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Journal articles on the topic 'Marquês de Sad'

Author: Grafiati

Published: 6 July 2024

Last updated: 31 July 2025

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1

Vieira, Cátia. "Marquês de Sade: crime, destruição e excesso." Caligrama: Revista de Estudos Românicos 24, no. 1 (2019): 143. http://dx.doi.org/10.17851/2238-3824.24.1.143-155.

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Resumo: O presente artigo tem como objetivo primordial investigar a ligação entre o erotismo e a morte, que abrange questões como o crime, a destruição e o excesso, na obra sadiana. Marquês de Sade, senhor dos sádicos, estabeleceu a vida como um mero meio para a obtenção do prazer máximo. E esse prazer, segundo o autor francês, apenas se faz sentir de forma apoteótica quando destrói a vida. Assim, gozar é sinónimo de ver destruir, de abraçar e de satisfazer a morte. Além de destruir, torna-se imprescindível violar, violentar e matar sem freios, sem imposições morais. Para a elaboração deste es

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2

COWARD, D. A. "Review. Le Marquis et la Marquise de Sade. Laborde, A. M." French Studies 45, no. 4 (1991): 466. http://dx.doi.org/10.1093/fs/45.4.466.

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3

Eulenburg, Albert. "Der Marquis de Sade." Zeitschrift für Sexualforschung 28, no. 01 (2015): 57–74. http://dx.doi.org/10.1055/s-0034-1399135.

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4

Garrabé, J. "Le marquis de Sade." French Journal of Psychiatry 1 (December 2019): S87. http://dx.doi.org/10.1016/j.fjpsy.2019.10.097.

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5

Solano-Fallas, Andrés. "Una lectura filosófica a <em>La Marquesa de Gange</em> (1813) del Marqués de Sade." Revista humanidades 12, no. 2 (2022): e50728. http://dx.doi.org/10.15517/h.v12i2.50728.

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El presente artículo emprende un abordaje descriptivo-analítico que el Marqués de Sade realizó sobre cuatro temas de orden filosófico, o que pueden ser de interés para el quehacer filosófico, contenidos en la novela La Marquesa de Gange (1813). Los temas a tratar son: consideraciones sobre los conceptos de naturaleza, religión y Dios, como también sobre asuntos vinculados al matrimonio y al supuesto rol de sumisión femenina. En cada uno de ellos, se hace hincapié en los postulados o ideas que guiaron su reflexión, así como de críticas que se desprenden de estos. En lo concerniente a lo metódic

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6

Aisenstein, Marilia. "L'écriture du marquis de Sade." Revue française de psychanalyse 58, no. 2 (1994): 451. http://dx.doi.org/10.3917/rfp.g1994.58n2.0451.

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7

Hermann, Christian. "L'Espagne du Marquis de Sade." Mélanges de la Casa de Velázquez 28, no. 2 (1992): 71–86. http://dx.doi.org/10.3406/casa.1992.2616.

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8

McMorran, W. "Introducing the Marquis de Sade." Forum for Modern Language Studies 51, no. 2 (2015): 133–51. http://dx.doi.org/10.1093/fmls/cqv025.

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9

Diniz, Guilherme Grané, and Alex de Campos Moura. "“Máquinas & Outras Vísceras”: Sade, Piva e o antidualismo Queer." Revista Internacional Interdisciplinar INTERthesis 18, no. 1 (2021): 1–22. http://dx.doi.org/10.5007/1807-1384.2021.76035.

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É uma marca de boa parte do pensamento do séc. XX, tanto na literatura quanto na filosofia, a recepção da obra do Marquês de Sade. De fato, já no séc. XVIII, Sade formulara uma série de questões e propusera certos modos de pensar cuja relevância só viria a ser plenamente incorporada no pensamento contemporâneo. Nesse sentido, o pensamento do Marquês de Sade e a literatura e filosofia do séc. XX podem se esclarecer reciprocamente. Neste texto, queremos mostrar a recepção de um tema específico – o antidualismo – em duas instâncias: a poesia surrealista de Roberto Piva e o pensamento queer de Pau

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10

Ranum, Orest, and Maurice Lever. "Donatien Alphonse Francois, Marquis de Sade." American Historical Review 98, no. 2 (1993): 504. http://dx.doi.org/10.2307/2166898.

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11

Ruiz García, Claudia. "Un acercamiento al marqués de Sade." Anuario de Letras Modernas 15 (November 3, 2010): 51–61. http://dx.doi.org/10.22201/ffyl.01860526p.2010.15.644.

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Interesa en este acercamiento al marqués de Sade revisar el lugar que ocupa dentro de la construcción del pensamiento libertino francés. En un primer momento se explica cómo nace el sustantivo “sadismo” y cómo se incorpora a la lengua francesa. Posteriormente se mencionan algunos episodios de su vida que hacen de él una personalidad emblemática del Siglo de las Luces. Por último, se ilustran, siguiendo las líneas de análisis de Klossowski, Blanchot, Bataille y Pauvert, ciertas líneas del pensamiento del Marqués y se integran a este estudio las peculiares y enriquecedoras lecturas de Ost, Goule

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12

Evans, Mihail. "Marquis de Sade and Continental Philosophy." International Journal of Philosophical Studies 28, no. 4 (2020): 573–74. http://dx.doi.org/10.1080/09672559.2020.1812968.

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13

Fukuda, Daisuke. "L'engagement politique du marquis de Sade." Savoirs et clinique 8, no. 1 (2007): 59. http://dx.doi.org/10.3917/sc.008.0059.

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14

WALLIS, RICHARD. "Lydia Sterne Meets Marquis de Sade." Shandean 31, no. 1 (2020): 177–79. http://dx.doi.org/10.3828/shandean.2020.31.16.

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15

Apostolidès, Jean-Marie. "Ceci est mon corps ou L’exécution du testament du marquis de Sade." Dossier — Sade au théâtre : la scène et l’obscène, no. 41 (May 7, 2010): 83–102. http://dx.doi.org/10.7202/041672ar.

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Le 2 décembre 1959, à l’occasion du 145e anniversaire de la mort du marquis de Sade, l’artiste canadien Jean Benoît accomplit un cérémonial d’expiation au cours duquel il se marque symboliquement et physiquement au fer rouge du nom de Sade. Cet épisode se déroula à Paris, dans le cadre de la 8e Exposition internationale du surréalisme. À partir de cet épisode, nous analysons la place imaginaire que le marquis de Sade tient dans le mouvement surréaliste et la spécificité de la performance théâtrale accomplie par Jean Benoît.

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16

Garand, Caroline. "D’une scène à l’autre : Sade comme personnage." Dossier — Sade au théâtre : la scène et l’obscène, no. 41 (May 7, 2010): 63–82. http://dx.doi.org/10.7202/041671ar.

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Résumé Entre 1920 et 2007, plus de trente oeuvres théâtrales jouées ou publiées mettent en scène le marquis de Sade en tant que personnage. Ces oeuvres sont ici mises en relation les unes avec les autres afin de déterminer à quel point le genre théâtral, par opposition au genre romanesque apparemment plus libre, impose une ou des façons de faire dans la représentation de la figure historique du marquis.

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17

Kord, Catherine, and Francine Du Plessix Gray. "At Home with the Marquis de Sade." Antioch Review 57, no. 4 (1999): 569. http://dx.doi.org/10.2307/4613914.

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18

Warman, Caroline. "The Philosophy of the Marquis de Sade." Women’s Philosophy Review, no. 14 (1995): 14–15. http://dx.doi.org/10.5840/wpr19951429.

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19

Stroev, Alexandre. "Des dessins inédits du Marquis de Sade." Dix-huitième Siècle 32, no. 1 (2000): 323–42. http://dx.doi.org/10.3406/dhs.2000.2360.

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20

Sigusch, Volkmar. "Zum 200. Todestag des Marquis de Sade." Zeitschrift für Sexualforschung 28, no. 01 (2015): 52–56. http://dx.doi.org/10.1055/s-0034-1399133.

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21

Berman, Lorna. "The Marquis de Sade and Courtly Love." Eighteenth-Century Fiction 11, no. 3 (1999): 285–300. http://dx.doi.org/10.1353/ecf.1999.0032.

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22

Donato, Clorinda. "Journey to Italy by Marquis de Sade." Eighteenth-Century Studies 56, no. 3 (2023): 496–98. http://dx.doi.org/10.1353/ecs.2023.0042.

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23

Padilla García, Magdalena. "El marqués d'Olincourt o la alteridad como defensa del yo en un relato del marqués de Sade." Philologia Hispalensis 1, no. 7 (1992): 203–13. http://dx.doi.org/10.12795/ph.1992.v07.i01.17.

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24

Schöch, Christof. "Emmanuelle Sauvage, L'Œil de Sade, 2007." Romanische Forschungen, no. 122 (January 1, 2010): 579–81. https://doi.org/10.5281/zenodo.810521.

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25

Douville, Olivier. "Noëlle Châtelet : Entretiens avec le marquis de Sade." Figures de la psychanalyse 23, no. 1 (2012): 239. http://dx.doi.org/10.3917/fp.023.0239.

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26

Coudreuse, Anne. "Noëlle Chatelet, Entretien avec le marquis de Sade." Itinéraires, no. 2013-2 (March 1, 2014): 204–7. http://dx.doi.org/10.4000/itineraires.763.

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27

Will McMorran. "The Marquis de Sade in English, 1800–1850." Modern Language Review 112, no. 3 (2017): 549. http://dx.doi.org/10.5699/modelangrevi.112.3.0549.

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28

Heine, Maurice. "Le marquis de Sade et le roman noir." Lignes 44, no. 2 (2014): 131. http://dx.doi.org/10.3917/lignes.044.0131.

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29

Wynn, T. "The Marquis de Sade: A Very Short Introduction." French Studies 61, no. 4 (2007): 520–21. http://dx.doi.org/10.1093/fs/knm139.

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30

Ocheretyany, Konstantin. "Marquis de Sade — the Inventor of the Interface." Philosophical Literary Journal Logos 34, no. 6 (2024): 47–64. https://doi.org/10.17323/0869-5377-2024-6-47-64.

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The article analyzes the user interface as a condition of presence in digital reality. It is shown that the interface in the unity of linguistic practices, desire apparatuses and social institutions is closer to forms of life than to formal systems. Therefore, based on a rational and technological approach to the interface, its capabilities, functions and limitations, it is necessary to recognize and describe the myth that determines the way of existence in the interface. It is a common belief that a myth suggested by a digital interface was inspired by Jean-Jacques Rousseau and could be descr

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31

Grané Diniz, Guilherme. "Uma antropologia do crime: Comentários do Marquês de Sade sobre os povos da América." Tabuleiro de Letras 14, no. 1 (2020): 74. http://dx.doi.org/10.35499/tl.v14i1.7416.

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O Marquês de Sade tem como preocupação teórica a defesa argumentativa do crime. É comum que seus personagens lancem mão de argumentos diversos na justificativa da moralidade das ações que nossa sociedade considera criminosas. Uma forma recorrente na defesa dessa tese é o recurso à antropologia. Sade observa costumes de outros povos – os americanos inclusive – ressaltando como neles condutas que nós consideramos crimes não o são, e vice-versa. Parece que observar o modo como Sade procede a esse tipo de análise nos esclarece duplamente. Primeiro, poderíamos entender melhor esse tópico relevante

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32

BARBOSA, ALINE LEAL FERNANDES. "Espelhos do mal: arquivo e corrupção em Sade." Estudos Avançados 34, no. 98 (2020): 263–78. http://dx.doi.org/10.1590/s0103-4014.2020.3498.017.

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resumo Neste artigo, o objetivo é pôr a obra e a vida do Marquês de Sade - em que impera a ideia de transgressão e de destruição - em contato com diversas noções de arquivo, sobretudo a de Jacques Derrida em Mal de arquivo, em que a pulsão de morte repousa no que é da ordem da conservação. Se a renovação com base em novas consignações é a condição de posteridade do arquivo, de que modo podemos ler Sade no século XXI?

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33

Wolff, Joca. "2 x Lugones com Sade." Alea: Estudos Neolatinos 23, no. 3 (2021): 40–57. http://dx.doi.org/10.1590/1517-106x/20212334057.

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Resumo O objetivo deste texto é registrar e desdobrar uma singular reincidência na obra de César Aira, a dupla aparição do espectro do escritor Leopoldo Lugones (1874-1938), suplementado em ambas as ocasiões pelo Marquês de Sade. Trata-se de duas abordagens absolutamente distintas do autor de Lunario sentimental e La guerra gaucha, feitas por Aira em 1985 e 1990: a primeira - breve, biográfica, destrutiva - no Diccionario de autores latinoamericanos; a segunda - longa, patética e divertida - em Lugones, ficção em torno do escritor argentino no dia de seu suicídio. Ambas são concluídas com refe

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34

Frattaroli, Enrico. "Sade : opus contra theatrum." L’Annuaire théâtral, no. 41 (May 7, 2010): 121–38. http://dx.doi.org/10.7202/041674ar.

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Depuis 1999, date à laquelle il annonce son intention d’entamer un cycle de création ayant pour base les oeuvres du marquis de Sade, Enrico Frattaroli a créé 5 spectacles formant un ensemble intitulé Sade convivium. Dans le document qu’il a préparé pour L’Annuaire théâtral, il explique la démarche artistique singulière par laquelle il utilise la matière sadienne tout en évitant de mettre en scène à la fois son théâtre et son oeuvre romanesque.

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35

González de Pablo, Angel. "Sexualidad y conocimiento: La filosofía enferma del Marqués de Sade." Asclepio 42, no. 2 (1990): 11. http://dx.doi.org/10.3989/asclepio.1990.v42.2.554.

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Se pretende analizar, en primer lugar, la forma en la que Sade se constituye en una culminación del pensamiento ilustrado y, al mismo tiempo, en un claro exponente de sus carencias e ingenuidades; y, en segundo lugar, profundizar el modo en que la sexualidad se configura en su obra como una vía de conocimiento o, lo que es lo mismo, penetrar en los vericuetos de la filosofía enferma de Sade.

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36

Mieli, Paola. "Donatien Alphonse François, Marquis de Sade, prend la parole." Insistance 3, no. 1 (2007): 211. http://dx.doi.org/10.3917/insi.003.0211.

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37

Silver, Marie-France. "Libertinage et Révolution : Les Romans du Marquis de Sade." Man and Nature 8 (1989): 129. http://dx.doi.org/10.7202/1012604ar.

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38

Heine, Maurice. "The Marquis of Sade and the Novel of Gloom." Journal of Beckett Studies 31, no. 1 (2022): 17–36. http://dx.doi.org/10.3366/jobs.2022.0354.

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39

Lever, Maurice. "Quatre lettres inédites d'Ange Goudar au marquis de Sade." Dix-huitième Siècle 23, no. 1 (1991): 223–32. http://dx.doi.org/10.3406/dhs.1991.1810.

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40

Clack, Dr Beverley. "Violence and the Maternal in the Marquis de Sade." Feminist Theology 17, no. 3 (2009): 273–91. http://dx.doi.org/10.1177/0966735009102360.

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41

Diniz, Guilherme Grané. "QUESTÃO DA TRANSGRESSÃO EM SADE E BATAILLE." PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 6, no. 12 (2018): 115–27. http://dx.doi.org/10.26512/pl.v6i12.11770.

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O presente trabalho se propõe a realizar uma breve comparação entre o pensamento de Georges Bataille e do Marquês de Sade acerca da questão da transgressão. Neste sentido, aclararemos a leitura batailleana da obra de Sade, mostrando aproximações e distanciamentos entre ambos os autores. Mostraremos que Bataille incorporou de forma quase textual passagens e ideias presentes na obra de Sade, nem sempre se atendo ao sentido ou ao contexto no qual elas estavam postas. Procedendo a uma análise, primeiramente, de como o tema se põe na obra “O Erotismo”, de Bataille, e então de como se apresenta em a

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42

Cano Ciborro, Víctor Manuel. "Dibujar fuerzas y cuerpos: una genealogía fragmentaria en la historiografía arquitectónica. École des Beaux-Arts, Marqués de Sade y Siegfried Ebeling= Drawing forces and bodies: A fragmentary genealogy in architectural historiography. École des Beaux-Arts, Marquis de Sade and Siegfried Ebeling." Cuaderno de Notas, no. 24 (September 30, 2023): 42–53. http://dx.doi.org/10.20868/cn.2023.5192.

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AbstractThis article aims to shed light on a conception and representation often overlooked in architectural discipline historiography. It focuses not only on forms and objects but also on forces and bodies. For this purpose, a fragmentary genealogy of conflicts between schools, traditions, and architects is proposed. This genealogy will reveal how the technical rationality of the drawings at the École Polytechnique de Paris contrasted with the imagery of the École des Beaux-Arts in the eighteenth century. It will also explore how the dogmas of the Enlightenment were challenged by a Masonic a

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43

Rabaté, Jean-Michel. "Beckett’s Sade / Barthes’s Zade." Samuel Beckett Today / Aujourd’hui 32, no. 2 (2020): 272–88. http://dx.doi.org/10.1163/18757405-03202009.

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Abstract Eight thematic clusters are used to draw parallels between texts by Samuel Beckett and Roland Barthes that focus on Marquis de Sade and sadism. By examining places like Roussillon and La Coste and themes like Machines, Screams, Order and Reason, the Family, the Law, Class and Lit bodies, one can see better how both writers have worked with Sade’s images and concepts. If Barthes’s theses throw new light on Beckett’s texts like Watt, How It Is and Catastrophe, conversely Beckett’s skepticism facing Reason and narrative forms highlights Barthes’s main writerly strategies.

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44

Pelly, R. Duncan M., and Alain Fayolle. "What Marquis de Sade’s Literary Critique Can Teach Us about Entrepreneurship." Discourses on Culture 18, no. 1 (2022): 47–68. http://dx.doi.org/10.2478/doc-2022-0004.

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Abstract No writer has captured the reader’s imagination as vividly as the Marquis de Sade. Per his usual ramblings, he espouses evil via excruciatingly detailed sexual exploits; but, in later writings he is vehemently critical of those who engage in corrosive behavior. In Reflections on the Novel, de Sade provides step-by-step instructions to create repelling, enthralling, and memorable fictional narratives, then stratifies “what not to do” in order to avoid situations that may lead to irreparable physical, mental, and emotional damage in real life. In this same pamphlet, he advocates authent

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45

Paquette, Julie. "Le théâtre, un oubli dans les études sadiennes." Pratiques et travaux, no. 52 (October 20, 2014): 133–52. http://dx.doi.org/10.7202/1027016ar.

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Le marquis de Sade souhaitait être reconnu comme un homme de théâtre. Depuis sa mort, seule une de ses pièces a été montée sur les planches. Le « véritable ostracisme » dont est victime cette partie de l’oeuvre – jugée ennuyeuse et dénuée d’intérêt – s’est aussi traduit dans la publication des Oeuvres complètes qui n’incluaient pas, au départ, son théâtre. Nous proposerons ici la lecture de cette partie de l’oeuvre de Sade comme procédant d’une « variation sur un même thème » de la part romanesque de son oeuvre, plus connue. Nous avancerons la thèse selon laquelle l’écriture préfacielle du Sad

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46

Jaskólski, Michał. "D.A.F. de Sade – „Boski Markiz”, czyli destruktor idei oświecenia." Krakowskie Studia z Historii Państwa i Prawa 5, no. 3 (2012): 223–40. http://dx.doi.org/10.4467/20844131ks.12.017.0918.

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D. A. F. DE SADE: “DIVINE MARQUIS” OR DEMOLISHER OF THE IDEAS OF ENLIGHTMENT The paper provides a brief outline of the major elements that made up the foundations for the political thought of Marquis D. A. F. de Sade. The author of the paper believes that these elements have not been sufficiently presented in the Polish historiography of political doctrines. The Marquis, being deeply anchored in the Enlightenment ideas and stylistics, was simultaneously the thinker who questioned a remarkable number of elements of these ideas. What he challenged were in particular: the previous descriptions of

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47

Houdaille, Jacques. "Une fille du Marquis de Sade a Bry-sur-Marne." Population (French Edition) 47, no. 4 (1992): 1044. http://dx.doi.org/10.2307/1533774.

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48

Cook, Malcolm. "The Crimes of Love by Marquis de Sade, David Coward." Modern Language Review 101, no. 2 (2006): 539. http://dx.doi.org/10.1353/mlr.2006.0154.

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49

Rohrbasser, Jean-Marc, and Jacques Véron. "Le marquis de Sade et la question de la population." Population 74, no. 3 (2019): 251. http://dx.doi.org/10.3917/popu.1903.0251.

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50

COWARD, D. A. "Review. Le Mariage du marquis de Sade. Laborde, Alice M." French Studies 44, no. 4 (1990): 463. http://dx.doi.org/10.1093/fs/44.4.463.

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