Relevant bibliographies by topics / Maslanka

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Maslanka'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Maslanka"

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Báez-Duarte, Luis. "On Maslanka's Representation for the Riemann Zeta Function." International Journal of Mathematics and Mathematical Sciences 2010 (2010): 1–9. http://dx.doi.org/10.1155/2010/714147.

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A rigorous proof is given of the hypergeometric-like representation of the Riemann zeta function discovered by Maslanka as a series of Pochhamer polynomials with coefficients depending on the values of at the positive even integers.
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Georgiev, Stanimir, Daniel Tanase, Thomas Genz, et al. "Retrieval of large Occlutech Figula Flex septal defect occluders using a commercially available bioptome: proof of concept." Cardiology in the Young 28, no. 7 (2018): 955–60. http://dx.doi.org/10.1017/s1047951118000586.

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AbstractObjectivesThis study aimed to develop a method for retrieval of the new meshed nitinol atrial septal defect occluders – Ceraflex and Occlutech.BackgroundThe newly developed atrial septal defect occluders have potential benefits considering implantation, but concerns regarding their removal in case of embolisation have been raised.MethodsOver 21 years, 1449 patients underwent interventional atrial septal defect occlusion in our institution. We reviewed the cases of embolisation of the device, developed a strategy for device removal, and tested it on the benchside and in animal tests.Res
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Georgiev, S., D. Tanase, T. Genz, P. Ewert, R. Dalla-Poza, and A. Eicken. "Embolisierte Occlutech Figulla Flex ASD Devices: Bergung mit der Maslanka Biopsie Zange." Thoracic and Cardiovascular Surgeon 65, S 02 (2017): S111—S142. http://dx.doi.org/10.1055/s-0037-1598985.

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Derby, Nigel. "The continued search for sums of powers." Mathematical Gazette 103, no. 556 (2019): 94–100. http://dx.doi.org/10.1017/mag.2019.11.

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In a previous paper [1], I described a method for computing sums of powers via a matrix composed from Pascal's triangle. (The motivation for this came from a mathematical puzzle posed by Paul Maslanka in the Guardian.) Since then I have read or viewed a number of papers on sums of powers. Some were nearly four hundred years old and the most recent one was published this year. One rather obscure work I stumbled across was ‘On the sums of powers of natural numbers’ by the Japanese mathematician Mr T. Kariya, published in Tokyo in 1907. If any readers know more of Mr Kariya I would be glad to hea
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Oransky, Ivan. "Richard L Masland." Lancet 363, no. 9409 (2004): 663. http://dx.doi.org/10.1016/s0140-6736(04)15615-8.

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Opwis, Felicitas. "Maslaha in Contemporary Islamic Legal Theory." Islamic Law and Society 12, no. 2 (2005): 182–223. http://dx.doi.org/10.1163/1568519054093699.

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AbstractThis article investigates the concept of maslaha in contemporary Islamic legal theory. After presenting models of maslaha developed by al-Ghazālī, Fakhr al-Dīn al-Rāzī, al-Qarāfī, al-Tūfī, and al-Shātibī, I analyze writings on maslaha by leading jurists from the late 13th/19th century to the 1380s/1960s, namely al-Qāsimī, Rashīd Ridā, Mahmasānī, 'Allāl al-Fāsī, Khallāf, and al-Būtī. The findings show that the early reformers tended towards al-Tūfī's expansive understanding of the principle of maslaha in the law-finding process. Later jurisprudents, in contrast, either advocated a holis
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MacDougall, Susan. "Ugly Feelings of Greed." Cambridge Journal of Anthropology 37, no. 2 (2019): 74–89. http://dx.doi.org/10.3167/cja.2019.370206.

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In the eastern part of Jordan’s capital, Amman, where women maintained friendships through the exchange of help and support, accusations of maslaha (opportunism) had the potential to undermine relationships. Those accusations generated ugly feelings characterized by a confusion between the things wrong with oneself that make one vulnerable to the problem of maslaha and the things wrong with Jordanian society that make maslaha so widespread. Drawing on ethnographic research conducted in one East Amman neighbourhood, Tal al-Zahra, between 2011 and 2015, this article explores the ways that encoun
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Sterling, Peter, Heinz Wässle, and Thomas Euler. "Richard H. Masland (1942–2019)." Neuron 105, no. 3 (2020): 411–12. http://dx.doi.org/10.1016/j.neuron.2020.01.022.

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Pedley, Timothy A., and Lewis P. Rowland. "Richard Lambert Masland, MD (1910–2003)." Neurology 62, no. 7 (2004): 1056–57. http://dx.doi.org/10.1212/01.wnl.0000118647.11797.d6.

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de Callataÿ, Godefroid, та Sébastien Moureau. "A Milestone in the History of Andalusī Bāṭinism: Maslama b. Qāsim al-Qurṭubī’s Riḥla in the East". Intellectual History of the Islamicate World 5, № 1 (2017): 86–117. http://dx.doi.org/10.1163/2212943x-00501004.

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Virtually unknown two decades ago, Maslama b. Qāsim al-Qurṭubī (d. 353/964) is today acknowledged as the genuine author of both the Rutbat al-ḥakīm and the Ghāyat al-ḥakīm/Picatrix and, in all likelihood, as the man by whom the encyclopaedic corpus of the Rasāʾil Ikhwān al-Ṣafāʾ was introduced into al-Andalus. In the early 30s of the tenth century, Maslama al-Qurṭubī travelled extensively through the Middle East and pursued there his education under a great number of reputed masters. Through a thorough investigation of the sources at hand, the present paper seeks to reconstrue the various step
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Dissertations / Theses on the topic "Maslanka"

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Rose, Onsby Cray. "Symphony No. 10 by David Maslanka with Matthew Maslanka: Commissioning, Completion, Performance and Analysis." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555327360452211.

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Baker, Melody. "Finding Meaning in the Music of David Maslanka." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492526406064583.

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Varner, Michael L. "An Examination of David Maslanka's Marimba Concerti: Arcadia II for Marimba and Percussion Ensemble and Concerto for Marimba and Band, A Lecture Recital, Together With Three Recitals of Selected Works of K.Abe, M. Burritt, J. Serry, and Others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2262/.

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Although David Maslanka is not a percussionist, his writing for marimba shows a solid appreciation of the idiomatic possibilities developed by recent innovations for the instrument. The marimba is included in at least eighteen of his major compositions, and in most of those it is featured prominently. Both Arcadia II: Concerto for Marimba and Percussion Ensemble and Concerto for Marimba and Band display the techniques and influences that have become characteristic of his compositional style. However, they express radically different approaches to composition due primarily to Maslanka's growth
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Maslanka, Figueroa Sara [Verfasser], and Achim [Akademischer Betreuer] Göpferich. "Heteromultivalent Virus-mimetic Nanoparticles for Specific Mesangial Cell Targeting / Sara Maslanka Figueroa ; Betreuer: Achim Göpferich." Regensburg : Universitätsbibliothek Regensburg, 2021. http://d-nb.info/123471311X/34.

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Robinson, Corey 1990. "Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248403/.

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The primary purpose of this study is to provide connections between a formal motivic analysis and the programmatic content of David Maslanka's three works for unaccompanied marimba: Variations on Lost Love (1977), My Lady White (1980), and A Solemn Music (2013). A comparison of the compositional process of each of these works is proposed through terms of Maslanka's use of depiction. Depiction is the action or result of representing through drawing, painting, or other art form, in this case, music. In each work for unaccompanied marimba, Maslanka uses this process of depiction in a unique way.
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Denney, Wright Lauren Ann. "A Conductor's Insight Into Performance and Interpretive Issues in Give Us This Day by David Maslanka." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/395.

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The purpose of this essay is to provide performance and interpretive background and suggestions for David Maslanka's Give Us This Day. This essay serves as the first significant research document on the work and is intended as a source for musicians seeking information about the work. The essay includes a biography of David Maslanka, as well as descriptions of the history and commissioning of Give Us This Day, its compositional process, and its performance and interpretive issues. Information was accumulated through interviews with David Maslanka, Gary D. Green, director of bands at the Uni
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Finnie, Jimmy W. (Jimmy Wayne). "The Keyboard Percussion Trios of Toru Takemitsu and Toshi Ichiyanagi, a Lecture Recital, together with Three Recitals of Selected Works of Cahn, Maslanka, Miki, Miyoshi, Ptaszynska, Schultz, Wesley-Smith, and Others." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278139/.

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The purpose of this study is to examine the various signatures of compositional style as manifested in the keyboard percussion trios Rain Tree by Toru Takemitsu and Wind Trace by Toshi Ichiyanagi. Significant personal interaction between the aforementioned Japanese composers and American composer John Cage justifies an investigation of his influence on their compositional styles. Toru Takemitsu is currently one of the most prolific Japanese composers. In 1981, Takemitsu composed the percussion trio Rain Tree. Three years later (1984) the Japanese concert pianist Toshi Ichiyanagi composed Wind
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Johnson, Luke D. "An examination of the works of Mother Earth by David Maslanka, English Folk Song Suite by Ralph Vaughan Williams, Symphony #1 In Memoriam Dresden - 1945 by Daniel Bukvich, and Concertino for B[flat] clarinet by Carl Maria Von Weber, OP. 26 arranged by M.L. Lake." Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/977.

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Breiling, Roy Edward. "David Maslanka's use of a chorale tune in "In Memoriam"." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/289134.

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David Maslanka's music has been widely performed in the United States, Canada, Europe, Australia, and Japan; however, to date, there are only two published documents that provide information about his music. J. Patrick Brooks presented a theoretical analysis of Maslanka's Concerto for Piano, Winds and Percussion in his D.M.A. dissertation, and in The College Band Director's Journal1 Thomas Wubbenhorst published an article in which he discussed Maslanka's wind band piece, A Child's Garden of Dreams. This author's document will further contribute to what has already been written about David Ma
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Isik, Banu Isil. "Spatial Impacts Of Globalization: Case Study Maslak Istanbul." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612849/index.pdf.

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Today, the world is in a continuous process of change, which is conceptualized as globalization. Although the concept is generally related to economy, it affects aspects of human life<br>i.e. social, cultural, political and so on. The impact of globalization on urban areas requires a special emphasis. Economic development has played a significant role in restructuring the city. Particularly following the 1970s, with the changes in the international economic system, the world has started to transform into a global market and the capital has gained liquidity in this system. Along with the chan
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Books on the topic "Maslanka"

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Maslačak. VERZALpres, 2000.

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ill, Facan-Grdiša Damir, ed. Plesna haljina žutog maslačka. Golden Marketing, 1999.

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Maslakh-i ishq. Paykān, 2002.

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Otrovno mleko maslačka: Pripovetke. 2nd ed. Prosveta, 1995.

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Ṭuʻaymah, Ṣābir ʻAbd al-Raḥmān. Ṣūfīyah: Muʻtaqadan wa-maslakan. Dār ʻĀlam al-Kutub, 1985.

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Maslak-i ahlulláh. Gudṛī Shāhī Bukḍipū], 2011.

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Ṭuʻaymah, Ṣābir ʻAbd al-Raḥmān. al- Ṣūfīyah: Muʻtaqadan wa-maslakan. Tawzīʻ Dār ʻĀlam al-Kutub, 1985.

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Voseʺ, Qurbon. Oĭini rindī ë maslaki Ḣofiz. Irfon, 1991.

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Medić, Jelisaveta Lela. Venac od maslačka: Deset tužnih priča i jedna nevesela. Srpska knj., 2002.

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Zakī, Abū. Fiqhī maslak kī ḥaqīqat. Dārulʻlim, 2003.

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Book chapters on the topic "Maslanka"

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Choudhury, Masudul Alam. "Wellbeing Objective Criterion (Maslaha)." In The Tawhidi Methodological Worldview. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6585-0_4.

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Lobah, Jochen. "The Islamic Principle of Maslaha as Practical Wisdom for Human Development." In Cultural Roots of Sustainable Management. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-28287-9_11.

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Casulleras, Josep. "Majrīṭī: Abū al-Qāsim Maslama ibn Aḥmad al-Ḥāsib al-Faraḍī al-Majrīṭī." In Biographical Encyclopedia of Astronomers. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_889.

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Hall, Graham, Ian Elliott, Mihkel Joeveer, et al. "Majrīṭī: Abū al‐Qāsim Maslama ibn Aḥmad al‐Ḥāsib al‐Faraḍī al‐Majrīṭī." In The Biographical Encyclopedia of Astronomers. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_889.

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Hull, Matthew S. "Maps, Mosques, and Maslaks." In Government of Paper. University of California Press, 2012. http://dx.doi.org/10.1525/california/9780520272149.003.0006.

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"Chapter 5. Maps, Mosques, and Maslaks." In Government of Paper. University of California Press, 2019. http://dx.doi.org/10.1525/9780520951884-010.

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Ingram, Brannon D. "What Does a Tradition Feel Like?" In Revival from Below. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297999.003.0006.

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The fifth chapter examines how “Deobandi” tradition is mediated through scholarly and pedagogical networks in theory and practice. The first part of the chapter focuses on Qari Muhammad Tayyib, rector of the Dar al-`Ulum Deoband for half a century and the foremost theorist of Deobandi identity, arguing that mid-twentieth century Deobandis like Tayyib developed the concept of the maslak (“path” or “way”) as a means of lending ideological and affective coherence to a rapidly expanding global network. Tayyib theorized the maslak as a “middle path” between ideological extremes—as, for instance, between those who indulge in “excessive” Sufi devotions and those who dispense with Sufism altogether—and as an embodied discourse one learns to inhabit through the companionship of those who already do. The second part of the chapter, shifting from theory to practice, traces the rise of the Tablighi Jama`at, a Deobandi revivalist movement that sought to make individual Muslims mobile “embodiments” of the seminary and the Sufi lodge, effectively translating Thanvi’s project of public reform into an actual program, one explicitly based on internalizing the teachings of Ashraf `Ali Thanvi’s Urdu primers for lay Muslims, on shunning public debate of controversial legal issues, and on the replication of a set of reformed affects in others—hence the Tablighi Jama`at’s role, by mid-century, in propelling Deobandi tradition across the globe.
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Sanyal, Usha. "Muslim Girls’ Education in North India in the Twentieth Century and Beyond." In Scholars of Faith. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120801.003.0002.

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This chapter lays out the historical background of Muslim women’s education in British India and post-Independence India, including statistical data on UP education history and the Sachar Commission Report. The chapter then explores girls’ madrasa education, in north India specifically, with a focus on a Rampur madrasa (of Jama‘at-i Islami affiliation) for girls and compares this madrasa with the Tablighi madrasa for girls studied by Winkelmann. The chapter ends with an Appendix that lays out the syllabi of the two madrasas examined in the chapter, in order to highlight their ideological differences. This shows us how much the second madrasa has in common with the Barelwi madrasa portrayed in this book, despite differences in their denominational (maslaki) identities.
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Choudhury, Masudul Alam. "PasarMalam and PasarPaghi." In Handbook of Research on Theory and Practice of Global Islamic Finance. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-0218-1.ch008.

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Pasar Malam (Night bazar) and Pasar Paghi (Morning bazar) are grassroots microenterprises in Malaysia and Indonesia. They combine traditional approach with the scope of modernizing to develop beyond restrained bounds. This chapter recognizes the potential for further organized ways of developing the grassroots enterprises through participatory development of enabling social choices. These opportunities are explained to expand from grassroots to institutional levels, technological appropriateness, and cooperative financing. All are taken up within the sustainability of life-fulfillment regimes of wellbeing and dynamic basic-needs regime of development. In Islamic nomenclature the wellbeing criterion is referred to as maslaha. It denotes the conceptual and quantitative measure of degrees of complementarities between the variables representing choices in the formal evaluative function. This study generalizes the resulting empirical model of wellbeing to strategy and policy implications of a generalized example of the grassroots.
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Sharif, Yasir, and Peter B. Andersen. "Madrasas and religious maslaks as a case of skewed civil society in Pakistan." In Re-Interrogating Civil Society in South Asia. Routledge India, 2021. http://dx.doi.org/10.4324/9781003162490-13.

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Conference papers on the topic "Maslanka"

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Mudzhar, Mohamad Atho. "The Use and Misuse of Maslaha by the Court in Granting Polygamy Permissions." In International Conference Recent Innovation. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0009922510381044.

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