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1

Balaÿ, Vincent. Pastels Martinique: Le voyage immobile. Editions Exbrayat, 1987.

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2

Crussard, Sylvie, and Paul Gauguin. Gauguin and Laval in Martinique. Thoth Publishers, 2018.

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3

Marillac, Jules. Jules Marillac, un peintre à la Martinique. Musées départementaux de la Martinique, 1990.

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4

patrimoine, Martinique Bureau du. Belles acquisitions du Bureau du patrimoine du Conseil régional de la Martinique: Exposition de livres, gravures, peintures, documents et photos du XVIIème au XIXème siècle : 13 décembre 1990-8 février 1991. Bureau du patrimoine du Conseil régional de la Martinique, 1990.

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5

Loize, Jean. Comment le peintre Paul Gauguin fit une merveilleuse découverte de la Martinique: Ses tableaux, dessins de 1887, estampes : comment ce séjour écourté, avec Charles Laval, fera épanouir tout son art jusqu'au Pacifique. Musée-mémorial Paul Gauguin, 1990.

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6

J. Greenstein & Co. (Brooklyn, New York, N.Y.). Important Judaica: The Martinique Hotel on Broadway, Monday, November 7, 2005. J. Greenstein & Co., Inc, 2005.

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7

J, Greenstein &. Co (Brooklyn New York N. Y. ). Auction of rare antique and artisan Judaica: Radisson Martinique Hotel on Broadway. J. Greenstein & Co., 2006.

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8

J. Greenstein & Co. (Brooklyn, New York, N.Y.). Auction of rare antique and artisan Judaica: Radisson Martinique Hotel on Broadway. J. Greenstein & Co., 2006.

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9

Goudin-Thébia, Serge. Une oeuvre de Serge Goudin-Thébia: Les guerriers de l'absolu : installation--1998, Centre d'art fonds Saint-Jacques, Martinique. Harmattan, 2007.

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10

Verger, Pierre. La Martinique de Pierre Verger: Photographies 1933, 1936 : catalogue de l'exposition organisée aux Archives Départementales, octobre -décembre 2000. Archives Départementales, 2000.

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11

Legaurigue, Jeanne de. Les dessins de Jeanne: Le regard d'une femme béké sur la vie de l'habitation à la Martinique dans les années 20. Traces, 2001.

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12

Laguarigue, Jeanne de. Les dessins de Jeanne: Le regard d'une femme béké sur la vie de l'habitation à la Martinique dans les années 20. Traces, 2001.

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13

Margaret Tanger Stéphane Morice Du Lerain. HISTOIRE D'UN MARRONNAGE SPORTIF - Le Budo en Martinique. Editions L'Harmattan, 2010.

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14

John, Roobol M., ed. Mt. Pelée, Martinique: A study of an active island arc volcano. Geological Society of America, 1990.

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15

Roobol, M. John, and Alan L. Smith. Mt. Pelee, Martinique: A Study of an Active Island Arc Volcano (Geological Society of America, Memoir 175). Geological Society of Amer, 1991.

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16

Quantumscape: The Art of Stephan Martiniere. Design Studio Press, 2007.

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17

Daniel, Yvonne. Ferocious Dance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036538.003.0008.

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This chapter examines ferocious or combat dance in Circum-Caribbean history. It documents martial art forms and stick-fighting dances on the African continent and Diaspora combat dances that are similar to Brazilian capoeira and maculelê. It also proposes the inclusion of armed and unarmed combat rituals within Caribbean dance categories. The chapter begins with a discussion of the African legacies of ferocious dance, focusing on the importance of martial arts to the societies of colonial Angola and its connection to Caribbean combat dances, as well as the ways in which martial techniques were
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18

(Editor), Scott Robertson, ed. Quantum Dreams: The Art of Stephan Martiniere. Design Studio Press, 2004.

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19

175 : Mt. Pelée, Martinique; A Study of an Active Island-arc Volcano. Geological Society of America, 1990. http://dx.doi.org/10.1130/mem175.

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20

Watson, Tim. “L’Ethnologue de Soi-même”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190852672.003.0005.

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This chapter analyzes the early novels of Édouard Glissant set in Martinique, which are more anthropological than critics have realized up to now, as well as his early essays. Glissant studied anthropology in Paris (where Michel Leiris was his adviser), and even though he was an anticolonial writer and activist, he turned in his literary work toward the human science that was most marked by its birth under colonialism, anthropology. The chapter ends by arguing that Glissant’s literary meditation, Soleil de la conscience, can be read as a kind of ethnographic chronicle of Paris in the 1950s, a
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21

L' Inde dans les arts de la Guadeloupe et de la Martinique: Héritages et innovations. Ibis rouge, 2004.

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22

L' Inde dans les arts de la Guadeloupe et de la Martinique: Héritages et innovations. Ibis rouge, 2004.

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23

Drabinski, John E., and Marisa Parham, eds. Theorizing Glissant. Rowman & Littlefield International, Ltd. is an affiliate of Rowman & Littlefield, 2015. https://doi.org/10.5040/9798881817466.

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Édouard Glissant’s work has begun to make a significant impact on francophone studies and some corners of postcolonial theory. His literary works and criticism are increasingly central to the study of Caribbean literature and cultural studies.This collection focuses on the particularly philosophical register of Glissant’s thought. Each of the authors in this collection takes up a different aspect of Glissant’s work and extends it in different directions. twentieth-century French philosophy (Bergson, Badiou, Meillassoux), the cannon of Caribbean literature, North American literature and cultura
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