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Dissertations / Theses on the topic 'Mary the Virgin (Cottingham)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Pierce, Bethany M. "Courting the Virgin Mary." Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1154462978.

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2

Bates, Stephen. "Re-imagining the Virgin Mary in Reformation England." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/62111/.

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This thesis is an interdisciplinary examination of the place of the Virgin Mary in the English reformations of the sixteenth century. Situated at the crossroads of cultural and social history, it engages with the post-revisionist debate within Reformation studies. It seeks to move post-revisionism forward by suggesting that the versatility and vitality of late medieval Mariology enabled reformers, Catholic and Protestant, to select and reject from a basket of possibilities. Consequently it contends that the fissures that had opened up by the time of the Elizabethan settlement had essentially d

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3

Rehatta, Gabriel. "The meaning of the Dormition of Virgin Mary." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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4

Black, David S. "An analysis of the teaching of the Virgin Mary's co-redemptive work with Christ." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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5

Luzyte, Rasa. "A thealogy of Mary : the non-Christian myth of Mary, the shadow of Mary and an individual connection to the divine self through Mary." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/20251.

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My work on the thealogy of Mary conveys a largely subjective way of thinking, it does not claim to present the view of any group, and it does not profess a theoretical agenda for a cult or a religious movement of Mary. The framework of this work is grounded in symbolic (legends, fairy tales and images), psychological (the structure of the psyche according to Carl Gustav Jung: the Self, the conscious, the unconscious, the Shadow) and imaginative (individual interpretations of narratives and images) spheres that are combined with feminist spirituality theories, religious philosophy and literary

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6

Fernandes, Flynn M. "Mary: Co-redemptrix, mediatrix of all graces, and advocate of the people of God: An interdisciplinary exposition and evaluation of the proposed fifth Marian dogma." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:105006.

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Thesis advisor: Margaret E. Guider<br>Thesis advisor: Michael Simone<br>Thesis (STL) — Boston College, 2015<br>Submitted to: Boston College. School of Theology and Ministry<br>Discipline: Sacred Theology

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7

Gallagher, Laura. "The Virgin Mary in the early modern literary imagination." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601481.

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This thesis examines literary appropriations of the Virgin Mary in the early modem period to argue that she continued to occupy the early modern imagination. The Virgin Mary operates as a lieu de memoire, recalling the Catholic medieval past, but she was refashioned in new terms in the early modern period to ruminate on issues such as mnemonic prayer, material spirituality, motherhood and breastfeeding, female voice, appropriate grief and female authority. By reading a variety of genres, written by both men and women, Protestant and Catholic, from across the period, the thesis argues for the V

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8

Tulanowski, Elaine G. "The iconography of the assumption of the Virgin in Italian paintings : 1480-1580 /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265555438371.

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9

Jolly, Anna. "Madonnas by Donatello and his circle." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260560.

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10

Barker, Mary Christine. "A Disquieting Presence: The Virgin Mary in Rembrandt's 'Protestant' Art." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6349.

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The identification of Rembrandt as a ��Protestant�� artist has, since the middle of the nineteenth century, defined and directed analytical perspective of his biblical works. In the initial stages of Rembrandt��s reinvention as representative of the Protestant culture of his age, religion was not important in terms of the art produced; it was an indication of political identity. A recognition of the importance of Rembrandt��s religious beliefs to his biblical works led later art historians to define these works in terms of a Protestant identity. Rembrandt was a ��Protestant��; he was ips

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11

Nachef, Antoine B. S. O. "Mary: virgin mother in the thought of the Cappadocian Fathers." IMRI - Marian Library / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430404478.

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12

Morrow, Bethany. "Eve, the Virgin, and the Magdalene women and redemption in the early church /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1416.

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13

Wright, Mary. "The canonical development of the Institute of the Blessed Virgin Mary." Thesis, University of Ottawa (Canada), 1992. http://hdl.handle.net/10393/7574.

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14

Mulhern, Kathleen Ann. "Saint Bernard, the Virgin, and women twelfth century womanhood in history and literature /." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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15

Karterouli, Konstantina. "The Virgin of Dom Rupert: Image, Function, Assimilation." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11699.

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This dissertation examines a Mosan stone relief of the Virgin and Child Enthroned housed in the Grand Curtius Museum in Liège that has not yet been the subject of detailed analysis. This study focuses on the formal and iconographic aspects of the relief. It discusses the novel image of the Virgin and relates it to developments in medieval art during the late twelfth and the early thirteenth centuries, establishing a date for the relief to that period.<br>History of Art and Architecture

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16

Warner, Martin Clive. "Virginity matters : power and ambiguity in the attraction of the Virgin Mary." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/3140/.

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This thesis seeks to account for virginity as the source of Mary's power to attract. The point of departure is the syncretistic culture of the classical world. Here, patristic use of Old Testament typology recognises the distinctive work of grace in Mary's virginity, thus allowing it to become the determining quality by which her experience is subsequently perceived and universalised. The thesis divides its exploration into the three categories by which Mary is portrayed in the gospels - woman, spouse, mother - concluding its investigation with the end of the nineteenth century and its new und

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17

Carinci, Eleonora. "'Lives of the Virgin Mary' by women writers in post-Tridentine Italy." Thesis, University of Cambridge, 2009. https://www.repository.cam.ac.uk/handle/1810/283855.

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18

Maunder, Christopher John. "Apparitions of the Virgin Mary in modern European Roman Catholicism (from 1830)." Thesis, University of Leeds, 1991. http://etheses.whiterose.ac.uk/419/.

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Apparition phenomena, particularly those that claim Mary as their object, are still very influential in modern Roman Catholicism. The first half of this thesis is concerned with the context of these visions in their European form, and how the Catholic Church promotes some of them into the heart of its devotional life. On the whole, this first part takes a phenomenological view, simply looking at this process in its own right, although there are also some sociological insights and critical remarks. The author, as a Catholic devotee of the marian cult himself, is attempting to write a theologica

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19

Beattie, Christina Jane. "God's mother, Eve's advocate : a gynocentric refiguration of Marian symbolism in engagement with Luce Irigaray." Thesis, University of Bristol, 1999. http://hdl.handle.net/1983/a16930db-a3b7-4f86-ba6f-df5350a54fed.

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20

Bohlander, Ruth Ann. "Mother of God, Cease Sorrow!: The Significance of Movement in a Late Byzantine Icon." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/105691.

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Art History<br>M.A.<br>The relationships between movement, emotion, and ritual communion in Byzantium have drawn the attention of art historians in recent years. While Henry Maguire has considered many facets of this subject, a monumental Late Byzantine icon, the Two-Sided Icon with the Virgin Pausolype, Feast Scenes, the Crucifixion and Prophets, suggests others. While the catalog entry by Annemarie Weyl Carr in Byzantium: Faith and Power remains the only published discussion of this particular icon, or even specifically of the Pausolype ("cease sorrow!") iconographic type, I believe that thi

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21

Hebbard, Matthew S. "The virgin of Guadalupe and Mexican religious belief." Theological Research Exchange Network (TREN) Access this title online, 2003. http://www.tren.com.

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22

Mills, Matthew. "Behold your mother : the Virgin Mary in English monasticism, c. 1050-c. 1200." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c72df193-cdbe-4fc1-b59f-714015846599.

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This thesis examines the place of the Virgin Mary in the intellectual culture of Benedictine and Cistercian monasticism in medieval England, between c. 1050 and c. 1200. Drawing high profile thinkers, including Anselm of Canterbury (d. 1109), into dialogue with lesser known figures, it reveals the richness of monastic contributions to Marian doctrine and devotion, in many cases for the first time. The shape of the analysis is provided by five key 'moments' from Mary's life, unfolded consecutively across six chapters. Chapters 1 and 2, on Mary's conception, reveal a confident and pioneering mon

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23

Paganopoulos, Michelangelo. "Land of the Virgin Mary : an ethnography of monastic life on Mount Athos." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/6537/.

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This thesis is an ethnographic account of contemporary monastic life in two monasteries of Mount Athos, the ‘Garden of the Virgin Mary’ (o kipos tis Parthenou). Athos is an autonomous Christian Orthodox monastic republic of twenty monasteries with only male monks, situated in northern Greece. The material is based on fieldwork carried out between 2002 and 2004 in the monasteries of Vatopaidi and Esfigmenou. By focusing on Christian monastic life, the thesis aims to contribute to the opening of a cultural and historical study of Christianity. It covers a number of themes, beginning with how the

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24

Koperski, Andrew Robert. "Breaking with Tradition: Jerome, the Virgin Mary, and the Troublesome “Brethren” of Jesus." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524837953738555.

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25

Beshay, Michael. "The Virgin Mary in Ritual in Late Antique Egypt: Origins, Practice, and Legacy." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu15888899395967.

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26

O'Cinnsealaigh, Benedict D. "The Marian theology of Adam of Dryburgh." IMRI - Marian Library / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431440615.

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27

Bartel, Kate Patricia. "Portal of the skies four scenes in the musical life of the Virgin Mary, ca. 1500-1650 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1324371221&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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28

Higgins, Sabrina. "Embodying the Virgin: The Physical Materialization of the Cult of Mary in Late Antique Egypt (Fifth-Ninth Centuries CE)." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31923.

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This is a study of the physical manifestation of the cult of the Virgin Mary in Late Antique Egypt, that is, of the point at which Marian veneration, which scholars generally agree coalesced in the fifth century, spilled over into the physical sphere. Three diverging source materials (papyri/inscriptions, archaeology and iconography) are explored in order to answer the central question, which asks: to what extent does the evidence for the physical materialization of the cult of Mary reflect its geographical and chronological diffusion in Late Antique Egypt? Each of the sources materials are c

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29

Scammell, Jennifer F. "Domesticating the Virgin : vernacular depictions of Mary and their reception in late medieval society." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1894/.

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This thesis is concerned with the didactic function of fourteenth- and fifteenth-century vernacular religious literature and art in contemporary medieval English society, and particularly the ways in which texts and images participate in emergent lay religious culture and inform social practices of the time. The focus is on apocryphal and legendary depictions of episodes in the Life of the Virgin Mary in vernacular works of the later Middle Ages and special consideration is given to the ways in which certain female audiences in England may have received and responded to Mary narratives. An int

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30

Tsironis, Niki J. "The lament of the Virgin Mary from Romanos the Melode to George of Nicodemia." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/the-lament-of-the-virgin-mary-from-romanos-the-melode-to-george-of-nicodemia(c652c3c6-3d01-41c8-be4a-a575ae733a05).html.

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31

Espinosa, Ruben. "Shakespeare's Marian refractions: Shaping masculine identity via the Virgin Mary in post-Reformation England." Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3303838.

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32

Duricy, Michael P. "Mary in Film: an Analysis of Cinematic Presentations of the Virgin Mary from 1897-1999: a Theological Appraisal of a Socio-Cultural Reality." IMRI - Marian Library / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1427818757.

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33

Andrews, Johansson Ann-Katrin. "Tropes for the proper of the mass, 4 : The feasts of the blessed Virgin Mary." Doctoral thesis, Stockholms universitet, Institutionen för franska, italienska och klassiska språk, 1998. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-45041.

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34

Barber, Charles Edward. "Image and cult : studies in the representation of the Virgin Mary in early medieval art." Thesis, Courtauld Institute of Art (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261573.

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35

Calloway, Donald H. M. I. C. "Purest of all lilies: the Virgin Mary in the spirituality of St. Maria Faustina Kowalska." IMRI - Marian Library / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431436028.

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36

Armstrong, Christopher R. "Under the veil of the Virgin: the gradually developing relationship of Saint Therese of the Child Jesus and of the Holy Face to the Blessed Virgin Mary." IMRI - Marian Library / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430298748.

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37

Scherschligt, Michael A. "To Jesus through Mary: history and theology." IMRI - Marian Library / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431444140.

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38

Duggan, Paul E. "The Assumption dogma: some reactions and ecumenical implications in the thought of English-speaking theologians." IMRI - Marian Library / OhioLINK, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430383403.

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39

Larocca, Grosso Antonio de Jesus S. M. C. "La maternidad espiritual de Maria: acontecimiento, permanencia y actualizacion de su presencia." IMRI - Marian Library / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430400296.

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40

Ziegler, Alexandra. "Divinity & Destiny: Marian Imagery in Rubens' Life of Marie de' Medici." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19332.

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In 1622, the Dowager Queen of France, Marie de' Medici, had recently returned to Paris after a period of exile imposed by her son, Louis XIII, and commissioned a monumental cycle of images from Peter Paul Rubens to decorate the gallery of her freshly constructed Luxembourg Palace. The contract for the commission tasked Rubens with painting the “illustrious life and heroic deeds” of Marie de' Medici. This thesis argues that alongside the classical and the historical, Rubens employed a specifically Catholic visual language to create a painted panegyric of a heroic female sovereign. In doing so

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41

Curwen, Emma. "Mother, wife, temptress, virgin and tyrant defining images of feminine power in medieval queenship and modern politics /." [Denver, Colo.] : Regis University, 2009. http://165.236.235.140/lib/ECurwen2009.pdf.

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42

Chua, Celia M. I. C. "Mary, Chinese ancestor veneration, and the communion of saints." IMRI - Marian Library / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430314354.

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43

Lenar, Richard E. "The Figure of Mary in Italian Opera: Theological Foundations and Technical Analysis." IMRI - Marian Library / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1557504767565933.

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44

Kuhn, Maria Diane. "Mother Mary Comes to Me: The Stylistic Shift in Portrayals of Mary and her Adoration in Medieval Italy." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619455685665479.

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45

Buffer, Thomas. "The mariological doctrine of Charles Journet (1891-1975): a survey." IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431532719.

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46

May, Julia Stephens. "The Iconography of the Sacred Mother of Santa Maria Tonantzintla." VCU Scholars Compass, 1995. http://scholarscompass.vcu.edu/etd/815.

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This thesis entails a three-part approach to understanding the iconographic program at Santa Maria Tonantzintla. First, an historical and stylistic background of Santa Maria Tonantzintla will be presented. Included in this section is a description of the church and its many saints. The second part is a description of the various images of the Virgin and associated Marian Emblemata within the church design. The third part focuses on the European- based iconography of the Virgin and the iconography of the pre-Hispanic earth mother Tonantzin. It will illustrate how the image of the Virgin of the

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47

Parlby, Geri. "What can art tell us about the cult of the Virgin Mary in the early Roman Church? : a re-evaluation of the evidence for Marian images in Late Antiquity." Thesis, University of Roehampton, 2010. https://pure.roehampton.ac.uk/portal/en/studentthesis/what-can-art-tell-us-about-the-cult-of-the-virgin-mary-in-the-early-roman-church(5d8d4110-45a7-4da2-9d67-95a87c7b1f63).html.

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The purpose of this thesis is to re-evaluate the evidence of Marian images in Rome in late antiquity. It argues that centuries of misreading the iconography of Paleo-Christian art has produced unreliable evidence of an early Marian cult in the Roman Church. Surviving examples of images previously identified as Mary are compared with other forms of representation and personification alongside goddess images from around the Roman world. The conflicts present within the emergent Roman Church and the influence they may have had on the developing artistic traditions are re-considered, with particul

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48

Bullough, Kathryn Mary. "Temptress, virgin and whore : icons of sexuality - a comparative investigation of the religious significance of the figures Eve, the Virgin Mary and Mary Magdalen in the work of Dante Gabriel Rossetti, Edward Burne-Jones and George Frederick Watts." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369551.

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49

Musso, Valeria C. "Marian apparitions in cultural contexts : applying Jungian depth psychological concepts to mass visions of the Virgin Mary." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/19964/.

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This thesis explores collective phenomena, specifically mass visions of the Virgin Mary and examines the case of Marian apparitions in Zeitoun, Egypt. A review of the literature points to a prevailing socio-political approach to examining visions of the Virgin Mary while a psychoanalytical approach is generally lacking. The former approach suggests that Marian apparitions can be interpreted as a backlash against modernity, secularization, and political ideology. I argue that an important gap remains in this interpretation, as the socio-political approach does not address the psychological aspe

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50

Roth, Gregory E. "Ave Maria, o auctrix vite: Mary in the visions of Hildegard of Bingen (1098-1179)." IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430754980.

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