Academic literature on the topic 'Marquis de 1740-1814'

With increasing levels of consensus that sexuality is an important site of social diversity, we are gaining more insight into the detrimental social and psychological effects of sexual repression. Yet, sex continues to be a site shaped by taboo. Personal liberation seems to call for taboobreakers. With that, I ask whether there is anything liberating to learn from the life and work of one of the most notorious violators of sexual and other social mores. I consider the case of the Marquis de Sade (1740-1814). His writing and libertine philosophies were critical of the Catholic Church at a time when dissent was rising. But what made him so radical? Was he merely perceived as a threat by those wanting to protect their power? Or is there something more radically threatening and potentially liberating in his libertinism? What is it about the power of eroticism that makes it so threatening? Can this power be utilized as a tool for empowerment in the context of contemporary social justice struggles, or is it simply violence? I examine how de Sade’s work contributed to a radical counterargument against dominant sexually repressive mores. I conclude with critical remarks and provocative questions about the legacy of his work, which is no less relevant today than it has ever been

Orientador : Bento Prado Junior
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia

Orientador: Luiz Roberto Monzani
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A problemática discursiva na qual se insere a obra de Donatien Alphonse François de Sade (Marquês de Sade: 1740-1814) é considerada mediante os aspectos filosóficos e literários dos quais se compõem os seus textos. Levando em conta o romance filosófico enquanto gênero frequentemente praticado entre diversos autores do século XVIII francês que, como Voltaire, Diderot e Rousseau - para citar os mais expressivos - almejavam o largo alcance de suas idéias mediante a popularização da filosofia, pretende-se complexificar esse intento em Sade. Uma vez que no caso do Marquês existe a dificuldade ou impossibilidade de transposição do seu pensamento para o campo da política e da moral (dada a precedência do prazer em detrimento de uma convivência pacífica, e até mesmo em detrimento da vida - valores caros a qualquer comunidade política), considera-se de grande importância o caráter fictício de seus escritos: de acordo com o ponto de vista proporcionado pela ficção, descortina-se uma nova leitura de proposta política e moral em sua obra. Para tanto, tomam-se emprestadas algumas noções da hermenêutica Ricoeuriana, entre elas, a idéia de uma 'ontologia da obra de arte'; a noção de fictício de Wolfagang Iser; e as noções de verdade e interpretação de Luigi Pareyson; diretrizes que desembocam numa idéia de ficção tanto como ação política, quanto como forma de conhecimento. Pensar a obra sadiana mediante os artifícios ficcionais possibilita, assim, uma redimensionalização da sua filosofia. Os textos de Sade mais frequentemente utilizados para o propósito foram Nota sobre romances e Os 120 dias de Sodoma, além dos circunstancialmente evocados: A filosofia na alcova, Histoire de Juliette, Diálogo entre um padre e um Moribundo e Os infortúnios da virtude
Abstract: The problematic discoursive in which falls the work of Donatien Alphonse François de Sade (Marquis de Sade: 1740-1814) is regarded by the literary and philosophical aspects of which are composed his texts. Taking into account the philosophical novel as a genre often practiced among many authors of the french eighteenth century who, like Voltaire, Diderot and Rousseau - to name the most significant - longed for the wide reach of their ideas through the popularization of philosophy, it is necessary to problematize this intent on Sade. Since in the case of the Marquis there is the difficulty or impossibility of transposing their thinking to the field of politics and morality (as since he gives precedence over the pleasure of a peaceful coexistance, and even at the expense of life - values appreciated to any political community), it is very important the fictitious character of his writings, according to the view afforded by fiction, opens up a new reading of politics and moral proposal of his work. For that, it is necessary to take some borrowed notions of Ricoeur's hermeneutics, among them, the idea of an 'ontology of the artwork', the notion of fictitious of Wolfagang Iser, and the notions of truth and interpretation of Luigi Pareyson; guidelines that lead an idea of fiction as much as political action, and as a form of knowledge. To think Sade's work through the fictional devices enables thus a re-reading of his philosophy. Sade's texts most often used for the purpose of note were the An Essay on Novels and The 120 Days of Sodom, in addition to the evoked eventually: Philosophy in the Bedroom, Histoire de Juliette, Dialogue between a Priest and a Dying Man and The Misfortunes of the Virtue
Mestrado
Historia da Filosofia
Mestre em Filosofia

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Este trabalho apresenta a tradução anotada do livro Les infortunes de la vertu (1787) do Marquês de Sade (1740 – 1814), seguido de um estudo introdutório que tem o objetivo de familiarizar o leitor brasileiro com a narrativa sadiana. Sabemos que a polêmica que sempre acompanhou o Marquês de Sade era seguida pela constatação de sua originalidade que produziu, a partir de suas ideias libertinas, suas polêmicas obras. Les infortunes de la vertu se caracteriza como uma das obras emblemáticas de Sade, uma narrativa que apresenta os elementos da perversão denominada a partir do nome do autor, o sadismo. Na atividade de tradução buscamos valorizar a tendência que preconiza o sentido e o estilo original, optando pela corrente que defende a tradução estrageirizadora
It is presented here the annotated translation of Les infortunes de la vertu (1787) of Marquis de Sade (1740 – 1814), followed by introductory study that intends to familiarize the Brazilian reader with the Sadean narrative. The controversy surrounding Marquis de Sade has always been accompanied by the realization of the originality he produced, sparked his libertine ideals and his infamous works. Les infortunes de la vertu is one of Sade’s emblematic works, with a narrative that presents elements of the perversion named after the author, Sadism. During the translation, we valued the original meanings and style by opting for a foreignizing translation

Pour la première partie de cette thèse, on a analysé la série des actes majeurs que Sade a effectués dans sa vie. La reconstitution de la causalité de ses actes permet d’éclairer la valeur événementielle du dernier acte de Sade. L’enjeu majeur était donc de savoir à la suite de quels actes émerge l’acte testamentaire de Sade à la fin de sa vie. Ainsi on essaie d’élucider les actes qui marquent sa vie, un par un, dans les trois registres différents — amoureux, politique et théâtral — pour mettre en valeur la singularité de l’acte testamentaire de Sade. Pour la deuxième partie de cette thèse, on tente de situer le testament sadien dans son rapport avec d’autres actes effectués par les antagonistes de Sade. Pour cela, on se réfère au schéma quadripartite dit les quatre discours, qui consiste à clarifier la nature d’un lien social selon les quatre modalités différentes qui s’enchaînent l’une avec l’autre : discours du maître, de l’hystérique, de l’universitaire, de l’analyste. Cette analyse des intersubjectivités différentes autour de Sade aboutit à l’élucidation du discours psychanalytique. On s’intéressera notamment au décalage qu’il y a entre l’acte ultime sadien et l’acte analytique. Pour vérifier cet écart entre les deux discours, on effectue à la fin de cette thèse la lecture de Histoire de Juliette. Bien que le marquis touche à la dimension transférentielle (on constate la série des chutes du sujet supposé savoir), l’aventure de l’héroïne sadienne se déroule hors du cadre analytique. Sade ne sait pas discerner la créativité dans la pulsion de mort contrairement à l’analyste qui peut la découvrir par et dans son acte analytique
For the first part of this thesis, we analyzed the series of major acts that Sade has done in his life. The reconstruction of the causality of his actions can illuminate the value of the factual final act of Sade. The major stake was therefore to find out after what acts the testamentary act emerges from Sade at the end of his life. So we try to clarify the actions that marked his life, one by one, in three different registers - love, politics and theater - to highlight the singularity of the testamentary act de Sade. For the second part of this thesis, we will attempt to locate the Sadian in relation to other acts performed by Sade antagonists. For this, we refer to the diagram known as the quadripartite four discourses, which aims at clarifying the nature of social ties in the four different ways that are connected with each other: the master's discourse of the hysteric, of the academic, and of the analyst. This analysis of different intersubjectivities around Sade leads to the elucidation of the psychoanalytic discourse. We will address in particular the discrepancy that exists between the ultimate Sadian act and the analytic act. To check the gap between the two types of discourses we proceed, at the end of this thesis, to the reading of History of Juliet. Although the Marquis touches the transferential dimension (there is a series of falls of the subject supposed to know), the adventure of this Sadian character takes place outside the analytical framework. Sade does not know how to discern the creativity in the death drive, contrary to the analyst who can see it in and by the analytic act

Une analyse conduite à la lumière de la théorie sémiotique de l'école de Paris révèle que le discours de la transgression, tel qu'il se construit dans les historiettes du Marquis de Sade, destinées à la publication non-clandestine, se constitue à partir de dépendances et de déterminations externes : perpétuant l'épistème et l'écriture classiques, elles sont à la fois réaffirmées et dépassées. Les décalages sont opérés en vertu de la stratégie, énoncive et énonciative, du détour(-nement) dont le contrat de véridiction, impliqué déjà par l'appartenance générique des textes, est une composante. Ils sont saisissables surtout à travers une pluralisation des thématisations, étagées ou parallèles successives, et des "reclassements" axiologiques, installant des seuils de transgression graduables (compromis axiologique et modal, contre-discours). Se trouvent ainsi garanties la "recevabilité" des textes (concilier le "lisible" et le subversif, au-delà du cloisonnement discursif traditionnel) et la "narrabilité" (récursivité du transgressif à l'intérieur de la structure de renvoi posé/nié ; indécidabilité axiologique) des aventures
In the light of semiotics, the discourse of transgression, as it takes shape in the historiettes of the Marquis de Sade, destined to non-clandestine publihing, enhances external constraints perpetuating classical episteme and writing (in particular, through emphasizing their veridictory character) and giving the basis for innovation. Thus emerges a major component of the persuasive strategy of "detour (-nement)" (diversion and subversion), which implies, furthermore, the graduation of transgressive steps and, especially, modal and axiological compromise as a type of mediation to be grasped and described on different levels of the generative process (multiplication of superposed parallel thematizations, modifications of figurative configurations and paths). The discourse of transgression is characterized by an oscillating movement (recursiveness of transgression), implying "domesticated" trangressions subordinated to some general finality, positively connoted (from the point of view of society), and "independent" ones, perfectly gratuitous and therefore durably provocative. This leads, finally, to a precarious situation of axiological indetermination

Orientador: Luiz Roberto Monzani
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O presente trabalho tem por objetivo, situar a obra de Sade na história das idéias, explorando as aproximações de seu pensamento com os principais fIlósofos do iluminismo. Em seguida, propõe uma análise do, caráter emancipador do ateísmo na obra. Para depois, analisar a imaginação em seu contexto, como principal instrumento para a verdadeira liberdade do homem. De posse destes elementos, propomos uma análise da critica de Sade à idéia de pacto social, tomando como exemplo, a idéia de pacto descrita por Rousseau em seu Contrato Social
Abstract: The present work has for objective to point out the workmanship of the Marquis of Sade in the history of the ideas, being explored the approaches of its workmanship with the main philosophers of the Iluminism. After that, it considers an analysis of emancipador carater of the ateísm in the workmanship. It stops later, to analyze the imagination in its context, as main instrument for the true freedom of the mano Of ownership of these elements, we consider an analysis of criticizes of Sade the idea of social pact, taking as example, the described ide_ of pact for Rousseau in its Social Contract
Mestrado
Filosofia
Mestre em Filosofia

La presente these entend etudier une oeuvre souvent consideree comme mineure par rapport aux romans les plus celebres et les plus scandaleux du marquis de sade. Le choix des crimes de l'amour obeit a la volonte de combattre cet a priori, de montrer que le recueil de nouvelles tragiques publie en 1800, revele d'une facon singuliere tout l'imaginaire sadien et un remarquable travail d'ecriture, ou l'originalite jaillit derriere le compromis avec les conventions esthetiques et morales. Une premiere partie analyse les rapports des crimes de l'amour avec la tradition de la nouvelle tragique et celle du texte critique defendant la fiction romanesque. Ainsi "l'idee sur les romans", preface aux crimes de l'amour, s'inscrit dans le prolongement de ces textes proposant une definition et un historique d'un genre combattu par les autorites morales, et en meme temps offre une representation nouvelle du romancier. Cette premiere partie etudie egalement les liens avec l'univers de la nouvelle baroque, l'heritage de la nouvelle historique, et montre comment sade parvient a metamorphoser la figure du mechant, omnipresente dans la production romanesque de ses devanciers. Une deuxieme partie, se fondant sur la confrontation du manuscrit de 1787-1788 avec l'edition de 1800, s'emploie a comprendre la genese du texte, et souligne l'inlassable travail de perfectionnement du style associe a une necessaire recherche du compromis avec le public : sade ruse sans jamais se renier, il rehausse la beaute de la vertu souffrante. Une troisieme partie s'attache a montrer que ce recueil est solidaire de toute la production esoterique, elle etudie la conduite du recit, notamment la fonction de l'enchassement narratif dans toutes les fictions sadiennes, elle s'interesse aux destinees feminines et a la figure du libertin dans l'ensemble de l'oeuvre. Ce travail associe l'histoire litteraire, la critique genetique, la reflexion thematique, pour mieux comprendre sade
This thesis is meant to study a work often considered as minor in relation to the most famous, shocking novels by sade. Choosing les crimes de l'amour comes from the desire to fight against that apriorism, and to show that the collection of the tragic short stories published in 1800 remarkably highlights sade's imagination and his extraordinary art of writing, the originality of which is brought out behind the compromise with the moral and aesthetic conventions. First, i shall study the relationships between les crimes de l'amour and the convention of tragic short stories and that of literary critics defending the fictional art. Thus, "l'idee sur les romans", the preface to les crimes de l'amour, follows that literary tradition giving a definition and the historical background of a genre often questioned by the moral authorities. It also gives a new portrayal of the novelist. I shall also study the links with the world of the baroque short stories, with the legacy of historical short stories and i shall see how sade manages to transfigure the evildoer, an omnipresent character in his precursors' fiction. Second, basing myself on the comparison of the 1787-1788 manuscript with the 1800 edition, i shall cast light on the text's genesis and underline the unflagging effort to improve his style associated with the need to compromise with the reader : by working cleverly without ever renouncing his beliefs, sade beautifully enhances the virtue of suffering. Third, i shall show that this collection of short stories is firmly attached to the esoteric writing. I shall see how the narrative is handled, for instance the role of the embedded narrative, and i shall deal with women's destiny and the libertine character. Literary history, genetic criticism and thematic approach shall be dealt with to have a better understanding of sade

Esta pesquisa apresenta um estudo dos protagonistas do romance Histoire de Juliette, ou Les prospérités du vice (1801) do Marquês de Sade. O objetivo do trabalho é evidenciar a progressão dos enunciados filosóficos dos personagens, dentro das cenas libidinosas nas quais são proferidos, relacionando as teorias e as práticas particulares de cada herói com os traços de seu caráter. Tal abordagem supõe a tese de que há uma interdependência entre os argumentos do libertino e sua construção dentro da narrativa ficcional. Cada devasso expõe um conjunto singular de ideias, determinado por suas características morais, físicas e por outros aspectos que constituem o gênero do romance filosófico. Logo, este estudo não propõe uma interpretação específica para o pensamento de Sade, mas salienta a oposição e a convergência de ideias em sua obra, acentua o debate entre os personagens, expõe, portanto, a diversidade dos discursos libertinos.
This research intends to analyze the protagonists from the novel Histoire de Juliette, ou Les prospérités du vice (1801) by the Marquis de Sade. Our goal is to evidence the development of the philosophical statements of the characters, within the libidinous scenes where they take place, relating the theory and practice of each hero with his/her personality. This approach assumes an interplay between the libertine\'s arguments and their construction in the fictional narrative. Each person presents a unique set of ideas, determined by his/her moral and physical traits, in addition to all the other aspects found in the philosophical novel gender. We, therefore, do not present a specific interpretation for the thinking of Sade, rather, we stress the opposition and convergence of ideas in his work, underlining the debate among the characters to point out the diversity of discourse amidst the libertines.