Academic literature on the topic 'Masayoshi'

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Journal articles on the topic "Masayoshi"

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Igarashi, Takashi. "Professor Masayoshi Yanagisawa." Pediatrics International 62, no. 2 (2020): 123. http://dx.doi.org/10.1111/ped.14147.

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SAKURAI, Haruhiko. "IN MEMORIAM: Masayoshi YAMAGUCHI, MD." INDUSTRIAL HEALTH 37, no. 1 (1999): 1–2. http://dx.doi.org/10.2486/indhealth.37.1.

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Vance, Timothy J. ": The Languages of Japan . Masayoshi Shibatani." American Anthropologist 93, no. 3 (1991): 742–43. http://dx.doi.org/10.1525/aa.1991.93.3.02a00610.

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Rozanoff, Seth. "Masayoshi Fujita and Jan Jelinek: Schaum." Computer Music Journal 40, no. 4 (2016): 104–8. http://dx.doi.org/10.1162/comj_r_00386.

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Miyanishi, Masayoshi. "Masayoshi Nagata (1927–2008) and his mathematics." Kyoto Journal of Mathematics 50, no. 4 (2010): 645–59. http://dx.doi.org/10.1215/0023608x-2010-008.

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Kaye, Alan S. "Approaches to Language Typology. Masayoshi Shibatani , Theodora Bynon." International Journal of American Linguistics 63, no. 4 (1997): 526–32. http://dx.doi.org/10.1086/466344.

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Mihara, Ken-ichi. "Masayoshi Shibatani, Shigeru Miyagawa, and Hisashi Noda: Handbook of Japanese Syntax." Journal of Japanese Linguistics 35, no. 2 (2019): 257–69. http://dx.doi.org/10.1515/jjl-2019-2013.

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Hanzawa, Kazuo. "Yasuo Takamura and Masayoshi Shigeta eds. The Issues of African Agriculture." Journal of African Studies 1999, no. 54 (1999): 61–63. http://dx.doi.org/10.11619/africa1964.1999.61.

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Montreevat, Sakulrat. "BOOK REVIEW: Financial Big Bang in Asia, edited by Masayoshi Tsurumi." Southeast Asian Economies 19, no. 2 (2002): 221–23. http://dx.doi.org/10.1355/ae19-2n.

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Polinsky, Maria. "Essays in semantics and pragmatics Ed. by Masayoshi Shibatani and Sandra Thompson." Language 73, no. 4 (1997): 901–2. http://dx.doi.org/10.1353/lan.1997.0050.

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Dissertations / Theses on the topic "Masayoshi"

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Froemel, Joerg [Verfasser], Thomas [Akademischer Betreuer] Geßner, Thomas [Gutachter] Geßner, and Masayoshi [Gutachter] Esashi. "Gallium-based Solid Liquid Interdiffusion Bonding of Semiconductor Substrates near room temperature / Joerg Froemel ; Gutachter: Thomas Geßner, Masayoshi Esashi ; Betreuer: Thomas Geßner." Chemnitz : Universitätsbibliothek Chemnitz, 2015. http://d-nb.info/1213812771/34.

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Books on the topic "Masayoshi"

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1953-, Fukunaga Fumio, ed. Ōhira Masayoshi zenchosakushū. Kōdansha, 2010.

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Anpon: Son, Masayoshi den. Shōgakkan, 2012.

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Sasaki, Masayoshi. Masayoshi Sasaki: [exhibition catalogue]. Gallery Kyokusei, 1986.

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1951-, Mikuriya Takashi, and Makihara Izuru 1967-, eds. Kikigaki, Takemura Masayoshi kaikoroku. Iwanami Shoten, 2011.

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Satō, Seizaburō, Shunpei Kumon, and Kenʼichi Kōyama. Ōhira Masayoshi: Hito to shisō. Ōhira Masayoshi Kinen Zaidan, 1990.

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Ōhira Masayoshi: Rinen to gaikō. Iwanami Shoten, 2014.

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Katsuko, Shimabukuro, Kuniyoshi Atena, and Okinawa Kenritsu Hakubutsukan Bijutsukan, eds. Adaniya Masayoshi ten: Modanizumu no yukue. Okinawa Kenritsu Hakubutsukan Bijutsukan, 2011.

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Hakubutsukan, Toyohashi-shi Bijutsu, Kawasaki-shi Shimin Myūjiamu, and Niigata-shi Bijutsukan, eds. Nakamura Masayoshi ten: Botsugo 20-nen. Chūnichi Shinbunsha, 1997.

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Aru Chūgoku tokuhain: Yamagami Masayoshi to Rojin. Tabata shoten, 1997.

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Ōhira Masayoshi: "sengo hoshu" to wa nani ka. Chūō Kōron Shinsha, 2008.

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Book chapters on the topic "Masayoshi"

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Edström, Bert. "Turning the Tide: Ōhira Masayoshi." In Japan’s Evolving Foreign Policy Doctrine. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27303-4_10.

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Gennaka, Yuki. "“Like Some Cat from Japan”: Sukita Masayoshi’s Photographs of David Bowie as Japan’s First Appearance in the History of Rock Music." In Music in the Making of Modern Japan. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73827-3_7.

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Morris, J. "Count Matsukata Masayoshi." In Makers of Japan. Routledge, 2018. http://dx.doi.org/10.4324/9780429462382-19.

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Ericson, Steven J. "The Matsukata Reform as “Expansionary Austerity”." In Financial Stabilization in Meiji Japan. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501746918.003.0008.

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This concluding chapter returns to the notion that Matsukata merged the positive and negative policies of his predecessors along liberal nationalist lines, pursuing a kind of “expansionary austerity” during the Matsukata deflation. It argues that Matsukata Masayoshi was committed to reform and modernization of Japan's fiscal and monetary systems and to encouragement of private enterprise, but not in a categorical orthodox liberal or neoliberal sense. He certainly set out to create budget surpluses through fiscal austerity. Yet he demonstrated flexibility in response to a series of unexpected developments that compelled the Finance Ministry in fact to increase government spending. As a result, the Finance Ministry was able to accumulate enough specie and money in the reserve fund to redeem a sizable portion of fiat notes, back the issue of convertible paper money by the Bank of Japan, and finance military expansion as well as enable the state to remain actively involved in the economy.
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Ericson, Steven J. "Departures from Orthodoxy." In Financial Stabilization in Meiji Japan. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501746918.003.0001.

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This introductory chapter briefly considers the ways in which the reforms of Finance Minister Matsukata Masayoshi unfolded along the lines of mid-nineteenth-century British-style orthodoxy or the late-twentieth-century International Monetary Fund version. It then goes on to argue that Matsukata was dealing with the challenge, shared by many of his contemporaries, of establishing a modern financial system in a developing state emerging from warfare and aiming to industrialize. At least on monetary policy, his economic nationalism was of the liberal nationalist variety like that of state leaders in other late industrializers. Moreover, Matsukata emerged as a practitioner primarily of unorthodox policies from the standpoint of both nineteenth- and late-twentieth-century versions of financial and economic orthodoxy. He also departed from orthodox mindsets in his pursuit of statist and nationalist priorities, his commitment to made-in-Japan solutions, his reliance on local intellectual tradition, and his willingness to be flexible in response to “the dictates of practical expediency,” as he would proclaim in 1886.
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Inoue, Mayumo. "On the Form’s Edge." In Beyond Imperial Aesthetics. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455874.003.0008.

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This essay looks at postwar painter Adaniya Masayoshi's abstract landscape paintings of U.S. military bases in Okinawa in the 1960s as well as the painter's own theoretically sophisticated reflections on them. By situating Adaniya's painterly figurations of landscape, military infrastructure, and soldiers' bodies alongside recent Foucauldian and autonomist Marxist analyses of "Okinawa" as an effect and product of global imperial politics, this essay seeks to closely analyse Adaniya's lifelong effort to make visible his torqued forms as a rupturing of the mode of racializing biopolitics in U.S.-occupied Okinawa in the time of the Vietnam War.
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