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Journal articles on the topic 'Mary's Cathedral'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

SYMON, JOHN CHARLES. "John Charles Meany and St Mary's Cathedral, Aberdeen." Innes Review 43, no. 1 (1992): 77. http://dx.doi.org/10.3366/inr.1992.43.1.77.

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Allen, Joanne. "The Choir Stalls of Lincoln Cathedral, Chester Cathedral and St Mary's Church, Nantwich." Journal of the British Archaeological Association 161, no. 1 (2008): 104–30. http://dx.doi.org/10.1179/174767008x330554.

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Jóźwik, Renata. "Modern-Day Public Space in the Historical Context of a City – New Development of the Cathedral Square (Domplatz) in Hamburg/ Współczesna Przestrzeń Publiczna W Hsitorycznym Kontekście Miasta – Nowe Zagospodarowanie Placu Katedralnego (Domplatz) W Hamburgu." Civil And Environmental Engineering Reports 17, no. 2 (2015): 43–50. http://dx.doi.org/10.1515/ceer-2015-0020.

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Abstract The article presents the history of transforming one of the oldest places in Hamburg - the Cathedral Square (Domplatz), as well as the influence of historical factors on the conception behind its development. A tumultuous history, especially the consequences of World War II, has led to the diminishment of its historical significance. The undeveloped quarter once occupied by a prehistoric settlement and St. Mary's Cathedral functioned as an urban wasteland and a parking lot for a few decades. Attempts to change this state of things proved unsuccessful. Currently, revitalization works a

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Kordonouri, Thomais, Biniam Teame, and Edward Denison. "Asmara's architectural heritage as a bricolage: The case of St. Mary's Orthodox Cathedral." Curator: The Museum Journal 65, no. 3 (2022): 643–61. http://dx.doi.org/10.1111/cura.12507.

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Ip, Kin Hong, Barbara Stuart, Abhi Ray, and Paul Thomas. "ESEM-EDS Investigation of the Weathering of a Heritage Sydney Sandstone." Microscopy and Microanalysis 17, no. 2 (2010): 292–95. http://dx.doi.org/10.1017/s1431927610094249.

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AbstractThe degradation of Sydney sandstone used to build the heritage St Mary's Cathedral in Sydney, Australia, has been investigated using environmental scanning electron microscopy combined with energy dispersive X-ray spectroscopy. This technique provided the structural details of the cementing clay and an elemental characterization the sandstone. The observed differences in the elemental composition of the unweathered and weathered sandstones were associated with changes to the clay microstructure upon weathering. The results support the substitution theory that Fe3+ replaces Al3+ in the

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SMITH, FREDERICK E. "THE ORIGINS OF RECUSANCY IN ELIZABETHAN ENGLAND RECONSIDERED." Historical Journal 60, no. 2 (2016): 301–32. http://dx.doi.org/10.1017/s0018246x16000169.

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AbstractMost historians now acknowledge that Catholic recusancy existed in small pockets throughout 1560s and early 1570s England thanks to the sporadic efforts of a handful of former Marian priests. However, it is widely agreed that the influx of continentally trained seminarians and missionaries from abroad after 1574 was responsible for transforming the ‘curious and confused’ activities of these Marian clergymen into a fully fledged, intellectually justified campaign in favour of nonconformity. This article challenges this consensus through investigation of a neglected group of clerics – th

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Ernst, Eldon G. "The Emergence of California in American Religious Historiography." Religion and American Culture: A Journal of Interpretation 11, no. 1 (2001): 31–52. http://dx.doi.org/10.1525/rac.2001.11.1.31.

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On Sunday, October 23, 1983, a notable event occurred in San Francisco. A celebration of music, word, and prayer commemorated the five-hundredth birthday of the great Protestant reformer, Martin Luther. Leaders of the Episcopal, Baptist, Methodist, Presbyterian, Congregational, and Lutheran traditions took part in the service. Representatives of many other denominations marched in the processional singing “A Mighty Fortress Is Our God.” Choral settings from the Greek Orthodox service framed the liturgy. Most remarkable, the Roman Catholic archbishop of San Francisco opened the ceremony, and th

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Ihnat, Kati. "Early Evidence for the Cult of Anne in Twelfth-Century England." Traditio 69 (2014): 1–44. http://dx.doi.org/10.1017/s0362152900001902.

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Despite scholarly attention on its later medieval popularity, the feast of Anne, the mother of the Virgin Mary, first appeared in the West in twelfth-century England. The earliest surviving liturgical texts for the feast were composed in the 1130s by Osbert of Clare, prior of Westminster, for Worcester Cathedral. They attest to the novelty of the celebration and the process by which a saintly identity was constructed for Anne, an apocryphal figure. To understand why Anne began to be celebrated at this time and how her liturgy was crafted, this article explores Osbert's texts in their devotiona

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Opaley, Elena N. "Сathedral architectonics of the "Sacred Chant" by I. F. Stravinsky". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, № 54 (2024): 168–79. https://doi.org/10.17223/22220836/54/15.

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The article focuses on the text-musical and compositional form of I.F. Stravinsky's “Sacred Chant in honor of the name of St. Mark” and its analogies with the architectural model of St. Mark's Cathedral in Venice. The main analytical indicators are text primary sources, principles of shaping, ladoharmonic techniques, interpretation of performing compositions. In the spiritual work of I.F. Stravinsky, one can distinguish a number of compositions that the composer literally builds, like the image of a temple. The stylistic diversity of the architectural creation of St. Mark's Cathedral attracted

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McClean, Robert. "Making Wellington: earthquakes, survivors and creating heritage." Architectural History Aotearoa 9 (October 8, 2012): 55–66. http://dx.doi.org/10.26686/aha.v9i.7296.

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Landing at Te Whanganui a Tara in 1840, New Zealand Company settlers lost no time to construct the "England of the South" using familiar building materials of brick, stone, clay and mortar. Within months of settling at Pito-one (Petone), the newly arrived people not only experienced earthquakes, but also flooding of Te Awa kai Rangi (Hutt River). Consequently, the original plan to build the City of Britannia at Pito-one was transferred to Lambton Harbour at Pipitea and Te Aro. The construction of Wellington was severely disrupted by the first visitation occurring on 16 October 1848 when

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Wysokowski, Adam. "Unusual Rebuilding Method of Historic St Mary’s Cathedral in the Capital of Western Australia." Civil And Environmental Engineering Reports 21, no. 2 (2016): 147–59. http://dx.doi.org/10.1515/ceer-2016-0029.

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Abstract St Mary’s Cathedral is the Archbishop church of the Archdiocese in Perth in Western Australia. The presented sacral building was built in neo-Gothic style during the years 1863-1865. Cathedral was officially dedicated and opened for the service on 29th January, 1865. In 1973 was proclaimed the Marian Sanctuary and now represents one of the largest religious facilities in Perth. In 2005, the city authorities, together with the Archdiocese took a collective decision on the necessity of a comprehensive renovation of this sacred object. The renovation was due to the technical condition an

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Anderson, Martin. "Estonian Composers (combined Book and CD Review)." Tempo 59, no. 232 (2005): 60–66. http://dx.doi.org/10.1017/s0040298205210161.

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Ancient Song Recovered: The Life and Music of Veljo Tormis, by Mimi S. Daitz. Pendragon Press, $54.00/£36.00.The Works of Eduard Tubin: Thematic-Bibliographical Catalogue of Works by Vardo Rumessen. International Eduard Tubin Society/Gehrmans Musikförlag, E.57.TORMIS: ‘Vision of Estonia’ II. The Ballad of Mary's Land; Reflections with Hando Runnel; Days of Outlawry; God Protect Us from War; Journey of the War Messenger; Let the Sun Shine!; Voices from Tammsaare's Herdboy Days; Forget-me-not; Mens' Songs. Estonian National Male Choir c. Ants Soots. Alba NCD 20.TORMIS: ‘Vision of Estonia’ III. T

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Barnaby, James. "The monks of Rochester and the hospital of St. Mary of Strood: a twelfth-century dispute reassessed." Historical Research 94, no. 265 (2021): 441–62. http://dx.doi.org/10.1093/hisres/htab017.

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Abstract This article assesses the twelfth-century Rochester dispute concerning St. Mary’s hospital at Strood. Bishop Gilbert Glanville’s plan to endow the hospital with monastic estates was vigorously resisted by the cathedral monks, with Gilbert traditionally being seen as an anti-monastic bishop. This article reassesses the events of the conflict and places it in the context of other twelfth-century disputes. It argues that Gilbert was not trying to supplant his cathedral chapter, but was instead trying to establish a hospital to care for the needs of the sick and poor pilgrims.

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Hillsman, Walter. "Women in Victorian Church Music: Their Social, Liturgical, and Performing Roles in Anglicanism." Studies in Church History 27 (1990): 443–52. http://dx.doi.org/10.1017/s0424208400012237.

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Musical outlets for English women in the medieval Church were generally restricted to convents, where they sang plain-song. Even female participation in liturgical plays like the Easter drama (with solo parts for the Marys at the Sepulchre) was normally not allowed. Singing in cathedral, collegiate, and major parish churches was limited to men and boys; in cathedral and collegiate foundations, only male singers could fulfil the statutory requirements of membership. The Henrician dissolution of religious houses thus put an effective musical damper on women in English church music for several ye

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Ellis, James. "Anglican Indigenization and Contextualization in Colonial Hong Kong: Comparative Case Studies of St. John’s Cathedral and St. Mary’s Church." Mission Studies 36, no. 2 (2019): 219–46. http://dx.doi.org/10.1163/15733831-12341650.

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Abstract The British Empire expanded into East Asia during the early years of the Protestant Mission Movement in China, one of history’s greatest cross-cultural encounters. Anglicans, however, did not accommodate local Chinese culture when they built St. John’s Cathedral in the British Crown Colony of Hong Kong. St. John’s had a prototypical English style and was a gathering place for the colony’s political and social elites, strengthening the new social order. The Cathedral spoke a Western architectural language that local residents could not understand and many saw Christianity as a strange,

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de Bellaigue, Geoffrey. "A V B Norman Funeral Speech Read at St Mary’s Cathedral." Royal Armouries Yearbook 3, no. 1 (1998): 1–8. http://dx.doi.org/10.1080/30650682.1998.12426612.

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TOYOKAWA, Saikaku. "THE DESIGN PROCESS OF ST. MARY’S CATHEDRAL, TOKYO & SENDAI CATHOLIC CHURCH." Journal of Architecture and Planning (Transactions of AIJ) 89, no. 826 (2024): 2477–86. https://doi.org/10.3130/aija.89.2477.

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Piszczałka, Karolina. "Powojenne losy rękopisów z Kamienia Pomorskiego." Kwartalnik Historii Nauki i Techniki 68, no. 4 (2023): 127–51. http://dx.doi.org/10.4467/0023589xkhnt.23.046.18788.

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The Post-War Fate of the Manuscripts from Kamień Pomorski In the 12th c., Kamień Pomorski became the capital of the diocese and the most important religious center in Western Pomerania. For centuries, within the cathedral walls, there was a library created by the canons, which was the foundation of their workshop and everyday pastoral work. In 1818, a significant part of the book collection came to Szczecin, and in 1822 it became the property of St. Mary’s Gymnasium in Szczecin (Marienstiftsgymnasium). As a consequence of World War II – despite efforts to secure the book collections – some of

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Damjanović, Dragan. "Polychrome Roof Tiles and National Style in Nineteenth-century Croatia." Journal of the Society of Architectural Historians 70, no. 4 (2011): 466–91. http://dx.doi.org/10.1525/jsah.2011.70.4.466.

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Gothic architecture, revived and decorated with motifs borrowed from folk art, provided the foundation for the creation of a Croatian national style in the last quarter of the nineteenth century. Dragan Damjanović explains how the Viennese architect Friedrich Schmidt and his student and collaborator Herman Bollé created the signature architecture of this movement, the brilliantly colored and boldly patterned tile roofs of St. Mark's church (restored 1875–82), Zagreb cathedral (restored 1878–1902), and the church of the Blessed Virgin Mary in Marija Bistrica (restored 1878–85). In Polychrome Ro

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Tirres, Christopher D. "Exploring the Aesthetics of Mexican-American Popular Ritual." New Theology Review 28, no. 2 (2016): 1. http://dx.doi.org/10.17688/ntr.v28i2.1226.

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This essay explores the ritual dynamics of Good Friday at the San Fernando Cathedral in San Antonio, Texas. Four liturgies take place on this day, the most famous of which is the via crucis, or public reenactment of the trial and crucifixion of Jesus. As gripping as the via crucis is, the author focuses on a lesser-known Good Friday liturgy, a traditional Mexican service called the Pésame. In this solemn service, congregants come to pay their condolences to the grieving Mary, who performs a powerful liturgical dance. The essay explores the ways that Mary’s dance ignites not only a visceral aes

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Johnston, PJ. "Antoniyar Kōvil: Hindu-Catholic Identity at the St. Anthony Shrine in St. Mary’s Co-Cathedral, Chennai." Journal of Global Catholicism 1, no. 1 (2016): 1–34. http://dx.doi.org/10.32436/2475-6423.1000.

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Brisman, Shira. "Nachrichten aus Nürnberg: The Annunciation as an Epistolary Address." Zeitschrift für Kunstgeschichte 79, no. 2 (2016): 193–210. http://dx.doi.org/10.1515/zkg-2016-0017.

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Abstract When, around the turn of the fifteenth century, the art of northern Europe developed a pictorial motif whereby an angel delivers the news of the Incarnation in the form of a sealed document, the material properties of ink and wax metaphorically evoked the unique properties of the inscription of divine form upon Mary’s virginal body. The social impact of this communication, the dissemination of the message to a community of recipients, could be strengthened by references to the re-transmittable nature of the announcement, as enforced by other indicators of sociability detectable in dif

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Dragić, Marko. "Sveti Marko Evanđelist u kršćanskoj kulturnoj baštini Hrvata." Nova prisutnost XIV, no. 2 (2016): 281. http://dx.doi.org/10.31192/np.14.2.4.

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Saint Mark the Evangelist (Cyrene around 10 AD – Alexandria April 25th 68 AD) was a member of the Jewish tribe o Levi. He is nephew of Saint Barnabas, close associate of Saint Paul and Peter to whom he was secretary. In the New Testament he is mentioned eight times and Mary mother of John called Mark is mentioned for the ninth time. The first Christian community in Jerusalem gathered in his mother Mary’s home. According to some sources Jesus ate his last supper in Mark’s mother Mary’s house. He is worshipped by: The Roman Catholic Church, The Orthodox Church, The Coptic Church, the eastern Cat

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Wais-Wolf, Christina, Petra Weiss, and Christoph Tinzl. "Austrian Stained Glass in the Interplay of Research and Conservation: Reflections on How to Preserve an Endangered Art Genre." Heritage 5, no. 1 (2022): 509–25. http://dx.doi.org/10.3390/heritage5010029.

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In 2021, two projects for the protection and preservation of Austrian stained glass were performed in close cooperation between the Federal Monuments Authority Austria and active members of the Corpus Vitrearum Austria. Both projects are dedicated to difficult topics that will increasingly challenge how we tackle the preservation of monuments in the coming decades. There are questions regarding the correct conservation and restoration treatment of stained glass from the late 19th and early 20th century (stained glass from the so-called art period of Historicism), which, despite all the Guideli

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Studziżba-Kubalska, Beata. "Józef Mehoffer’s competition design for the polychrome decoration of the Franciscan Church in Kraków, 1894. An attempt to reconstruct the artist’s decorative concept." Sacrum et Decorum 15 (2022): 39–78. http://dx.doi.org/10.15584/setde.2022.15.3.

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Józef Mehoffer’s competition design for the painting decoration of the Franciscan Church in Kraków in 1894 has not yet been found. This article is an attempt to reconstruct the artist’s decorative concept on the basis of the surviving sketches for the project, as well as notes drawn and written in a sketchbook from 1893–1894. The artist, who was in Paris in February 1894, heard about the competition from Tadeusz Stryjeński. The project he sent to the jury in May 1894 did not meet the formal requirements; it was too sketch-like and unpolished and was not accepted. Mehoffer began work on it with

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Zajec, Vlasta. "Skulpture Marije Pobjednice u gradovima tvrđavama na jugoistočnoj granici Habsburške Monarhije." Radovi Instituta za povijest umjetnosti, no. 47 (March 2024): 93–108. http://dx.doi.org/10.31664/ripu.2023.47.08.

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The paper analyses statues of Mary the Victorious (Maria victrix, Santa Maria de Victoria, Marija Zmagovalka, Maria vom Siege, Gyözedelmes Immaculata) in the fortified cities at the south-eastern frontier of the Habsburg Monarchy, highlighting some previously unidentified examples of this iconographic type in Petrovaradin and Alba Iulia. These cities were part of a comprehensive fortification system conceived by Eugene of Savoy following Habsburg victories over the Ottomans under his leadership. The paper examines comparative graphic, painterly, and sculptural works that may have influenced th

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Pevec Rozman, Mateja, and Tadej Strehovec. "The Question of Beauty and the Aesthetic Value of the Image of the Mother of God in Pastoral Care and Catechesis." Religions 15, no. 1 (2024): 101. http://dx.doi.org/10.3390/rel15010101.

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Ancient philosophers attached great importance to the ideals of unity, truth, goodness, and beauty as the path to the greatest good. Beauty expressed through works of art can open the eyes of the mind and heart and direct the human spirit to transcendence. The beauty of art awakens inner emotionality, evokes elation in silence, and leads to “coming out of oneself”. The concept of beauty is inextricably linked to Catholic theology and preaching. Beautiful sacred images were a source of theological messages, intercession, and entry into the transcendental world. Medieval Gothic cathedrals had im

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Kalvāne, Skaidrīte. "SOME NOTES ON LATGALIAN BOOKS IN THE MASSIVE UNION CATALOGUE „ANCIENT PRINTS IN LATVIAN 1525–1855” (1999)." Via Latgalica, no. 4 (December 31, 2012): 6. http://dx.doi.org/10.17770/latg2012.4.1686.

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<p>Chronology of books published in Latgalian can be traced in bibliographical indexes of G. Manteuffel, V. Seile, J. Misiņš and fragmentarily in that of K. Estreicher. Latgalian publications have most broadly been reflected in the massive union catalogue of the National Library of Latvian „Ancient Prints in Latvian 1525–1855” (1999) – from the first known book of songs and prayers (1730) to „Gromotu dzismiu łacinsku” (1855). The massive union catalogue contains entries on 94 prints in Latgalian – existence of 8 of them is questioned or denied – 59 have been preserved to this day, 27 sti

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"The influence of acid rains on the lithothamnian limestone on the gallary of the Mary's Ascension Cathedral, Zagreb, Croatia." International Journal of Rock Mechanics and Mining Sciences & Geomechanics Abstracts 33, no. 1 (1996): A2. http://dx.doi.org/10.1016/0148-9062(96)87351-7.

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Pender, Graeme. "Bishop Charles Davis’ Management and Leadership Skills as Coadjutor to Archbishop John Bede Polding (1848–54)." Downside Review, September 3, 2022, 001258062211224. http://dx.doi.org/10.1177/00125806221122476.

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Davis arrived in Sydney in December 1848 from Downside Abbey and immediately took up administrative duties at St Mary’s monastery attached to St Mary’s cathedral. Australia's first Catholic Archbishop, John Bede Polding osb, lacked business expertise and found it hindered his missionary work within the colony, causing him to depend on others to introduce planning policies, along with the general management of the Sydney Archdiocese. Davis was hand-picked by Polding to achieve this. During Polding’s lengthy missionary journeys, Davis showed guidance, compassion and understanding towards the mon

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O’Brien, Gregory. "Select Poems." ESLA English Studies in Latin America, no. 7 (July 2014). http://dx.doi.org/10.7764/esla.62101.

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The gift of an upbringing. It was all downhill from there: the apartment on Vicuña Mackenna stray dogs and roaming pepper-grinders of Bellavista. And Saint Joseph of the numberless light-bulbs, Mary’s hair of many colours; the sky an empty cathedral in which they would hold hands or pray dutifully to the god of old bicycle parts, the daily melt; the boy meanwhile, lost in the blue brightness of his jacket.

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Duncan, Cheryll. "New Light on ‘Father’ Smith and the Organ of Christ Church, Dublin." Journal of the Society for Musicology in Ireland, May 13, 2015, 23–45. http://dx.doi.org/10.35561/jsmi10142.

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According to received opinion, Bernard Smith never built the new organ that Christ Church, Dublin, commissioned from him in May 1694, and the contract was later awarded to his rival Renatus Harris; documents from the courts of Chancery and King’s Bench show that narrative to be only partially true. In 1697 William Moreton, Bishop of Kildare, instituted proceedings against Smith for breach of contract, from which it emerges that Smith actually built two organs for the cathedral. However, for various reasons, including Moreton’s dithering over stops, difficulties arranging delivery and transferr

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Katritzky, M. A. "The Merchant Scene of Biblical Drama: Rehabilitating the Female Input." Journal of the Bible and its Reception, October 28, 2024. http://dx.doi.org/10.1515/jbr-2023-0022.

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Abstract This paper examines a ground-breaking innovation to medieval Easter plays: the creation of the extra-biblical merchant scene, in which the Marys purchase spices prior to their Visitatio Sepulchri. The patron of its earliest known representation was the female religious leader Uta von Kirchberg. An illuminated roundel in the Uta Codex she commissioned towards the end of her term as abbess of Niedermünster (1002–25), depicts the Holy women purchasing spices from a spice merchant. Until the twelfth century, this remained the only representation of an Easter merchant scene, visual or text

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Ruiz, Jiménez Juan. "Primeros testimonios de la contratación de ministriles en la catedral de Oviedo (1572-1587)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394056.

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Ruiz, Jiménez Juan. "Prestamos de órganos entre instituciones sacras de Sevilla (1788)." Paisajes sonoros históricos (c.1200-c.1800), February 5, 2025. https://doi.org/10.5281/zenodo.14809790.

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Un acuerdo capitular de la catedral de Sevilla, fechado el 17 de noviembre de 1788, nos proporciona información sobre los préstamos de órganos entre instituciones sacras de la ciudad. A chapter agreement of the Cathedral of Seville, dated 17th November 1788, provides us with information on the loan of organs between sacred institutions in the city.

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Ruiz, Jiménez Juan. "Incorporación de los ministriles a los efectivos musicales de la catedral de Coria (1593-1600)." Paisajes sonoros históricos (c.1200-c.1800), December 27, 2023. https://doi.org/10.5281/zenodo.10434472.

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Ruiz, Jiménez Juan. "Procesiones de Semana Santa en el interior de la catedral de Sevilla." Paisajes sonoros históricos (c.1200-c.1800), December 24, 2023. https://doi.org/10.5281/zenodo.10429541.

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En una reglamentación del maestro de ceremonias de la catedral de Sevilla, redactada en el primer cuarto del siglo XVII, encontramos las recomendaciones capitulares para evitar robos y actitudes indecorosas durante la Semana Santa, así como la manera y lugar por el que debían transitar las procesiones que atravesaban el recinto catedralicio. In a regulation of the master of ceremonies of the cathedral of Seville, written in the first quarter of the 17th century, we find the chapter's recommendations to avoid theft and indecorous attitudes during Holy Week, as well as the manner and place in wh

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Ruiz, Jiménez Juan. "Incorporación de los ministriles a los efectivos musicales de la catedral de Calahorra (1572-1593)." Paisajes sonoros históricos (c.1200-c.1800), January 26, 2025. https://doi.org/10.5281/zenodo.14741467.

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Ruiz, Jiménez Juan. "Procesión anual de las letanías mayores a la iglesia de San Marcos en Sevilla." Paisajes sonoros históricos (c.1200-c.1800), October 16, 2024. https://doi.org/10.5281/zenodo.13939090.

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La procesión anual de las letanías mayores tenía lugar el día 25 de abril, festividad de San Marcos. En la catedral de Sevilla puede documentarse desde 1415 y se dirigía a la iglesia homónima en la cual se celebraba la misa, tras lo cual el cortejo regresaba a su templo cantando la letanía. The annual procession of the Greater Litanie took place on 25 April, the feast of Saint Mark. It has been documented in Seville Cathedral since 1415 and went to the church of the same name where mass was celebrated, after which the procession returned to its temple singing the litany.

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Ruiz, Jiménez Juan. "Fundación de la capilla de Santa María Magdalena en la catedral de Córdoba (1262)." Paisajes sonoros históricos (c.1200-c.1800), April 12, 2025. https://doi.org/10.5281/zenodo.15204583.

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El 28 de abril de 1262, Gonzalo Yáñez de Palma hacía una donación al deán y cabildo de la catedral de Córdoba para el establecimiento de una serie de dotaciones pías en su capilla funeraria de Santa María Magdalena. On 28 April 1262, Gonzalo Yáñez de Palma made a donation to the Dean and Chapter of Cordoba Cathedral for the establishment of a series of pious endowments in his funerary chapel of Santa María Magdalena.

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Ruiz, Jiménez Juan. "Traslado en Sevilla de las imágenes de la cofradía del Santísimo Poder y Traspaso de Nuestra Señora (Gran Poder) (1770)." Paisajes sonoros históricos (c.1200-c.1800), December 18, 2023. https://doi.org/10.5281/zenodo.10400715.

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En la Semana Santa de 1770, las condiciones climatológicas obligaron a la cofradía del Santísimo Poder y Traspaso de Nuestra Señora (Gran Poder) a dejar sus imágenes de devoción en la catedral de Sevilla. En este evento, se da cuenta de las actividades cultuales y ceremonias que tuvieron lugar dentro de la catedral durante los días que permanecieron en este recinto, desde el 12 al 16 de abril, de cuya preparación se encargó el maestro de ceremonias Pedro Romero y que quedaron establecidas como norma para otras ocasiones similares. During Holy Week in 1770, weather conditions forced the confrat

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Svend, Clausen. "The Prison Chronicle." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574153.

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During the high middle ages, conflicts between the worldly magnates such as kings/princes/emperors and between the power holders of the church such as archbishops/popes/bishops were a quite common feature seen quite often across Europe. One such situation is seen in Denmark in the late 1200s with a severe conflict breaking out between king Erik Menved of Denmark and archbishop Jens Grand of Lund. One, both highly important and probably also somewhat internationally unusual, source to this conflict is a chronicle probably written sometime after 23. December 1297, but before 23. February 1302. I

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Herbert, Helen Sophia. "Rituales pro pluvia celebrados en Barcelona en 1687." Paisajes sonoros históricos (c.1200-c.1800), September 6, 2024. https://doi.org/10.5281/zenodo.13709713.

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Además de los detalles de las convenciones y ceremonias ordinarias del calendario litúrgico de la Catedral de Barcelona, el <em>Manual del Cabiscol</em> proporciona información sobre eventos extraordinarios, incluidos los rituales <em>pro pluvia</em> celebrados en tiempos de sequía entre los años 1687 a 1703. Estos relatos demuestran una densidad cambiante de actividad ritual en respuesta a una situación de sequía en evolución y la participación de espacios tanto dentro como fuera de la ciudad en los rituales de procesiones y oficios. La fuente también destaca el papel central de la música y e

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Ruiz, Jiménez Juan. "Exequias del arzobispo Alonso Marcos de Llanes Argüelles en el convento del Santo Ángel de Sevilla (1795)." Paisajes sonoros históricos (c.1200-c.1800), March 1, 2025. https://doi.org/10.5281/zenodo.14949685.

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El arzobispo Alonso Marcos de Llanes Argüelles falleció en Sevilla el 7 de enero de 1795, siendo sepultado en la cripta de la iglesia del Sagrario. El 28 de marzo de 1795, su hermano y su sobrino organizaron sus exequias en el convento del Santo Ángel (carmelitas descalzos), para las cuales contrataron a la capilla de música de la catedral. Archbishop Alonso Marcos de Llanes Argüelles died in Seville on 7 January 1795, and was buried in the crypt of the church of El Sagrario. On 28 March 1795, his brother and nephew organised his funeral service in the convent of Santo Ángel (Discalced Carmeli

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de, Vicente Delgado Alfonso. "Incorporación de un conjunto de ministriles en la catedral de Ávila." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394371.

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Las primeras noticias sobre la contratación y participación de instrumentistas en las fiestas de la catedral de Ávila datan de 1520. Durante los primeros decenios se contrata esporádicamente a músicos y conjuntos de músicos en varias ocasiones dependientes de algunos nobles. El primer contrato definitivo es de 1542, aunque tuvo poca duración. Otros grupos fueron contratados en 1547 y en 1555. The first news about the hiring and participation of instrumentalists in the festivities of the Cathedral of Ávila dates frim 1520. During the first decades, musicians and groups of musicians were contrac

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Ruiz, Jiménez Juan. "Interpretación "policoral" del Pange lingua de Francisco Guerrero en la catedral de Sevilla." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395518.

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La adaptación a la interpretación "policoral" del himno <em>Pange lingua</em> de Francisco Guerrero en la catedral de Sevilla durante el siglo XVII está conectada con la actualización del nuevo discurso del ceremonial barroco, en el  que la música se constituyó como uno de sus elementos sensoriales más  destacados. The adaptation of Francisco Guerrero's hymn <em>Pange lingua</em> in Seville Cathedral during the 17th century to a "polychoral" performance is connected with the updating of the new discourse of Baroque ceremonial, in which music became one of its most prominent sensorial

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Ruiz, Jiménez Juan. "Recepción de las reliquias de San Torcuato en Guadix (1593)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394156.

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Las reliquias de San Torcuato, procedentes del monasterio de San Salvador de Celanova (Orense), llegaron a la ermita de San Lázaro en Guadix (Granada) el 27 de febrero de 1593. Al día siguiente, en solemne procesión, se trasladaron a la catedral en un relicario que se había construido expresamente para ellas y allí se expusieron para su pública adoración. The relics of San Torcuato, coming from the monastery of San Salvador de Celanova (Orense), arrived at the church of San Lázaro in Guadix (Granada) on February 27, 1593. The next day, in solemn procession, they were transferred to the cathedr

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Ruiz, Jiménez Juan. "Procesión de recibimiento de la bula de Cruzada en la ciudad de Sevilla (1632)." Paisajes sonoros históricos (c.1200-c.1800), December 22, 2023. https://doi.org/10.5281/zenodo.10422266.

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La procesión de recibimiento de la bula de Cruzada era la primera de las procesiones generales que se celebraban en Sevilla cada año. Se pregonaba el día anterior con trompetas, atabales y ministriles. La procesión partía del convento de San Francisco, Casa Grande, para dirigirse a la catedral, en la que se predicaba el sermón de la cruzada. En ella se interpretaban canciones e himnos propios del tiempo litúrgico en que tenía lugar. The procession to receive the Bull of Crusade was the first of the general processions held in Seville each year. It was announced the day before with trumpets, dr

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Ruiz, Jiménez Juan. "Fiesta en desagravio de la Virgen organizada por la cofradía de Nuestra Señora de los Remedios (1640)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394779.

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Ruiz, Jiménez Juan. "Fiestas marianas patrocinadas por la hermandad del Santo Rosario de Nuestra Señora del Triunfo en Granada (1698)." Paisajes sonoros históricos (c.1200-c.1800), July 17, 2024. https://doi.org/10.5281/zenodo.12756065.

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