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1

Wroth, Mary. Mary Wroth. Scolar Press, 1996.

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2

Re-reading Mary Wroth. Palgrave Macmillan, 2015.

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3

Mary Sidney, Lady Wroth. Ashgate, 2010.

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4

Larson, Katherine R., Naomi J. Miller, and Andrew Strycharski, eds. Re-Reading Mary Wroth. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137473349.

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5

Mary, Wroth. The poems of Lady Mary Wroth. Louisiana State University Press, 1992.

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6

Writing the way out: Inheritance and appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth. Peter Lang, 2011.

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7

Changing the subject: Mary Wroth and figurations of gender in early modern England. University Press of Kentucky, 1996.

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8

Hid as worthless rite: Scrittura femminile nell'Inghilterra di re Giacomo : Elizabeth Cary e Mary Wroth. Aracne, 2007.

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9

The Sidney family romance: Mary Wroth, William Herbert, and the early modern construction of gender. Wayne State University Press, 1993.

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10

Fendler, Susanne. Entstehung und Darstellung von Individualität in der Renaissance in den Romanzen von Gervase Markham, Mary Wroth, Anna Weamys und John Reynolds. Herbert Utz Verlag Wissenschaft, 1996.

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11

Jacobson, Miriam Emma. 1998 Brown University senior honors theses: Miriam Emma Jacobson (English), Jubin Meraj (Religious Studies), Dimitrios Mitsouras (Computer Science), Mary Jean Sia Uy (History). Wayland Press, Brown University, 1998.

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12

Mary Poppins, she wrote: The life of P.L. Travers. Pocket Books, 2013.

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13

Mary Poppins, she wrote: The life of P.L. Travers. Simon & Schuster Paperbacks, 2013.

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14

Program, Paama Translation. More longlongien koa Mak mutisi = The Good News which Mark Wrote. Paama Translation Program, 2006.

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15

Fredricks, Leo. Alice in Court: Who wrote Alice in wonderland, Lewis Carroll or Mark Twain : a television screenplay. Writers Workshop, 1993.

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16

Kanasaka, Kiyonori, ed. Life of Nobuko. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9781898823889.

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Kiyonori Kanasaka, a distinguished geographer at Kyoto University, is widely recognized as Japan’s leading researcher on the Victorian traveller Isabella Bird. He has published extensively in Japanese on the subject, including a full annotated translation of the original two-volume edition of Unbeaten Tracks. He is known worldwide for his ‘Twin Time Travel’ photographic exhibition, shown in many countries – presenting Bird’s descriptions of what she wrote about in her books in juxtaposition with illustrations of the present.
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17

Badon, Cristina, ed. «Ti lascio con la penna, non col cuore». Lettere di Eleonora Rinuccini al marito Neri dei principi Corsini. 1835-1858. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-132-4.

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Published here are two hundred of the approximately seven hundred unpublished letters that Eleonora Rinuccini, the last representative of her dynasty, wrote to her husband, Neri Corsini, Marquis of Lajatico. A daily correspondence over twenty-five years of a marriage lived mostly at a distance on account of his numerous political and administrative commitments and her family and social duties. The letters, which are conserved in the Corsini archive in Florence, bear witness among other things, to a marital relationship characterised by great affection. They also reveal to us a woman who was in
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18

Taylor, Sue. Lady Mary Wroth. Loughton & District Historical Society, 2005.

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19

Mary Wroth and Shakespeare. Taylor & Francis Group, 2014.

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20

Salzman, Paul. Mary Wroth and Shakespeare. Routledge, 2014. http://dx.doi.org/10.4324/9781315764900.

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21

Kahn, Peggy, N. Miller, and K. Larson. Re-Reading Mary Wroth. Palgrave Macmillan, 2015.

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22

Love's Victory: Lady Mary Wroth. Manchester University Press, 2020.

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23

Roberts, Josephine A. The Poems of Lady Mary Wroth. Louisiana State University Press, 1992.

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24

1960-, Miller Naomi J., and Waller Gary F. 1945-, eds. Reading Mary Wroth: Representing alternatives in early modern England. University of Tennessee Press, 1991.

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25

Miller, Naomi J. Reading Mary Wroth: Representing Alternatives in Early Modern England. University of Tennessee Press, 1991.

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26

Miller, Naomi J. Reading Mary Wroth: Representing Alternatives in Early Modern England. Univ of Tennessee Pr, 1991.

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27

Lange, Ann Margaret. Writing the Way Out: Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary Herbert and Mary Wroth. Lang AG International Academic Publishers, Peter, 2011.

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28

(Editor), Patrick Cullen, Betty S. Travitsky (Editor), and Josephine A. Roberts (Introduction), eds. The Early Modern Englishwoman: A Facsimile Library of Essential Works : Printed Writings, 1500-1640 : Mary Wroth (Early Modern Englishwoman Vol. 10). Ashgate Publishing, 1996.

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29

illustrator, Sardà Júlia, ed. Mary who wrote Frankenstein. 2018.

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30

Lawson, Valerie. Mary Poppins She Wrote. Aurum Press Ltd, 2005.

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31

Bailey, Linda, Júlia Sardà Portabella, and Raquel Moraleja San José. MARY, QUE ESCRIBIÓ FRANKENSTEIN: Mary Who Wrote Frankenstein. Impedimenta, 2018.

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32

In Search of Mary Shelley: The Girl Who Wrote Frankenstein. Pegasus Books, 2019.

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33

Mary Poppins, She Wrote: The Life of P. L. Travers. Simon & Schuster, 2006.

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34

Samuel, Cowan. Mary, Queen of Scots and Who Wrote the Casket Letters. Kessinger Publishing, 2005.

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35

In Search of Mary Shelley: The Girl Who Wrote Frankenstein. Profile Books Limited, 2018.

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36

Samuel, Cowan. Mary, Queen of Scots and Who Wrote the Casket Letters. Kessinger Publishing, 2005.

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37

Cowan, Samuel. Mary, Queen Of Scots And Who Wrote The Casket Letters V2. Kessinger Publishing, LLC, 2007.

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38

Samuel, Cowan. Mary, Queen Of Scots And Who Wrote The Casket Letters V1. Kessinger Publishing, LLC, 2007.

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39

Nielsen, Jennifer A. Wrath of the Storm (Mark of the Thief #3). Scholastic Press, 2017.

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40

Valeya iwakana Malika givetokilumina =: The good news Mark wrote. Bible Society, 1993.

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41

Cowan, Samuel. Mary, Queen of Scots, and Who Wrote the Casket Letters?: Volume 2. Adamant Media Corporation, 2002.

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42

Cowan, Samuel. Mary, Queen of Scots, and Who Wrote the Casket Letters?: Volume 1. Adamant Media Corporation, 2002.

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43

Ostrowski, Donald. Who Wrote That? Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749704.001.0001.

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This book examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. The book does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, the book provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of
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44

Nielsen, Jennifer A. Wrath of the Storm (Mark of the Thief, Book 3) (3). Scholastic Inc., 2018.

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45

Jones, Ron. Who Wrote the Gospels?: Evidence for Matthew, Mark, Luke, and John. ECF Books, 2014.

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46

Ya madyaw na ubat-ubat na pigsulat ni Markos =: The good news that Mark wrote. Bible League, 2004.

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47

Ya pagsilingan sa madyaw na ubat-ubat na pigsulat ni Markos: The study of the good news that Mark wrote. Overseas Missionary Fellowship, 2004.

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48

Shelley, Mary Wollstonecraft. The Last Man. Edited by Morton D. Paley. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199552351.001.0001.

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The last man! I may well describe that solitary being’s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.’ Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband’s death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love,
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49

Oakleaf, David. Testing the Market. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.008.

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Like their imitators, Eliza Haywood and even Daniel Defoe have been called mercenaries who wrote to formula for low readers with limited intellects. Yet Love in Excess and Robinson Crusoe inaugurated a decade of lively, market-driven narrative experiment aimed at sophisticated gentry readers. When low scandal titillated, it originated in high life. Highly inventive, Jane Barker, Mary Davys, Penelope Aubin, and some authors of the many lives and surprising adventures in the Crusoe manner read their rivals with professional care. They adapted and contested as well as adopted Defoe’s distinctive
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50

Ezell, Margaret J. M. Enacting Libertinism: Court Performance and Literary Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0010.

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The behaviour of Charles II’s court soon scandalized many observers with its open disregard for moral and social propriety. Young men seeking influence at court, including John Wilmot, the Earl of Rochester, Charles Sackville, Lord Buckhurst, and Sir Charles Sedley, asserted aristocratic privilege to behave as they pleased in public as they competed for attention from Charles II. They were prolific poets and satirists who also wrote for the public stage. Rivalling them were the King’s many public mistresses, from the most powerful Lady Castlemaine, to actresses including ‘Moll’ Davies and Nell
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