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1

Mok, Olivia. "Translational migration of martial arts fiction East and West." Target. International Journal of Translation Studies 13, no. 1 (November 8, 2001): 81–102. http://dx.doi.org/10.1075/target.13.1.06mok.

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This paper explores the translational phenomenon of why so little of martial arts fiction has been translated into Western languages, compared to the copious amount into other Asian languages. Investigation into the translational migration of martial arts fiction demonstrates that the “normal” position assumed by translated literature tends to be a peripheral one. However, different patterns of behaviour can be observed, depending on the hegemonic relations between source and target cultures. In the West, martial arts fiction in English translation is being relegated to an extremely peripheral position. But martial arts fiction is able to make inroads into Asian countries, to the extent of stimulating a new literary form or (re)writing martial arts fiction in some indigenous languages.
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Mok, Olivia. "Translating appellations in martial‐arts fiction." Perspectives 10, no. 4 (January 2002): 273–81. http://dx.doi.org/10.1080/0907676x.2002.9961451.

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Mok, Olivia. "Strategies of Translating Martial Arts Fiction." Babel. Revue internationale de la traduction / International Journal of Translation 47, no. 1 (December 31, 2001): 1–9. http://dx.doi.org/10.1075/babel.47.1.02mok.

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The strategies of translating Fox Volant of the Snowy Mountain, a martial arts novel by Jin Yong, into English are determined mainly by the skopos of bringing Jin Yong’s work to life for a Western audience, shaped also by the translator’s ideology and the poetics dominant in the receiving culture. It follows that the functions associated with translating this literary text, a major genre in contemporary Chinese literature, would include introducing martial arts fiction as a literary genre; introducing Jin Yong as a master storyteller; and presenting genre-specific devices employed in penning a classic work. An overriding strategy adopted by the translator proved to be extensive rewriting into the target language as the translated work only materialized after serious efforts at recreative translating. The fluent translation strategy, when aptly used, is the one that effects transparency, thereby evoking authorial presence in a literary translation.
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Delabastita, Dirk. "From Aesop to Zweig and from Martial to Martial Arts Fiction." Target. International Journal of Translation Studies 14, no. 1 (December 31, 2002): 149–71. http://dx.doi.org/10.1075/target.14.1.11del.

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정진위. "Cave Imagery in Jin Yong's Martial Arts Fiction." Journal of Chinese Language and Literature ll, no. 55 (June 2010): 497–519. http://dx.doi.org/10.15792/clsyn..55.201006.497.

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Lee,Sung-Jin and 고연화. "The Scientific Realities and Prospect of Korean Martial Arts." Journal of Korean Alliance of Martial Arts. 11, no. 1 (June 2009): 226–38. http://dx.doi.org/10.35277/kama.2009.11.1.226.

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박기범 and 김태민. "Application of Korean Hapkido Skill to Guard Martial Arts." Journal of Korean Alliance of Martial Arts. 12, no. 3 (December 2010): 343–59. http://dx.doi.org/10.35277/kama.2010.12.3.343.

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차명환. "A Post-modern Approach of Understanding Korean Martial Arts." Journal of Korean Alliance of Martial Arts. 17, no. 2 (June 2015): 87–100. http://dx.doi.org/10.35277/kama.2015.17.2.87.

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김도영 and 김진환. "Application of Kickboxing Skills to Korean Guard Martial Arts." Journal of Korean Alliance of Martial Arts. 19, no. 4 (December 2017): 179–96. http://dx.doi.org/10.35277/kama.2017.19.4.179.

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10

Kim, Joo-Youn. "The Exports of Martial Arts Supplies and ‘Korean Item’." Korean Journal of History for Physical Education, Sport, and Dance 22, no. 4 (December 30, 2017): 59–70. http://dx.doi.org/10.24826/khspesd.22.4.5.

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Park, JooBong. "The invention of Korean Traditional Martial Arts: Enactment of the Traditional Martial Arts Promotion Law in 2008." Taiikugaku kenkyu (Japan Journal of Physical Education, Health and Sport Sciences) 55, no. 1 (2010): 125–35. http://dx.doi.org/10.5432/jjpehss.09049.

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12

Choi, Bok Kyu. "Can We Learn Martial Arts Through Books? The Revival of Korean Fight Books Through Transmission and Reconstruction." Acta Periodica Duellatorum 8, no. 1 (October 15, 2020): 199–228. http://dx.doi.org/10.36950/apd-2020-012.

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Fight books can be defined as texts specialising in the theories of martial arts and the instruction of techniques (for future generations) based on actual experience of real fighting and training. According to this definition, today's efforts to reconstruct classical martial arts based upon historic fight books, in both East and West, are attempts to resurrect something extinct. Traditional East Asian martial artists, however, often argue that there are substantial limits in the reconstruction process of, for example, medieval European martial arts given the discontinuity of embodied knowledge, especially when compared to the Asian arts’ presumed strong transmission from generation to generation without interruption. Both seem quite different, but they share the epistemological assumption that authentic archetypes of martial arts did exist at some point in the past and believe it possible to transmit or reconstruct them in the present. This paper examines the limitations to the hypothesis of the existence of martial arts archetypes by examining the discourse surrounding the inherited tradition of the Muyedobotongji in Korea. The authors of the Muyedobotongji successfully synthesised and standardised contemporary East Asian martial arts and shared that knowledge from the perspective of Joseon[1] in the late eighteenth century. Now, after 200 years, we must do our part to breathe new life into it for this era.
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Kim, Eui-Hwan and Heo, Keon-Sik. "A Study on the Promotion Directions of Korean Martial Arts among Korea,China and Japan's Martial Arts Policy." Journal of Korean Alliance of Martial Arts. 10, no. 2 (December 2008): 7–20. http://dx.doi.org/10.35277/kama.2008.10.2.7.

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Yong Huh. "An Analysis of Research Trends in the Korean Martial Arts." Journal of Korean Alliance of Martial Arts. 18, no. 2 (June 2016): 29–40. http://dx.doi.org/10.35277/kama.2016.18.2.29.

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Park, Kyoungho, and Gwang Ok. "Martial Arts and Ideology of Hwarang, the Ancient Korean Warrior." International Journal of the History of Sport 33, no. 9 (June 12, 2016): 951–62. http://dx.doi.org/10.1080/09523367.2016.1218332.

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Yoon, Seong-Won. "A study on the literature search by Korean Martial Arts." Korean Journal of Sports Science 30, no. 3 (June 30, 2021): 649–65. http://dx.doi.org/10.35159/kjss.2021.6.30.3.649.

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Deng, Gaosheng. "Rendering ECR in Subtitles: A Case Study of the Traditional Chinese Martial Arts Films." Asian Culture and History 11, no. 1 (December 31, 2018): 31. http://dx.doi.org/10.5539/ach.v11n1p31.

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The traditional Chinese martial arts film is a special type of mass media which reflects the Chinese culture, and it comes into vogue due to the popularity of martial arts fiction. For foreign audiences, watching the traditional Chinese martial arts film, they rely heavily on subtitles to understand the plot and the specific Chinese culture. However, it is not easy to produce readable subtitles. Jan Pedersen, defines the specific cultural terms as “Extralinguistic Cultural References (ECR)”, and puts forward a systematic theory. In this paper, the theory of Pedersen is been used to render ECRs in subtitles of the traditional Chinese martial arts films. The purpose of this paper is to attract people’s attention to the studies of translation of ECRs of subtitles, and to contribute a small effort to the “going out” initiative of Chinese culture.
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Millán, Gonzalo Ariel. "El Dojang: escuela de disciplina y moralidad." Revista de Artes Marciales Asiáticas 10, no. 1 (April 27, 2015): 1. http://dx.doi.org/10.18002/rama.v10i1.1445.

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Martial arts can be defined as history in motion. Few sport activities of international fame represent a complex symbolic and practical repertory of ethic morality and aesthetic sensuality so distinctive of a nation as the Korean martial disciplines do, especially taekwondo and gumdo. Similar to other combat sports the martial arts gym (<em>dojang</em>) is the place where values are produced and reproduced and where the appropriation of skills, cognition and recognition – degrees, certificates, and so on – that legitimates the social and bodily devotion of an individual to a martial art takes place. This article aims to transmit the emotions generated in a neophyte by the practice of a martial art and the social and kinaesthetic strains that result from this action in modern Korean society. It also explores some of the historical factors linked to its development and rapid expansion, in barely half a century.
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Millán, Gonzalo Ariel. "La Honorable Hermandad de Cinturones Negros en las artes marciales coreanas." Revista de Artes Marciales Asiáticas 14, no. 1 (July 10, 2019): 21. http://dx.doi.org/10.18002/rama.v14i1.5863.

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<p>Martial arts such as Taekwondo and <em>Gumdo</em> are distinctive symbols of Korean culture. Its international dissemination is the outcome of a governmental policy sustained since the middle of the 20th century. The popularity of this training systems is associated with the idea that they instill fundamental values of Korean society, such as respect for authority and hierarchy, and the preeminence of collective over individual. In this paper we describe how such values are incorporated and reproduced in the daily practice of martial arts in Korea, by analyzing the rank system typical of these disciplines and the rites of passage needed for moving through this symbolically structured space. In doing so, we show some tensions and arrangements which arise from the confrontation between the values that martial disciplines incarnate and wider moral regimes. Specifically, how the teaching of martial arts in Korea contributes to the reproduction of gender inequalities, preserving a specific form of masculine domination.</p>
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choi, Seong-kon. "Analysis and Suggestions of KOREAN Junior High School MARTIAL ARTS Curriculum." J-Institute 2, no. 2 (December 30, 2017): 25–29. http://dx.doi.org/10.22471/martialarts.2017.2.2.25.

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Whissel, Kristen. "Tales of Upward Mobility." Film Quarterly 59, no. 4 (2006): 23–34. http://dx.doi.org/10.1525/fq.2006.59.4.23.

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ABSTRACT This article investigates a new cinematic spatial dialectics enabled by digital special effects. Focusing on blockbuster films from a range of genres (martial arts, disaster, comic-book, and science-fiction films), it approaches digitally enhanced ““verticality”” as a mode of cinematic representation designed to exploit the visual pleasures of power and powerlessness.
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Jeon, Jeong Woo. "An Analysis on Korea,China,Japan Martial Arts Image for Improvement in Variety of Korean Martial Arts -Focused on Japanese Viewpoints." Journal of Sport and Leisure Studies 45 (August 31, 2011): 81–93. http://dx.doi.org/10.51979/kssls.2011.08.45.81.

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23

Brudnak, M. A., D. Dundero, and F. M. Van Hecke. "Are the `hard' martial arts, such as the Korean martial art, TaeKwon-Do, of benefit to senior citizens?" Medical Hypotheses 59, no. 4 (October 2002): 485–91. http://dx.doi.org/10.1016/s0306-9877(02)00203-7.

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24

Kwon, Hyeok Jeong. "Thoughts of Korean Taekwondo(5) - Focusing on martial arts and human nature." Journal of the Korean Society for the Philosophy of Sport, Dance, & Martial Arts’ 26, no. 3 (September 30, 2018): 95–107. http://dx.doi.org/10.31694/pm.2018.09.26.3.008.

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25

Park, Su-ul, Byung-tae Kim, and Bong-jun Choi. "Improvement Plan for the SAFETY Management System of the KOREAN Martial Arts." J-Institute 2, no. 3 (September 30, 2017): 28–32. http://dx.doi.org/10.22471/crisis.2017.2.3.28.

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Kim, Chang Woo, Jae Hak Lee, and Il Hun Song. "Introduction of Foreign Physical Culture and Modernistic Significance of Korean Martial Arts." Journal of Sport and Leisure Studies 31 (November 30, 2007): 49–67. http://dx.doi.org/10.51979/kssls.2007.11.31.49.

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27

Cynarski, Wojciech Jan, and John Arthur Johnson. "North Korea’s emerging martial arts tourism: a Taekwon-Do case study." International Journal of Culture, Tourism and Hospitality Research 14, no. 4 (March 23, 2020): 667–80. http://dx.doi.org/10.1108/ijcthr-07-2019-0133.

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Purpose This descriptive, non-experiment case study addresses the little-studied topic of martial arts tourism within the Democratic People’s Republic of Korea (DPRK; i.e., North Korea) to determine if it is a form of non-entertainment tourism. Design/methodology/approach The current research focusses on a single subject (Singaporean female; 36 years of age (at time of interview); Taekwon-Do 4th degree black belt) who travelled to the DPRK three times to practice the Korean martial art Taekwon-Do. After the initial contact, a questionnaire was used and direct interviews via Skype and Facebook were performed. A broad thematic discourse, as well as analysis of the subject’s travel and practice notes and photographs from her stay in the DPRK, were also incorporated into the findings. Findings The subject developed new Taekwon-Do skills, which permitted her to obtain higher Taekwon-Do ranks as well as enriched her personality and changed certain conceptions. Self-realization and self-improvement through martial arts are the dominant motives of martial arts tourism. Therefore, the subject’s motivation confirms martial arts tourism can be a variation of non-entertainment tourism. Research limitations/implications This research is hindered by the standard case study limitations: it is difficult to generalize this study’s results to the wider DPRK population, the interviewee’s and researchers’ subjective feelings may have influenced the findings, and selection bias is definitely a factor because of the study’s population being a single female of non-DPRK origin. Originality/value As one of the first studies on DPRK martial arts tourism and practice, this research examines where research on the DPRK and martial arts tourism intersect. It is thusly unique in providing new insights into the DPRK’s intention for its tourism industry, as well as Taekwon-Do, arguably its most marketable cultural asset.
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Heward, Lehyla G. "The Unworthy Scholar from Pingjiang: Republican-Era Martial Arts Fiction by John Christopher Hamm." Twentieth-Century China 46, no. 3 (2021): E—26—E—27. http://dx.doi.org/10.1353/tcc.2021.0030.

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Ni, Zhange. "Xiuzhen (Immortality Cultivation) Fantasy: Science, Religion, and the Novels of Magic/Superstition in Contemporary China." Religions 11, no. 1 (January 2, 2020): 25. http://dx.doi.org/10.3390/rel11010025.

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In early twenty-first-century China, online fantasy is one of the most popular literary genres. This article studies a subgenre of Chinese fantasy named xiuzhen 修真 (immortality cultivation), which draws on Daoist alchemy in particular and Chinese religion and culture in general, especially that which was negatively labelled “superstitious” in the twentieth century, to tell exciting adventure stories. Xiuzhen fantasy is indebted to wuxia xiaoshuo 武俠小說 (martial arts novels), the first emergence of Chinese fantasy in the early twentieth century after the translation of the modern Western discourses of science, religion, and superstition. Although martial arts fiction was suppressed by the modernizing nation-state because it contained the unwanted elements of magic and supernaturalism, its reemergence in the late twentieth century paved the way for the rise of its successor, xiuzhen fantasy. As a type of magical arts fiction, xiuzhen reinvents Daoist alchemy and other “superstitious” practices to build a cultivation world which does not escape but engages with the dazzling reality of digital technology, neoliberal governance, and global capitalism. In this fantastic world, the divide of magic and science breaks down; religion, defined not by faith but embodied practice, serves as the organizing center of society, economy, and politics. Moreover, the subject of martial arts fiction that challenged the sovereignty of the nation-state has evolved into the neoliberal homo economicus and its non-/anti-capitalist alternatives. Reading four exemplary xiuzhen novels, Journeys into the Ephemeral (Piaomiao zhilv 飄渺之旅), The Buddha Belongs to the Dao (Foben shidao 佛本是道), Spirit Roaming (Shenyou 神遊), and Immortality Cultivation 40K (Xiuzhen siwannian 修真四萬年), this article argues that xiuzhen fantasy provides a platform on which the postsocialist generation seek to orient themselves in the labyrinth of contemporary capitalism by rethinking the modernist triad of religion, science, and superstition.
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Jongdae Hwang, Dong-Kyu Kim, and 김기홍. "Significance of Korean Hapkido as Martial Arts for Bodyguarding and Its Practical Use." Journal of Korean Alliance of Martial Arts. 11, no. 3 (December 2009): 291–304. http://dx.doi.org/10.35277/kama.2009.11.3.291.

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31

Figueiredo, Abel A., Wiesław Błach, Zbigniew Bujak, Roland J. Maroteaux, and Wojciech J. Cynarski. "Martial Arts Tourism of the “Europe—Far East” Direction, in the Opinion of Grand Masters." Sustainability 12, no. 21 (October 25, 2020): 8857. http://dx.doi.org/10.3390/su12218857.

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Martial arts tourism is a form of cultural, sports and educational tourism that requires special recognition; particularly important is knowledge about martial arts. The sources of this practical knowledge are especially high-ranking masters. The scientific problem raised here involves the issue of high-ranking martial arts teachers taking trips for their own studies (to acquire knowledge and skills) and teaching others. Some of the questions addressed include how often the trips occur (single, sporadic, or multiple, regular), what their effects are, and what their meaning is—in the opinion of these experts. The “Martial Arts Tourism” questionnaire was addressed to N = 12 people, masters/teachers of high-rank in martial arts (level 7–10 dan/toan) who live and teach in Europe and the USA, but come from Europe. They are the holders of the highest degrees in Chinese, Japanese and Korean styles. Further questions were asked through direct correspondence. The collected statements were usedby means of qualitative analysis—as in the method of ‘expert courts’/’competent judges’. The respondents in most cases undertook trips from Europe to East Asia for their own learning. They teach themselves mainly in their own countries and in Europe. Stays rarely lasted over two weeks. The respondents are convinced of the legitimacy of this type of trip, and believe that the trips are very helpful on the way to mastery. None of the respondents mentioned the material forms of cultural heritage pertaining to martial arts as motives for the trips. Therefore, the ability to visit historic places is a marginal concern. The trips were directly linked to a career path and self-improvement in martial arts, learning or teaching.
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Foster, Paul B. "The Unworthy Scholar from Pingjiang: Republican Era Martial Arts Fiction, written by John Christopher Hamm." East Asian Publishing and Society 10, no. 2 (October 12, 2020): 205–18. http://dx.doi.org/10.1163/22106286-12341345.

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공시영 and EuiHwan Kim. "The Effects of the Technical System of Kuk Sool on Korean Modern Martial Arts." Journal of Korean Alliance of Martial Arts. 21, no. 1 (March 2019): 61–76. http://dx.doi.org/10.35277/kama.2019.21.1.61.

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Keulemans, Paize. "Recreating the Storyteller Image: Publishing Martial-arts Fiction to Renew the Public in the Late Qing." Twentieth-Century China 29, no. 2 (April 2004): 7–37. http://dx.doi.org/10.1179/tcc.2004.29.2.7.

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Keulemans, Paize. "Recreating the Storyteller Image: Publishing Martial-arts Fiction to Renew the Public in the Late Qing." Twentieth-Century China 29, no. 2 (2003): 7–37. http://dx.doi.org/10.1353/tcc.2003.0003.

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Christopher P. Hanscom. "The Return of the Real in South Korean Fiction." Acta Koreana 22, no. 1 (June 2019): 1–16. http://dx.doi.org/10.18399/acta.2019.22.1.001.

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안용길 and 김은정. "A Research on the Constitutional Status of the Korean Traditional Martial Arts - Focused on ‘Taekkyon’ -." Journal of Sports and Entertainment Law 17, no. 3 (August 2014): 33–57. http://dx.doi.org/10.19051/kasel.2014.17.3.33.

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Moenig, Udo, and Minho Kim. "The Japanese and Korean Martial Arts: In Search of a Philosophical Framework Compatible to History." International Journal of the History of Sport 35, no. 15-16 (November 2, 2018): 1531–54. http://dx.doi.org/10.1080/09523367.2019.1618277.

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Kim, Jae-Woo, and Duck-Hyun Nam. "A Study on the Relationship between Korean Bare-handed Martial Arts and Japanese Jiu-Jitsu." Journal of Martial Arts 14, no. 1 (February 29, 2020): 43–63. http://dx.doi.org/10.51223/kosoma.2020.02.14.1.43.

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40

Johnson, John A. "Taekwondo as an Academic Field of Study for Non-Koreans: An Unconventional and Extreme Form of Martial Arts Tourism." Sustainability 13, no. 6 (March 12, 2021): 3124. http://dx.doi.org/10.3390/su13063124.

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Many Korean universities grant undergraduate and graduate school degrees in part on coursework, theses, and dissertations that explore Taekwondo through various academic lenses in Taekwondo Studies programs, yet only a few individuals have traveled to the Korean Peninsula to study Taekwondo academically. Traveling internationally to earn a university degree in a martial art can be considered extreme martial arts tourism. This multidisciplinary study explores the motivations of non-Koreans who have studied Taekwondo academically in Korea as well as their aspirations after graduation. The study utilized a combination of autoethnographic techniques and interviews with individuals who have given up years of their lives, thousands of dollars, their home cultures, languages, and food, and their families to travel to a foreign university in order to study Taekwondo. Twelve participants were identified that met the selection criteria, but eight responded to the interview requests. The nine participants, including the author, came from a wide assortment of backgrounds, but all shared a passion for Taekwondo; now, most participants (n = 5) have jobs within the Taekwondo industry, including two professors in separate Departments of Taekwondo. This study’s findings elucidate why non-Koreans study Taekwondo academically and thereby offer suggestions on how to improve this educational market.
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SUNGKYUN CHO, UDO MOENIG, and DOHEE NAM. "THE AVAILABLE EVIDENCE REGARDING T’AEKKYŎN AND ITS PORTRAYAL AS A “TRADITIONAL KOREAN MARTIAL ART”." Acta Koreana 15, no. 2 (December 2012): 341–68. http://dx.doi.org/10.18399/acta.2012.15.2.004.

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Hamm, John Christopher. "Sound Rising from the Paper: Nineteenth-Century Martial Arts Fiction and the Chinese Acoustic Imagination by Paize Keulemans." Harvard Journal of Asiatic Studies 76, no. 1-2 (2016): 237–49. http://dx.doi.org/10.1353/jas.2016.0013.

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Mason, Paul H. "Sound Rising from the Paper: Nineteenth-Century Martial Arts Fiction and the Chinese Acoustic Imagination, written by Paize Keulemans." Asian Journal of Social Science 46, no. 1-2 (2018): 217–19. http://dx.doi.org/10.1163/15685314-04601014.

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Zarrilli, Phillip B. "Embodying, Imagining, and Performing Displacement and Trauma in Central Europe Today." New Theatre Quarterly 24, no. 1 (January 30, 2008): 24–40. http://dx.doi.org/10.1017/s0266464x08000031.

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This article provides an illustrated description and analysis of Speaking Stones – a collaborative performance commissioned by Theatre Asou of Graz, Austria, with UK playwright Kaite O'Reilly and director Phillip Zarrilli as a response to the increasingly xenophobic and reactionary realities of the politics of central Europe. The account interrogates the question, the dramaturgical possibilities, and the performative premise which guided the creation of Speaking Stones. Phillip Zarrilli is internationally known for training actors through Asian martial arts and yoga, and as a director. In 2008 he is directing the premiere of Kaite O'Reilly's The Almond and the Seahorse for Sherman-Cymru Theatre and the Korean premiere of Sarah Kane's 4:48 Psychosis. He is also Professor of Performance Practice at the University of Exeter.
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Plastina, Sandra. "Mythological Epic and Chivalric Fiction in Moderata Fonte's and Lucrezia Marinella's Poems." Análisis. Revista de investigación filosófica 4, no. 2 (January 5, 2018): 277–95. http://dx.doi.org/10.26754/ojs_arif/a.rif.201722476.

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This article focuses on Lucrezia Marinella’s L’Enrico, ovvero Bisanzio acquistato (1635) and Moderata Fonte’s Tredici canti del Floridoro (1581). Marinella’s epic, or ‘heroic,’ poem belongs to a genre not well represented in women’s writings, while Fonte’s work is the first original chivalric poem written by a woman, an Italian woman who grappled with epic and chivalric romance. These genres were so elite and laborious that they discouraged all but the most enterprising writers of either sex. The female warriors of epic, the women’s aptitude for martial arts, and the increasing openness to female involvement in battle correspond to a shifting emphasis in warfare from physical force to mental agility and astuteness. No attempt will be made here at a comprehensive treatment; rather the focus of the article will be on the question of how women in this period responded to what might be broadly termed the gender politics of chivalric works.Keywords: Moderata Fonte, Lucrezia Marinella, Gender roles, Gender attitudes, Fiction, Epic, force (physical and mental)
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Macdonald, Alastair Ewan. "Loss, Nostalgia, and Hope: the Ming-Qing Transition in the Fiction of “the Hazy Crossing Ferryman of Xiaoxiang”." Ming Qing Yanjiu 23, no. 2 (December 10, 2019): 135–64. http://dx.doi.org/10.1163/24684791-12340039.

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Abstract This paper examines the reactions to the trauma of the Ming-Qing dynastic transition in the novellas of a writer known only as “Xiaoxiang mijinduzhe” (The Hazy Crossing Ferryman of Xiaoxiang). His works provide an informative contrast to the more celebrated loyalist literature of the same era: they express unease at foreign rule but do not show an idealistic loyalism to the Ming. Though the Yongle period (1402–1424) of the Ming is held up as a lost golden age, the post-Yongle Ming dynasty is portrayed as an era of corruption and chaos, presided over by incompetent and/or dissolute emperors. The novellas also reflect on the lessons of the transition on a deeper level, questioning the long-standing cultural preference for the civil arts over the martial arts. While the novellas acknowledge the poignancy of the passing of an era, they also strike hopeful notes for the future under the Qing.
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47

이혜경. "A Study on Integration between Martial Arts and Korean dance as the Possibility of Mutual Complement - Focus on Healthiness-." Journal of Korean Alliance of Martial Arts. 16, no. 2 (September 2014): 1–12. http://dx.doi.org/10.35277/kama.2014.16.2.1.

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48

Lee, Jaesung, Jonghan Park, Jangmi Park, Chamkyul Lee, Suhyeon Jeong, Kyunghwan Kong, and Eunyong Lee. "The study of Sports Injuries treatment with Korean Medicine : A survey of World Martial Arts Masterships’ athletes and officials." Journal of Korean Medicine 40, no. 4 (December 5, 2019): 41–48. http://dx.doi.org/10.13048/jkm.19039.

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49

Martínez Guirao, Javier Eloy. "La religión institucionalizada en las federaciones deportivas. Análisis antropológico de los vínculos entre el taekwondo y las religiones orientales." Revista de Artes Marciales Asiáticas 13, no. 2 (December 31, 2018): 139. http://dx.doi.org/10.18002/rama.v13i2.5465.

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<p>Taekwondo has been popular for decades and its practice has become part of Western countries. One of its lines of expansion and introduction in the West, like other martial arts, was the philosophical-religious sphere, which has been promoted by the sports federations, and has emphasized aspects related to Taoism, Buddhism, Confucianism and Korean national religions. I rely on a study of documentary sources, contextualized within an ethnographic investigation, to analyze the religious elements that appear in the material culture, values, techniques and practices that have been developed in the gymnasiums, as well as the symbolic exegeses that are made from official institutions.</p>
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LEE, KUN JONG. "Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker." Journal of American Studies 44, no. 4 (February 19, 2010): 741–57. http://dx.doi.org/10.1017/s0021875810000022.

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African Americans and Korean Americans have addressed Black–Korean encounters and responded to each other predominantly in their favorite genres: in films and rap music for African Americans and in novels and poems for Korean Americans. A case in point is the intertextuality between Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker. A comparative study of the two demonstrates that they are seminal texts of African American–Korean American dialogue and discourse for mutual understanding and harmonious relationships between the two races in the USA. This paper reads the African American film and the Korean American fiction as dialogic responses to the well-publicized strife between Korean American merchants and their African American customers in the late 1980s and early 1990s and as windows into a larger question of African American–Korean American relations and racialization in US culture. This study ultimately argues that the dialogue between Spike Lee's film and Chang-rae Lee's novel moves towards a possibility of cross-racial identification and interethnic coalition building.
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