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Journal articles on the topic 'Marriage, poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Umbu Zerri, Mario Venerial, Antonius Kapitan, and Herman Punda Panda. "Filosofi Perkawinan Adat Sumba: Studi Komparatif Antara Teda dan Kan. 1055 �1 KHK 1983." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 10, no. 2 (2024): 343. http://dx.doi.org/10.32884/ideas.v10i2.1716.

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The oral tradition of teda is a culture prevalent in traditional marriages on Sumba Island. This research aims to explore the philosophy of traditional marriage of Sumba people through traditional poetry. The research method used is literature and comparative studies as well as in-depth interviews to obtain data on traditional poetry.It was found that the philosophy contained in traditional poetry is the principle of covenant, loyalty, sacredness, obtaining offspring and validity in front of many people. The results of this study can be a reference for anyone interested in exploring the tradit

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Tolasa, Megersa Regassa. "Females’ Voice through Oral Poetry among Limmuu Oromo, Ethiopia." Journal of Ethnic and Cultural Studies 4, no. 2 (2017): 28. http://dx.doi.org/10.29333/ejecs/72.

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This article discusses about the role of Oromo oral poetry in helping girls[1] and women[2]to express their idea in their social life. It also aims to illustrate the talent of girls and women in creating and poeticizing oral poetry to display their opinion on social occurrences such as marriage ceremony, birth rite and at work place. During data collection, ethnographic methods such as observation, focus group discussions and semi-structured interview were employed. I interpreted data collected from the field through these methods. The analyzed data shows that oral poetry has a crucial role to

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Owon, Robertus Adi Sarjono, and Nanda Saputra. "The Analysis of Function and Poetry Content of Traditional Marriage in Seusina Village Community, Sikka Regency." LingLit Journal Scientific Journal for Linguistics and Literature 2, no. 1 (2021): 17–24. http://dx.doi.org/10.33258/linglit.v2i1.418.

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This study aims to analyze the function and poetry content of traditional marriage in Seusina Village community, Kewapante District, Sikka Regency, NTT Province. Traditional poetry as an oral tradition contains teachings and values of life that are passed down from generation to generation. The method used in this research is descriptive qualitative with content analysis. Sources of data in the study were informants who met certain criteria and the data in the study were traditional old utterances in the form of word strands that form lines and stanzas. The data validation used the method of t

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Sharma, Amiya Bhushan. "The Eventful Marriage of Philosophy and Poetry." European Legacy 18, no. 5 (2013): 635–39. http://dx.doi.org/10.1080/10848770.2013.804734.

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Cohen, Elizabeth. "Introduction: Poetry and Pandemic: Modern Marriage, Ancient Partners." American Book Review 43, no. 1 (2022): 11–16. http://dx.doi.org/10.1353/abr.2022.0001.

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Dau, Duc. "Perfect Chastity: Celibacy and Virgin Marriage in Tractarian Poetry." Victorian Poetry 44, no. 1 (2006): 77–92. http://dx.doi.org/10.1353/vp.2006.0012.

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Romero, Robert Chao. "“El destierro de los Chinos”." Aztlán: A Journal of Chicano Studies 32, no. 1 (2007): 113–44. http://dx.doi.org/10.1525/azt.2007.32.1.113.

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This essay examines Chinese-Mexican interracial marriage during the early twentieth century through the lens of Mexican popular culture. Comedy, poetry, cartoons, and musical recordings of the time portrayed these marriages as relationships of abuse, slavery, and neglect, and rejected the offspring of such unions as subhuman and unworthy of full inclusion in the Mexican national community. Marriage with prosperous Chinese merchants was scornfully depicted as a shortcut by which slothful Mexican women secured lives of material comfort without working. Such popular criticism was often couched wi

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Yushu, Liu. "YU XIUHUA'S SELF-IMAGE CREATION IN POETRY." International Journal of Education Humanities and Social Science 06, no. 02 (2023): 26–29. http://dx.doi.org/10.54922/ijehss.2023.0495.

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As a poet at the bottom, Yu Xiuhua's physical disability, the misfortune of love and marriage, social discrimination, and the isolation of the soul make the loneliness that no one knows linger in her mind all the time, so she pours loneliness into her poems and writes about her real life, all of which complete her self-image shaping of the disabled peasant woman at the bottom.

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Olaleye, Samuel Kayode. "Marriage by Proxy: A Remedy to Divorce and Single Parenting as Presented in Ifá Ogbèdí Divination Poetry." Yoruba Studies Review 8, no. 1 (2023): 53–65. http://dx.doi.org/10.32473/ysr.8.1.134086.

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Marriage is an important aspect of life in Africa and other nations around the world. In Africa, particularly among the Yorùbá, marriage institution is sacredly ordained by Olódùmarè for the purpose of procreation and mutual help. Therefore, anyone in the society that has attained marriageable age is expected to marry notwithstanding any form of deformity. However, it is unfortunate that the institution of marriage in the world today is facing a lot of hitches leading to divorce, and eventually, single parenting. In the past, marriage by proxy, which means marriage that follows due proces

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Walker, Eric C. "The Muse of Indifference." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 197–218. http://dx.doi.org/10.1632/003081205x36949.

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This essay is about the pressure on the words poetry and marriage to pair off homologously, to behave isomorphically, and about the forms of resistance to that pressure, examples of which I locate under a term, indifference, that in Romanticism is coupled with conjugality to signify not apathy but recalcitrance. Reading Austen, Hegel, Kierkegaard, Schlegel, and Barbauld, I adopt indifference to describe writing that works in fugitive ways outside the forensic boundaries of marriage culture, which constrain marriage writing whether it is epithalamic or anticonjugal. I then argue that Marianne M

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Hwang, Nam-yeob. "Creativity in Marianne Moore’s Poetries: “Poetry”, “The Hero”, and “Marriage”." Convergence English Language & Literature Association 7, no. 1 (2022): 229–54. http://dx.doi.org/10.55986/cell.2022.7.1.229.

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Lyons, Mickey. "City Profile: Literary Detroit: A Marriage of Poetry and Pragmatism." World Literature Today 90, no. 5 (2016): 5. http://dx.doi.org/10.1353/wlt.2016.0123.

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Mickey Lyons. "City Profile: Literary Detroit: A Marriage of Poetry and Pragmatism." World Literature Today 90, no. 5 (2016): 5. http://dx.doi.org/10.7588/worllitetoda.90.5.0005.

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Raham Dil Khan and Dr. Khan Sardaraz. "Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach." sjesr 2, no. 2 (2020): 125–43. http://dx.doi.org/10.36902/sjesr-vol2-iss2-2019(125-143).

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Previous literature is laden with research on Browning’s dramatic monologues from various perspectives. This paper will compare Browning’s dramatic monologues with Derwesh Durrani’s poetry from socio-literary perspective. Literary theories of analogy and variation will be used to find out similarities and differences in their poetry. Two poems from each poet have been selected for analysis through close reading technique on the model of theories of variation and analogy. Stratified sampling technique was used for taking the representative sample from the data. The findings reveals that Darwesh

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Dattilo, Delia. "Folk Songs: Spaces and Reasons. Ruga, Love, Marriage, Departures." Tautosakos darbai 59 (June 2, 2020): 64–84. http://dx.doi.org/10.51554/td.2020.28367.

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This essay sheds light on habits, behaviours, and social practices by focusing on Southern Italian youth and their songs; more specifically, it deals with Calabria in the years between 1850 and the 1900s. Such samples – relics to us – allow us to infer how men and women of that generation communicated within the archaic and highly hierarchical society in which they lived. Sometimes through singing the youth of Southern Italy found a way to bypass prohibitions and to say what could not be normally said in everyday life. Since it is clearly impossible to hear the performers’ original voices, thi

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Dasenbrock, Reed Way. "The Petrarchan Context of Spenser's Amoretti." PMLA/Publications of the Modern Language Association of America 100, no. 1 (1985): 38–50. http://dx.doi.org/10.2307/462199.

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Spenser's Amoretti have never been properly appreciated, because they have been judged by the norms they have sought to criticize, the norms of Renaissance Petrarchism. A critique of Petrarchan love, the Amoretti turn away from that system's restless egotism toward the world of marriage, which Spenser presents as a sacred harbor of rest. This is not an absolutely original turn, since Petrarch himself, founder of the conventions of Petrarchan love, also sought to escape his own love situation. He does so, in the Canzoniere, by turning toward Heaven and by turning Laura into an agent of transcen

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Polkowski, Marcin. "A Young Carmelite on Ice Skates. The Early Occasional Poetry of St. Titus Brandsma as a Literary Testimony of His Love of God, Life, and the Family." Roczniki Teologiczne 70, no. 2 (2023): 9–22. http://dx.doi.org/10.18290/rt2023.9.

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The recently canonised Dutch Carmelite Titus Brandsma (1881–1942), World War II martyr, mystic, Catholic journalist and historian of spirituality, was also – what is less known – a talented poet. The article recalls his early occasional poetry, written in Dutch and Frisian between 1898 and 1906 for members of his immediate family. Its literary characteristics are presented, demonstrating that this poetry is a valuable testimony to the saint’s views on human life from an eschatological perspective, including topics on the family, marriage, and the relationship between children and parents. This

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Dixon, Joy. "Willful Submission: Sado-Erotics and Heavenly Marriage in Victorian Religious Poetry." Victorians Institute Journal 46, no. 1 (2018): 155–58. http://dx.doi.org/10.5325/victinstj.46.2018.0155.

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Thain, Marion. ""Scientific Wooing": Constance Naden's Marriage of Science and Poetry." Victorian Poetry 41, no. 1 (2003): 151–69. http://dx.doi.org/10.1353/vp.2003.0016.

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Furniss, Graham. "Money, marriage and the young as issues in modern Hausa poetry." African Languages and Cultures 1, no. 1 (1988): 45–60. http://dx.doi.org/10.1080/09544168808717679.

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Chatterjee, Ronjaunee. "Willful Submission: Sado-Erotics and Heavenly Marriage in Victorian Religious Poetry." Nineteenth-Century Contexts 40, no. 4 (2018): 417–19. http://dx.doi.org/10.1080/08905495.2018.1481644.

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Wiyatmi, Wiyatmi. "MEMAHAMI MOTIF PERKAWINAN BIDADARI DENGAN LAKI-LAKI BUMI SEBAGAI SPIRIT FEMINISME DALAM FOLKLORE INDONESIA." Diksi 29, no. 1 (2021): 41–50. http://dx.doi.org/10.21831/diksi.v29i1.33108.

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(Title: The Poetry’s Potencies As Emotion Therapy Media in Society 5.0). This study aims to describe the function of poetry as a medium for emotional therapy in society 5.0. The data from this study are poetry texts written by students. Data were collected through test techniques (poetry writing) and non-tests (interviews, observations, and documentation). Based on the results of the study, it is said that aside from being a medium for brainstorming one's thoughts, feelings and experiences, poetry has the potential to become a medium for emotional therapy. Dictionaries, Enjambments, typography

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Mustari, Mustari. "Erotic Narration of Syair Lebai Guntur." ELS Journal on Interdisciplinary Studies in Humanities 1, no. 3 (2018): 309–20. http://dx.doi.org/10.34050/els-jish.v1i3.5048.

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The text of Syair Lebay Guntur contained in the Syair Lebay Guntur text by Raja Ali Haji records the traces of the 'disgraceful' behavior of some Malay people in the past who practiced "Cina Buta" marriages. It is aiming to find muhallil or a proponent to reconcile a couple (wife and husband) who had divorced by triple divorce. Because the problem raised in the poetry is a matter of muhallil, inevitably, its diction appears to be erotic in every verses of the poetry. This study employed the theory of diction and language style with stylistic analysis of Malay to uncover two raised problems the

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Mwai, Wangari, Margaret Mwenje, and John Kirimi M’Raiji. "The Construction of Feminine Psychology in Swahili Women’s Nuptial Poetry-Unyago." Journal of Educational and Developmental Psychology 7, no. 1 (2017): 241. http://dx.doi.org/10.5539/jedp.v7n1p241.

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This article examines the construction of feminine psychology in Swahili women nuptial poetry-unyago. Unyago poetry is composed and performed by Swahili women. Swahili is a community located along the coastal region of Kenya. This article, therefore, focuses on intersections between psychology and poetry in analyzing and describing how unyago poetry reveals the mindsets and emotions of Swahili women. Data for analysis in article is derived from research carried out among women of Swahili decent living at Kisumu using observation and in-depth interviews as data collection methods. Unyago poetry

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Agajiye, Berhanu A. "Images of Amhara women in oral poetry." STUDIES IN AFRICAN LANGUAGES AND CULTURES, no. 54 (December 10, 2020): 163–80. http://dx.doi.org/10.32690/salc54.7.

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The objective of this article is to describe the thematic images of Amhara women in oral poetry. The study is based on field research conducted in rural areas of Western Gojjam and Awi Zone. The data was collected by observation, interview, and focus group discussion. For documentary evidence, twelve informants were selected with the use of a purposive sampling technique. The research method employed was ethnographic qualitative description. The result revealed that the images reflected through oral poems address women mainly as wives, their particular aspects refer to love, woman’s attitude t

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Starikova, Ekaterina O. "The moon, the sun, and stars in Vietnamese folk songs." Russian Journal of Vietnamese Studies 7, no. 1 (2023): 82–94. http://dx.doi.org/10.54631/vs.2023.71-109874.

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The article is devoted to astral imagery in Vietnamese folk poetry. Author of the study analyzes folk songs (ca dao) about the Moon, the Sun, stars and constellations, as well as about mythical characters associated with astral myths. Folk songs are cited in Vietnamese language and accompanied by a Russian translation made by the author of the research. Moon imagery is widely represented in Vietnamese folk poetry, as the Moon is associated with the time when love songs are sung. There are both autochthonous Vietnamese and Chinese images. Some of the images of the Chinese origin are very popula

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Moor, Ed de. "Christelijke Themata in de Moderne Arabische Literatuur." Het Christelijk Oosten 47, no. 1-2 (1995): 73–94. http://dx.doi.org/10.1163/29497663-0470102006.

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Themes Related to Christianity in Modern Arabic Literature Although Christians contributed largely to modern Arabic literature, in literary studies Arabic literature is generally considered as the reflexion of Islamic culture. Scholars tend to neglect the Christian aspects of this literature. Nevertheless there are some studies which deal with works by modern writers, Moslims and Christians alike, on themes such as mixed marriage, Church and State, the problem of the minorities and religious questions. Striking themes in modern Arabic prose and poetry, are the presentation of Jesus, the Son of

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Vrekaj, Juljan. "‘A Marriage Litigation in the Church Court’: Lydgate’s Adaptation of Chaucer’s Literary Value in The Temple of Glass." Humanities 10, no. 1 (2020): 9. http://dx.doi.org/10.3390/h10010009.

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In this essay, I give an alternative reading of Chaucerian resonances that fill Lydgate’s The Temple of Glass by analyzing the poem’s allusions to the House of Fame. I argue that Lydgate, as a poet who was well read in Chaucer and considered as his most prolific imitator, comprehended the experimentations of his ‘maister’. Taking into account Meyer-Lee’s study on the House of Fame, which explores Chaucer’s efforts to transform the value of the literary field of late medieval English poetry to better suit his then transitional social position, I assert that by borrowing details of setting, time

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Bolarinwa, Abidemi. "Women in Adébáyọ̀ Fálétí’s Poetry". Yoruba Studies Review 3, № 2 (2021): 1–17. http://dx.doi.org/10.32473/ysr.v3i2.129987.

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Women have been victims of gender ideology which, according to Hussein (2005), is a systemic set of cultural beliefs through which a society constructs and wields its gender relations and practices. Gender ideology contains legends, narratives and myths about what it means to be a man or a woman and suggests how each should behave in a society (Olabode, 2009). Women are a non-homogenous group as their status and roles in the society are determined by a complexity of factors such as being a daughter, sister, and wife; a cultic member; and the economic and political positions they hold in the ma

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Allsopp, Niall. "The Politics of Wedding Poetry under the Cromwellian Protectorate: Sir William Davenant and “Hymen’s Policy”." Studies in Philology 121, no. 2 (2024): 273–97. http://dx.doi.org/10.1353/sip.2024.a923967.

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Abstract: This essay presents a reading of Sir William Davenant’s previously unstudied poem “Epithalamium. The Morning after the Marriage of the Earl of Barymore with Mrs. Martha Laurence,” written in October 1656. The poem offers a significant comparison to Andrew Marvell’s near-contemporary wedding song for the marriage of Oliver Cromwell’s daughter Mary. It thereby sheds light on Cromwellian poets’ efforts to formulate a poetic language in which to address the Protectoral court. The essay contextualizes the poem in the political realignment of the Cromwellian regime in 1656–1657. It suggest

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Chatraporn, Surapeepan. "Landscape and Rhetoric: The Marriage of Native American Traditions and Zen Buddhism in Selected Poems by Gary Snyder." MANUSYA 14, no. 1 (2011): 63–78. http://dx.doi.org/10.1163/26659077-01401004.

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This paper examines certain similarities between Native American beliefs and Zen Buddhist teachings and demonstrates how Gary Snyder fuses these two traditions in his poetry. Through the analysis it has been found that the Native American wisdom of the interrelatedness of humans and nature has an affinity with the fundamental Buddhist principle of the interpenetration and interdependence of all existence or as Thich Nhat Han calls it “the inter being nature of things.” Gary Snyder has developed his love of nature concurrently with his respect for Native American traditions and his interest in

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Drury, Annmarie. "Willful Submission: Sado-Erotics and Heavenly Marriage in Victorian Poetry by Amanda Paxton." Modern Language Review 115, no. 2 (2020): 454–55. http://dx.doi.org/10.1353/mlr.2020.0190.

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Whitby, Mary. "‘Sugaring the Pill’: Gregory of Nazianzus' Advice to Olympias (Carm. 2.2.6)." Ramus 37, no. 1-2 (2008): 79–98. http://dx.doi.org/10.1017/s0048671x00004914.

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Advice on marriage and the proper deportment for wives begins with the earliest Greek literature. While Homer's Andromache and Penelope provide practical role models, Hesiod (Works and Days 695-705, Theogony 568-612), followed (in iambics) by Semonides (frr. 6, 7), forcefully articulates male concerns about evil wives and women's wicked wiles. Hesiod's imperatival infinitives as well as his viewpoint reverberate more than a millennium later in a poem of advice composed, probably in the early 380s, by the Christian Gregory of Nazianzus for the marriage (νῦν μὲν σοὶ τόδ' ἔδωκα γαμήλιον, ‘now I h

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Lumempouw, Femmy. "MOGAMA VERBAL COMMUNICATION AS LOCAL WISDOM IN THE POST- MARRIAGE CEREMONY OF BOLAANG MONGONDOW ETHNIC: THE ETHNOPRAGMATIC STUDY." International Journal of Social Science and Economic Research 07, no. 12 (2022): 4034–51. http://dx.doi.org/10.46609/ijsser.2022.v07i12.013.

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Research on Mogama Verbal Communication as Local Wisdom in the Post-marriage Ceremony of the Bolaang Mongondow Ethnic: The Ethnopragmatic Study aims to (1) identify Mogama's verbal communication in the form of poetry and prayers which show ethnopragmatics in the postwedding ceremony of the Bolaang Mongondow ethnicity; (2) Classify Mogama's verbal communication in the form of poetry and prayers that show ethnopragmatics in the post-wedding ceremony of the Bolaang Mongondow ethnicity. The theory used in this study is: The ethnopragmatic theory of Susani, Ratna, P., 2019, which examines the use o

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Isu, Rudolof J. "Lexical Paraphrases in Tonis (a Poetry of Dawan or Uab Meto) Marriage Process in South Central Timor District." Rainbow : Journal of Literature, Linguistics and Culture Studies 13, no. 1 (2024): 65–73. http://dx.doi.org/10.15294/rainbow.v13i1.2960.

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This paper is entitled Lexical Paraphrase in Tonis (Dawan Poetry or Uab Meto) used in the Marriage Process in South Central Timor District. The problem of this paper is whether the speech in tonis in Dawan ethnic can show lexical paraphrase both lexical paraphrase on noun, lexical paraphrase on adverb, lexical paraphrase on adjective and lexical paraphrase on preposition. The purpose of this research is to find out whether there is a paraphrasing process in the speech of the marriage process in South Central Timor District. The topic or title mentioned above is considered to have its own uniqu

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Mozumder, Subrata Chandra. "Marital Suffering in Sylvia Plath’s Poetry: A Feminist Reading." American, British and Canadian Studies 34, no. 1 (2020): 124–46. http://dx.doi.org/10.2478/abcsj-2020-0008.

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AbstractThis article discusses marital suffering, as portrayed by Sylvia Plath from a feminist viewpoint, and claims that her delineation of marital afflictions is a tool of protest against patriarchal oppression. In a convention-ridden patriarchal society, a woman usually cannot express her voice and remains suffocated by her personal agony and ache. However, Plath tries to break the conventions in her poetry, by representing the unjust institution of patriarchal marriage, which treats women as commodities. Many critics have noted that Plath’s marital sufferings are responsible for her suicid

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Kirkham, Victoria. "Creative Partners: The Marriage of Laura Battiferra and Bartolomeo Ammannati." Renaissance Quarterly 55, no. 2 (2002): 498–558. http://dx.doi.org/10.2307/1262317.

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From the time of their courtship until death parted them forty years later, Bartolomeo Ammannati (1511-1592) and Laura Battiferra (1523-1589) nurtured a loving relationship with reciprocal support for complementary careers. Their childless union generated two bodies of art, vast and beautiful. Renaissance contemporaries esteemed the Ammannati as a rarity, creative peers in a close marriage, but history has indifferently divorced them, dropping Bartolomeo to the ranks of second best and pushing his accomplished wife into obscurity. Reunited, the couple can return as they deserve, in the entwine

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Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like

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Van Praet, Helena. "“To Tell a Story by Not Telling It”: Toward a Networked Poetics of Delay in Anne Carson's The Beauty of the Husband." Poetics Today 43, no. 4 (2022): 639–61. http://dx.doi.org/10.1215/03335372-10017695.

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Abstract This article addresses the literary response to network forms in twenty-first-century print poetry. Through the case of Anne Carson's long poem The Beauty of the Husband (2001), it explores how contemporary poetry, whose textuality will be termed prosthetic, can engender a network aesthetic that evokes infinite connections among ideas that are analogically related. Firstly, taking its cue from recent developments in literary history and relational aesthetics, the article investigates how Carson's poem participates in a network aesthetic typical of the digital age. To this end, it situ

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Cotti-Lowell, Alison Fanous. "Willful Submission: Sado-Erotics and Heavenly Marriage in Victorian Religious Poetry, by Paxton, Amanda." Religion and the Arts 22, no. 5 (2018): 678–81. http://dx.doi.org/10.1163/15685292-02205009.

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Marais, R. "Vrouwees: perspektiewe in die meer onlangse Afrikaanse poësie en prosa." Literator 9, no. 3 (1988): 29–43. http://dx.doi.org/10.4102/lit.v9i3.853.

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This article investigates the views on woman and womanhood that are expressed in the poetry and prose of several contemporary women writers in Afrikaans. The study is conducted against the background of certain tendencies in feminist movements in Europe, Britain and the United States of America as well as views pronounced in the writings (both literary and feminist) of a number of feminist writers in Europe, Britain and the USA. For the purposes of this investigation a short exposition is given of what feminism entails, as well as of a number of the different views and approaches which it acco

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Levitt, Caroline. "Raoul Dufy, Pierre Alechinsky and Jim Dine: Depicting the Arts in Guillaume Apollinaire's ‘Le Poète Assassiné’." Nottingham French Studies 51, no. 3 (2012): 232–47. http://dx.doi.org/10.3366/nfs.2012.0024.

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This article focuses on Guillaume Apollinaire's loosely autobiographical novel, ‘Le Poète assassiné’ (1916), challenging accepted readings of it as a straightforward roman à clef. The ways in which the novel itself deals with art and the relationships between poetry, painting and popular culture are brought out through the examination of three overlooked sets of illustrations for it: by Raoul Dufy (1926), Pierre Alechinsky (1948) and Jim Dine (1968). Through them, the article scrutinizes the author and illustrators’ intentions in subverting the monumental, classical and traditional and conside

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Muenchrath, Dawn. "Bubblegum Prayer." After Dinner Conversation 5, no. 7 (2024): 37–46. http://dx.doi.org/10.5840/adc20245769.

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What makes something art? Is art in the object’s creator or consumer? In this work of philosophical short story fiction, a mid-sized magazine is holding its annual poetry contest. The winning submission, “Bubblegum” prayer is spectacular and brings every reader in the office to tears. The editor is surprised when he calls to inform the author and a teenage computer programmer answer, more interested in the money than the poem. He explains he wrote a program to write poems, and has no interest in the art form itself or the contents of the winning poem. The magazine’s senior staff meet and decid

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SAAD, HAIDER LUAIBI. "SUFFERING OF WOMAN IN THE POETRY OF ALFRED TENNYSON." Journal of Education College Wasit University 2, no. 25 (2021): 1687–706. http://dx.doi.org/10.31185/eduj.vol2.iss25.2758.

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Woman was and stills the center of any family; consequently she is the center of the whole society. The social suffering of women was of different forms which varied from suppression in education to isolation, deprivation of love and market-marriage. Woman in all societies lived in hard circumstances and was yoked to enslavement to man's prejudice and proud feeling of superiority. Alfred Tennyson highlighted woman's torture and problems trying to get his people acquainted with such suffering and open his people's eyes and minds to the tragedy of woman's maltreatment. He used his poetry to exhi

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Marchadier, B. "Love and marriage in Vl. Solovyev 's «The justification of good»." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 50–56. http://dx.doi.org/10.17588/2076-9210.2019.4.050-056.

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Vl. Solovyov wrote extensively about love in his romantic and mystical poetry, in his correspondence and in his memoirs. He composed a whole book about love («The Meaning of Love», 1892-1894). The present paper is about the theme of love in Solovyov's moral philosophy as expounded in his «Justification of the Good» (1897). Love in the framework of society is legitimised in marriage, both religious and civil. Solovyov sees in marriage and family a positive consequence of the development of statehood. The problem is that he considered for a long time that the sexual act is unable to restore the

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Classen, Albrecht. "Love, Sex, and Marriage in Late Medieval German Verse Narratives, Lyric Poetry, and Prose Literature." Orbis Litterarum 49, no. 2 (1994): 63–83. http://dx.doi.org/10.1111/j.1600-0730.1994.tb00045.x.

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Cohen, Thomas. "BOURDIEU IN BED: THE SEDUCTION OF INNOCENTIA (ROME, 1570)." Journal of Early Modern History 7, no. 1 (2003): 55–85. http://dx.doi.org/10.1163/157006503322487359.

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AbstractEarly modern tales of seduction and abandonment, and of legal proceedings to redress the moral and social balance, are not that rare. But this case, with its pathos and wry twists, is rich and interesting, both for the abundant detail, and for the picture it offers of female agency; both the girl and her governess are active players in the courtship and the marriage negotiations. The tale also illustrates uses of literacy, central to both the seduction and the legal prosecution, where the suitor's home-grown poetry, in the girl's mouth, helps crack his resistance to a match. The paper

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Nevola, Luca. "Love, Mobile Phones and the Codification of Intimacy in Contemporary Yemen." Middle East Journal of Culture and Communication 9, no. 2 (2016): 147–64. http://dx.doi.org/10.1163/18739865-00902003.

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This article explores practices of ‘remediation’ of love poetry via the mobile phone among countrymen (qabaʾil) of the Yemeni highlands. Qabaʾil respond to rejection in love and to failed marriage by venting their passion through poems of the qasida genre. The romantic discourse of qasidas is inherently conservative and provides a cathartic function and a rationalization of loss. This romantic discourse overtly contradicts dominant ideals of manliness and Islamic morals, yet can be publicly expressed because it is mediated in poetry. The remediation of this discourse via the mobile phone has p

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Honsalies-Munis, Svitlana. "THE THEME OF MOTHERHOOD IN THE POETRY BY ANNE SEXTON, SYLVIA PLATH AND ADRIENNE RICH." English and American Studies, no. 20 (June 23, 2023): 145–54. http://dx.doi.org/10.15421/382318.

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The article deals with the theme of motherhood in the poetry of the twentieth-century American writers Anne Sexton, Sylvia Plath, and Adrienne Rich. Particular attention is paid to the analysis of images that reveal various aspects of motherhood: a pregnant woman, an infertile woman, a mother and her child, a woman after a miscarriage or abortion, a creative woman, a woman poet, etc. The theme of motherhood in the poetry of A. Sexton, S. Plath, A. Rich is considered in close connection with the theme of creativity and marriage.The theoretical basis of the study is the works of Y. Kristeva, Dia

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Reece, Jane. "Conversation with Sylvia in Colour." International Review of Qualitative Research 1, no. 4 (2009): 569–81. http://dx.doi.org/10.1525/irqr.2009.1.4.569.

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This paper takes the form of two imaginary meetings with the resurrected figure of the writer Sylvia Plath, in 1967 and 2007, informed by the work of Lieblich (1997) and Speedy (2005; 2007b). It is loosely based on recollections by Al Alvarez (1974:20–53; 2005:29–33), one of the last people to see Plath alive before her death on 13 February 1967, and from Plath's journals (1983). I have drawn from Plath's autobiographical novel, The Bell Jar, the many speculations on Plath's last days that provided material for Wintering (Moses, 2003), and from Birthday Letters (1999) — Ted Hughes' poetry coll

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