Relevant bibliographies by topics / Masochism in art

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  2. Dissertations / Theses
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Academic literature on the topic 'Masochism in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Masochism in art"

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Stern, Julian. "The Art of Solitude from Modernism to Postmodernism and Beyond." Ruch Filozoficzny 79, no. 4 (2024): 175–96. http://dx.doi.org/10.12775/rf.2023.035.

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A philosophical anthropology of solitude is presented through the art, literature and music of and around Modernism, Postmodernism. It is presented as an insight into both Modernism and Postmodernism. These movements portrayed and contributed to the lonely alienated worlds of the early-to-mid twentieth century. Culture and society together developed forms of loneliness that were centred on individualist, alienated, guilt and shame, to which a response may be appropriately silent or humorous, living or dead, and sometimes a lewd masochism. Even those who rejected Modernism and Postmodernism hel
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Wąsowski, Piotr Jakub. "Przyspieszyć przyjście Mesjasza: "Wiosna" (1936)." Schulz/Forum, no. 19-20 (October 18, 2022): 188–203. http://dx.doi.org/10.26881/sf.2022.19-20.10.

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The author interprets Bruno Schulz’s story „Wiosna” in the context of the Kabbalah, pre-Freudian sexology and the vision of an impersonal Messiah in messianism. The essay analyzes the relationship between masochism as a construct of sexological discourse and the representation of the present and the past in Schulz’s works. The nineteenth-century sexology left its mark not only on the way masochists perceived themselves, but also on their art. Schulz’s writing bears the mark of an interpretive rebellion against sexological discourse. The author hypothesizes that Schulz’s messianism is impersona
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Luibyva, Mariia-Milana. "AD GLORIAM DEI: PATTERNS OF PAIN, SUFFERING AND PLEASURE IN MEDIEVAL CULTURE." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 55–58. http://dx.doi.org/10.17721/ucs.2023.1(12).12.

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The article provides a cultural analysis of the triad of pain, punishment and pleasure as a significant component of medieval religious practices and their representations. The artistic and visual sphere of medieval culture is characterized by the hegemony of images of violence. Accordingly, the study attempts to identify the potential of portraying violence to generate and legitimize various forms of pleasure. Violence in the religious discourse of the Middle Ages and its representations operates on several different levels: the pleasure associated with identifying with the victim, the pleasu
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Pollak-Lewis, Barbara. "Interview with Nina Paley." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 5, no. 2 (2024): 337–48. https://doi.org/10.54103/2724-3346/27700.

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Nina Paley (NP) is an American cartoonist, animator, and free culture activist from Central Illinois, United States. She was the artist and often the writer of the comic strips Nina’s Adventures and Fluff, after which she has worked primarily in animation. She is best known for creating the 2008 animated feature film Sita Sings the Blues, based on the Ramayana, with parallels to her personal life. In 2018, she completed her second animated feature, Seder-Masochism, a retelling of the Book of Exodus as patriarchy emerging from goddess worship. Barbara Pollak-Lewis (BPL) is a painter, curator an
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Chrostowska, S. D. "“Masochistic Art of Fantasy”: The Literary Works of Bruno Schulz in the Context of Modern Masochism." Russian Literature 55, no. 4 (2004): 469–501. http://dx.doi.org/10.1016/s0304-3479(04)00033-x.

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Dean, Tim. "Sex and the Aesthetics of Existence." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 387–92. http://dx.doi.org/10.1632/pmla.2010.125.2.387.

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Leo Bersani's contributions to Queer Theory have been essentially traumatic. Ever since “Is the Rectum a Grave?,” with its startling opening sentence (“There is a big secret about sex: most people don't like it” [197]), Bersani's writing on sexuality has disrupted the conceptual coordinates of queer theory, a field that officially welcomes the disruptive. What has made Bersani hard to assimilate is less his psychoanalytic emphasis on the ineluctable masochism of sexuality (a principal reason for the aversion to sex) than his insistent conceptualization of sexuality in aesthetic terms. Although
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Harris, Jane. "Contract with the Skin: Masochism, Performance Art and the 1970s. By Kathy O'Dell. Minneapolis, MN: University of Minnesota Press, 1998; 144 pp.; illustrations. $18.95 paper." TDR/The Drama Review 43, no. 2 (1999): 157–59. http://dx.doi.org/10.1162/dram.1999.43.2.157.

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Kang, Woosung. "The Political Claim of Deleuzean Shame." Criticism and Theory Society of Korea 29, no. 1 (2024): 229–60. http://dx.doi.org/10.19116/theory.2024.29.1.229.

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The primary aim of this paper is to present the political implication of Deleuze’s idea of shame as the affect of resistance through masochistic withdrawal. Shame, for Deleuze, is clearly distinct from the feeling of guilt in that it does not concern with the pleasure of suffering and self-punishment caused by the breach of prohibition. Indeed, Deleuze makes lots of efforts to save the affect of shame from being co-opted by the psychoanalytic notion pairing off with the feeling of guilt and the pleasurable pain ensued from the Oedipal punishment. Deleuze’s separation of shame from guilt coinci
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McAdam, Ian. "Eucharistic Love in The Merchant of Venice." Renaissance and Reformation 38, no. 1 (2015): 83–116. http://dx.doi.org/10.33137/rr.v38i1.22783.

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The article considers the ambiguous characterizations of The Merchant of Venice in light of Protestant and Catholic interpretations of the Eucharist, and raises implications for masculine gender construction in the opposition between Jewish and Christian cultural and theological perspectives. The argument focuses on the character of Antonio, whose masochistic self-sacrifice distorts Paul’s theology of grace. The homoerotic element in Antonio’s drive toward self-sacrifice is crucial in the play’s disruption of orthodox theological positions, and the waning tradition of homoerotic amity evoked b
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Fauzi, Inna, and Maria Ulfa Fatmawati. "Sadomasokisme di Indonesia Persepektif HAM dan Hukum Pidana." TAWAZUN : Journal of Sharia Economic Law 3, no. 2 (2020): 171. http://dx.doi.org/10.21043/tawazun.v3i2.8273.

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<p><em>Sexual deviance with forms of violence to get pleasure is an act that links pain and / or shame. This action is a form of sadomasochism. Sadomasochism is two forms of words, namely sadistic and masochistic. Sadistic are those who enjoy sex by giving them pain. Masochists are those who enjoy sex by receiving pain. Masochism is an act that is prohibited under criminal law and is a form of human rights violation. The description above makes the author interested in writing about how human rights and criminal law see the perpetrators of sadomasochism in a husband and wife relati
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Dissertations / Theses on the topic "Masochism in art"

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Taylor, Chloë. "The aesthetics of sadism and masochism in Italian renaissance painting /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79810.

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This thesis analyses selected paintings and aspects of life of the Italian Renaissance in terms of the aesthetic properties of sadistic and masochistic symptomatologies and creative production, as these have been explored by philosophers such as Michel Foucault, Roland Barthes, Marcel Henaff, and Gilles Deleuze. One question which arises from this analysis, and is considered in this thesis, is of the relation between sexual perversion and history, and in particular between experiences of violence, (dis)pleasure and desire, and historically specific forms of discourse and power, such as
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Vilaseca, David. "The apocryphal subject : masochism, identification, and paranoia in Salvador Dalí's autobiographical writings /." New York : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb400630818.

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Books on the topic "Masochism in art"

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Romanov, Andrey. Mystery of masochism: Art of sex. 2nd ed. Guyon Books, 1997.

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Bruno, Schulz. Bruno Schulz, 1892-1942: Das graphische Werk. Edited by Chmurzyński Wojciech, Dutsch Mikolaj, Bonard Waldemar, Muzeum Literatury im. Adama Mickiewicza w Warszawie., Kunstamt Tiergarten, and Münchner Stadtmuseum. C. Hanser, 1992.

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Kaliś, Natalia. Pan niewolnik: Męski masochizm w performance okresu PRL-u. Instytut Sztuki PAN, 2018.

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Augsburger, Janis. Masochismen: Mythologisierung als Krisen-Ästhetik bei Bruno Schulz. Wehrhahn Verlag, 2008.

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Peter, Weibel, and Neue Galerie am Landesmuseum Joanneum., eds. Phantom der Lust: Visionen des Masochismus. Neue Galerie Graz am Landesmuseum Joanneum, 2003.

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Luckow, Dirk, editor, writer of foreword, Deichtorhallen Hamburg, and Sammlung Falckenberg, eds. Ralf Ziervogel: As if. Snoeck Verlagsgesellschaft mbH, 2018.

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Masochism: The art of power. Praeger, 1997.

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BDSM Bondage Discipline Sadism Masochism Art. Independently Published, 2022.

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Mitchell, Jennifer. Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.001.0001.

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Ordinary Masochisms argues for literary alternatives to pervasive dictatorial norms about masochism that first surface in Victorian literature, reach their pioneering pinnacle in the modernist moment, and are expressly mourned in post-modern texts. In particular, the literary works discussed all challenge the more popular term “sadomasochism” as a conglomerate form of perversion that was named and studied in the late nineteenth century. Underscoring close textual analyses with modern theories of masochism as empowering, this book argues that Charlotte Brontë Villette (1853), George Moore’s A D
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Contract with the skin: Masochism, performance art, and the 1970's. University of Minnesota Press, 1998.

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Book chapters on the topic "Masochism in art"

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Krüger, Reinhard T. "Depressive Disorders, Masochism and Suicidale Crises." In Disorder-Specific Psychodrama Therapy in Theory and Practice. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7508-2_8.

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AbstractThe disorder-specific psychodrama therapy of depressive disorders develops the patient’s self with the help of psychodramatic dialogue with role reversal and, if necessary, works directly metacognitively on his masochistic self-censorship. The seven steps of psychodramatic dialogue described in this chapter are a central method of disorder-specific psychodrama therapy. In an inner conflict, they shape both the inner self-image and the object image in the as-if mode. As a result, the patient becomes more courageous and realistic in his relationship conflicts. Without realizing it, he sp
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Mitchell, Jennifer. "Murderous Masochism in The Torture Garden." In Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.003.0005.

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This interlude contextualizes the shift in public consciousness regarding sex and gender through a literary case study of Octave Mirbeau’s The Torture Garden (tr. 1903; Les jardins des supplices, 1899). The narrator embarks on a fictional, albeit typical journey from west to east, wherein he witnesses both the elaborate, public torture of Chinese prisoners punishments and his lover’s erotic pleasure in them. The novella plays with both sexological discourses of deviance and aesthetic concerns about art and literature, inviting readers to explore the connection between masochism, sadism, and re
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Mitchell, Jennifer. "Reading Masochisms." In Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.003.0009.

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Having offered analyses about some Victorian and modernist masochistic characters—the diverse range of their roles, the empowerment they access through suffering, the challenges they pose to pervasive clinical diagnoses, the narratives that they shape and reshape—the afterword briefly addresses one of the core undercurrents in this project: the potentially masochistic relationship between reader and text or, in other words, the possibilities of masochistic reading. Just as the masochisms of the characters explored in this book are plural, so too are the possible readerly masochisms they inspir
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Benvenuto, Sergio. "Masochism: ways to power." In What are Perversions? Routledge, 2018. http://dx.doi.org/10.4324/9780429484780-3.

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Fedoroff, J. Paul. "Sexual Masochism and Sexual Sadism Disorder." In The Paraphilias. Oxford University Press, 2019. http://dx.doi.org/10.1093/med/9780190466329.003.0007.

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Abstract: Sexual sadism and masochism encompass a wide range of sexual interests. The words “sadism” and “masochism” are also used to describe nonsexual situations. In this chapter, the concepts of sadism and masochism are discussed as they relate both to sexual sadism disorder and sexual masochism disorder and also to bondage and discipline, dominance and submission, sadism and masochism (BDSM). This chapter reviews the Fifth edition of the Diagnostic and Statistical Manual of Mental Disorders and the International Classification of Diseases diagnostic criteria for sadism and masochism and di
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Silverman, Kaja. "Masochism and Male Subjectivity." In Male Subjectivity at the Margins. Routledge, 2017. http://dx.doi.org/10.4324/9780203699676-7.

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Fenn, Richard K. "Buying Time." In Time Exposure. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195139532.003.0009.

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Abstract If One is Fully To experience the passage of time, one must be prepared to discipline what Freud called the “pleasure-principle.” According to that principle, one refuses to experience emotions in all their intensity. One attenuates them, simultaneously holding on to pain and thinning it out in a sort of “attenuation” over time. The individual thus is stretching out both pleasure and pain in order to experience them both in tolerable doses, too much of either being overwhelming to the psyche. Medicinal doses of pleasure and pain, as it were, are preferable to an experience of intense
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Mitchell, Jennifer. "The Rainbow’s Generational Masochisms." In Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.003.0006.

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Husband and wife in D.H. Lawrence’s The Rainbow equally embrace and use masochism as a tool of intense interpersonal interaction. Lawrence approaches the first Brangwen generation, Tom and Lydia, with a subtle gesture to their capacity for masochism. As their daughter, Anna, marries Will, this second generation is marked by a keen consciousness of the need for mutual masochism in order to render their partnership successful. Anna and Will are extraordinarily well-matched and, in many ways, could be considered Lawrence’s marital ideal. In direct conversation with the flat and failed masochistic
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Rivera, Takeo. "Bludgeons and Becomings." In Model Minority Masochism. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197557488.003.0002.

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This second chapter is an immediate sequel to the first, examining two staged performances contending with the murder of Vincent Chin that transpire in the decades that followed his death. These performances are Ping Chong’s 1995 play Chinoiserie and Philip Kan Gotanda and Frank Wu’s trial re-enactment at UC Hastings in 2013. This chapter argues that Chinoiserie continues the liberal cultural politics laid by the American Citizens for Justice (ACJ) while imbuing the Chin event with libidinal force through a masochistic aesthetic of suspenseful reveal. Chinoiserie teases the Chin murder through
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Mitchell, Jennifer. "Quartet’s Modernist Muddles." In Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.003.0007.

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The triangulation of masochistic desire that takes center stage in Jean Rhys’s Quartet attests to the self-aware participation of all parties involved, an overt acknowledgement of a developing collective consciousness suddenly more informed by psychoanalysis and sexology. The popularity of sexology and psychoanalysis during the 1920s allows readers to understand that seemingly helpless Marya and apparently predatory duo, the Heidlers, are all aware of masochistic possibilities and the consequences of their sexual and romantic decisions. Given narrative authority to ascribe thoughts and emotion
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