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Books on the topic 'Mary (Sloop)'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Bryson, Jamie S. First time around. Stamford, CT: Wescott Cove Pub., 1996.

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2

Cooper, Richard. Dr. Mary Martin Sloop: The woman who moved mountains. Creative Productions, 1988.

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3

Journal of the voyage of the sloop Mary from Quebeck: Together with an account of her wreck off Montauk Point, L.I., anno 1701. Albany, N.Y: J. Munsell, 1985.

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4

Journal of the Voyage of the Sloop Mary from Quebeck [microform]: Together with an Account of Her Wreck off Montauk Point, L. I. , Anno 1701. Creative Media Partners, LLC, 2021.

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5

Sainsbury, Mark. Nonspecificity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803348.003.0005.

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This chapter criticizes Quine’s classic discussion (from the 1950s) of “John wants a sloop”, which he claims is ambiguous between a specific and a nonspecific reading. By contrast, the negation test shows that attributions like this are not ambiguous, but simply nonspecific. Nonspecificity is extended from indefinite noun phrases to other expressions, including plurals. It is also extended from language to psychology, from the sentence “John wants a sloop” to what state John is in when wanting a sloop. There are no nonspecific houses or trees, or ordinary things more generally. But there are nonspecific intentional states, as opposed merely to nonspecific attributions of intentional states. A nonspecific state is one that involves the exercise of indefinite concepts. Both specific and nonspecific intentional states may be correctly ascribed nonspecifically.

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6

Sea Shanty Play-Alongs for Flute: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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7

Sea Shanty Play-Alongs for Violin: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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8

Sea Shanty Play-Alongs for Soprano Recorder: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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9

Sea Shanty Play-Alongs for Accordion, Opt. Piano: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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10

Sea Shanty Play-Alongs for Clarinet in Bb: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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11

Sea Shanty Play-Alongs for Trombone, Opt. Baritone B. C.: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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12

Sea Shanty Play-Alongs for Soprano, Alto and Tenor Saxophone: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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13

Sea Shanty Play-Alongs for Trumpet, Opt. Baritone T. C. in Bb: Ten Sea Shanties to Play along. from Aloha 'Oe, la Paloma, Santiana Via Sloop John B. , the Drunken Sailor to the Wellerman and Many More. , Book and CD. Alfred Music, 2024.

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14

van der Sloot, Bart. Regulating the Synthetic Society. Hart Publishing, 2024. http://dx.doi.org/10.5040/9781509974979.

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Experts predict that in 5 years’ time, more than 90% of all digital content will be wholly or partially AI generated. In a synthetic society, it may no longer be possible to establish what is real and what is not. Central to this open access book are 4 technologies on the frontline of this trend: humanoid robots, deepfakes, augmented reality, and virtual reality. Although they are only in their relative infancy, these technologies can already produce content that is indistinguishable from authentic material. The impact of this new reality on democracy, the judicial system, the functioning of the press, as well as on personal relationships will be unprecedented. Van der Sloot describes the technological fundaments of each of those technologies and maps their positive uses for educational purposes as well as for the treatment of patients, for the entertainment and creative industries, and the retail and financial sectors. The book also conceptualises their negative uses for fraud, deception, exploitation, identity-theft and exploitation, and shows their deeper effects on the post-truth society, the privatisation of the public sphere, and the loss of individual autonomy and societal trust. The book evaluates how the current European legal paradigm applies to these technologies, focussing on the right to privacy and data protection, freedom of expression, procedural law, tort law, and the regulation of AI. It discusses regulatory alternatives to solve existing regulatory gaps and shows that there are no easy answers. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

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15

Raitz, Karl. Making Bourbon. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178752.001.0001.

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Kentucky distillers have produced bourbon and rye whiskeys for more than two centuries. Part I of this book examines the complexities associated with nineteenth-century distilling’s evolution from an artisanal craft practiced by farmers and millers to a large-scale mechanized industry that adopted increasingly refined production techniques. The change from waterpower to steam engines permitted the relocation of distilleries away from traditional sites along creeks or at large springs. Commercial-scale distilling was accompanied by increasing government taxes and oversight controls. Mechanized distilleries readily expanded production and increased their demand for labor, grains, cooperage, copper stills, and other metal fixtures. Improved transportation—turnpikes, steamboats, trains, and dams and locks—allowed distillers to extend their reach for grains and equipment while distributing their product to national and international markets. Industrial production produced large amounts of spent grains, or slop, which had to be disposed of by feeding it to livestock or dumping it in sinkholes and creeks. Industrialization also increased the risk of fire, explosions, personal injury, and livestock diseases. Overproduction during the last third of the nineteenth century, among other problems, forced many distilleries to stop production or close. The temperance movement eventually led to Prohibition, which was in effect nationwide from 1920 to 1933. A small number of distillers survived that period by making medicinal whiskey. Part II consists of two case studies that provide detailed information on the general process of mechanization and industrialization: the Henry McKenna Distillery in Nelson County, and James Stone’s Elkhorn Distillery in Scott County. Part III examines the process of claiming product identity through naming, copyright law, and the acknowledgment that tradition and heritage can be employed by contemporary distillers to market their whiskey. Distillers venerate the “old,” and reconstructing the past as a marketing strategy has demonstrated that the industry’s heritage resides on the landscape—much of it established in the nineteenth century in the form of historic buildings, traditional routes, distillery towns, and other features that can be conserved through historic preservation and utilized by contemporary whiskey makers.

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