Relevant bibliographies by topics / Mary, Art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Mary, Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Mary, Art"

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Verdon, Timothy. "Mary in Western Art." IKON 10 (January 2017): 27–34. http://dx.doi.org/10.1484/j.ikon.4.2017003.

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MacHardy, Carolyn, and Tom Smart. "The Art of Mary Pratt." Woman's Art Journal 20, no. 2 (1999): 64. http://dx.doi.org/10.2307/1358995.

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Belan, Kyra, Mary Beth Edelson, and Amelia M. Trevelyan. "The Art of Mary Beth Edelson." Woman's Art Journal 24, no. 2 (2003): 36. http://dx.doi.org/10.2307/1358785.

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Lindsay, Jennifer L. "Mary Walker Phillips: The Art of Knitting." Journal of Modern Craft 8, no. 2 (May 4, 2015): 125–39. http://dx.doi.org/10.1080/17496772.2015.1054702.

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Hamlyn, Anne. "Textiles: The Art of Mankind, Mary Schoeser." TEXTILE 11, no. 3 (November 2013): 354–56. http://dx.doi.org/10.2752/175183513x13793321037845.

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Hahn, Bera H. "Mary Betty Stevens, MD, FACP, FACR, 1929–1994." Arthritis & Rheumatism 38, no. 3 (March 1995): 444. http://dx.doi.org/10.1002/art.1780380326.

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Scheffer, Anne, Ingrid Stevens, and Amanda du Preez. "Hysterical Representation in the Art of Mary Sibande." de arte 52, no. 2-3 (September 2, 2017): 4–28. http://dx.doi.org/10.1080/00043389.2017.1332503.

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del Mar Pérez-Gil, María. "Undressing the Virgin Mary: Nudity and Gendered Art." Feminist Theology 25, no. 2 (January 2017): 208–21. http://dx.doi.org/10.1177/0966735016679907.

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Stripping the Virgin Mary of the myths, stories, and dogmas surrounding her is a task that has particularly appealed to a branch of feminist theology which seeks to reclaim her as a figure of female empowerment. This article aims to explore the transformation of Mary’s body into an element of resistance in the work of some contemporary artists. By depicting her nude or semi-nude, artists disrupt the gender values commonly associated with the Virgin and open up alternative possibilities of affirmative selfhood through her body. I contend that, in these works, the Virgin’s body functions as a ‘relational’ body that enters into dialogue with hitherto marginalized categories, such as the carnal, the sensual, the notion of fleshly materiality, or even the excluded sexualities of transgender people.
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SEDDON, J. "Mary Watts: The Unsung Heroine of Art Nouveau." Journal of Design History 12, no. 1 (January 1, 1999): 92–93. http://dx.doi.org/10.1093/jdh/12.1.92.

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WRIGLEY, R. "Review. Fragonard: Art and Eroticism. Sheriff, Mary D." French Studies 46, no. 3 (July 1, 1992): 335. http://dx.doi.org/10.1093/fs/46.3.335.

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Dissertations / Theses on the topic "Mary, Art"

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Paniagua, Amanda Anastasia. "An American Woman's Gaze: Mary Cassatt's Spanish Portraits." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461149840.

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Kuhn, Maria Diane. "Mother Mary Comes to Me: The Stylistic Shift in Portrayals of Mary and her Adoration in Medieval Italy." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619455685665479.

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Barker, Mary Christine. "A Disquieting Presence: The Virgin Mary in Rembrandt's 'Protestant' Art." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6349.

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The identification of Rembrandt as a ���Protestant��� artist has, since the middle of the nineteenth century, defined and directed analytical perspective of his biblical works. In the initial stages of Rembrandt���s reinvention as representative of the Protestant culture of his age, religion was not important in terms of the art produced; it was an indication of political identity. A recognition of the importance of Rembrandt���s religious beliefs to his biblical works led later art historians to define these works in terms of a Protestant identity. Rembrandt was a ���Protestant���; he was ipso facto Protestant artist. To substantiate this claim, academic research has sought to identify those particular characteristics which are thought to be Protestant and which can be readily identified in Rembrandt���s work. There is a substantial body of work within Rembrandt���s biblical oeuvre which challenges that paradigm. These are works which show the Virgin Mary, a figure largely marginalised in Protestant belief. These are generally acknowledged as ���Catholic��� or ���made for a Catholic audience���, but they are analysed either as eccentricities or as Catholic subjects which Rembrandt has manipulated to allow for a Protestant understanding. No attempt has been made to place these works within the Catholic tradition to which they belong. This thesis hopes to redress the balance by examining a largely un-researched body of Rembrandt���s Marian work. The first section surveys the notion of ���Protestant��� art and those writers who claim to recognise such a phenomenon in Rembrandt���s work. It examines the place of the Virgin Mary in Post-Reformation Protestant ideology and reviews Rembrandt���s history within a spectrum of religious beliefs. Finally it takes an overview of the presence of the Virgin Mary in Rembrandt���s oeuvre, seeking possible inspiration and explanation from the events in his daily life. The second section analyses six representative works in order to show that these Marian subjects are not religious works manipulated to a Protestant understanding but are artworks that show, both overtly and covertly, that Rembrandt was aware of and actively acknowledged the place of the Virgin Mary, both in the Catholic visual tradition and in the contemporary Catholic theology of his age.
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Schmid, Elizabeth Carroll. "Mary Nimmo Moran, Mary Cassatt and the painter-etcher movement: gender, identity and paths to professionalism." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1394.

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Asbo, Kayleen Elizabeth. "Passion and paradox| The myths of Mary Magdalene in music, art and culture." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3734016.

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Throughout the centuries, Mary Magdalene has occupied a unique position within the religious history of the West as the woman who has carried the collective Shadow of Christianity. In every epoch, Mary Magdalene stands at the crossroads of cultural tension and psychological paradox, holding countless images, projections and societal concerns, inspiring millions of acts of devotion and masterworks of art and music.

This dissertation explores the mythology of Mary Magdalene from her earliest appearances as the faithful witness, disciple and apostle in the New Testament and apocryphal gospels through her later legends as a prostitute, contemplative hermit, princess and priestess, with particular attention paid to artistic and musical portrayals. I suggest that the emerging composite portrait of the 21st century is a healing image of wholeness that integrates all four aspects of the female psyche articulated by Toni Wolff (the Hetaira, Mother, Medial and Amazon) and that Mary Magdalene points the way to a reclamation of the sacred feminine and a reinvigoration of spiritual life.

Magdalene as an icon and mirror of cultural transformation is evident in recent contemporary classical music works, particularly in Mark Adamo's opera The Gospel of Mary Magdalene. My experiences as resident mythologist for the San Francisco Opera during the world premiere of this work form the basis for my observations of the enormous transformational impact of images and stories of Mary Magdalene drawn from the apocryphal gospels and Gnostic tradition. Magdalene as woman who embodies anthropos, or full humanity, has become a catalyzing bridge for individual personal development and communities of diverse scholars and seekers.

This dissertation culminates with a multimedia dramatic production inspired by Medieval mystery plays. The Passion of Mary Magdalene interweaves Taize chants, instrumental music of Estonian composer Arvo Part, traditional Christian hymns and my original compositions with a text drawn from both the Canonical Gospel and the Gospel of Mary and includes images taken from pilgrimages to Mary Magdalene sites in France.

Key words: Magdalene- Christian spirituality- Gnostic-Sacred Feminine- Toni Wolff- Carl Jung

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Williamson, Beth. "The Madonna of Humility : development, dissemination & reception, c.1340-1400 /." Woodbridge : The Boydell Press, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9781843834199.

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Bohlander, Ruth Ann. "Mother of God, Cease Sorrow!: The Significance of Movement in a Late Byzantine Icon." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/105691.

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Art History
M.A.
The relationships between movement, emotion, and ritual communion in Byzantium have drawn the attention of art historians in recent years. While Henry Maguire has considered many facets of this subject, a monumental Late Byzantine icon, the Two-Sided Icon with the Virgin Pausolype, Feast Scenes, the Crucifixion and Prophets, suggests others. While the catalog entry by Annemarie Weyl Carr in Byzantium: Faith and Power remains the only published discussion of this particular icon, or even specifically of the Pausolype ("cease sorrow!") iconographic type, I believe that this image contributes significantly to our understanding of Late Byzantine culture and liturgical practice. Careful study of this particular icon encourages a consideration of the problematic subject of emotion, and its interactions with movement, ritual and art. The paucity of evidence makes it difficult to address specific devotional practices associated with this particular object, although some observations can be made. I am able, however, to align it with its iconographic antecedents and establish contemporary relationships, illuminating aspects of its original function.
Temple University--Theses
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Tolley, Rebecca. "Review of Ceramic Trees of Life: Popular Art from Mexico, by Mary Hoag Mulryan." Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etsu-works/5725.

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Lambert-Monteleon, Michelle. "Heavenly Venus Mary Magdalene in Renaissance Noli Me Tangere images /." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000365.

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Thornton, Meghan Schwain Kristin. "The impression of humor Mary Cassatt and her rendering of wit /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6530.

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Illustrations not reproduced. The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on January 25, 2010). Thesis advisor: Dr. Kristin Schwain. Includes bibliographical references.
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Books on the topic "Mary, Art"

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Stella, Marinone, and Giammanco Frongia Rosanna M, eds. Mary. New York: Abrams, 2009.

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Degl'Innocenti, Martina. Mary. New York: Abrams, 2009.

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Degl'Innocenti, Martina. Mary. New York: Abrams, 2009.

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Cassatt, Mary. Mary Cassatt. Paris: Ed. de la Réunion des musées nationaux, 1988.

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Mary Cassatt: Paintings. New York: Wings Books, 1993.

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Mary, Potter. Mary Potter. London: New Art Centre, 1986.

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Norris, Kathleen. Meditations on Mary. New York: Viking Studio, 1999.

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M, Trevelyan Amelia, and Gettysburg College, eds. The art of Mary Beth Edelson. New York, N.Y: Seven Cycles, 2002.

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Art, Philadelphia Museum of, ed. Mary Cassatt and Philadelphia. [Philadelphia, Pa.]: Philadelphia Museum of Art, 1985.

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Laing, Jane. Cicely Mary Barker and her art. London, England: Frederick Warne, 1995.

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Book chapters on the topic "Mary, Art"

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Schutte, Valerie. "Manuscript Dedications to Mary." In Mary I and the Art of Book Dedications, 81–101. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_5.

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Schutte, Valerie. "Books Owned by Mary." In Mary I and the Art of Book Dedications, 117–42. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_7.

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Schutte, Valerie. "Dedications to Philip and Mary." In Mary I and the Art of Book Dedications, 103–15. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_6.

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Scheffer, Anne, Amanda du Preez, and Ingrid E. Stevens. "Hysterical Representation in the Art of Mary Sibande." In Hysterical Methodologies in the Arts, 203–31. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66360-5_9.

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Schutte, Valerie. "Introduction." In Mary I and the Art of Book Dedications, 1–6. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_1.

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Schutte, Valerie. "Lady Margaret Beaufort and the Wives of Henry VIII." In Mary I and the Art of Book Dedications, 7–32. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_2.

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Schutte, Valerie. "Dedications to a Princess." In Mary I and the Art of Book Dedications, 33–48. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_3.

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Schutte, Valerie. "Printed Dedications to a Queen." In Mary I and the Art of Book Dedications, 49–80. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_4.

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Schutte, Valerie. "Conclusion." In Mary I and the Art of Book Dedications, 143–47. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137541284_8.

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Liedke, Heidi. "Idleness and Idling in Anna Mary Howitt’s An Art-Student in Munich (1853)." In The Experience of Idling in Victorian Travel Texts, 1850–1901, 109–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95861-3_7.

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Conference papers on the topic "Mary, Art"

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Dudareva, Marianna, Svetlana Simonova, Zalina Tazheva, and Larisa Katsyuba. "National Axiology in the Treatise of S.A. Yesenin "The Keys of Mary" Study on the Mental Features of the Russian Person." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.125.

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Millstein, Mark. "Mark Millstein." In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086112.

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Datz, Suzanne. "Mars attacks!" In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259429.

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BOSTAN, Smaranda, and Maria BILASEVSCHI. "The Many Facets of the Romanian Conceptual Art." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.10.

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Ascott, Roy. "Syncretic Fields: Art, Mind, and the Many Realities." In 17th International Conference on Artificial Reality and Telexistence (ICAT 2007). IEEE, 2007. http://dx.doi.org/10.1109/icat.2007.63.

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Martino, Jacquelyn A. "The immediacy of the artist's mark in shape computation." In ACM SIGGRAPH 2010 Art Gallery. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1836786.1836788.

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Luo, Xiao Man. "Noah's Ark on Mars." In 2017 2nd International Conference on Materials Science, Machinery and Energy Engineering (MSMEE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/msmee-17.2017.196.

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Brooks, Nicholas. "What dreams may come." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313111.

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Serro, Luis. "THE MONASTERY OF SAINT-MARY OF VICTORY: ROMANTICISM BEYOND THE GOTHIC." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.130.

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Wang, Dingding, and Tao Li. "Many are better than one." In Proceeding of the 33rd international ACM SIGIR conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1835449.1835627.

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Reports on the topic "Mary, Art"

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Hoderlein, Stefan. How many consumers are rational? Institute for Fiscal Studies, November 2009. http://dx.doi.org/10.1920/wp.cem.2009.3209.

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Wood, A. M. Phytoplankton excretion revisited: healthy cells may not do it, but how many cells are healthy? Final report. Office of Scientific and Technical Information (OSTI), August 1996. http://dx.doi.org/10.2172/369287.

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Collins, Sara R. Collins, Petra R. Rasmussen Rasmussen, Sophie Beutel Beutel, Michelle Doty Doty, and Munira Gunja Gunja. Are Marketplace Plans Affordable? Consumer Perspectives from the Commonwealth Fund Affordable Care Act Tracking Survey, March-May 2015. New York, NY United States: Commonwealth Fund, September 2015. http://dx.doi.org/10.15868/socialsector.25049.

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Brewer, Mike, and Jonathan Shaw. How many lone parents are receiving tax credits? Institute for Fiscal Studies, March 2006. http://dx.doi.org/10.1920/bn.ifs.2006.0070.

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Whitlock, Brad Joseph. AMT FEVER – Asynchronous Many Task Fast Exascale Visualizer. Office of Scientific and Technical Information (OSTI), November 2019. http://dx.doi.org/10.2172/1575076.

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Alesina, Alberto, Morris Fiorina, and Howard Rosenthal. Why Are There So Many Divided Senate Delegations? Cambridge, MA: National Bureau of Economic Research, March 1991. http://dx.doi.org/10.3386/w3663.

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Wood, A. M. Phytoplankton excretion revisited: Healthy cells may not do it, but how many cells are healthy?. Continuation progress report, May 1, 1993--April 30, 1994. Office of Scientific and Technical Information (OSTI), May 1994. http://dx.doi.org/10.2172/10146164.

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Kippen, Karen E. AOT & LANSCE The Pulse May 2014. Office of Scientific and Technical Information (OSTI), April 2014. http://dx.doi.org/10.2172/1130517.

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Calm, J. M. ARTI refrigerant database. Quarterly report, March--May 1997. Office of Scientific and Technical Information (OSTI), May 1997. http://dx.doi.org/10.2172/525021.

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Voyles, JW. ARM Climate Research Facility Monthly Instrument Report May 2010. Office of Scientific and Technical Information (OSTI), June 2010. http://dx.doi.org/10.2172/982093.

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