Academic literature on the topic 'Marlowe, Lara'

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Journal articles on the topic "Marlowe, Lara"

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Fatorelli, Pedro, Paulo N. Costa, Rafael C. Laia, Marlon Almeida-Santos, Monique Van Sluys, and Carlos Frederico D. Rocha. "Description, microhabitat and temporal distribution of the tadpole of Proceratophrys tupinamba Prado and Pombal, 2008." Zootaxa 2684, no. 1 (2010): 57–62. https://doi.org/10.11646/zootaxa.2684.1.6.

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Fatorelli, Pedro, Costa, Paulo N., Laia, Rafael C., Almeida-Santos, Marlon, Sluys, Monique Van, Rocha, Carlos Frederico D. (2010): Description, microhabitat and temporal distribution of the tadpole of Proceratophrys tupinamba Prado and Pombal, 2008. Zootaxa 2684 (1): 57-62, DOI: 10.11646/zootaxa.2684.1.6, URL: https://biotaxa.org/Zootaxa/article/view/zootaxa.2684.1.6
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Murr, Andrew H. "Infections of the Ears, Nose, Throat, and Sinuses. Edited by Marlene L.Durand and Daniel G.Deschler. Heidelberg, Germany: Springer; 2018; 404 pp. $199.00." Laryngoscope 129, no. 3 (2018): 771–72. http://dx.doi.org/10.1002/lary.27598.

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UNICASTELO, Universidade Camilo Castelo Branco. "Anais da VIII Jornada Odontológica da Unicastelo." ARCHIVES OF HEALTH INVESTIGATION 5 (December 14, 2016). http://dx.doi.org/10.21270/archi.v5i0.1795.

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CATEGORIA PAINELP 01. NÓDULOS PULPARES - CALCIFICAÇÕES. TAVARES, THAÍS RUAS; SEKI, NATHALIA MARIKO ASSAKAWA; SOUZA, EDMARA REGINA DIAS; SIVA, AMANDA SOUZA; SIMONATO, LUCIANA ESTEVAM; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 02. ACIDENTES E COMPLICAÇÕES NA ABERTURA CORONÁRIA. SOUZA, EDMARA REGINA DIAS; SEKI, NATHALIA MARIKO ASSAKAWA; TAVARES, THAÍS RUAS; SIVA, AMANDA SOUZA; SIMONATO, LUCIANA ESTEVAM; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 03. DOENÇAS INFECTO CONT
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León-González, PhD Jorge Luis. "Número completo (Agosto)." Revista Metropolitana de Ciencias Aplicadas 7, S2 (2024). http://dx.doi.org/10.62452/4g5a9x55.

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Editorial PhD. Jorge Luis León-González Análisis jurídico y jurisprudencial sobre la justicia indígena. Su interpretación intercultural Alejandra Estefanía Ramírez-Albán, Nicole Dominique Rodríguez-Maisincho, Ximena Viviana Ramírez-Albán, Diego Armando García-Moreno, Jenny Alexandra Lara-Rosas Gestión del impuesto al valor agregado en Cotopaxi en la era digital: oportunidades y retos Silvia Ximena Andrade-Guapucal, Pedro Enrique Zapata-Sánchez Modelo predictivo para determinar patrones y tendencias que influyen en los accidentes de trabajo Erika Zamora-Cevallos, Leyda Zavala-Arteaga, Byron Ovi
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León González, PhD, Jorge Luis. "Número completo (Enero-marzo)." Revista Metropolitana de Ciencias Aplicadas 8, no. 1 (2025). https://doi.org/10.62452/b8kqhn87.

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Editorial PhD. Rafael Lorenzo-Martín Eficacia terapéutica de los anestésicos disociativos en depresión Julia del Pilar Montufar-Guevara, Verónica Elizabeth Padilla-Vinueza Pautas para la creación de videos educativos para estudiantes y docentes universitario Juan Eduardo Rivera-Bautista, Javier Moreno-Tapia Fortalecimiento del sistema de innovación alimentario local: diagnóstico agroecológico en la finca Casa Blanca Marian Figueredo-Rodríguez, María Rosa Núñez-González, Mayelin Barrio-Valdez, Yanitza Quintero-Rodríguez, Maidelis Quintana-Chávez Aplicación de la Ley de Benford para la detección
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Mesch, Claudia. "Racing Berlin." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1845.

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Bracketed by a quotation from famed 1950s West German soccer coach S. Herberger and the word "Ende", the running length of the 1998 film Run Lola Run, directed by Tom Tykwer, is 9 minutes short of the official duration of a soccer match. Berlin has often been represented, in visual art and in cinematic imagery, as the modern metropolis: the Expressionist and Dadaist painters, Walter Ruttmann, Fritz Lang and Rainer Werner Fassbinder all depicted it as the modernising city. Since the '60s artists have staged artworks and performances in the public space of the city which critiqued the cold war o
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Dissertations / Theses on the topic "Marlowe, Lara"

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Dettmann, Marlene-Anne [Verfasser], and Lars [Akademischer Betreuer] Lambrecht. "Partizipation und Ressourcenorientierung in der Sozialen Arbeit - eine Analyse zur Begriffssicherheit und theoretischen Fundierung / Marlene-Anne Dettmann ; Betreuer: Lars Lambrecht." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2017. http://d-nb.info/1123729484/34.

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Books on the topic "Marlowe, Lara"

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The things I've seen: Nine lives of a foreign correspondent. Liberties, 2010.

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Things I've Seen: Nine Lives of a Foreign Correspondent. Liberties Press Limited, 2013.

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Benzie, Rebecca. Feminism, Dramaturgy, and the Contemporary British History Play. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350191297.

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When we think of the contemporary British history play, why might we automatically think of playwrights such as David Hare, Howard Brenton, Peter Gill and Edward Bond? Because for decades the writing of the history play has been the preserve of the white male.This book provides a vital feminist intervention into the dramaturgy of history plays, investigating work produced at major British theatres from 2000 to the present, written by a generation of innovative women playwrights. This much-needed study explores the use of history – specifically Elizabethan, Restoration, Victorian and early 20th
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Book chapters on the topic "Marlowe, Lara"

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Pillai, Tripthi. "Cute Lacerations in Doctor Faustus and Omkara." In The Retro-Futurism of Cuteness. punctum books, 2017. https://doi.org/10.21983/p3.0188.1.12.

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Bollywood’s sexy “item songs” and Christopher Marlowe’s scenes of bodily, erotic exchange are violently cute for simi-lar reasons. They each “create or facilitate kinds of ‘between-ness’ — relays, conduits, associations — that in turn facilitate the circulation of texts, objects, and signs” (Ngai 115). Bubbling confluences of cuteness and violence, the songs and scenes com-plicate narratives of futurity by dismantling them from their core purpose and position of power, positing nothing concrete in their place — neither in terms of narrative directionality nor in the sense of purposefulness. So
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Murray, Terri. "Exploring the ‘Male Gaze’." In Studying Feminist Film Theory. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325802.003.0002.

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This chapter discusses the three kinds of cinematic ‘look’ that Laura Mulvey associated with the ‘male gaze’. Mulvey's psychoanalytic examination of the pleasures generated by cinema included scopophilic, voyeuristic, and narcissistic pleasures. She argued that fetishistic scopophilia, unlike voyeurism, emphasises the physical beauty of the object. The object is transformed into something satisfying in itself, set apart from story and character involvement. This is illustrated with reference to Helen Faraday (Marlene Dietrich) in Josef von Sternberg's Blonde Venus (1932). Despite the story bei
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Stubenrauch, Eva. "De-formierte Formen. Zur strukturellen Äquivalenz von Depression und Pornographie bei Marlene Streeruwitz, Lars von Trier und Elfriede Jelinek." In Ästhetik des Depressiven. De Gruyter, 2023. http://dx.doi.org/10.1515/9783110776522-015.

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