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Books on the topic 'Martial arts films'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Ollhoff, Jim. Martial arts movies. Edina, Minn: ABDO Pub. Co., 2008.

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2

Teo, Stephen. Chinese martial arts cinema: The Wuxia tradition. Edinburgh: Edinburgh University Press, 2009.

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3

Karen, Palmer, and Meyers Richard 1953-, eds. The encyclopedia of martial arts movies. Lanham, Md: Scarecrow Press, 2003.

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4

1953-, Meyers Richard, ed. From Bruce Lee to the Ninjas: Martial arts movies. Secaucus, N.J: Citadel Press, 1991.

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5

Jiang, Binghan, Nanhong Guo, and Nanxi Yan. Tie san jiao: Triangular duel. Xianggang: Mei ya lei she ying die you xian gong si, 2002.

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6

Hong Kong (China). Provisional Urban Council. and Xianggang dian ying zi liao guan., eds. The making of martial arts films: As told by filmmakers and stars. Hong Kong: Provisional Urban Council, 1999.

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7

Wuxiaxiaowangzi. Guang ying hua jiang hu: Hua yu wu xia dian ying shi. Nanjing Shi: Jiangsu feng huang wen yi chu ban she, 2019.

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8

Liu, Yuqi. Xiang xiang de jiu shu: Xianggang wu xia dian ying de xu shi yan bian yu wen hua zhuan xing (1949-1997). Beijing Shi: Guang ming ri bao chu ban she, 2020.

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9

Ross, David-Dorian. Tai Chi fitness workouts. Chantilly, Virginia: The Teaching Company, 2018.

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10

Chen, Ya-chen. Women in Chinese martial arts films of the new millennium: Narrative analyses and gender politics. Lanham: Lexington Books, 2012.

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11

Szeto, Kin-Yan. The martial arts cinema of the Chinese diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press, 2011.

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12

Luo, Shunquan. Tian di shen jian: Magic sword of heaven and earth. South San Francisco, Calif: Tai Seng Entertainment, 2005.

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13

Wang, Jing. Que sheng 3: Zi mo san bai fan = Kung fu mah jong 3 : the final duel. South San Francisco, CA: Tai sheng yu le gong si, 2007.

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14

Yoshimaru, Katsuya, and Yūji Yamada. Ninja bungei kenkyū dokuhon. Tōkyō: Kasama Shoin, 2014.

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15

Hammond, Stefan. Sex and Zen & a bullet in the head: The essential guide to Hong Kong's mind-bending films. New York: Simon & Schuster, 1996.

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16

Hammond, Stefan. Sex and Zen & a bullet in the head: The essential guide to Hong Kong's mind-bending films. New York: Simon & Schuster, 1996.

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17

Xianggang dian ying zi liao guan, ed. Zhu shan wei shi: Huang Feihong dian ying yan jiu. Xianggang: Xianggang dian ying zi liao guan, 2012.

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18

editor, Garcia Roger, ed. Scritti di King Hu: King Hu in his own words. Udine, Italy: Centro Espressioni Cinematografiche, 2013.

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19

Shen, Ai'e. Shaolin dian ying de mu ti yan jiu. Beijing Shi: Zhongguo guang bo dian shi chu ban she, 2017.

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20

Chen, Jingquan, and Weiwen Zheng. Wo ya ma fa zai wen: Where is mama's boy. South San Francisco, Calif: Tai Seng Entertainment, 2007.

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21

Silke, Andris, and Frederick Ursula, eds. Women willing to fight: The fighting woman in film. Newcastle, UK: Cambridge Scholars, 2007.

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22

Armanet, François. Ciné kung fu. [Paris]: Ramsay, 1988.

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23

Chateau, René. Bruce Lee: La légende du petit dragon. [Clamart]: Sévigny, 1991.

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24

Mike, Wilkins, ed. Sex and Zen & a bullet in the head: The essential guide to Hong Kong's mind-bending films. New York: Simon & Schuster, 1996.

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25

Xu, Tao, Jiajun Jiang, Yuchen Shen, Ziqi Wang, Weina Zhao, Xingxu Chen, Lixin Zhao, Yitong Li, and Kuirong Wang. She diao ying xiong zhuan: The legend of the condor heroes. [Ji'nan]: Qi Lu dian zi yin xiang chu ban she, 2016.

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26

author, Shantian Hongyi, Yutian Chuanxingyang author, Li He translator, and Ma Songzhi translator, eds. Hu Jinquan wu xia dian ying zuo fa. Beijing Shi: Beijing lian he chu ban gong si, 2015.

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27

Yao, Chaowen. Huang Feihong xu shi de min su dian ying shi xue yan jiu. Guangzhou: Ji nan da xue chu ban she, 2014.

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28

Hammond, Stefan. Sex and Zen & a bullet in the head. New York: Simon & Schuster, 1996.

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29

Logan, Bey. Hong Kong action cinema. Woodstock, N.Y: Overlook Press, 1996.

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30

Logan, Bey. Hong Kong action cinema. London: TitanBooks, 1994.

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31

Palmer, Bill. The encyclopedia of martialarts movies. Metuchen, N.J: Scarecrow Press, 1995.

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32

Thomas, Bruce. Bruce Lee: Fighting spirit : a biography. Berkeley, Calif: Frog, Ltd., 1994.

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33

Martial Arts Movies. ABDO & Daughters, 2008.

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34

Martial Arts (Virgin Film). Virgin Books, 2006.

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35

The Making of Martial Arts Films. Hong Kong Film Archive, 1999.

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36

Chinese Martial Arts Cinema. Edinburgh University Press, 2015.

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37

Chinese Martial Arts Cinema. Edinburgh University Press, 2015.

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38

Palmer, Karen, and Bill Palmer. Martial Arts Movies: From Bruce Lee to the Ninjas. Citadel Press, 1985.

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39

Meyers, Richard, Amy Harlib, Karen Palmer, and Bill Palmer. From Bruce Lee to the Ninjas: Martial Arts Movies. Citadel Press, 1986.

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40

Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh University Press, 2009.

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41

Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh University Press, 2015.

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42

Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh University Press, 2015.

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43

Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh University Press, 2009.

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44

Trausch, Tim. Affekt und Zitat: Zur Ästhetik des Martial-Arts-Films. J.B. Metzler, 2017.

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45

Trausch, Tim. Chinese Martial Arts and Media Culture: Global Perspectives. Rowman & Littlefield Publishers, Incorporated, 2018.

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46

Chinese Martial Arts and Media Culture: Global Perspectives. Rowman & Littlefield Publishers, Incorporated, 2018.

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47

Bowman, Paul. The Invention of Martial Arts. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197540336.001.0001.

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Abstract:

The Invention of Martial Arts examines the media history of what we now call ‘martial arts’ and argues that martial arts is a cultural construction that was born in film, TV, and other media. It argues that ‘martial arts’ exploded into popular consciousness entirely thanks to the work of media. Of course, the book does not deny the existence of real, material histories and non-media dimensions in martial arts practices. But it thoroughly recasts the status of such histories, combining recent myth-busting findings in historical martial arts research with important insights into the discontinuous character of history, the widespread ‘invention of tradition’, the orientalism and imagined geographies that animate many ideas about history, and the frequent manipulation of history for reasons of status, cultural capital, private or public power, politics, and/or financial gain. In doing so, the book argues for the primacy of media representation as key player in the emergence and spread of martial arts, and overturns the dominant belief that ‘real practices’ are primary while representations are secondary. The book makes its case via historical analysis of the British media history of such Eastern and Western martial arts as Bartitsu, jujutsu, judo, karate, taiji, and mixed martial arts (MMA) across a range of media, from newspapers, comics, and books to cartoons, films, and TV series, as well as television adverts and music videos, focusing on often overlooked texts such as adverts for ‘Hai Karate’, the 1970s hit ‘Kung Fu Fighting’, and other mainstream and marginal media texts.

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48

Hunt, Leon. Kung Fu Cult Masters. Wallflower Press, 2003.

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49

Teo, Stephen. Chinese Martial Arts Film and the Philosophy of Action. Taylor & Francis Group, 2022.

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50

Chinese Martial Arts Film and the Philosophy of Action. Taylor & Francis Group, 2021.

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