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Books on the topic 'Mary Elizabeth Braddon'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

In Lady Audley's shadow: Mary Elizabeth Braddon and Victorian literary genres. Edinburgh: Edinburgh University Press, 2010.

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2

Mary Elizabeth Braddon and Yorkshire: Dialect, place and setting in Victorian sensation literature. Palo Alto, CA: Academica Press, 2012.

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3

Carnell, Jennifer. The literary lives of Mary Elizabeth Braddon: A study of her life and work. Hastings: Sensation Press, 2000.

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4

Mary Elizabeth Braddon, Belgravia: A London magazine, and the world of Anglo-Jewry, Jews, and Judaism, 1866-1899. Bethesda, MD: Academica Press, 2011.

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Mary Elizabeth Braddon and the Jewish question: A Victorian English novelist and the worlds of Anglo-Jewry, Zionism and Judaism. Bethesda, Md: Academica Press, 2011.

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6

E, Braddon M. Rough Justice , by M. E. Braddon: Mary Elizabeth Braddon. CreateSpace Independent Publishing Platform, 2016.

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7

Braddon, M. E. Ishmael. A Novel , by M.E. Braddon: Mary Elizabeth Braddon. CreateSpace Independent Publishing Platform, 2016.

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8

Lady Audleys Secret Mary Elizabeth Braddon. Penguin Books, 2012.

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9

Cox, Jessica. New Perspectives on Mary Elizabeth Braddon. Rodopi, 2013.

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10

New Perspectives On Mary Elizabeth Braddon. Editions Rodopi B.V., 2012.

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11

(Editor), Marlene Tromp, Pamela K. Gilbert (Editor), and Aeron Haynie (Editor), eds. Beyond Sensation: Mary Elizabeth Braddon in Context. State University of New York Press, 2000.

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12

1966-, Tromp Marlene, Gilbert Pamela K, and Haynie Aeron 1964-, eds. Beyond sensation: Mary Elizabeth Braddon in context. Albany: State University of New York Press, 2000.

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13

(Editor), Marlene Tromp, Pamela K. Gilbert (Editor), and Aeron Haynie (Editor), eds. Beyond Sensation: Mary Elizabeth Braddon in Context. State University of New York Press, 2000.

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14

Carnell, Jennifer. The Literary Lives of Mary Elizabeth Braddon. Sensation Press, 2000.

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15

Beller, Anne-Marie. Mary Elizabeth Braddon: Writing in the Margins. Taylor & Francis Group, 2019.

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16

Mary Elizabeth Braddon A Companion To The Mystery Fiction. McFarland & Company, 2012.

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17

E, Braddon M. The infidel : a story of the great revival ,by M. E. Braddon: Mary Elizabeth Braddon. CreateSpace Independent Publishing Platform, 2016.

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18

E, Braddon M. Weavers and weft; and other tales , by M. E. Braddon: Weavers and Weft by Mary Elizabeth Braddon. CreateSpace Independent Publishing Platform, 2016.

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19

E, Braddon M. The Face in the Glass: The Gothic Tales of Mary Elizabeth Braddon. British Library Publishing, 2019.

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20

E, Braddon M. Gerard or The world, the flesh, and the devil : a novel,by M. E. Braddo: Mary Elizabeth Braddon. CreateSpace Independent Publishing Platform, 2016.

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21

From Sensation to Society: Representations of Marriage in the Fictions of Mary Elizabeth Braddon, 1862-1866. University of Delaware Press, 2006.

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22

Gasson, Andrew, Andrew Maunder, William Baker, Ralph Pite, and Judith L. Fisher. Lives of Victorian Literary Figures, Part V, Volume 3: Mary Elizabeth Braddon, Wilkie Collins and William Thackeray by Their Contemporaries. Taylor & Francis Group, 2007.

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23

Gasson, Andrew, Andrew Maunder, William Baker, Ralph Pite, and Judith L. Fisher. Lives of Victorian Literary Figures, Part V, Volume 2: Mary Elizabeth Braddon, Wilkie Collins and William Thackeray by Their Contemporaries. Taylor & Francis Group, 2007.

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24

Gasson, Andrew, Andrew Maunder, William Baker, Ralph Pite, and Judith L. Fisher. Lives of Victorian Literary Figures, Part V, Volume 1: Mary Elizabeth Braddon, Wilkie Collins and William Thackeray by Their Contemporaries. Taylor & Francis Group, 2007.

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25

E, Braddon M. The Collected Supernatural and Weird Fiction of Mary Elizabeth Braddon: Volume 4-Including Three Novelettes 'His Secret, ' 'Herself' and 'The Ghost's. LEONAUR, 2010.

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26

Lives of Victorian Literary Figures: Mary Elizabeth Braddon, Wilkie Collin And William Thackeray by Their Contemporaries (Lives of Victorian Literary Figures). Pickering & Chatto Publishers, 2007.

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27

E, Braddon M. The Collected Supernatural and Weird Fiction of Mary Elizabeth Braddon: Volume 2-Including One Novel 'The Conflict, ' Two Novelettes and One Short Sto. LEONAUR, 2010.

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28

E, Braddon M. The Collected Supernatural and Weird Fiction of Mary Elizabeth Braddon: Volume 1-Including One Novel 'The White Phantom' and Three Short Stories of Th. LEONAUR, 2010.

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29

Braddon, Mary Elizabeth. Aurora Floyd. Edited by P. D. Edwards. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199555161.001.0001.

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abstract ‘With Lady Audley’s Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of ‘sensation novelists’. Aurora Floyd (1862–3), following hot on its heels, achieved almost equal popularity and notoriety. Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions. Passionate, sometimes violent, Aurora does succeed in enjoying them, her desires scarcely chastened by her disastrous first marriage. She represents a challenge to the mid-Victorian sexual code, and particularly to the feminine ideal of simpering, angelic young ladyhood. P. D. Edward’s introduction evaluates the novel’s leading place among ‘bigamy-novels’ and Braddon’s treatment of the power struggle between the sexes, as well as considering the similarities between the author and her heroine.

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30

Hofer-Robinson, Joanna, and Beth Palmer, eds. Sensation Drama, 1860–1880. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439534.001.0001.

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Featuring previously unpublished material alongside famous plays,this pioneering edition provides access to some of the most popular plays of the nineteenth century. Characterised by exhilarating plots, large-scale special effects and often transgressive characterisation, these dramas are still exciting for modern readers. This anthology lays the foundation for further scholarly work on sensation drama and focuses public attention on to this influential and immensely popular genre.It features five plays from writers including Dion Boucicault and Mary Elizabeth Braddon. These are supported by a substantial critical apparatus, which adds further value to the anthology by providing rich details on performance history and textual variants. The critical introduction situates the genre in its cultural context and argues for the significance of sensation drama to shifting theatrical cultures and practices.

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31

Erchinger, Philipp. Artful Experiments. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474438957.001.0001.

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What is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Offering innovative interpretations of works by George Eliot, Robert Browning, Mary Elizabeth Braddon and others, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, Thomas H. Huxley, George H. Lewes and F. Max Müller, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science.

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32

Becoming Frauds: Unconventional Heroines in Mary Elizabeth Braddonªs Sensation Fiction. Writers Club Press, 2002.

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33

Hall, Dewey W., and Jillmarie Murphy, eds. Gendered Ecologies. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979046.001.0001.

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Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconnected by matter. While they were not natural philosophers as in the cases of Sir Isaac Newton, Robert Boyle, and Michael Faraday among others, these women writers did engage in acute observations of materiality in space (e.g., subjects, objects, and abjects), reasoned about their findings, and encoded their discoveries of nature in their literary and artistic productions. The collection includes discussions of the works of influential literary women from the long nineteenth century—Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child—whose multi-directional observations of animate and inanimate objects in the natural domain are based on self-made discoveries while interacting with the environs.

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34

Bilston, Sarah. The Promise of the Suburbs. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300179330.001.0001.

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When did the suburbs gain their reputation as places of dullness and sterility? This book traces the origins of such suburban stereotypes back to the 1820s, the earliest decade of suburban growth, and argues that those stereotypes were forged from the first to denigrate women and the new middle classes. Disdain for the suburbs blazed especially hotly at the fin de siècle. Writers like George Gissing and H. G. Wells famously presented the suburbs as dull and tedious places, inimical to creativity, and these are the images of the Victorian suburbs scholars know best to this day. This book traces a long-forgotten counter discourse back into the early decades of the century, showing that in women’s fiction especially, the suburbs functioned narratively as places of opportunity and new beginnings. The very existence of suburban problems, meanwhile, offered women a vocation, with professional work in and around the suburban home offered tentatively as the answer, the solution, the future. Drawing on a broad range of Victorian literature, from Charles Dickens and Mary Elizabeth Braddon to less well-known writers like John Claudius Loudon, Emily Eden, Bertha Buxton, Julia Frankau, and Jane Ellen Panton, this book bring forgotten voices back into the conversation about the growth of a new landscape, a new way of life.

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35

Wagner, Tamara S. The Victorian Baby in Print. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858010.001.0001.

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The Victorian Baby in Print: Infancy, Infant Care, and Nineteenth-Century Popular Culture explores the representation of babyhood in Victorian Britain. The first study to focus exclusively on the baby in nineteenth-century literature and culture, this critical analysis discusses the changing roles of an iconic figure. A close look at the wide-ranging portrayal of infants and infant care not only reveals how divergent and often contradictory Victorian attitudes to infancy really were, but also prompts us to revise persistent clichés surrounding the literary baby that emerged or were consolidated at the time, and which are largely still with us. Drawing on a variety of texts, including novels by Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, Mrs Henry Wood, and Charlotte Yonge, as well as parenting magazines of the time, childrearing manuals, and advertisements, this study analyses how their representations of infancy and infant care utilised and shaped an iconography that has become definitional of the Victorian age itself. The familiar clichés surrounding the Victorian baby have had a lasting impact on the way we see both the Victorians and babies, and a close analysis might also prompt a self-critical reconsideration of the still burgeoning market for infant care advice today.

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36

Valdez, Jessica R. Plotting the News in the Victorian Novel. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474474344.001.0001.

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Newspapers are constantly lying in the worlds of Victorian novels, from the false report of John Harmon’s death in Our Mutual Friend (1864-1865) to allegations of extramarital affairs in Phineas Finn (1867-1868). Yet characters continue to believe what they read in the newspaper, assuming that news must be recent, relevant, and true. Victorian novels thus explore the contradictory logic of news: claims to journalistic reality sit uneasily alongside unrepresentative, malicious, or even false news. This book argues that nineteenth-century novels analysed the formal and social workings of news through a shifting series of metaphors, analogies, and plots. By incorporating newspapers and news discourse into their narratives, Victorian novels experimented with the ways that generic and formal qualities might reshape communal and national imaginings. This book shows that novelists often responded to newspapers by reworking well-known events covered by Victorian newspapers in their fictions. Each chapter addresses a different narrative modality and its relationship to the news: Charles Dickens interrogates the distinctions between fictional and journalistic storytelling, while Anthony Trollope explores novelistic bildung in serial form; the sensation novels of Wilkie Collins and Mary Elizabeth Braddon locate melodrama in realist discourses, whereas Anglo-Jewish writer Israel Zangwill represents a hybrid minority experience. At the core of these metaphors and narrative forms is a theorisation of the newspaper’s influence on society.

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