Academic literature on the topic 'Mary of the Angels Church'

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Journal articles on the topic "Mary of the Angels Church"

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Guzewicz, Wojciech. "Kościoły i parafie diecezji ełckiej (cz. 15)." Civitas et Lex 41, no. 1 (2024): 7–20. http://dx.doi.org/10.31648/cetl.9393.

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The article presents the church centers in Monkinie (Our Lady of the Angels), Nowa Wieś Ełcka (St. Joseph the Craftsman), Okartowo (Immaculate Heart of the Blessed Virgin Mary) and two in Olecko (Blessed Virgin Mary Queen of Poland and Exaltation of the Holy Cross).
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Tulić, Damir, and Mario Pintarić. "Gli angeli zaratini a Ceregnano: una proposta per Gregorio Morlaiter." Ars Adriatica 7, no. 1 (2017): 227. http://dx.doi.org/10.15291/ars.1394.

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In the small town of Ceregnano, not far from Rovigo in Veneto, a new parish church was built in the 18th century. Its richly ornamented high altar has a monumental tabernacle with two large marble angels in adoration. The author has established that the altar was made in the tradition of analogous works produced by Giorgio Massari, and that the accurate date of its construction is 1778, the year carved at the rear of the tabernacle dome. Moreover, models have been found for the Ceregnano angels, namely the marble statues of angels at the high altar of the Benedictine church of St Mary in Zadar
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Pencakowski, Paweł. "The lamented Coronation of Virgin Mary by Włodzimierz Tetmajer in the Cathedral Church in Sosnowiec." Modus Prace z Historii Sztuki 24 (2024): 97–112. https://doi.org/10.4467/25453882mod.24.008.20665.

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The text presents significant and previously overlooked aspects of the iconographic program of the Young Poland-era mural decoration by Kraków painters Włodzimierz Tetmajer and Henryk Uziembło in the Church of the Assumption of the Blessed Virgin Mary in Sosnowiec. The murals were created in the main city of the Silesian- Dąbrowa Basin during the turbulent years of 1904–1906. An analysis of the program’s elements indicates that the depiction of the Coronation of Mary at the center of the church deviates from traditional and unequivocal representations. The interpretation of the iconography rev
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Koberová, Veronika, and Ladislav Bartoš. "Glass Window and door panes in the Capuchin church of Saint Mary of the Angels at Hradčany." Staletá Praha 34, no. 2 (2018): 112–30. http://dx.doi.org/10.56112/sp.2018.2.05.

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Schwartz, Nancy. "Dreaming in Color: Anti-Essentialism in Legio Maria Dream Narratives." Journal of Religion in Africa 35, no. 2 (2005): 159–96. http://dx.doi.org/10.1163/1570066054024631.

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AbstractThe article examines dreaming and dream narratives in Legio Maria, sub-Saharan Africa's largest African instituted church with a Roman Catholic background. Most Legios valorize a Black Christ and Black Mary but do so while espousing anti-essentialist attitudes towards racialization of the sacred. The social, cultural and symbolic hybridity of the Joluo (Kenya Luo), who still form the majority of the membership in this multi-ethnic, multi-national church, has influenced Legios' religious outlook. Legios' views are contrasted with some white and black theologies that take more monochrome
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Jurković, Ivan, and Ivana Prijatelj Pavičić. "Nova interpretacija sadržaja slike Lazzara Bastianija u samostanu sv. Frane u Zadru." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 52, no. 3 (2020): 225–85. http://dx.doi.org/10.17234/radovizhp.52.25.

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The sacristy of the monastic Church of St. Francis (Sveti Frane) in Zadar, held by the Franciscan Province of Saint Jerome, holds a painting by Lazzaro Bastiani, a Venetian painter of the early Renaissance. The painting is venerated as a depiction of the Virgin of Mercy (Ara Coeli). The upper section of the painting features the Blessed Virgin Mary and the infant Jesus. The Virgin is shown sitting in a mandorla made of angels with a crescent beneath her feet. God the Father is placing a crown on her head. Two angels are holding the ends of her outspread cloak, in front of which are saints: the
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Ditlevsen, Kirsten. "Maria - et forbillede for kristne? Grundtvigs syn på Jomfru Maria." Grundtvig-Studier 42, no. 1 (1991): 112–33. http://dx.doi.org/10.7146/grs.v42i1.16062.

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Mary - a Model for Christians..... ? Grundtvig’s View of Virgin MaryBy Kirsten DitlevsenThe Protestant Church has always tended to keep warily aloof from the Virgin Mary, and still does. After the Reformation, Mary played a very insignificant role in the church, at least up to the time of Grundtvig. The fact is that Grundtvig begins to take an interest in Mary, inspired by the church father Irenaeus. Grundtvig compares Eve in the Garden of Eden with Mary in Nazareth. Both women were met with an angel’s talk. A false angel beguiled Eve into violating the word of God; while a true angel came to
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Resende, Joaquim Francisco Batista, and Antonio Luiz Catelan Ferreira. "ESCOLA DE MARIA, MÃE DE DEUS, AJUDA MATERNA NA CONSTRUÇÃO DA PAZ ENTRE OS HOMENS." Coletânea 20, no. 39 (2021): 221–34. http://dx.doi.org/10.31607/coletanea-v20i39-2021-11.

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This paper explores the thinking of the theologian and Emeritus Pope Benedict XVI, focusing on the pronounced homilies at Solemnities of Mary, Mother of God, and of the Assumption, and in the allocutions at Angelus, about Mary’s mission in the economy of salvation, the comprehension of the title “Mother of God” and its consequences to Christian’s Faith. Benedict XVI’s mariology is in perfect harmony with the Second Vatican Council, which opened a new path in the Church, presented Mary as a perfect model for the Church and maternal aid for a peaceful coexistence, always and exclusively guided b
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Radovanovic, Janko. "New contribution to studying fresco of Holy Virgin Milkprofferer in Pec." Balcanica, no. 32-33 (2002): 253–62. http://dx.doi.org/10.2298/balc0233253r.

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In the church dedicated to Holy Virgin Odigitria in the Patriarchate of Pec, the foundation of Archepiscope Danilo II, among several images of Virgin Mary the greatest attention of the researchers was attracted by Holy Virgin the Milkprofferer (Nurturer). Mother of God was painted on the southern wall of the narthex, sitting in the throne with the child Christ suckling in her lap. On the left and right side two angels are represented, showing their respect. To the right, three young women or girls approach, greeting her with their arms outstretched. The fresco was painted about 1330. Close lin
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Stoenescu, Livia. "Retooling Medievalism for Early Modern Painting in Annibale Carracci’s Pietà with Saints in Parma." Religions 12, no. 8 (2021): 609. http://dx.doi.org/10.3390/rel12080609.

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Annibale Carracci (1560–1609) drew on the Italian Renaissance tradition of the Man of Sorrows to advance the Christological message within the altarpiece context of his Pietà with Saints (1585). From its location at the high altar of the Capuchin church of St. Mary Magdalene in Parma, the work commemorates the life of Duke Alessandro Farnese (1586–1592), who is interred right in front of Annibale’s painted image. The narrative development of the Pietà with Saints transformed the late medieval Lamentation altarpiece focused on the dead Christ into a riveting manifestation of the beautiful and s
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Dissertations / Theses on the topic "Mary of the Angels Church"

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Smith, Mark S. H. "Enhancing the congregation's appreciation for the scriptural doctrine of angels /." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Smith, Mark S. H. "Enhancing the congregation's appreciation for the scriptural doctrine of angels." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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Renehan, Caroline Anne. "The Church, Mary and womanhood : emerging Roman Catholic typologies." Thesis, University of Edinburgh, 1993. http://hdl.handle.net/1842/27258.

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This thesis is about the exploration of two distinct theological disciplines and the hope of finding conciliatory mediation between them. The Roman Catholic Church as hierarchical Institution is one side while Christian feminism within that context is on the other. Rosemary Radford Ruether has been chosen to state the Christian feminist case while certain selected documents and teachings of the Church have been chosen to portray Roman Catholic tradition and teaching. The theological mediation point between the two is to be found particularly in one aspect of Marian theology. However, it is not
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Owen, Rachel. "Mary of Magdala the evolution of an image /." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04172007-205028/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from file title page. Louis A Ruprecht, Jr., committee chair; Kathryn McClymond, Timothy Renick, committee members. Electronic text (115 p. : ill., maps) : digital, PDF file. Description based on contents viewed Dec. 5, 2007. Includes bibliographical references (p. 112-115).
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Rehatta, Gabriel. "The meaning of the Dormition of Virgin Mary." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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Hearden, Maura E. "The Mother of Christ as a symbol of Christian unity a case study for ecumenical dialogue /." 24-page ProQuest preview, 2008. http://proquest.umi.com/pqdweb?did=1538430211&sid=2&Fmt=2&clientId=10355&RQT=309&VName=PQD.

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Stickley, Myron William. "The role of the church as God's arena of learning for the angels a biblical study of Ephesians 3:10 /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Morrow, Bethany. "Eve, the Virgin, and the Magdalene women and redemption in the early church /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1416.

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Whalen, Michael Dennis. "Liturgical theologies of Mary an analysis and comparison of the missals of 1570 and 1969 /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Fledderus, France. "The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278129/.

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The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of
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Books on the topic "Mary of the Angels Church"

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Fournée, Jean. Praying the Angelus: The message of the angel to Mary. Crossroad, 2000.

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Chmiel, Mary Fidelia. The heart of Mother Angela: Mother Mary Angela Truszkowska and the Felician Sisters against the backdrop of nineteenth century religious thought in Poland. Shemco Corporation, 1986.

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Greig, David. In the fullness of time: A history of the Church of Saint Mary Magdalene, Toronto. Church of Saint Mary Magdalene, 1990.

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Wilkinson, David J. Cirencester Anglo-Saxon church and medieval abbey. Cotswold Archaeological Trust, 1998.

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Virtue, Doreen. Mary, Queen of Angels. Hay House, 2012.

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David, Brown, McWhirr Alan, Wacher J. S, Wilkinson David J, and Cotswold Archaeological Trust, eds. Cirencester Anglo-Saxon church and medieval abbey: Excavations directed by J.S. Wacher (1964), A.D. McWhirr (1965) and P.D.C. Brown (1965-6). Cotswold Archaeological Trust, 1998.

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Marcy, Mary. The tongue of angels: The Mary Marcy reader. Susquehanna University Press, 1988.

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Universität Heidelberg. Institut für Papyrologie and Institute for Antiquity and Christianity, eds. The magical book of Mary and the angels. The Institute for Antiquity and Christianity, 1997.

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N, Swanson R., ed. The church and Mary. Ecclesiastical History Society/Boydell Press, 2004.

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Taylor, Barbara Brown. Bread of angels. Cowley Publications, 1997.

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Book chapters on the topic "Mary of the Angels Church"

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Rancour-Laferriere, Daniel. "Daughter Zion, Mother Church." In Imagining Mary. Routledge, 2017. http://dx.doi.org/10.4324/9781315121550-4.

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Wright, Terence. "Realising Christianity: Mary Barton." In Elizabeth Gaskell 'We are not angels'. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1057/9780230378155_2.

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Spretnak, Charlene. "Why the Church Deposed the Queen of Heaven." In Missing Mary. Palgrave Macmillan US, 2004. http://dx.doi.org/10.1007/978-1-4039-7854-7_6.

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Swensen, Rolf. "Mary Baker Eddy's ‘Church of 1879’." In “And O’er Earth’s Troubled, Angry Sea”: The History of Christian Science in the United States. Routledge, 2025. https://doi.org/10.4324/9781003518501-2.

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O'Malley, Lurana Donnels. "The Trials of Mary Church Terrell." In Black Activists Write Wheatley and Washington. Routledge, 2025. https://doi.org/10.4324/9781003334897-7.

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Flisfisch, María Isabel. "The Eve—Mary Dichotomy in the Symphonia of Hildegard of Bingen." In Medieval Church Studies. Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.mcs-eb.3.3592.

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Jordan, Ellen. "‘A Sort of Instrument for Popularizing Church Views’: Charlotte Yonge, Her Mentors, and Her Publishers." In Charlotte Mary Yonge. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10672-9_13.

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Di Franco, Karen. "Mary Butts." In The Bodies That Remain. punctum books, 2018. https://doi.org/10.21983/p3.0212.1.12.

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The tomb of Mary Butts lies in the windswept graveyard of Sennen Church, its entrance barely visible from the A30 that connects Sennen Cove to the rest of the Penwith peninsula and onward towards Land’s End. Butts moved to Cornwall in 1932 and purchased a small bungalow, the unimaginatively named 1 Marine View. Renaming her home Te b e l Vo s (House of Mag-ic), this location would be the site of a prolific period in Butts’ published writing career, with the novel The Death of Felicity Tavener coming out in the same year, closely followed byThe Macedonian[1933] and Scenes from the Life of Cleop
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Keck, David. "The Length of Scripture 2 Angels, Israel, and the Church." In Angels & Angelology in the Middle Ages. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195110975.003.0003.

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Abstract The first literal biblical reference to angels of any kind declares the presence of angels at the casting of Adam and Eve from the Garden: God “drove out the man; and at the east of the garden of Eden he placed the cherubim, and a flaming sword which turned every way, to guard the way to the tree of life” (Gen. 3:24). The angels symbolize the impossibility of man’s unaided return to his state of innocence, his state of original purity. This image of angels who prevent the sinful from entering a sacred place provides the typological basis for a story about Saint Mary of Egypt. As a cap
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"St. Mary of the Angel." In Raised by the Church. Fordham University Press, 2011. http://dx.doi.org/10.2307/j.ctt13wzxsn.12.

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Conference papers on the topic "Mary of the Angels Church"

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Gugeanu, Mariana, and Doina Gugeanu. "Structuri textile provenite din necropola bisericii Adormirea Maicii Domnului, Mănăstirea Căpriana. Cercetare și conservare-restaurare." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-204-211.

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The archaeological research carried out at “The Assumption of the Virgin Mary” Church of Căpriana Monastery highlighted that starting with the 16th century a necropolis had been built in the pronaos and threshold of the church, including tombs of the boyar founders’ families. The archaeological inventory of the necropolis within “The Assumption of the Virgin Mary” Church contains also fragments of textile materials. The study of the archaeological textile materials of Căpriana Monastery, mainly the structure of the natural silk weavings and the chenille made by tablet weaving, respectively, le
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Gharehayaghi, Samira, and Farhad Akhoundi. "Vulnerability assessment of Holy Mary Historical Church in East Azerbaijan, Iran according to Italian Guidelines." In 4th International Civil Engineering & Architecture Conference. Golden Light Publishing, 2025. https://doi.org/10.31462/icearc2025_a_car_757.

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Rodríguez Cantalapiedra, Pedro. "Rigour, methodology and use, success in heritage conservation: The tower of the St. Mary Magdalene`s church." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15610.

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The church of Santa María Magdalena of Matapozuelos (Valladolid) from the sixteenth century, made of Mudejar masonry brickwork combines late Gothic with Renaissance elements, is a Cultural Interest Asset. Its prominent tower is the object of this project. It was proposed the tower is restored to its original monumental value and condition, giving it a new life. The most significant change has been the installation of a fixed staircase extending the existing one to access the bell tower and upper levels, allowing controlled access for visitors and creating a more open and bright interior space,
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Ribichini, Luca. "Notre Dame du Haut, Ronchamp, the shape of a listening. A whole other generative hypothesis." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.719.

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Abstract: The article will examin one of Le Corbusier's more emblematic works: the Ronchamp Chapel. The aim is to discover some of the intentionalities hidden within the design of this work by the swiss architect. It will start with the following considerations of Le Corbusier about the Ronchamp chapel:“it began with the acoustics of the landscape taking the four horizons as a reference...to respond to these horizons, to accomodate them, shapes were created…” And: “ Shapes make noise and silence; some speak and others listen...”And again: “ Ear can see proportions. It's possibile to hear the m
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Vučetić, Snežana, Marija Kovač, Bojan Miljević, and Vesna Miljić. "DIAGNOSIS, CONSERVATION PLANNING, CLEANING AND PROTECTION OF MONUMENTS: CASE STUDY OF THE SERBIAN ORTHODOX CHURCH IN SREMSKA KAMENICA." In XXIX kongres DIMK i X kongres SIGP sa Međunarodnim simpozijumom o istraživanjima i primeni savremenih dostignuća u građevinarstvu u oblasti materijala i konstrukcija. Društvo za ispitivanje i istraživanje materijala i konstrukcija Srbije, 2025. https://doi.org/10.46793/29dimk.469v.

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Modern principles of responsible and sustainable heritage protection are based on an interdisciplinary approach, collaboration between scientists and experts, and the application of methods that ensure the preservation of the authenticity of heritage structures. Interventions on such structures—including cleaning, repair, and protection—must be grounded in thorough research of the materials, degradation mechanisms, and specific environmental conditions. This paper presents the methodology for condition assessment, cleaning, consolidation, desalination and protection of the façade of the Serbia
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ХОХЛОВ, А. Н., С. А. КУНГУРЦЕВА, and А. Б. ИВАНОВА. "Studying of Medieval Necropolis near the Church of Annunciation to the Blessed Virgin Mary in the South Side of Tver Kremlin." In Тверь, тверская земля и сопредельные территории в эпоху средневековья. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-279-7.221-241.

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В статье рассмотрены погребения средневекового некрополя у церкви Благовещения в южной части Тверского кремля. На основании анализа относительной стратиграфии и датировки находок установлена хронология некрополя XIV первая половина XV вв., выделено три этапа его функционирования. Определены границы юго-восточной части некрополя в указанный период. Проанализирован погребальный обряд. The article represents burials in medieval necropolis near the Church of Annunciation in the south side of Tver kremlin. The authors defi ne chronology of necropolis by the XIV the fi rst part of the XV centuries a
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Kurek, Weronika. "Релігійна музика в Любліні перед Першою світовою війною у світлі "Люблінського кур'єра"". У ALTITUDO MUNDI SPIRITUALIS. Духовність у сучасному світі: просвітницько-культурогічний підхід. Publishing House "Krok", 2024. http://dx.doi.org/10.37835/ams-2024-17-18-04-2.01.

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The article presents information about the musical life of the city of Lublin, which developed thanks to local artists. It is noted that the traditions of performing religious music have been known here since the sixteenth century, when a brotherhood of musicians was created in the Church of St. Archangel Michael. The significance of regional periodicals in the coverage of the chronology of events is emphasized, in particular, the magazine "Courier" is noted. It is shown that references to the performance of religious music in this magazine are quite rare. It is noted that the most important c
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Шадрина, А. А., and А. В. Большакова. "A COMPREHENSIVE STUDY OF THE ARTISTIC AND TECHNOLOGICAL FEATURES OF THE MONUMENT OF LATE RUSSIAN ICON PAINTING ON THE EXAMPLE OF THE ICON “ASSUMPTION ...” FROM THE TRINITY CHURCH OF THE VILLAGE OF AREFINO." In РЕСТАВРАЦИЯ. НАШ ВЗГЛЯД — 2024. Crossref, 2024. http://dx.doi.org/10.54874/9785605196549.2024.7.07.

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Проблема изучения поздней русской иконописи представляется очень актуальной, поскольку исследовательский интерес поколения ученых ХХ века был направлен преимущественно на иконопись Древней Руси. В статье подробно рассмотрены стилистические и художественные особенности памятника иконописи XIX века на примере иконы «Успение Пресвятой Богородицы» из церкви Святой Троицы села Арефино. Комплекс техникотехнологических и искусствоведческих анализов памятника дает развернутое представление об особенностях произведения искусства как о материальном и художественном объекте. The problem of studying the l
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Taseva, Lora, та Alessandro Maria Bruni. "Гръцко-славянските лексикални съответствия като критерий за атрибуция на старобългарски преводи / Greek-Slavonic Lexical Equivalents as a Criterion for Authorship Attribution of Old Church Slavonic Translations". У Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.08.

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This paper deals with the problem of lexical variation in Old Church Slavonic translations from Greek. The authors investigate lexical correspondences for the same Greek word in a number of texts, whose origin is linked to the Preslav literary School (late 9th-early 10th century). They are on the one hand, the Didactic Gospel and the First Oration against the Arians by Athanasius of Alexandria (CPG 2039) translated by Constantine of Preslav, while, on the other hand, four anonymous translations of homiletical works. These include the Third Sermon on the Dormition of the Blessed Virgin Mary by
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Štěpánek, Pavel. "Tasting the milk of celestial knowledge. Note about the rhetoric of the portrayal of the sacred in Alonso Cano’s painting The Lactation of St. Bernard (1653–1657) from the National Gallery in Prague." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-20.

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Abstract:
This is an attempt of interpretation of a picture that draws from mystical tradition. It is about the comprehension of a topic in a painting by the Spanish artist Alonso Cano (1601–1667, Granada), from the National Gallery in Prague (O 14 690) Lactatio S. Bernardi – presenting the miracle of lactation, in which the Virgin Mary is squirting milk from her breast into the mouth of St. Bernard of Clairvaux (a historically very famous saint and major representative of the Cistercian Order). Traces of iconography lead up to the Coptic Church, where the typology of the milking Virgin was probably fir
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Reports on the topic "Mary of the Angels Church"

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Health hazard evaluation report: HETA-91-158-2161, Immaculate Heart of Mary Church, Cincinnati, Ohio. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control, National Institute for Occupational Safety and Health, 1991. http://dx.doi.org/10.26616/nioshheta911582161.

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