending elements of science fiction with sharp ecological and socio-political commentary. Set in Lagos, Nigeria, the novel vividly depicts environmental degradation, symbolized b
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3

Schut, F., RA Prins, and JC Gottschal. "Oligotrophy and pelagic marine bacteria: facts and fiction." Aquatic Microbial Ecology 12 (1997): 177–202. http://dx.doi.org/10.3354/ame012177.

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4

Glover, William J., and Donna M. Kocak. "50th Anniversary James Bond: Marine Technologies—Fact or Fiction." Marine Technology Society Journal 49, no. 6 (2015): 134–39. http://dx.doi.org/10.4031/mtsj.49.6.7.

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5

Huntsman, Gene R. "Endangered Marine Finfish: Neglected Resources or Beasts of Fiction?" Fisheries 19, no. 7 (1994): 8–15. http://dx.doi.org/10.1577/1548-8446(1994)019<0008:emfnro>2.0.co;2.

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6

Herrera Anchustegui, Ignacio, and Violeta S. Radovich. "Wind Energy on the High Seas: Regulatory Challenges for a Science Fiction Future." Energies 15, no. 23 (2022): 9157. http://dx.doi.org/10.3390/en15239157.

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This paper aims to study the current regulation and governance of wind energy turbines on the high seas and detect regulatory challenges. We focus on the existing regulatory framework to develop marine wind farms in areas beyond national jurisdiction (ABNJ), the nature of wind farms and wind turbines in said areas, and which governance schemes and institutions ought to coordinate and regulate any future marine wind energy development. Our research shows that under public international law, the deployment of wind turbines on (most parts of) the high seas for all States is possible, but many iss
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7

முனைவா், ஜெ. நிர்மலா தேவி /. Dr. J. Nirmala Devi. "தமிழ்ப் புனைகதைகளில் கடல் மாசுபாடு / Marine Pollution as Portrayed in Tamil Fiction". IJTLLS 6, № 1 (2023): 190–206. https://doi.org/10.5281/zenodo.10122437.

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<i>The world's largest ecosystem is the ocean. 97.2% of Earth's total water is found in oceans. Global warming, which is increasing day by day due to the arrogance, and selfishness of man, does not only affect the human race; It also shortens the lifespan of animals; It also leads to the extinction of various species. It also underlies the impact on the marine environment. So, the sea resource decreases and the marine populations suffer. Novels and short stories point out these effects and tend to create awareness among people. This article is based on the two novels 'Selukedu' and 'Kadal Adi'
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8

Doncu, Roxana Elena. "Romanian Sea Fiction: a Small Literature Within a Small Literature?" Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (December 20, 2024): 627–43. https://doi.org/10.62119/cils.17.2024.8849.

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My articles tries to place Romanian Black Sea fiction within its own national literary space, as well as determine which works acquired international validation. As a small literature, Romanian literature was focused from its beginnings on nation building. Gaining control over Dobruja and the Black Sea littoral only in the 19th century, which was also the period of the most intense nationalist sentiments, Romania had a difficult and complex relantionship with the new space, which required integration into national consciousness. The multi-ethnic make-up of the Dobrujan population both prompted
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9

Hutchings, Pat, and Elena Kupriyanova. "Cosmopolitan polychaetes – fact or fiction? Personal and historical perspectives." Invertebrate Systematics 32, no. 1 (2018): 1. http://dx.doi.org/10.1071/is17035.

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In the biogeographical and taxonomical literature before the 1980s there was a wide perception that widespread, often referred to as ‘cosmopolitan’, species were very common among polychaetes. Here we discuss the origins of this perception, how it became challenged, and our current understanding of marine annelid distributions today. We comment on the presence of widely distributed species in the deep sea and on artificially extended ranges of invasive species that have been dispersed by anthropogenic means. We also suggest the measures needed to revolve the status of species with reported cos
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Manase, Irikidzayi. "South African experiences in a restructured post-apocalyptic geo-political future as depicted in speculative fiction." Image & Text, no. 37 (November 1, 2023): 1–15. http://dx.doi.org/10.17159/2617-3255/2023/n37a35.

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This article draws on science fiction's aesthetics of instability and multiple perspectives that disrupt the dominance of a Euro-American narrative voice (Langer 2011), as well as decolonial concepts such as coloniality, decentring and epistemic freedom (Ngügï 1986, 1992; Quijano 2007; Grosfoguel 2011; Ndlovu-Gatsheni 2018), to analyse the human condition and geopolitical patterns reflected in post-disaster worlds as depicted in Gillian Armstrong's "Elton" (2011), Abigail Godsell's (2011) "Taal" and Sarah Lotz's "Marine Drive, Durban Beachfront" (2014). The notion of multiple perspectives and
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11

Kohn, Alan. "Conus Envenomation of Humans: In Fact and Fiction." Toxins 11, no. 1 (2018): 10. http://dx.doi.org/10.3390/toxins11010010.

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Prominent hallmarks of the widely distributed, mainly tropical marine snail genus Conus are: (1) its unusually high species diversity; it is the largest genus of animals in the sea, with more than 800 recognized species; and (2) its specialized feeding behavior of overcoming prey by injection with potent neurotoxic, paralytic venoms, and swallowing the victim whole. Including the first report of a human fatality from a Conus sting nearly 350 years ago, at least 141 human envenomations have been recorded, of which 36 were fatal. Most Conus species are quite specialized predators that can be cla
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12

Venzo, Paul, Lara Hedberg, and Prue Francis. "Whose eggs are these? Gender in ocean-themed picture books." Journal of Science & Popular Culture 4, no. 2 (2021): 115–33. http://dx.doi.org/10.1386/jspc_00029_1.

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Ocean-themed picture books are important educational resources that promote marine science literacy. At the same time, these picture books also carry messages about gender to child readers. Through an analysis of 100 ocean-themed informational and narrative non-fiction picture books, the authors uncover various ways in which ideas about gender are communicated to child readers, whether in relation to human or animal characters or animals with human traits and qualities. The article tests the hypothesis that marine science picture books educate children about gender in traditional, normative an
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13

Butenina, E. M. "VLADIVOSTOK AS A TRANSFER LOCUS IN ENGLISH FICTION." Humanities And Social Studies In The Far East 18, no. 1 (2021): 161–65. http://dx.doi.org/10.31079/1992-2868-2021-18-1-161-165.

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The paper discusses Vladivostok – “an eccentric city on the edge of cultural space”, in Yuri Lotman’s terms – as a locus of intercultural transfers (both in direct and indirect sense) in Somerset Maugham’s and Maurice Kennedy’s short stories as well as in William Gerhardie “novel on Russian themes” Futility. For Vladivostok (as for St. Petersburg whose natives founded the Pacific fort and became its first residents), railway stations and bridges are the key “topographic indices”, in Vladimir Toporov’s terms. For the transfer aspect various leisure institutions (restaurants, theatres, clubs) ar
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14

Ingólfsson, Agnar. "A marine refugium in Iceland during the last glacial maximum: fact or fiction?" Zoologica Scripta 38, no. 6 (2009): 663–65. http://dx.doi.org/10.1111/j.1463-6409.2009.00405.x.

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15

Vimalraj, Dr S. "கொற்கைப்புதினம் வெளிப்படுத்தும் நெய்தல் நிலச்சூழலியலும் மாந்தர்ப்பண்பாடும் (Marine Geological Ecology An Fisheries Culture in Korkai)". Journal of Tamil Peraivu 12, № 2 (2023): 120–24. https://doi.org/10.22452/jtp.vol12no1.12.

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Abstract Ecology is the space that connects land and people. The relationship between land and people creates unique identities for the ethnic group. The overall cultural identity of human populations is shaped by the ecology of their discourse. Five land biomes The rich weaving land mandarins have a unique cultural identity as they lead a tough lifestyle. Some creators of fiction choose and create storylines that utilize cultural symbols. In this way, this article brings out the weaving ecology and the cultural symbols of the people of that land, which is exemplified by Joe D. Cruz fictitious
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16

Vimalraj, Dr S. "கொற்கைப்புதினம் வெளிப்படுத்தும் நெய்தல் நிலச்சூழலியலும் மாந்தர்ப்பண்பாடும் (Marine Geological Ecology An Fisheries Culture in Korkai)". Journal of Tamil Peraivu 12, № 2 (2023): 120–24. https://doi.org/10.22452/jtp.vol12no2.12.

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Abstract Ecology is the space that connects land and people. The relationship between land and people creates unique identities for the ethnic group. The overall cultural identity of human populations is shaped by the ecology of their discourse. Five land biomes The rich weaving land mandarins have a unique cultural identity as they lead a tough lifestyle. Some creators of fiction choose and create storylines that utilize cultural symbols. In this way, this article brings out the weaving ecology and the cultural symbols of the people of that land, which is exemplified by Joe D. Cruz fictitious
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17

Gelfant, Blanche H. "Beauty and Nightmare in Vietnam War Fiction." Prospects 30 (October 2005): 751–78. http://dx.doi.org/10.1017/s0361233300002258.

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“Hue is the most beautiful city in the world,” a Vietnamese woman tells Marine Lieutenant Kramer, a central character in Robert Roth's Vietnam War novel,Sand in the Wind. Published in 1973, five years after the sweeping Tet Offensive had reduced Hue to rubble,Sand in the Windset the city within a complex meditation upon beauty and its relation to human desire, history, the vagaries of chance, ephemerality of happiness, and ineluctability of loss. Though ambitious in intent,Sand in the Windhas not been widely acclaimed. Except for John Hellmann's close reading, it has usually been referred to p
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18

Ahmad, F. "The facts and fictions of the Gondana Concept." Journal of Palaeosciences 36 (December 31, 1987): 14–23. http://dx.doi.org/10.54991/jop.1987.1555.

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Wegner did not envisage that Gondwanaland was an independent continent. This concept was introduced earlier but concretised by Du Toit. His Permian ice-cap covered almost the entire supercontinent. Ahmad, however, pointed out that the ice-cap at no stage was exceptionally large. Du Toit was not aware of the glacial deposits in Arabia or Tibet, and his ice-cap would have to be enlarged considerably if it was to form deposits in these areas, particularly the latter as well. All evidence goes to suggest that Tibet was not separated from India in the Permo-Triassic and the suture zone concept is n
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19

ZHOU, Yue. "The Representation of the Anthropocene in Contemporary Chinese Science Fiction." IAFOR Journal of Cultural Studies 9, si (2024): 115–29. http://dx.doi.org/10.22492/ijcs.9.si.06.

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Contemporary Chinese science fiction (SF) is preoccupied with the representation of the Anthropocene. Wu Ming-yi’s The Man with the Compound Eyes (2011) and Hui Hu’s The Azure Tragedy (2018) are stand-out examples. In light of the framework of ecocriticism, it is found that both writers challenge long-seated anthropocentric thinking and practices in their catastrophic narration of human-induced plastic pollution in the marine environment, increased extinction of species by human overharvesting, and the human-induced general destruction of nature. Both connect natural disasters to human causes
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20

Dobler, Delphine, Christophe Maes, Elodie Martinez, et al. "On the Fate of Floating Marine Debris Carried to the Sea through the Main Rivers of Indonesia." Journal of Marine Science and Engineering 10, no. 8 (2022): 1009. http://dx.doi.org/10.3390/jmse10081009.

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Plastic debris has become an acute marine pollution concern worldwide in modern times. Indonesia is particularly impacted because of its high population density, heavy rainfall rate and numerous coastlines. A Lagrangian analysis was performed to simulate the fate of fictive marine debris drifting along surface currents, including tides and Stokes drift. The fictive particles were released according to the discharge rate of 21 Indonesian rivers and advected over 4 years. Most of the particles were stranded along Indonesian coasts (60%), before 6 months had elapsed (84%) and within a range of 10
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21

Shamsi, Shokoofeh. "Seafood-borne parasites in Australia: human health risks, fact or fiction?" Microbiology Australia 41, no. 1 (2020): 33. http://dx.doi.org/10.1071/ma20009.

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Seafood is an increasingly popular source of healthy protein. Since 1961, the average annual increase in global food fish consumption has been twice as high as population growth and exceeds the consumption of meat from all terrestrial animals combined1. The following overview of seafood safety concerns is intended to help readers to understand potential risks associated with parasites in seafood products and the need for a national approach to reduce or minimise them. It is important to note that parasite infections are not limited to seafood: all other types of foods, including vegetables and
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22

Ali, Areej Mohammed Mubarak. "عالم ما وراء الطبيعة في الأدب الإنجليزي والأمريكي: دراسة مقارنة". مجلة العلوم الإنسانية و الإجتماعية 8, № 4 (2024): 35–54. http://dx.doi.org/10.26389/ajsrp.r031023.

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Supernatural fiction invites the reader to a world of mystery and imagination raising questions and sometimes doubts about the reality of this world. As it tempts the reader to explore the “unknown”, it tends to emphasize the possibility of the existence of vague worlds and issues beyond human mind and science. However, this possibility remains a hypothesis because it is always accompanied by a feeling of “uncertainty” which raises our doubts and made us skeptic about the existence and reality of this world. The same supernatural literary works tackle social, religious, and scientific issues a
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23

Jomaa, Nayef, and Zeyad Abbood Hassan. "Exploring the Fictional World in The Rime of the Ancient Mariner: A Critical Stylistic Study." Journal of the College of Languages, no. 50 (June 1, 2024): 1–32. http://dx.doi.org/10.36586/jcl.2.2024.0.50.0001.

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Critical stylistics is an interesting area that explores ideologies and social concepts, specifically in literary genres. Although critical stylistic studies are increasing, limited studies have explored social concepts in Romantic poetry. Hence, this qualitative study aimed at exploring the construction of the fictional world in The Rime of the Ancient Mariner by Samuel Taylor Coleridge employing Functional Grammar. The poem was analysed to highlight the linguistic elements that contribute to the construction of the fictional world by Coleridge. Nominal and verbal groups, word order, and deic
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Bussière, Kirsten. "Survival is insufficient: Degenerate utopian nostalgia in popular culture post-apocalyptic fiction." Australasian Journal of Popular Culture 9, no. 2 (2020): 261–75. http://dx.doi.org/10.1386/ajpc_00031_1.

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From SARS to H1N1, and most recently COVID-19, global disease outbreaks have defined the past several decades. For many, we are living in what can only be described as a pre-apocalyptic moment. Indeed, we are currently facing a global pandemic outbreak – a situation that had been previously described as imminent and perhaps even long overdue. Consequently, the publication of pandemic narratives has increased exponentially, which exposes a heightened social concern about the risk of viral outbreak. But instead of speaking to these growing anxieties and providing models to interpret our current
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Sarkar, Sanchar, and Swarnalatha Rangarajan. "Marine Entanglements: Tropical Materialism and Hydrographic Imaginary in Nnedi Okorafor’s Lagoon." eTropic: electronic journal of studies in the Tropics 21, no. 2 (2022): 180–97. http://dx.doi.org/10.25120/etropic.21.2.2022.3900.

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In the epoch of the Anthropocene the environment is predominantly characterised by innumerable entanglements of matter. According to materialist theorist Jane Bennett, matter acts as a ‘distributive agency’ that intertwines itself with a “multiplicity of other material bodies and formations'' across space and time (Khan, 2012, p. 42). Nnedi Okorafor’s novel Lagoon (2014) centres around the material entanglement scenario between oil and marine waters off the coast of Nigeria in Africa. Okorafor’s Afrofuturist Science Fiction narrative focuses on oil’s vitality and overwhelming presence in the t
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Jue, Melody, Anya Yermakova, Jacob Cram, and Eli Stine. "Invisible Kelp Forest." Plant Perspectives 1, no. 1 (2024): 189–203. http://dx.doi.org/10.3197/whppp.63845494909712.

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Invisible Kelp Forest: From Smell to Sound is a speculative fiction and an 8-channel sonic composition that explores the possibility that sound is an ideal medium for translating senses of smell, or chemosensation underwater. It invites the listener to smell the kelp forest with their ears, a mode of synaesthesia. We explore the ways that sound and smell can both convey intensity, distance, dispersion, texture and elements of memory that may be specific to particular organisms. We imagine that the olfactory memory of the kelp forest is multiple, linked to what is meaningful for different marin
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27

Minyailo, R. V., and N. V. Minyailo. "METAPHORICAL PERSONIFICATION IN UKRAINIAN TRANSLATIONS OF THE PROSE JOSEPH CONRAD." Opera in linguistica ukrainiana, no. 29 (November 9, 2022): 186–96. http://dx.doi.org/10.18524/2414-0627.2022.29.262404.

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The study of the original and translated marine novels is still relevant. Considering the longevity of Ukrainian marine language creativity and the endless arsenal of native language tools for translating English marine novels, the purpose of the given article is to explore the features of metaphorical personification in Ukrainian translations of Joseph Conradʼs novels «The Shadow-Line» by Olha Fyra and «Typhoon» by Mykola Roshkivskyi; to find the semantic bases of the idiostyle in these texts, to classify the types of semantic detailing of the humanized realities of the sea element. The resea
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BRUNČIĆ, Dubravka. "MEMORY OF WOMEN’S EXPERIENCES OF THE FIRST WORLD WAR IN THE PROSE FICTION OF VERKA ŠKURLA-ILIJIĆ AND MARIJA TUCAKOVIĆ-GRGIĆ." Lingua Montenegrina 21, no. 1 (2018): 297–314. https://doi.org/10.46584/lm.v21i1.630.

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The paper analyses the prose fiction of Croatian women writers published between the two world wars: the short story entitled The Two of Them by Verka Škurla-Ilijić and a longer story titled Through Albania – with the Serbian Army in 1915 by Marija Tucaković-Grgić. The above texts shape various war narratives: Bosnian-Herzegovinian war reality (V. Škurla-Ilijić) and the experience of the so-called „Albanian Golgotha“ (M. Tucaković-Grgić). Relying on the concept of „memory in literature“ (the term of A. Erll), the theoretical analysis of narrative procedures that represent the function of memor
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Kidder Hodges, Benjamin. "Future Clouds." Coolabah, no. 34 (July 8, 2023): 112–20. http://dx.doi.org/10.1344/co202334112-120.

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This article uses diatoms and the role they play in cloud formation as a prompt to consider histories of weather modification in practice, science fiction and possible future applications to address climate change. Diatoms are a form of microalgae that are present in all waterways and contribute significantly to atmospheric oxygen. They also provide condensation nuclei around which water droplets form, effectively creating clouds. Such naturally occurring particulate matter interacts with intentional and unintentional anthropogenic influence on the atmosphere. The long history of folk speculat
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Babu, Arathi, and Pius T.K. "Meat and Animal Identity in Manjula Padmanabhan’s The Island of Lost Girls." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 6 (2022): 01–03. http://dx.doi.org/10.53573/rhimrj.2022.v09i06.001.

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Meat is concomitant with animals. Modern practices such as factory farming have separated the consumers from knowing about the origin of their source of meat and the conditions of animals in such farms. In Animal Studies, meat is a problematic term as it is always associated with the soulless meat of animals. Animal Rights theorists argue that even humans can be food for other beings but the dominant anthropocentric thinking of our times disallows them to be conceived as ecologically embodied beings. The Island of Lost Girls is a speculative fiction that figures several marine animals that are
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Totter, Eileen. "Star Trek: Lower Decks and utopian queer intimacy." Queer Studies in Media & Popular Culture 7, no. 1-2 (2022): 55–67. http://dx.doi.org/10.1386/qsmpc_00068_1.

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While the Star Trek franchise is synonymous with diversity, queerness has been unfortunately interpreted more as a tragic plot device rather than presenting fully realized queer characters in series such as Star Trek: The Next Generation and Star Trek: Deep Space Nine. However, the more recent programme Star Trek: Lower Decks appears to embrace Gene Roddenberry’s utopian ethos in that diversity is default in the future through multiple queer and queer-coded women. This article analyses how bisexual protagonist Ensign Beckett Mariner eventually finds support over the course of the series throug
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Sošková, Jana. "The Ugliness of Banal Truths." ESPES. The Slovak Journal of Aesthetics 10, no. 1 (2021): 97–110. https://doi.org/10.5281/zenodo.5885604.

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The paper deals with an analysis of the controversial novel&nbsp;<em>Truismes&nbsp;</em>by Marie Darrieussecq. In this work, the author sensitively maintains an oscillation between the plausibility of truth, hidden behind metaphors and symbols, and the implausibility of the whole story in its individual components. The occurrence of ugliness as a decisive aesthetic dimension is continual, graded into almost all its shapes and forms, until it finally fills in the entire space and time of the fictional story. The astonishing horror of the author&rsquo;s aesthetic world does not lie in the brutal
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VOLKOVA, E. S. "LIFE AFTER REFORMS: THE SURVIVAL PRACTICES IN THE RUSSIAN FAR EAST AT THE TURN OF XX-XXI CENTURIES IN THE MIRROR OF FICTION." Historical and social-educational ideas 10, no. 3/1 (2018): 46–57. http://dx.doi.org/10.17748/2075-9908-2018-10-3/1-46-57.

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Following the current trends in the development of historical science, the author considers fiction as an important source for the study of the post-Soviet period, allowing recreating the socio- historical types of behavior, way of thinking and public mood, to track the transformation of the structures of everyday life. The article is based on the fiction published from the early 1990s to the present day and reflected the Far Eastern realities of the 1990s-2000s. The main attention is paid to the ways of adaptation to the new socio-economic conditions, such as inflation and the fall in real mo
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Heinecke, Liz. "Provisions for Seven: Discovering Carol on the Sea of Cortez." Steinbeck Review 20, no. 1 (2023): 91–100. http://dx.doi.org/10.5325/steinbeckreview.20.1.0091.

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Abstract In The Sea of Cortez, John Steinbeck mentions that the Western Flyer carried provisions for seven, but writes about only six crew members, including himself. The unmentioned passenger, hardly a ghost, was his first wife, Carol. A force of nature, she collected and preserved marine invertebrates with John and Ed Ricketts, joked and drank with the men, and thoroughly enjoyed herself. John and Carol separated shortly after the trip, and she left no written account of her adventures on the Sea of Cortez. Fortunately, the Steinbeck universe is populated by countless experts, documents, aud
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Kukulak, Szymon. "Two Faces of Mars." Polish Review 68, no. 2 (2023): 102–26. http://dx.doi.org/10.5406/23300841.68.2.09.

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Abstract This article elaborates on two depictions of Mars in Stanisław Lem's fiction, represented in Człowiek z Marsa [The Man from Mars, 1946] and “Ananke” (1971), focusing on the ties to literary tradition and contemporary scientific findings, which helps explain otherwise inexplicable features of the stories. In regard to The Man from Mars, the analysis reveals why Lem has decided to depart from the original evolutionary scenario envisioned by H. G. Wells for his Martians (with The War of the Worlds remaining the sole identifiable inspiration behind Lem's debut). Examination of the influen
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Fernández-Vidal, Duarte, and Ramón Muiño. "Fact or fiction? Assessing governance and co-management of Marine Reserves of Fishing Interest in Cedeira and Lira (NW Spain)." Marine Policy 47 (July 2014): 15–22. http://dx.doi.org/10.1016/j.marpol.2014.01.016.

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Uzdeeva, T. M. "THE LIFE OF N. G. CHERNYSHEVSKY'S IDEAS IN THE FICTION OF K. M. STANYUKOVICH." BULLETIN OF CHECHEN STATE PEDAGOGICAL UNIVERSITY Series 1. Humane and Social Sciences 48, no. 4 (2024): 96–104. https://doi.org/10.54351/25876074-2024-4-48-96.

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The relevance of the study of this problem is due to the small number of works devoted to the work of Konstantin Mikhailovich Stanyukovich. The writer is undeservedly forgotten by both readers and literary scholars, with the exception of a couple of dissertations that appeared in the 2000s. In this regard, this article is aimed at identifying the specifics of the writer's prose works, which reflected the ideas of his famous contemporary N. G. Chernyshevsky. The purpose of this article is to study fiction - carriers of echoes of Chernyshevsky's famous novel "What is to be done?". The leading me
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Dew, Spencer. "Cain. Fiction. By José Saramago. Translated from the Portuguese by Margaret Jull Costa. Boston: Mariner Books, 2011. Pp. 176. Paper, $14.95." Religious Studies Review 39, no. 3 (2013): 162–63. http://dx.doi.org/10.1111/rsr.12055_2.

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Maestrali, Antonia. "Des personnages-lecteurs aux élèves-lecteurs des Mémoires de deux Jeunes mariées : lire pour guider sa vie ?" L'Année balzacienne 24, no. 1 (2024): 299–315. http://dx.doi.org/10.3917/balz.024.0299.

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Cet article se propose de considérer Mémoires de deux jeunes mariées sous l’angle de l’influence des lectures sur la vraie vie. Il s’agit tout d’abord d’explorer et d’analyser les goûts littéraires de Louise et de Renée : en quoi leurs lectures correspondent-elles à leurs caractères et à leurs visions de la vie, de l’amour, du bonheur ? En quoi contribuent-elles à dessiner les figures d’une Louise passionnée et d’une Renée raisonnable ? Le questionnement sera ensuite déplacé pour se poser à l’échelle des élèves : quelle lecture peuvent-ils faire du roman de Balzac ? Autrement dit, que leur dit
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Deckard, Sharae, and Kerstin Oloff. "“The One Who Comes from the Sea”: Marine Crisis and the New Oceanic Weird in Rita Indiana’s La mucama de Omicunlé (2015)." Humanities 9, no. 3 (2020): 86. http://dx.doi.org/10.3390/h9030086.

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Caribbean literature is permeated by submarine aesthetics registering the environmental histories of colonialism and capitalism. In this essay, we contribute to the emergent discipline of critical ocean studies by delineating the contours of the “Oceanic Weird”. We begin with a brief survey of Old Weird tales by authors such as William Hope Hodgson and, most famously, H.P. Lovecraft, who were writing in the context of a world still dominated by European colonialism, but increasingly reshaped by an emergent US imperialism. We explore how these tales are both ecophobic and racialized, teeming wi
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Lavocat, Françoise. "Espaces arcadiques." Études littéraires 34, no. 1-2 (2004): 153–67. http://dx.doi.org/10.7202/007559ar.

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Résumé Cet article examine quelques réinterprétations du mythe d’Alphée et d’Aréthuse depuis l’Arcadia de Sannazar (1504) jusqu’aux opéras-ballets du début du XVIIIe siècle. Le motif des eaux, — plus particulièrement celui de la légende ovidienne de la course du fleuve amoureux sous la mer, depuis le cour du Péloponnèse jusqu’en Sicile —, a joué un grand rôle dans l’invention du mythe pastoral ; elle a permis de figurer le décentrement, l’idéalisation et l’universalisation de l’Arcadie géographique. L’Arcadia de Sannazar, où le trajet du narrateur, entre sa terre natale et l’Arcadie, suit la r
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Serada, Alesha Alesha. "The Obligatory Underwater Level: Posthuman Genealogy of Amphibian Human in Media." Corpus Mundi 2, no. 2 (2021): 35–56. http://dx.doi.org/10.46539/cmj.v2i2.41.

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Will humankind ever be able to live underwater? To answer this question from the perspective of visual media studies, I analyze narrative and expressive means used for positive representation of underwater experiences in several examples of screen media. My examples are principally different by origin and yet united by their highly enjoyable effect of immersion into underwater worlds. My primary focus is on Amphibian Man (1928), a cult early science fiction novel by Alexandr Belyaev adapted for screen in 1962 in the USSR.I also explore its unintentionally close contemporary reproduction in The
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Nielsen, Hanne, and Elizabeth Leane. "‘Scott of the Antarctic’ on the German Stage: Reinhard Goering's Die Südpolexpedition des Kapitäns Scott." New Theatre Quarterly 29, no. 3 (2013): 278–93. http://dx.doi.org/10.1017/s0266464x13000468.

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Reinhard Goering's play Die Südpolexpedition des Kapitäns Scott (1929) tells the story of the famously tragic British polar expedition led by Robert F. Scott in 1911–12. As the first public staging of the story, the play created considerable controversy in Britain when it premiered in Berlin in 1930. A late Expressionist drama, it offered perspectives on the expedition quite different to those coming out of Scott's homeland. In this article, Hanne Nielsen and Elizabeth Leane contextualize the play within Goering's own career; outline its performance history; examine its reception in both Germa
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Clyde, William C. "Strange Old World - Late Paleocene—Early Eocene Climatic and Biotic Events in the Marine and Terrestrial Record. Edited by Marie-Pierre Aubry, Spencer Lucas, and William Berggren Columbia University Press, New York. 1998. 513 pages." Paleobiology 25, no. 3 (1999): 417–23. http://dx.doi.org/10.1017/s0094837300021370.

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In his 1932 book Brave New World, Aldous Huxley laid out a satirical blueprint of a future so strange to people of the time that it became a symbol of the frightening and unyielding momentum of scientific progress. Literature and popular culture have since been littered with images of a future earth so transformed by human progress (or extraterrestrial intervention) that we can hardly recognize it. Earth historians and paleontologists, however, have taken a different path into the bizarre. This group of time travelers has used the kind of technology that Huxley foreshadowed to recreate past wo
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Turan Özgür Güngör. "Vengeance of Nonhuman Beings: An Ecocritical Reading of Samuel Taylor Coleridge’ Work, “The Rime of the Ancient Mariner”." International Journal of Social, Political and Economic Research 7, no. 2 (2020): 359–71. http://dx.doi.org/10.46291/ijospervol7iss2pp359-371.

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These days environmental issues are among the most commonly reported ones in the world. The dangerous effects of the environmental problems, which are as old as the history of humanity, began to be felt more profoundly after the Industrial Revolution. In former times the environmental problems were felt only at a local level with the destruction of forests in order to facilitate hunting places and clear lands for farming areas. After the Industrial Revolution the extent of the problem rose and reached the catastrophic disaster level with the extensive fossil fuel use. Nowadays, when environmen
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Parker, Pamela Corpron. "Fictional Philanthropy in Elizabeth Gaskell's Mary Barton and North and South." Victorian Literature and Culture 25, no. 2 (1997): 321–31. http://dx.doi.org/10.1017/s1060150300004812.

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Among the many anecdotes explaining Elizabeth Gaskell's entrance into the literary marketplace is one circulated by Travers Madge, a leading Manchester philanthropist. Gaskell allegedly told him that “the one strong impulse” to write Mary Barton came after visiting one particularly destitute laborer's cottage:She was trying hard to speak comfort, and to allay those bitter feelings against the rich which were so common with the poor, when the head of the family took hold of her arm, and grasping it tightly said, with tears in his eyes, “Ay, ma'am, but have ye ever seen a child clemmed to death?
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R, Amalan, and K. Kumar. "Analysis of Post-colonial identity and Cultural Adaptation of people based on Amitav Ghosh’s Novels." English Language Education Journal (ELEJ) 3, no. 2 (2025): 131–52. https://doi.org/10.36928/elej.v3i2.2544.

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Amitav Ghosh is an acclaimed Indian author known for his thought-provoking novels and non-fiction works that explore a wide range of themes, including history, culture, environment, and migration. Many of his works examined the intersections of different cultures, particularly those influenced by the Indian subcontinent and the Western world. Ghosh analyses and writes in his novels, how people's identity and culture have been changed after colonial periods. Hence, the present research focused on Post-colonial identity and cultural adaptation of the characters in the selected novels of Amitav G
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Salvat-Leal, Inmaculada, Adriana A. Cortés-Gómez, Diego Romero, and Marc Girondot. "New Method for Imputation of Unquantifiable Values Using Bayesian Statistics for a Mixture of Censored or Truncated Distributions: Application to Trace Elements Measured in Blood of Olive Ridley Sea Turtles from Mexico." Animals 12, no. 21 (2022): 2919. http://dx.doi.org/10.3390/ani12212919.

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One recurring difficulty in ecotoxicological studies is that a substantial portion of concentrations are below the limits of detection established by analytical laboratories. This results in censored distributions in which concentrations of some samples are only known to be below a threshold. The currently available methods have several limitations because they cannot be used with complex situations (e.g., different lower and upper limits in the same dataset, mixture of distributions, truncation and censoring in a single dataset). We propose a versatile method to fit the most diverse situation
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Bousfield, Derek, and Dan McIntyre. "Creative linguistic impoliteness as aggression in Stanley Kubrick’s Full Metal Jacket." Journal of Literary Semantics 47, no. 1 (2018): 43–65. http://dx.doi.org/10.1515/jls-2018-0003.

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Abstract Stanley Kubrick’s anti-war film Full Metal Jacket (1987) dramatically represents US Marine Corps basic training during the Vietnam War as both gruelling and brutalising. The brutal, linguistically aggressive and physically intimidating scenes purport to detail the dehumanising process that Marine Corps recruits were put through in preparation for combat during that period. In the film, the recruits are trained by Gunnery Sergeant Hartman, played by the actor R. Lee Ermey, who is himself an ex-Marine Corps drill instructor (1965–1967) and who also served in Vietnam in 1968. As a result
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Alonso-Recarte, Claudia. "“Black Fish, BlackFish, What do you See?” Looking at the Faces of Orcas in Animal Advocacy Documentary Film." Revista Canaria de Estudios Ingleses, no. 90 (2025): 119–36. https://doi.org/10.25145/j.recaesin.2025.90.08.

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Animal advocacy documentaries have, in the last decades, established themselves as an identifiable subgenre of their own with strategic conventions such as featuring the gaze of the nonhuman animal “looking back” for moral shock and ethical purposes. This article examines the problematic gaze and face of a particular species, the orca, with regards to such convention, and sets out to analyze how Gabriela Cowperthwaite’s Blackfish (2013) and William Neal’s Long Gone Wild (2019) deal with the representation of orca faces, gazes, and bodies within their wider structural dichotomy of captivity and
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