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Relevant bibliographies by topics / Mark Antony

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Academic literature on the topic 'Mark Antony'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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Journal articles on the topic "Mark Antony"

1

Ramsey, John T. "The senate, Mark Antony, and Caesar's legislative legacy." Classical Quarterly 44, no. 1 (May 1994): 130–45. http://dx.doi.org/10.1017/s0009838800017262.

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This paper seeks to dispel the notion that Mark Antony and the Senate indulged in a cat-and-mouse game over the control of Caesar's archives (his commentarii) in the weeks immediately following the Ides of March. At stake was whether unpublished documents drawn up by Caesar before his death should be ratified and put into force. The belief that the Senate and Antony contended over this issue and that Antony got the upper hand rests primarily on what I hope to show is a misinterpretation of two key passages in the Philippics. Moreover, since the standard interpretation of these two passages appears to be supported by Dio's account of how Antony cajoled the Senate into permitting him a freer hand to review and publish documents found in Caesar's archives, it will be necessary to have a closer look at Dio's probable sources for this particular section of his history.

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Mohamadi, Abolfazl. "Constructive Power and Discordant Discourses in Shakespeare’s Antony and Cleopatra." International Letters of Social and Humanistic Sciences 58 (September 2015): 18–24. http://dx.doi.org/10.18052/www.scipress.com/ilshs.58.18.

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The present paper aims to focus on how the circuit of different discourses in Alexandria and Rome contributes to the subject formation in Antony and Cleopatra. Identity, which acts as trap in this play, precipitates the characters from two different countries or contexts into a war through creating binarized categories with heterogeneous possibilities. Mark Antony – one of the Triumvirs of Rome in search for self-actualization strives against his country’s discourse in the beginning, he places himself in the warring discourses of Rome and Alexandria. When in Alexandria, he is inside the discourses of Rome, and when in Rome, he is inside the discourses of Alexandria. Like the nature of the signifier as it can happen and be determined by other contexts, Antony retains references to Rome when he is Alexandria, and establishes himself as a subject and makes his signification possible in this foreign country by relating himself to epicurean concepts other than his own former stoic attitudes. Thus, mark of the past element remains in him. Through discourse analysis, this study aims to analyze how the loop of self-hood is firmly tied by the signifiers, and how power, which is not solely negative and repressive, but positive and productive, shapes Antony’s capricious personality as he both challenges and is challenged by power. In the end it is revealed that Mark Anthony refashions his identity and perspective by admitting and embracing multiplicity between Rome’s stoicism and Alexandria’s Epicureanism.

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Cheetham, Dominic. "Rhetorical Flaws in Brutus’ Forum Speech in Julius Caesar: A Carefully Controlled Weakness?" Advances in Language and Literary Studies 8, no. 3 (June 30, 2017): 126. http://dx.doi.org/10.7575/aiac.alls.v.8n.3p.126.

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In Julius Caesar Shakespeare reproduces one of the pivotal moments in European history. Brutus and Mark Antony, through the medium of their forum speeches, compete for the support of the people of Rome. In the play, as in history, Mark Antony wins this contest of language. Critics are generally agreed that Antony has the better speech, but also that Brutus’ speech is still exceptionally good. Traditionally the question of how Antony’s speech is superior is argued by examining differences between the two speeches, however, this approach has not resulted in any critical consensus. This paper takes the opening lines of the speeches as the only point of direct convergence between the content and the rhetorical forms used by Brutus and Antony and argues that Brutus’ opening tricolon is structurally inferior to Marc Antony’s. Analysis of the following rhetorical schemes in Brutus’ speech reveals further structural weaknesses. Shakespeare gives Brutus a speech rich in perceptually salient rhetorical schemes but introduces small, less salient, structural weaknesses into those schemes. The tightly structured linguistic patterns which make up the majority of Brutus’ speech give an impression of great rhetorical skill. This skilful impression obscures the minor faults or weaknesses that quietly and subtly reduce the overall power of the speech. By identifying the weaknesses in Brutus’ forms we add an extra element to the discussion of these speeches and at the same time display how subtly and effectively Shakespeare uses rhetorical forms to control audience response and appreciation.

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Łukaszewicz, Adam. "Mark Antony and the date of the Inimitables. A remark on an edited text." Journal of Juristic Papyrology, no. 50 (August 2, 2021): 223–32. http://dx.doi.org/10.36389/uw.jjurp.50.2020.pp.223-232.

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A Greek inscription on stone found in Alexandria in the nine- teenth century and exhibited in the Alexandrian Greco-Roman Museum contains an unusual dedicatory text in honour of Mark Antony. The text was edited several times. It contains useful information which agrees with the passage of Plutarch on the lifestyle of Antony and Cleopatra, and their entourage. In this paper the author suggests the date 34–30 bc for the activity of the ‘Inimitables’ and adds a further commentary on the history of Antony and Cleopatra.

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Petit, Caroline. "Excessive Temper(ament), Flawed Character: On the Entanglement of the “Medical” and the “Ethical” in the History of Rhetoric." Journal for the History of Rhetoric 25, no. 1 (March 1, 2022): 31–55. http://dx.doi.org/10.5325/jhistrhetoric.25.1.0031.

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Rhetoric is a bodily art. “Character” itself is an emanation, or a translation of an individual’s physical nature: excessive, outlandish characters are used in ancient rhetoric as relevant examples of this connection. Starting from the controversial legacy of Mark Antony as an orator, this paper explores how medical theory underpins ancient rhetorical thought on the excessive orator and reveals the linkage of character, the body, and its environment. By reexamining the famous cases of Mark Antony, Cassius Severus, Maecenas, and Cicero himself in the light of Greek discourse on the effects of humoral imbalance on speech, I revisit the legacies of several heroes and villains of Roman oratory, as well as contemplate the enduring seduction of excess.

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Aziz, Fatima. "Mark Antony’s Funeral Speech in Terms of Aristotle’s Rhetorical Devices & Persuasive Modes in Shakespeare’s Julius Caesar: A Stylistic Study." Journal of Education College Wasit University 1, no. 46 (February 12, 2022): 597–620. http://dx.doi.org/10.31185/eduj.vol1.iss46.2852.

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Abstract This article concentrates on the skills of making the political as well as the social speech of Mark Antony at the funeral of Julius Caesar. Antony was one of the Roman strong leaders who had a strong personality in his own right. Thus, he manifested his ability of oration as a noble man to persuade, then, to manage the madding crowd about the righteous of his political and social steps. Mark Antony had shown this ability by the use of certain persuasive strategies and techniques such as Repetition, Rhetorical questions, Alliteration, Irony, Metaphor, Hyperbole and Diction. However, his use of persuasion differ dramatically throughout his speech, i.e. the contrast between the beginning stage of his speech and its end, is much the same as the distinction between the base of a mountain and its summit. The elegance of this speech is that Antony achieve his goal and made people perceived him without turning out and communicating it. The results show that, he uses the same techniques as being more persuasive techniques than others such as Alliteration, Rhetorical Questions, Repetition, Irony, Metaphor, Hyperbole and Diction. It can be said that persuasion is a social and a political situation based.

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Harmer, J. "Mark Antony and The Nervii: Julius Caesar III.ii.168-71." Notes and Queries 57, no. 3 (June 29, 2010): 376–77. http://dx.doi.org/10.1093/notesj/gjq066.

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Hohlfelder, Robert L. "Images of Homage, Images of Power: King Herod and his Harbour, Sebastos." Antichthon 37 (November 2003): 13–31. http://dx.doi.org/10.1017/s0066477400001398.

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As the tumultuous Triumviral decades of the Republic ended and the Augustan era began, the shadow of Rome's majesty continued to envelop the shores of Judaea some 2000km to the east. King Herod had survived the struggle for dominance between Octavian (Augustus after 27 B.C.) and his rivals, Mark Antony and his ally and wife Cleopatra VII, in part by not being at Actium in 31 B.C. where the final battle in Rome's long series of civil wars was fought. Although his fealty had been to Antony, he had managed to be east of his kingdom's borders conducting a military operation against Malichus I of Nabataea, who had been accused of disloyalty by Cleopatra and Herod (Joseph. AJ 15.110).

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Ramsey, John T. "Did Julius Caesar temporarily banish Mark Antony from his inner circle?" Classical Quarterly 54, no. 1 (May 2004): 161–73. http://dx.doi.org/10.1093/cq/54.1.161.

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Stevenson, Tom. "Antony as ‘Tyrant’ in Cicero's First Philippic." Ramus 38, no. 2 (2009): 174–86. http://dx.doi.org/10.1017/s0048671x00000576.

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This paper is concerned with the impact made on Mark Antony by Cicero'sFirst Philippic. Although the speech outwardly maintains a conciliatory attitude, it certainly upset Antony. Scholars have noted criticism of Antony in theFirst Philippic, both political and personal in character, which would not have pleased him. The following discussion argues that there are numerous associations with the stock figure of the ‘tyrant’ which would have been displeasing too. Such a vein of criticism in effect bridges the personal and political dimensions in potentially devastating fashion.TheFirst Philippicwas delivered in difficult circumstances. Brutus and Cassius sent a letter to Antony on 4 August 44 BCE and concluded with a stark warning:neque, quam diu uixerit Caesar, sed quam non diu regnarit, fac cogites(‘keep in mind not the length of Caesar's life but the short time he ruled [sc. as a tyrant]’, Cic.Fam.11.3). On 1 September, the senate met to consider a proposal which would have seen an extra day in honour of the deified Caesar added to all public thanksgivings (Cic.Phil.1.13, 2.110). Antony was angered by Cicero's failure to attend the meeting. He apparently left Rome later that day for Tibur. His consular colleague Dolabella summoned a meeting of the senate ‘for the next day, and this time Cicero attended. It was at the meeting of 2 September that Cicero delivered hisFirst Philippic. In comparison to later speeches in thePhilippicscorpus, theFirst Philippichas seemed to many a moderate and polite speech that concentrated upon Antony's political behaviour and left the door ajar for future cooperation. It certainly contrasts greatly with theSecond Philippic, which is well known for its bitter and sustained personal invective. Nonetheless, theFirst Philippicwas enough to make Antony angry and it is worth re-examining the reasons for this reaction. In particular, allusions inPhilippic1 to Antony as a tyrant and to death as the fate of tyrants, especially in the wake of Caesar's assassination, were probably interpreted by contemporaries as more sinister threats than they have generally been recognised to be by modern readers.

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Dissertations / Theses on the topic "Mark Antony"

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Weir, Allison Jean. "A study of Fulvia." Thesis, Kingston, Ont. : [s.n.], 2007. http://hdl.handle.net/1974/966.

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Ferriès, Marie-Claire. ""Adjutores Antonii partium" : les partisans romains de Marc-Antoine." Bordeaux 3, 1997. http://www.theses.fr/1997BOR30052.

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Cette these a pour objet l'etude des partisans romains de marc-antoine; elle se fonde sur un catalogue prosopographique comprenant 172 citoyens qui ont apporte leur soutien, suivi ou servi marc-antoine dans la vie publique. Le parti antonien nait a l'occasion des violentes secousses politiques qui ont succede a l'assassinat de cesar en mars 44. Il se forme a partir d'un noyau initial de parents par le sang ou par alliance et grace au ralliement ou a l'approbation d'une partie des elites cesariennes. Les revers de la guerre de modene n'en sont pas venus a bout; bien au contraire, la creation du triumvirat, a la fin de l'annee 43, lui a donne sa force et sa cohesion. Desormais, cette faction participe directement au gouvernement de l'etat. A cette epoque, l'origine de cette formation parait relativement homogene : l'elite provient des rangs cesariens; les principaux lieutenants de cesar des guerres civiles ont rejoint antoine de preference a ses deux collegues; cependant, on peut noter egalement la presence d'anciens clodiens. Apres la bataille de philippes, la composition de ce groupe se modifie : les anciens republicains se rallient progressivement, suivis par les derniers pompeiens, apres nauloque. A la veille de la grande campagne contre les parthes, antoine se trouve a la tete d'un parti vaste et prestigieux ou dominent la nobilitas et les imperatores reveles par les guerresorientales. Mais, a partir de 36 et surtout de 32, les revers militaires successifs et la propagande d'octavien ont altere insensiblement la cohesion d'un parti devenu tres heterogene. Les defections l'ont mine aussi surement que les defaites. Apres actium, le sort des antoniens parait tres variable les plus importants furent absous et devinrent des piliers du principat augusteen. Un nombre, moinsnegligeable que ne le veut l'historiographie imperiale, n'a pas survecu a la mort d'antoine, en 30
THE PURPOSE OF THIS THESIS CONSIST IN A STUDY OF THE ROMAN FOLLOWERS OF MARK ANTONY ; IT IS BASED ON A PROSOPOGRAPHICAL CATALOGUE OF 172 CITIZENS WHO SUPPORTED, FOLLOWED OR SERVED ANTONY DURING HIS POLITICAL LIFE. ANTONY'S PARTY BORN IN THE POLITICAL UPHEAVAL WHO SUCCEEDED TO THE MURDER OF CAESAR, IN MARCH 44 B. C. FIRST, FAMILY AND PARENTS, THEN, A PART OF THE CESARIAN ELITES FORMED THIS FACTION. THE DEFEAT OF MUTINA DIDN'T STOP ITS PROGRESS; ON THE CONTRARY, THE CONSTITUTION OF THE TRIUMVIRATE, AT THE END OF 43 B. C. , strengthHENENED ITS POSITION; HENCEFORWARD, ANTONY'S FRIENDS TOOK PART IN THE GOVERNEMENT OT THE STATE. AT THIS TIME, THE COMPOSITION OF THE PARTY SEEMED TO BE HOMOGENEOUS : ITS ELITES CAME FROM THE CESARIAN RANKS; THE CESARIAN LEADERS DURING THE CIVIL WARS JOINED ANTONY RATHER THAN HIS TWO COLLEAGUES. WE CAN NOTE, ALSO A GREAT NUMBER OF EX-CLODIANS. AFTER THE BATTLE OF PHILIPPI, THE COMPOSITION CHANGED : THE DEFEATED REPUBLICANS RALLIED ANTONY, THEN, AFTER NAULOCAE, THE POMPEIANS WERE WON OVER HIM. BEFORE THE PARTHIAN CAMPAIGN, THE TRIUMVIR WAS AT THE HEAD OF A GREAT AND PRESTIGIOUS PARTY WHERE DOMINATED THE NOBILES AND THE IMPERATORES, WHO PROVED THEIR VALUE IN THE ORIENTAL WARS. BUT, FROM 36B. C. , AND PARTICULARLY FROM THE CRISIS OF 32 B. C. , THE MILITARY SETBACKS AND THE OCTAVIAN'S PROPAGANDA HAD SPOILT THE UNITY OF A PARTY WHO BECAME MORE AND MORE HETEROGENEOUS. AFTER ACTIUM, THE FATE OF THE FOLLOWERS VARIED GREATLY. THE MAJOR PART OF THE LEADERS WAS PARDONED AND THEY BECAME THE SUPPORTERS OF THE PRINCIPATE. BUT, SOME OF THE PARTISANS, IN A GREATER PROPORTION THAN THE IMPERIAL HISTORIOGRAPHY ACKNOWLEDGED, DIED WITH ANTONY, IN 30B. C

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Antoni, Marc [Verfasser], and E. [Akademischer Betreuer] Schnieder. "Petrinetzbasierte Validierung von Eisenbahnsicherungssystemen / Marc Antoni ; Betreuer: E. Schnieder." Braunschweig : Technische Universität Braunschweig, 2009. http://d-nb.info/1175828882/34.

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Melloul, Betty. "Marc Antoine Gaudin, physicien et chimiste." Paris 5, 1988. http://www.theses.fr/1988PA05P142.

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Bew, Michael. "The third way : community and identity in Tony Blair, Anthony Giddens and Mark Latham /." Title page, table of contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09AR/09arb572.pdf.

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Styles, Matthew John. "An evaluation of the concept of Third Stream music and its applicability to selected works by Gunther Schuller and Mark-Anthony Turnage." University of Western Australia. School of Music, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0224.

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In a public lecture given by Gunther Schuller in 1957, the term 'third stream music' was suggested as a way of describing the combination of 'first stream music' (Western classical) and 'second stream music' (American jazz) within a musical work. 'Third stream' was proposed as a term to denote the fusion of

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Restrepo, Hernández Fabio. "Ceci est mon testament: Marc-Antoine Laugier." Doctoral thesis, Universitat Politècnica de Catalunya, 2011. http://hdl.handle.net/10803/109964.

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The demolition the monolithic interpretation the engraving, which accompanies as Irontispiece Marc-Antoine Laugier's Essai sur l'Architecture, object the present work, aims to liberate the question about the origin architecture Irom the vicious circle created between the image the primitive hut and the myth the noble savage hidden within il. The engraving is without a doubt, the most prestigious image architectural history. Nevertheless, the study historical conditions lor its production, relutes the signilicance usually attributed to it: The image is not about the origins architecture, does not represent a primitive hut and its author is not Marc-Antoine Laugier. The image belongs to the ligurative repertoire draughtsman and engraver Charles-Dominique-Joseph Eisen and is not about a realistic representation a construction, but an allegory composed out the basic elements the religious theme Annunciation, pointing out to the importance the natural image lor a temple, whose lundamental composition is derived out the column as a metaphor lor Christ's body. This investigation's contribution lies in the exclusive study the accompanying Irontispiece to Laugier's work. The lirst edition the Essai sur l'Architecture 1753 did not include the image, which appeared only until the edition 1755. A comparative study between the two editions, the reconstruction the engraving's historical circumstances and the delinition the role each the actors who played a part in the making the books and the creation the image, makes way lor proposing a new interpretation such. Giving primacy to the physical medium the content a written document, vindicates the value a book not just lor what is said in it, but as a lormal element valuable in pointing out the historical processes lor its production, edition, commercialisation and diffusion, as well as clues about its possible readers and circulation in cultural mediums, all lorming essential inlormation lor developing the image's interpretation. Aiming the research thus, also made possible the linding unedited inlormation about Laugier, such as his will. On the other hand, the study the «Inventory after decease» bookseller Nicolas-Bonaventure Duchesne, served as the basis lor discarding the hypothesis the printing a second edition as a result the lirst edition's success and even points out the the commercial and editorial lailure the second edition, which contains the engraving. The precise identilication all the authors taking part in the conception and making the image, led to linding the original drawing by Charles-Dominique-Joseph Eisen. The comparison between the original drawing and the engraving signals key difieren ces which open up the horizon lor the interpretation new meanings.
La demolición de la monolítica interpretación del grabado que acompaña como frontispicio el libro de Marc-Antoine Laugier, Essai sur l’Architecture, y objeto del presente trabajo, busca liberar la pregunta por el origen de la arquitectura del círculo vicioso creado entre la imagen de la cabaña primitiva y el mito del buen salvaje que se refugian en ella. El grabado es sin duda la imagen más prestigiosa de la historia de la arquitectura. Sin embargo el estudio de las condiciones históricas de su producción, desmiente el significado que se le suele atribuir: La imagen no trata del origen de la arquitectura, no representa una cabaña primitiva, y su autor no es el abad Marc-Antoine Laugier. La imagen pertenece al repertorio figurativo del dibujante y grabador Charles-Dominique-Joseph Eisen, y no se trata de una representación realista de una construcción, sino de una alegoría compuesta a partir de los elementos constitutivos del tema religioso de la Anunciación, que pone en primer plano la importancia de la imagen natural de un templo, cuyos fundamentos compositivos parten del uso de la columna como metáfora del cuerpo de Cristo. El aporte de esta investigación radica en el estudio exclusivo del frontispicio que acompaña la obra de Laugier. La primera edición del Essai sur l’Architecture de 1753 no contaba con la imagen, que sólo aparece en la edición de 1755. Un estudio comparativo de ambas ediciones, la reconstrucción de las circunstancias históricas de la ejecución del grabado y la definición del papel de cada uno de los actores que intervinieron en la realización de los libros y en la creación de la imagen, permite proponer una nueva interpretación del mismo. Dar prioridad al soporte físico del contenido de un documento escrito reivindica el valor del libro no sólo por lo que en él se dice, sino como elemento formal valioso por las indicaciones que contiene sobre los procesos históricos de su producción, edición, comercialización y difusión, así como indicios sobre sus potenciales lectores y medios culturales en los que circula, todos datos fundamentales para desarrollar una interpretación sobre la imagen. Orientar la investigación en este sentido permitió además encontrar información inédita sobre Marc-Antoine Laugier, como su testamento. Por otro lado, el estudio del «Inventario después de fallecimiento» del librero Nicolas-Bonaventure Duchesne sirvió de base para descartar la hipótesis de la aparición de la segunda edición como resultado del éxito de la primera y permite incluso afirmar que esta segunda edición —la cual contiene el grabado— fue un desastre económico y editorial. La identificación precisa de todos los autores que participaron en la concepción y realización de la imagen culminó en el encuentro del dibujo original de Charles-Dominique-Joseph Eisen. La comparación entre el dibujo original y el grabado muestra diferencias importantes que abren el horizonte de interpretación a nuevos significados.

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Foster, Korre D. "Marc-Antoine Charpentier's Messe pour Monsieur Mauroy." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/341.

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Marc-Antoine Charpentier's setting of the Messe pour Monsieur Mauroy is the only composition in his oeuvre which was dedicated to a particular person. Each of Charpentier's twelve mass settings is unique; this mass setting is his longest at over 1,500 measures. Charpentier masses are diverse: one composition for women's voices, a mass for instruments only, a Christmas mass, as well as settings of the Requiem text. This document traces the history of the missa concertata up until the time of Charpentier. It examines the intricacies of Charpentier's compositional process: form, melody, harmony, and self-borrowing. This paper also analyzes recent findings as to the pronunciation of Latin in France during this time period. It also explores the correlations between the Mass and oration - the understanding and implementation of rhetoric. Musical examples from the Mass, period treatises, and phonetic transcriptions of French-Latin are a part of this document.

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Lowe, C. Jane. "The psalm settings of Marc-Antoine Charpentier." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239094.

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Burke, J. "The early works of Marc-Antoine Charpentier." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371616.

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Books on the topic "Mark Antony"

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Mark Antony: A biography. London: Croom Helm, 1986.

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Mark Antony: A life. Stroud: Amberley, 2010.

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Mark Antony: His life and times. Upton-upon-Severn: Malvern Publishing, 1988.

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Alan, Roberts. Mark Antony: His life and times. Upton-upon-Severn, Worcestershire: Malvern, 1988.

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Mark Antony: A plain blunt man. Barnsley, South Yorkshire: Pen & Sword Military, 2013.

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1917-, Schlesinger Arthur Meier, ed. Marc Antony. New York: Chelsea House, 1988.

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Mark-Anthony Turnage. London: Faber, 2000.

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Ortiz, Miguel López. Marc Anthony. Cataño, P.R: Blue Ox, 2000.

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Donald, McKee J., ed. Mark Anthony Cooper, the iron man of Georgia: A biography. Atlanta: Graphic Pub., 2000.

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Schrapel, Thomas. Das Reich der Kleopatra: Quellenkritische Untersuchungen zu den "Landschenkungen" Mark Antons. Trier: Trierer Historische Forschungen, 1996.

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Book chapters on the topic "Mark Antony"

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Kelly, Rachael. "Virility and Licentiousness in Rome’s Mark Antony (2005–7)." In Screening Love and Sex in the Ancient World, 195–209. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137299604_15.

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Wray Beal, Lissa M. "Antony F. Campbell and Mark A. O’Brien, Rethinking the Pentateuch: Prolegomena to the Theology of Ancient Israel." In Perspectives on Hebrew Scriptures IV, edited by Ehud Ben Zvi, 464–66. Piscataway, NJ, USA: Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463216238-042.

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Schmierer, Elisabeth. "Charpentier, Marc-Antoine." In Metzler Komponisten Lexikon, 154–56. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_58.

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Schmierer, Elisabeth. "Charpentier, Marc-Antoine." In Komponisten Lexikon, 121–23. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_57.

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Freigang, Christian. "Laugier, Marc-Antoine." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11022-1.

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Mustè, Marcello. "Antonio Labriola." In Marx, Engels, and Marxisms, 3–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72559-4_1.

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Freigang, Christian. "Laugier, Marc-Antoine: Essai sur l'architecture." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11023-1.

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Zilg, Antje. "MAMMA ANTONIA, MAMA MARIA, MAMA MIA Kulturspezifika in der italienischen Markennamengebung." In Marke und Gesellschaft, 123–36. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009. http://dx.doi.org/10.1007/978-3-531-91683-5_8.

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Betti, Marco. "Amori proibiti in palazzo Mondragone Carnesecchi. Un’inedita cupola di Antonio Puglieschi e una memoria medicea." In Studi e saggi, 147–64. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.09.

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The recent discovery of a dome painted by Antonio Puglieschi in the Mondragone Carnesecchi palace, representing Mars and Venus surprised by Vulcan, offers the occasion to reflect on the symbols used by Francesco I de’ Medici and Bianca Cappello. According to an ancient rumor, the clandestine love encounters between Francesco and Bianca had taken place in that very same palace and the depiction of the mythological infidelity may alluded to that relationship. The paper analyses different sources which show that Francesco was often portrayed as Mars and Bianca as Venus: specific attention is given to the detailed description of their wedding celebrations which revolved around the theme of the meeting and love of Venus and Mars. It’s possible that the Del Vernaccia family, who owned the palace and commissioned the painting to Antonio Puglieschi, wanted to remember and somehow celebrate events that took place in those rooms more than a century before.

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"Mark Antony." In Cleopatra, 79–94. Yale University Press, 2022. http://dx.doi.org/10.2307/j.ctv2z0vv6x.7.

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Conference papers on the topic "Mark Antony"

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Moret, Sébastien. "A. MEILLET ABOUT N. YA. MARR: AN OVERLOOK." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.12.

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At the beginning of the 20th century, the French Antoine Meillet (1866–1936) and the Soviet Nikolaj Yakovlevich Marr (1864–1934) were probably the most prominent linguists in their respective “worlds”: Meillet, in Western Europe, as the chief of the Indo-European comparative linguistics, and, in the Soviet Union, Marr as the herald of the so-called Marxist Soviet linguistics. These two approaches generally considered antagonistic, but that did not prevent Marr and Meillet from maintaining contacts, corresponding with each other for many years and knowing about their respective research. First, this paper aims to present the contacts these two linguists had, focusing on the correspondence between Meillet and Marr. Secondly, the paper examines what Meillet thought about Marr and his theories, on the basis, in particular, of the numerous reviews that Meillet wrote about Marr’s works. Refs 11.

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López Martínez, José María, and Edith Aroca Vicente. "Paisaje y turismo de masas en la obra de Antonio Bonet Castellana." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6151.

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En la obra de Antonio Bonet destaca su actitud eufórica respecto de la utopía de la nueva arquitectura. Despojado de prejuicios se enfrenta a uno de los fenómenos específicos de su época, que será el boom del turismo de masas. A lo largo de su obra, Bonet se enfrentará a territorios vírgenes. Desde la colonización de Punta Ballena en Uruguay en 1945, pasando por el proyecto de ciudad-balneario de Necochea-Quequén en 1952 en Argentina, el proyecto de urbanización de la Manga del Mar Menor en 1961 en Murcia, Andalucía La Nueva en 1962 en Marbella y AiguaGelida en 1965 en Girona. El ocio se convirtió en una problemática moderna a la que el urbanismo debía dar una respuesta. La vuelta a la naturaleza y al aire libre, el sol, el mar y la arena, se convertían en los nuevos hábitos del tiempo libre. In the work of Antonio Bonet highlights his euphoric attitude about the utopia of the new architecture. Stripped of prejudice is facing one of the specific events of his time, will be the boom of mass tourism. Throughout his work, Bonet will face virgin territories. Since colonization of Punta Ballena in Uruguay in 1945, through the project spa town of Necochea-Quequén in 1952 in Argentina, the development project of the Manga del Mar Menor in 1961 in Murcia, Andalucía New in 1962 in Marbella and Aiguagelida in 1965 in Girona. Leisure became a problem to which modern urban planning should provide an answer. The return to nature and the outdoors, the sun, sea and sand, became the new habits of leisure.

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Lishchenko, Pavel. "New variety of yellow lupine Antey." In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2022. http://dx.doi.org/10.33814/mak-2022-28-76-97-102.

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The article presents the results of studies on the creation of a variety of lupine Antey, resistant to anthracnose intended for sod-podzolic sandy and sandy soils. The initial forms, which are distinguished by the average resistance to the disease, were selected in 2009 in the field in the absence of an anthracnosis infectious background in the hybrid nursery F1. The most stable combination of 1-08 turned out to be the most stable. In the period 2010–2012 the assessment and selection of the most resistant to anthracnosis of forms. In 2012, number 1-08-75 was allocated, which after a competitive variety test in 2019 was transferred to the state variety test, and in 2021 it was registered in the state register of protected breeding achievements as a variety of yellow Lupine Antey. The variety is universal, used as green food, silos, hay and grain. Over the years of research, the Antey variety formed from 45 to 52 t/ha of green mass, 1.5–2.0 t/ha of grain. The protein content in green mass and in grain compiled 42–44 and 18–19 %, alkaloids — 0.04 and 0.03 %. The length of the vegetation pies is 96–98 days, the mass of 1000 seeds is 100–120 g, the height of the herb is 70–80 cm, it is treated with good lateral branching (5–7 lateral branches, including 3–4 fruiting). The variety is resistant to fusariosis, anthracnose, especially to the formation of superficial and perforated necrotic ulcers on beans.

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Jiang, Laixin, Yiqun Wu, Yang Wang, Jingsong Wei, and Fuxi Gan. "Static recording properties of super-resolution near-field structure with antimony bismuth mask layer." In Eighth International Symposium on Optical Storage and 2008 International Workshop on Information Data Storage, edited by Fuxi Gan. SPIE, 2008. http://dx.doi.org/10.1117/12.823390.

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Lu, Xinmiao, Yiqun Wu, Yang Wang, and Jinsong Wei. "influence of film thickness on optical constants of antimony-based bismuth-doped super-resolution mask layer." In 2012 International Workshop on Information Data Storage and Ninth International Symposium on Optical Storage, edited by Fuxi Gan and Zhitang Song. SPIE, 2013. http://dx.doi.org/10.1117/12.2014921.

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Macken, Jared. "The Stranger in the Architectural Project on the City." In Schools of Thought Conference. University of Oklahoma, 2020. http://dx.doi.org/10.15763/11244/335078.

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This paper presents the project “Two Strangers Meet in a Parking Lot” and associated research studios as a case study of decolonized architecture pedagogy. The project conceptualizes the stranger as an alternative architectural user, creating a dialectical conversation with the users and architectural visions from architectural history. This dialogue encourages new pedagogical research methodologies related to the topic of city design. The case study uses these methodologies to recuperate lost cultural histories of Tennessee Town, an overlooked neighborhood in Topeka, Kansas, with an important connection to the Harlem Renaissance. According to Kwame Anthony Appiah, strangers transgress and challenge cultural boundaries by creating conversations at the edges of these borders, yet strangers counterintuitively utilize the environments in the city that are initially foreign to them to produce alternative cultural knowledge. This interaction between stranger and entities in the city provides a model for how disciplines can communicate across their own boundaries. The strangers’ conversation, when transferred to the architectural studio setting, becomes what Mark Linder calls “transdisciplinary” discourse, which occurs at the borders of adjacent disciplines. The resulting knowledge intentionally highlights overlooked and misinterpreted cultural moments in the city while creating an alternative to traditional interdisciplinary modes of working, which the philosopher Homi Bhabha says is essential if disciplinary fields are to progress with the global city. The “Two Strangers” case study consists of built structures that were designed, first, to transform people into strangers and, then, to instigate conversations between them. As a result, strangers become acquaintances and exchange new knowledge. The architectural studio course explored this idea further by taking students outside of the classroom where they engaged with the community through conversations with city archivists, community leaders, city council persons, urban planners, and museum directors.

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Qin, L. "SRC-1 Promotes Breast Cancer Metastasis by Activating MAPK Pathway." In Abstracts: Thirty-Second Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 10‐13, 2009; San Antonio, TX. American Association for Cancer Research, 2009. http://dx.doi.org/10.1158/0008-5472.sabcs-09-6150.

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Kaufman, CS, MJ Cross, S. Goyal, J. Barone, K. Devisetty, NS Dekhne, D. Edmonson, et al. "Abstract P3-13-04: Use of an absorbable implant to mark the lumpectomy cavity: Initial report of 300 patients in a multi-center registry database." In Abstracts: 2016 San Antonio Breast Cancer Symposium; December 6-10, 2016; San Antonio, Texas. American Association for Cancer Research, 2017. http://dx.doi.org/10.1158/1538-7445.sabcs16-p3-13-04.

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Boopalan, T., A. Arumugam, A. Delgado, J. Parada, P. Agullo, and R. Lakshmanaswamy. "Abstract P5-03-06: Progesterone Activates MAPK Pathway in Estrogen Induced Mammary Carcinogenesis." In Abstracts: Thirty-Third Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 8‐12, 2010; San Antonio, TX. American Association for Cancer Research, 2010. http://dx.doi.org/10.1158/0008-5472.sabcs10-p5-03-06.

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Clausí, Raquel. "Camins al Mar. Retrat fotogràfic d'un paisatge habitat." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6720.

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Cuando fotografío, en muchas ocasiones utilizo este medio para conocer un poco más la realidad que me rodea. En “CAMINS AL MAR. Retrat fotogràfic d’un paisatge habitat”, narro visualmente retazos de mi lugar de origen, un espacio de la huerta valenciana, conviertiendo así mi práctica fotográfica en un documento visual desde la perspectiva autobiográfica, ya que formo parte del espacio y tiempo de una cultura que es a su vez evolución de otras que la precedieron. Este lugar es fruto de sociedades anteriores que dejaron su huella física sobre el territorio, y a través de la fotografía voy recogiendo aquello que señala hacia lo intangible, hacia el pensamiento que las produjo. Esta manera de reconocer la cultura de mi lugar de origen surge del reencuentro con espacios de mi pasado, transformados actualmente, que forman parte de mi memoria vital pero de los que no poseo memoria gráfica[1] Es entonces cuando dirijo mi mirada hacia el paisaje habitado de l’Horta Nord, heredero de una cultura milenaria, y me pregunto, ¿podría la fotografía como documento reflejar la historia y la identidad de un lugar y establecer una relación dialógica con la propia realidad representada?[2] Busco así respuesta a través de una investigación fotográfica y teórica sobre el retrato en la huerta valenciana, relacionando el imaginario identitario reflejado en la fotografía y el contexto histórico, y también a través de la realización fotográfica propia para la creación de un mapa visual de retrato documental y huellas indiciales del intangible cultural humano en el paisaje. [1] MARINA, José Antonio. “Teoría de la Inteligencia Creadora”. Compactos, Editorial Anagrama, 2002. Págs. 118-119. Según el autor, la memoria es un sistema a través del cual percibimos, viendo, interpretando y comprendiendo desde su sistema dinámico. [2] GARCÍA VARAS, Ana. “Filosofía de la Imagen”. Ediciones Universidad Salamanca. Año 2011. Partiendo de las fotografías como superficies con significación, utilizo la fotografía para encontrar respuestas visuales a la pregunta “¿Cómo se vive la huerta ahora?”. A partir de las imágenes realizadas, ¿qué pensamientos o nuevas preguntas surgen? de las fotografías como superficies con significación, utilizo la fotografía para encontrar respuestas visuales a la pregunta “¿Cómo se vive la huerta ahora?”. A partir de las imágenes realizadas, ¿qué pensamientos o nuevas preguntas surgen?

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Reports on the topic "Mark Antony"

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Kløcker Larsen, Rasmus, and Maria Boström. “Låt renen få igen landet som det var”: Konsekvenser av gruvan och vägen på Stihken för Vilhelmina Södra sameby. Stockholm Environment Institute, June 2021. http://dx.doi.org/10.51414/sei2021.007.

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Denna rapport presenterar en studie av Vilhelmina Södra samebys erfarenheter av de konsekvenser som gruvan på Stihken fört med sig, en gruva som drevs av Boliden Mineral AB 1976–1988. Det finns i dag ett stort kunskapsglapp angående vilka de faktiska konsekvenserna är av gruvindustri på samisk markanvändning, inklusive renskötseln. Detta är så vitt vi vet första gången som forskningen empiriskt belyser konsekvenserna av gruvindustrin, och de faktiska utfallen av försöken till efterbehandling, utifrån en samebys egna erfarenheter och kunskap. Studien genomfördes 2019–2020 i ett samarbete mellan samebyn, Svenska Samernas Riksförbund och Stockholm Environment Institute. Datainsamlingen har bestått av arbetsmöten, intervjuer, workshops, dokumentanalys och kartering med stöd av RenGIS och forskning om störningszoner. Fokus i denna rapport ligger på just Vilhelmina Södra samebys erfarenheter och gruvans konsekvenser för andra samebyar eller icke-renskötande samer i området har därför inte inkluderats. Resultaten visar den omfattande påverkan som gruvan haft på samebyn, dels under driftperioden men i högsta grad också efteråt. Under drifttiden förorsakade gruvan stora direkta och indirekta markförluster, med störningar från brytningen och trafiken, damning på betet, blockering av det naturliga flyttstråket och förlust av stora delar av samebyns renar in i Norge eller in på grannbyarnas mark på svensk sida. I nutid handlar de största konsekvenserna om en omfattande störning från besöksnäringen på grund av vägen som drogs i tidigare väglöst land. Detta föranleder i sin tur stort betesbortfall; försämrad djurhälsa och kondition för renen; förhöjd arbetsbelastning, fysiska påfrestningar, och arbetsmiljörisker för renskötarna; ökade kostnader för renskötselaktiviteter; samt förlust av samiska kulturminnen, ökad psykisk påfrestning, försämrade möjligheter för samebyns unga att satsa på renskötseln, och förlust av traditionell kunskap. Dessa forskningsresultat är viktiga för att korrigera vanligt förekommande missuppfattningar i den politiska och offentliga debatten kring gruvindustrin: nämligen att gruvindustrin och renskötseln kan samexistera utan någon större påverkan på renskötseln. De visar också tydligt vem som har bäst kunskap att bedöma riskerna vid en gruvetablering: samebyn identifierade redan på 1960-talet, och det ganska så exakt, de risker som denna studie nu kunnat visa blivit verklighet medan försöken från statens representanter var långt mindre precisa. Exempelvis antog statens experter en total störningszon på 500 meter runt gruvområdet och 100 meter på bägge sidor om vägen. Detta står i stark kontrast till de störningszoner som samebyn faktiskt har upplevt, nämligen upp mot 10 kilometer för gruvan och 1,5 kilometer för vägen. Problemen härrör främst från det faktum att svensk lagstiftning inte ger tillräckligt skydd för samiska rättigheter. De hänger även ihop med statens tvetydiga roll i hanteringen av de intressekonflikter som uppstår när man både har en skyldighet att skydda samiska rättigheter och ska tillgodose olika samhälls- och företagsekonomiska intressen i utvinningen av mineraler. Denna brist på ansvarstagande, som samebyn upplever från statens sida, visar med all tydlighet att den koloniala exploateringen av naturresurserna i Sápmi inte är ett historiskt fenomen utan något som i allra högsta grad fortgår än i dag. Som ett exempel har inga ansträngningar som helst gjorts för att se över huruvida den begränsade ekonomiska ersättningen som staten genomförde under 1960–70 talet verkligen motsvarar de faktiska skador som samebyn fått uthärda. Det finns flera sätt att åtgärda problemen i området vid Stihken. Exempelvis skulle regeringen kunna ge SGU i uppdrag att återställa området från tidigare prospekteringsverksamhet och kommun och länsstyrelse skulle i sin tur kunna ingripa för att hantera besöksnäringen och friluftslivet. Vad denna studie främst belyser är dock behovet av en genomgripande strategi från statens sida för att komma till rätta med konsekvenserna av Bolidens gruvprojekt och dess följdeffekter. Utifrån senaste årens rättsutveckling torde det numera finnas goda möjligheter för staten att se över sitt ansvar för de skador som framkommit på området vid Stihken.

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