Relevant bibliographies by topics / Marxist Literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Marxist Literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Marxist Literature"

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Ghosh, Ritwik. "Marxism and Latin American Literature." SMART MOVES JOURNAL IJELLH 8, no. 4 (April 28, 2020): 208. http://dx.doi.org/10.24113/ijellh.v8i4.10539.

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In the aftermath of the collapse of the U.S.S.R Marxism remains a viable and flourishing tradition of literary and cultural criticism. Marx believed economic and social forces shape human consciousness, and that the internal contradictions in capitalism would lead to its demise.[i] Marxist analyses can show how class interests operate through cultural forms.[ii] Marxist interpretations of cultural life have been done by critics such as C.L.R James and Raymond Williams.[iii]
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ALTINOK, Ozan Altan. "Mao’s Marxist Negation of Marxism." Asian Studies 7, no. 1 (January 31, 2019): 75–96. http://dx.doi.org/10.4312/as.2019.7.1.75-96.

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In this paper, my main aim is to analyse Mao’s conception of Marxist theory and his Marxist subjectivity in theory construction in his three articles. While doing so, I will use two main approaches, first is the idea that Karl Marx’s method in understanding social relations and his theory of knowledge is in many aspects compatible and in continuation with an epistemological reading of Hegel’s subjectivity, and the second is the general structure about the relationship between the object and subject’s process of knowing is similar in all three thinkers. While doing so, I will advocate the position that Mao’s epistemology is compatible with the Marxist understanding of Hegelian epistemology, and that from such an epistemological understanding it is possible to investigate Mao’s three texts in a way that yields, not an orthodox or “end result” Marxism, but instead a more general, meta epistemological understanding of Marx, that is understood better structurally. Eventually, I will claim that while using “scientific” or “orthodox” Marxism as a method to understand society, Mao further uses the subjective element in the same way as Hegel and Marx used it, although eventually he diverts the Marxist subjective manoeuvre to another direction.
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Bashir, Tayyaba, Shahid Hussain Mir, and Arshad Mehmood. "Marxism and Literature: Marxist Analysis of ‘The Garden Party’." Liberal Arts and Social Sciences International Journal (LASSIJ) 3, no. 2 (October 23, 2020): 141–49. http://dx.doi.org/10.47264/idea.lassij/3.2.16.

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Research is conducted on Marxism but many literary genres still need to be studied using Marxist lens. Short stories like ‘The Garden Party’ gives realistic depiction of life so demands a Marxist explanation. It is full of themes and characters, every individual encounters frequently in real life, has not yet been studied in view of some economic or social theory. This research aims to analyse this short story applying Marxism to yield plurality of meanings embedded in it and to widen compass of this economic and political theory. Research technique used here is qualitative in nature as it analyses ‘words and phrases’ used in the text to decipher its underlying theme. The findings of this study gives an insight into social condition of a common human being and subjugation of lower social class in the hands of upper social class. Further, it scrutinizes “the politics of class” to observe socio-economic circumstances of individuals and societies along with asserting how people are shaped, and their behaviour is affected by their social class. Through characters, Katherine Mansfield has not only portrayed exploitation and manipulation of the lower social class/stratum but has also revealed role of ideology to maintain this status quo.
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Sing, Manfred, and Miriam Younes. "The Specters of Marx in Edward Said’s Orientalism." Welt des Islams 53, no. 2 (2013): 149–91. http://dx.doi.org/10.1163/15700607-0532p0001.

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Edward Said’s Orientalism was not only an attack on Western scholarship and impe­rialism, but also on Marxism. Said depicted Karl Marx as yet another Orientalist, Marxism as a form of Western domination and Arab Marxism as an expression of Self-Orientalization. Said claimed to have surpassed Marxism and Marxists who were “blinded to the fact of imperialism”. Said’s ambivalent relation to Marxism has not been thoroughly studied until now although it forms an important cornerstone in his argumentation and self-representation. This lacuna is surprising since many early Arab critics of Orientalism came from a Marxist background. Said either ignored them or rebuffed their interventions as “dogmatist”. The following article analyzes the nature of the conflict between the two sides and their underlying differences and reflects on the conditions affecting the Arab reception of Orientalism.
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Kristjanson-Gural, David. "Postmodern Contributions to Marxian Economics: Theoretical Innovations and their Implications for Class Politics." Historical Materialism 16, no. 2 (2008): 85–115. http://dx.doi.org/10.1163/156920608x296088.

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AbstractIn this paper I seek to establish that a widely held criticism of postmodern Marxism – that it is morally relativist and does not offer a basis for a systematic analysis of capitalism – is not warranted. I provide a systematic review of the postmodern Marxist literature in three distinct areas – value theory, class analysis of the household and state, and class justice – and I draw on these contributions to show that postmodern Marxism offers new insights into problems of concern to Marxian theorists. I argue, further, that it provides the normative grounds for a class politics that is open to new alliances and new strategies for engaging in class struggle.
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Guarneri, Cristina. "Exploring the Mechanical Life in Literature through Marxist Theory." Journal of English Language and Literature 10, no. 1 (August 31, 2018): 932–39. http://dx.doi.org/10.17722/jell.v10i1.378.

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The Victorian Era of writings of works such as Charles Dickens Hard Times used the social and environmental setting by which the characters live in; it is created by a philosophy that adds fuel to sustain the advancement of industrialization. The philosophy mirrors the mechanical characteristics of industrialization and how they are expressed is of great importance to the mechanical perceptions, such as objective utilitarianism. The mechanization that is found in the lives of the characters has an evil presence of depriving them of human dignity by living a mechanical lifestyle. It was the mechanical lifestyle that can be explained through Marxist theory to explain the key characteristics of the Industrial Era and its importance to materialism, as it represented political power. Marxism provides a theory for requiring the working class to concentrate on working in factories in Coketown and the “bourgeois” to separate themselves as competing agents of self-interest. It is a goal of the wealthy social class to maximize utility as a consumer and profit as a producer within the mechanical world. Keywords: Victorian Era; Mechanical Thinking; Marxist Theory
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KRAWCZYK, Adrian. "Marxist Theories of Ideology in Contemporary China." Asian Studies 7, no. 1 (January 31, 2019): 153–72. http://dx.doi.org/10.4312/as.2019.7.1.153-172.

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Despite widespread beliefs to the contrary, Marxism is still highly significant in China. Therefore, my paper studies the contemporary usage of one of the key concepts of Marxist theory: ideology. While one can draw on numerous accounts of Western political scientists of the shifting ideology of the CCP leadership, Western scholarship has overlooked critical theories of ideology of Chinese origin that developed in the 1990s in the context of an academic re-evaluation of Karl Marx’s theories. My paper analyses the work of Yu Wujin (俞吾金, 1948–2014), a key representative of this intellectual current. His monograph On Ideology was the first comprehensive treatment of the concept by a Chinese scholar. Clarifying the relation of Yu’s theory of ideology with CCP positions, I will argue that in leaving behind dialectical materialism and in reviving ideology in its critical sense, his work provides a theoretical foundation for a limited pluralization of Marxist discourse in reform era China.
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Keith, Dan, and Giorgos Charalambous. "On the (non) distinctiveness of Marxism-Leninism: The Portuguese and Greek communist parties compared." Communist and Post-Communist Studies 49, no. 2 (May 12, 2016): 147–61. http://dx.doi.org/10.1016/j.postcomstud.2016.04.001.

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The study of parties that label themselves as Marxist-Leninist has, for the most part been subsumed in the exploration of the broader radical (or, far) left tradition in the post-1989 period. In an attempt to bridge this gap in the recent literature on radical left parties, this article attempts to uncover the (non) distinctiveness of Marxism-Leninism by studying empirically two European parties that are self-labelled as Marxist-Leninist — the Greek (KKE) and Portuguese (PCP) Communist parties. The central question we explore is whether there are significant similarities between these parties, so as to allow us to speak of Marxism-Leninism’s distinctiveness today. Overall, the two parties studied here have enough in common to testify to Marxism-Leninism’s ongoing distinctiveness with several qualifications, especially concerning ideology.
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Zhang, Wei. "The Development of Marxist Shakespearean Criticism in China." Multicultural Shakespeare: Translation, Appropriation and Performance 20, no. 35 (December 30, 2019): 99–113. http://dx.doi.org/10.18778/2083-8530.20.08.

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Chinese Shakespearean criticism from Marxist perspectives is highly original in Chinese Shakespeare studies. Scholars such as Mao Dun, Yang Hui, Zhao Li, Fang Ping, Yang Zhouhan, Bian Zhilin, Meng Xianqiang, Sun Jiaxiu, Zhang Siyang and Wang Yuanhua adopt the basic principles and methods of Marxism to elaborate on Shakespeare’s works and have made great achievements. With ideas changed in different political climates, they have engaged in Shakespeare studies for over eight decades since the 1930s. At the beginning of the revolutionary age, they advocated revolutionary literature, followed Russian Shakespearean criticism from the Marxist perspective, and established the mode of class analysis and highlighted realism. Before and after the Cultural Revolution, they were concerned about class, reality and people. They also showed the “left-wing” inclination, taking literature as a tool to serve politics. Since the 1980s, they have been free from politics and entered the pure academic realm, analysing Shakespearean dramas with Marxist aesthetic theories and transforming from sociological criticism to literary criticism.
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ROCKMORE, Tom. "Hegel and Chinese Marxism." Asian Studies 7, no. 1 (January 31, 2019): 55–73. http://dx.doi.org/10.4312/as.2019.7.1.55-73.

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China is presently embarking on the huge task of realizing what President Xi Jinping recently called the Chinese Dream. China is officially Marxist, and Marx thus inspires this dream in his assigned status as the “official guide” to the ongoing Chinese Revolution. This paper will focus on the crucial relation between Hegel and Chinese Marxism. Marx is a key Hegelian, critical of, but strongly dependent on, Hegel. Since the Chinese Dream is not Hegelian, but rather anti-Hegelian, it is unlikely, as I will be arguing, to be realized in a recognizably Marxian form.
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Dissertations / Theses on the topic "Marxist Literature"

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Homer, Sean. "Fredric Jameson : beyond a Marxist hermeneutic?" Thesis, University of Sheffield, 1995. http://etheses.whiterose.ac.uk/14775/.

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This thesis provides a critical study of the theoretical work of the North American Marxist theoretician and critic Fredric Jameson. Jameson has been described as probably the most important cultural critic writing in English today and yet there has been no major study of his work published to date. This thesis sets out to contribute to such a study. One reason for Jameson's relative critical neglect has been his adherence to a tradition of Marxist thought, that both within Marxism itself and theoretical discourse in general has been superseded by Structuralist and more recently Post-structuralist modes of thought. The first chapter, therefore, provides an exposition of Jameson's Hegelianism which is rather more sympathetic to Hegel and dialectical theory than the accounts one usually encounters today filtered through Structuralist and Post-structuralist readings. The following three chapters focus upon key areas of theoretical debates that have emerged over the last two decades - that is, questions of history and representation, desire and subjectivity and finally postmodernism. The concluding chapter returns to the concerns with which this study opened and once more reflects upon issues of totality, politics and style from the perspective of having worked through Jameson's own corpus of work.
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Chihota, Clement. "Towards Marxist stylistics: incorporating elements of critical discourse analysis into Althusserian Marxist criticism in the interpretation of selected Zimbabwean fiction." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13117.

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The thesis - which locates itself at the interface between linguistic and literary studies - explores the possibility of developing a ‘Marxist- stylistic’ method of text interpretation, which primarily proceeds from Althusserian Marxist Criticism, but which also incorporates salient elements of Critical Discourse Analysis. In construction of the method, the thesis first investigates the need for Althusserian Marxist criticism to be mediated, and more specifically, the areas in which this mediation is required. The thesis then crosses over to the field of Critical Discourse Analysis where it identifies relevant theoretical and methodological resources that are capable of mediating the ‘gaps’ identified in Althusserian Marxist criticism. The construction of the Marxist stylistic method is then effected through the transfer of germane theoretical and methodological resources from Critical Discourse Analysis to Althusserian Marxist criticism. The distinctive properties of the emergent Marxist-stylistic method are delineated before the method is practically applied to the interpretation of at least four fictional texts – all written and set in Zimbabwe. The key outcome of the thesis is that a distinctive method of text interpretation, which meaningfully separates itself from Althusserian Marxist criticism, on the one hand, and Critical Discourse Analysis, on the other, emerges. The thesis concludes with a reflection on the application of the method and makes some suggestions for further research and development in the area herein labelled as ‘Marxist stylistics.’
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Tavidian, Amy Elizabeth. "Marxist allegory in Jack London's Alaskan Tales." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/565.

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Baglama, Sercan Hamza. "Rethinking Marxist aesthetics : race, class and alienation in post-War British literature." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12322/.

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A literary text subjectively fictionalizes and narrates one dimension of the total structure of an epoch; it reveals the reciprocal interplay between personal experiences and historical formations through the aesthetic incarnation of a unique personal perspective on the real that is also derived from a social position and origin in relation to a social structure. In order to analyse economic, cultural and political histories in Britain in the second half of the twentieth century mediated through the represented experiences of characters in fictions of the post-war period, this dissertation focusses on the literary works of four different post-war authors, Alan Sillitoe, Sam Selvon, Doris Lessing and James Kelman. Each of these writers depicts a wide range of social, cultural and political circumstances and interactions in their special historical modes in order to expose specific dimensions out of the totality of real life through the depiction of the multifaceted and subjective experiences of fictional characters. Alan Sillitoe’s literary works literalize the class antagonism constructed upon the dichotomy of ‘them’ and ‘us’ through the inner and outer conflicts of the ‘white’ working-class characters and portray the socio-historical reality of class consciousness and its emergence as part of the particular and complex historical conditions pertaining in the UK; Sam Selvon’s novels provide a different interpretation of migrant-ness and displacement and fictionalize the poverty and misery of his ‘black’ working-class characters in relation to the mass migration flows facilitated by the Nationality Act of 1948; James Kelman portrays and mediates the disintegrating and alienating impacts of post-industrial capitalism upon the Scottish working-class characters, reveals the victimization process of the Scottish working-class characters by governmental authorities and bureaucracy, and adds a third dimension to the discussion centred around race, nationality and class; Doris Lessing’s fiction helps articulate the discussions in the UK regarding the rejection of the dominant orthodoxy in the Labour Party and of the legacy of Stalinism and the employment of a range of reforms on issues like gender, sexuality and civil rights during the formation of the New Left. This dissertation mainly argues that class still matters and that, if it is to be adequately demonstrated, there is, therefore, a strong argument for a return to the writings of Karl Marx, to the Marxist concept of alienation, and to Marxist economics rather than simply drawing on the tradition of Marxist aesthetics – the most pervasive way in which Marxism has entered literary criticism. In this context, I attempt to justify the still valid ‘lessons’ of Marxism’s historically concrete theoretical approach as well as Marxism’s still valid historical power. I hope to reveal Marxism’s distinctive relevance to the process of estrangement, atomization and reification in post-war society in order as well to offer a refutation of the current standard criticisms and dismissals of Marxism. This dissertation, focusing on prominent new class approaches as well as theoretical studies and debates on race and ethnicity in Marxist literature, will frame an analysis through an approach to the question of estrangement. The overall aim is to reconceptualise the broader economic, cultural and social framework of the processes of alienation and of escape mechanisms employed by the individual as defence mechanisms in capitalist cultures. Over the course of the study, it will also be suggested that the concept of identity should be taken into account in a more radically intersectional manner and that one-dimensional postmodern identity politics is unable to give a materialistic articulation of poverty and subordination within the larger context of global economics. The thesis develops an anti-establishment, egalitarian and emancipatory framework in reading its authors: one which might also be implemented as part of a movement that aims to critique, resist and overthrow injustice and oppression.
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Ware, Guy Mathew. "A vision of the Last Judgement : Marxist aesthetics and Blake's minor prophecies." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316872.

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Nilsson-Tysklind, Emma. "Marxist Comrades or Capitalist Pigs? : From Musical Proletarians to Musical Capitalists in Roddy Doyle's The Commitments." Thesis, Högskolan Dalarna, Engelska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3421.

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Marxist themes of Roddy Doyle’s The Commitments have not often been looked at. Yet, they are decidedly prominent. The band make use of a Marxist image and of collectivist easy-played, easily-understood music in order to gain working class listeners. In fact, the band itself is based on an egalitarian structure, until it, due to an increasing individualist wish for success, falls apart. The aim of this essay is thus to argue, through pointing to the Marxist rhetoric of the band and the hypocrisy around it, and through a comparative reading between The Commitments and Orwell’s Animal Farm, that The Commitments has an allegorical value, much like Animal Farm does, when it comes to depicting the way Marxism has worked and failed as it has been practised in reality.
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Yin, Zhiguang. "The politics of art : Creation Society and the making of Chinese Marxist individuality." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609835.

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Carr, Jeff. "A Spectre is Haunting Samuel Clemens: A Marxist Critique of Wealth as Resolution in Mark Twain's Novels." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/447.

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The distribution of wealth occurs frequently in Mark Twain's novels, especially at the resolution. Indeed, Twain uses wealth as resolution in The Adventures of Tom Sawyer, The Prince and the Pauper, The Adventures of Huckleberry Finn, and Pudd'nhead Wilson. The repeated use of this formula in the author's approach to novel writing indicates the tremendous influence that capitalism had in shaping his worldview. In his early works, Twain appears to endorse capitalism in his use of wealth as resolution. Tom Sawyer, The Prince and the Pauper, and Huckleberry Finn each conclude with the distribution of capital as a reward to the protagonists and as an effective solution to conflicts presented throughout the texts. However, the tone of Pudd'nhead Wilson is decidedly different. This later novel ends with wealth as resolution, but the result is not the happiness granted to characters in Twain's previous works. Instead, the fates of Tom Driscoll, Chambers, and Roxy leave the reader with a sense of the inadequacy of capitalism. Twain's change in his approach reveals a rejection of bourgeois values. An examination at the resolution to all four novels reveals Twain's shifting Weltanschauung, culminating with a rejection of the dominant ideology in Pudd'nhead Wilson.
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Hetrick, Katherine Elaine. ""Having it both ways" navigating Terry Eagleton's contemporary identities /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1703233331&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Salman, Malek Mohammad. "Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines." Thesis, University of Leeds, 1990. http://etheses.whiterose.ac.uk/403/.

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This study is about British working-class fiction in the post-war period. It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s. Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the relationship between working-class literary tradition and dominant ideologies. We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance. Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or located in a radical, political outlook.
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Books on the topic "Marxist Literature"

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Dombroski, Robert S. Marxism and literature in the postmodern age. Pullman, Wash: Dept. of Comparative American Cultures, Washington State University, 2001.

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McKenna, Tony. Art, Literature and Culture from a Marxist Perspective. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618.

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Marxist literary and cultural theories. Houndmills, Basingstoke, Hampshire: MacMillan, 2000.

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Jackson, Leonard. The dematerialisation of Karl Marx: Literature and Marxist theory. London: Longman, 1994.

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undifferentiated, Tony Bennett. Outside Literature. London: Routledge, 1990.

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McKeown, Kieran. Marxist political economy and Marxist urban sociology: A review and elaboration of recent developments. Basingstoke, Hampshire [England]: Macmillan, 1987.

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McKeown, Kieran. Marxist political economy and Marxist urban sociology: A review and elaboration of recent developments. New York: St. Martin's Press, 1987.

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Kettle, Arnold. Literature and liberation: Selected essays. Manchester: Manchester University Press, 1988.

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Blue collar, theoretically: A post-marxist approach to working class literature. Jefferson, NC: McFarland & Company, 2011.

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Kiernan, V. G. Eight tragedies of Shakespeare: A Marxist study. London: Verso, 1996.

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Book chapters on the topic "Marxist Literature"

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Jiong, Zhang. "Epoch-making literature on Marxist theories of literature and art." In Literature and Literary Theory in Contemporary China, 72–76. Abingdon, Oxon ; New York : Routledge, 2017. | Series: China perspectives series: Routledge, 2017. http://dx.doi.org/10.4324/9781315708409-4.

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Tyson, Lois. "Using concepts from Marxist theory to understand literature." In Using Critical Theory, 115–45. Third edition. | Abington, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429469022-5.

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Jiong, Zhang. "Marxist theories of literature and art and challenges facing them." In Literature and Literary Theory in Contemporary China, 13–40. Abingdon, Oxon ; New York : Routledge, 2017. | Series: China perspectives series: Routledge, 2017. http://dx.doi.org/10.4324/9781315708409-2.

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McKenna, Tony. "Introduction." In Art, Literature and Culture from a Marxist Perspective, 1–8. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_1.

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McKenna, Tony. "Barbara Kingsolver’s The Lacuna and the Nature of the Historical Novel." In Art, Literature and Culture from a Marxist Perspective, 98–106. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_10.

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McKenna, Tony. "Balzac’s Women and the Impossibility of Redemption in Cousin Bette." In Art, Literature and Culture from a Marxist Perspective, 107–19. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_11.

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McKenna, Tony. "The Wife : A Study in Patriarchy." In Art, Literature and Culture from a Marxist Perspective, 120–27. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_12.

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McKenna, Tony. "The Vigilante in Film: The Movement from Death Wish, to Batman, to Taxi Driver." In Art, Literature and Culture from a Marxist Perspective, 128–33. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_13.

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McKenna, Tony. "A Mirror into Our World: The Radical Politics of Game of Thrones." In Art, Literature and Culture from a Marxist Perspective, 134–40. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_14.

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McKenna, Tony. "Harry Potter and the Modern Age." In Art, Literature and Culture from a Marxist Perspective, 141–52. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_15.

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Conference papers on the topic "Marxist Literature"

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Siyaswati, Mrs. "Ideology and the American Marxist Novels." In Proceedings of the UNNES International Conference on English Language Teaching, Literature, and Translation (ELTLT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eltlt-18.2019.20.

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"Study on the Path Choice of Promoting the Popularization of Marxist Ecological View in Southwest China." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.045.

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Liu, Sitong, and Xin Tian. "Research on Promoting Marine Education From the Perspective of Marxist Ocean View." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.462.

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Saddhono, Kundharu, Muhammad Rohmadi, Panji Kuncoro Hadi, Ulinnuha Madyananda, Chafit Ulya, Memet Sudaryanto, Raheni Suhita, Atikah Anindyarini, Arif Setyawan, and Laili Etika Rahmawati. "Marxism Theory in Indonesian Literatures." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282570.

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Silva, Denise. "As aproximações do conceito de sociedade civil em Lênin e a luta pela hegemonia em Gramsci." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.0802.

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O presente artigo, fundamentado em revisão de literatura, tem por objetivo dissertar sobre a mudança temporal de conceitos em obras e autores clássicos para compreensão do marxismo enquanto marco teórico de leitura do mundo capitalista moderno, histórico e por isso mesmo passível de transformação. Para tanto o artigo explicita inicialmente as mudanças conceituais de Estado em duas obras de Lênin: O Estado e a Revolução, original de 1917 e Esquerdismo, doença infantil do comunismo, de 1920. Identifica-se, a partir de premissas marxistas, uma aproximação do conceito de sociedade civil, o qual, posteriormente, será desenvolvido pelo marxismo gramsciano ao compreender a luta pela hegemonia na passagem do Estado Restrito para o Estado Ampliado. Nesta nova concepção, ampliam-se também as possibilidades de resistência aos grupos dominantes, com destaque para estratégias de persuasão e convencimento, sendo, portanto, a educação um espaço privilegiado de ação.
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Zheng, zhenfen. "What Does Rationality Mean for Marxism." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.460.

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Xin, Meiqian. "Research on Chinese Middle Classes’Marriage View From Perspective of Marxism." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.417.

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"Research on Contemporary Significance of Marx's Political Socialization." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.01.

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He, Xing. "Research on Marx’s Income Distribution Theory: a Literature Review." In Proceedings of the 5th International Conference on Economics, Management, Law and Education (EMLE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/aebmr.k.191225.019.

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Zhou, Yu. "On the Early Marxists’ Cognition and Application of Chinese Excellent Traditional Culture." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.446.

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