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Journal articles on the topic 'Masochism in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Stern, Julian. "The Art of Solitude from Modernism to Postmodernism and Beyond." Ruch Filozoficzny 79, no. 4 (2024): 175–96. http://dx.doi.org/10.12775/rf.2023.035.

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A philosophical anthropology of solitude is presented through the art, literature and music of and around Modernism, Postmodernism. It is presented as an insight into both Modernism and Postmodernism. These movements portrayed and contributed to the lonely alienated worlds of the early-to-mid twentieth century. Culture and society together developed forms of loneliness that were centred on individualist, alienated, guilt and shame, to which a response may be appropriately silent or humorous, living or dead, and sometimes a lewd masochism. Even those who rejected Modernism and Postmodernism hel

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2

Wąsowski, Piotr Jakub. "Przyspieszyć przyjście Mesjasza: "Wiosna" (1936)." Schulz/Forum, no. 19-20 (October 18, 2022): 188–203. http://dx.doi.org/10.26881/sf.2022.19-20.10.

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The author interprets Bruno Schulz’s story „Wiosna” in the context of the Kabbalah, pre-Freudian sexology and the vision of an impersonal Messiah in messianism. The essay analyzes the relationship between masochism as a construct of sexological discourse and the representation of the present and the past in Schulz’s works. The nineteenth-century sexology left its mark not only on the way masochists perceived themselves, but also on their art. Schulz’s writing bears the mark of an interpretive rebellion against sexological discourse. The author hypothesizes that Schulz’s messianism is impersona

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3

Luibyva, Mariia-Milana. "AD GLORIAM DEI: PATTERNS OF PAIN, SUFFERING AND PLEASURE IN MEDIEVAL CULTURE." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 55–58. http://dx.doi.org/10.17721/ucs.2023.1(12).12.

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The article provides a cultural analysis of the triad of pain, punishment and pleasure as a significant component of medieval religious practices and their representations. The artistic and visual sphere of medieval culture is characterized by the hegemony of images of violence. Accordingly, the study attempts to identify the potential of portraying violence to generate and legitimize various forms of pleasure. Violence in the religious discourse of the Middle Ages and its representations operates on several different levels: the pleasure associated with identifying with the victim, the pleasu

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4

Pollak-Lewis, Barbara. "Interview with Nina Paley." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 5, no. 2 (2024): 337–48. https://doi.org/10.54103/2724-3346/27700.

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Nina Paley (NP) is an American cartoonist, animator, and free culture activist from Central Illinois, United States. She was the artist and often the writer of the comic strips Nina’s Adventures and Fluff, after which she has worked primarily in animation. She is best known for creating the 2008 animated feature film Sita Sings the Blues, based on the Ramayana, with parallels to her personal life. In 2018, she completed her second animated feature, Seder-Masochism, a retelling of the Book of Exodus as patriarchy emerging from goddess worship. Barbara Pollak-Lewis (BPL) is a painter, curator an

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5

Chrostowska, S. D. "“Masochistic Art of Fantasy”: The Literary Works of Bruno Schulz in the Context of Modern Masochism." Russian Literature 55, no. 4 (2004): 469–501. http://dx.doi.org/10.1016/s0304-3479(04)00033-x.

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6

Dean, Tim. "Sex and the Aesthetics of Existence." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 387–92. http://dx.doi.org/10.1632/pmla.2010.125.2.387.

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Leo Bersani's contributions to Queer Theory have been essentially traumatic. Ever since “Is the Rectum a Grave?,” with its startling opening sentence (“There is a big secret about sex: most people don't like it” [197]), Bersani's writing on sexuality has disrupted the conceptual coordinates of queer theory, a field that officially welcomes the disruptive. What has made Bersani hard to assimilate is less his psychoanalytic emphasis on the ineluctable masochism of sexuality (a principal reason for the aversion to sex) than his insistent conceptualization of sexuality in aesthetic terms. Although

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7

Harris, Jane. "Contract with the Skin: Masochism, Performance Art and the 1970s. By Kathy O'Dell. Minneapolis, MN: University of Minnesota Press, 1998; 144 pp.; illustrations. $18.95 paper." TDR/The Drama Review 43, no. 2 (1999): 157–59. http://dx.doi.org/10.1162/dram.1999.43.2.157.

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8

Kang, Woosung. "The Political Claim of Deleuzean Shame." Criticism and Theory Society of Korea 29, no. 1 (2024): 229–60. http://dx.doi.org/10.19116/theory.2024.29.1.229.

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The primary aim of this paper is to present the political implication of Deleuze’s idea of shame as the affect of resistance through masochistic withdrawal. Shame, for Deleuze, is clearly distinct from the feeling of guilt in that it does not concern with the pleasure of suffering and self-punishment caused by the breach of prohibition. Indeed, Deleuze makes lots of efforts to save the affect of shame from being co-opted by the psychoanalytic notion pairing off with the feeling of guilt and the pleasurable pain ensued from the Oedipal punishment. Deleuze’s separation of shame from guilt coinci

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9

McAdam, Ian. "Eucharistic Love in The Merchant of Venice." Renaissance and Reformation 38, no. 1 (2015): 83–116. http://dx.doi.org/10.33137/rr.v38i1.22783.

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The article considers the ambiguous characterizations of The Merchant of Venice in light of Protestant and Catholic interpretations of the Eucharist, and raises implications for masculine gender construction in the opposition between Jewish and Christian cultural and theological perspectives. The argument focuses on the character of Antonio, whose masochistic self-sacrifice distorts Paul’s theology of grace. The homoerotic element in Antonio’s drive toward self-sacrifice is crucial in the play’s disruption of orthodox theological positions, and the waning tradition of homoerotic amity evoked b

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10

Fauzi, Inna, and Maria Ulfa Fatmawati. "Sadomasokisme di Indonesia Persepektif HAM dan Hukum Pidana." TAWAZUN : Journal of Sharia Economic Law 3, no. 2 (2020): 171. http://dx.doi.org/10.21043/tawazun.v3i2.8273.

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<p><em>Sexual deviance with forms of violence to get pleasure is an act that links pain and / or shame. This action is a form of sadomasochism. Sadomasochism is two forms of words, namely sadistic and masochistic. Sadistic are those who enjoy sex by giving them pain. Masochists are those who enjoy sex by receiving pain. Masochism is an act that is prohibited under criminal law and is a form of human rights violation. The description above makes the author interested in writing about how human rights and criminal law see the perpetrators of sadomasochism in a husband and wife relati

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11

Kernberg, Otto F. "Clinical Dimensions of Masochism." Journal of the American Psychoanalytic Association 36, no. 4 (1988): 1005–29. http://dx.doi.org/10.1177/000306518803600407.

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12

Civitarese, Giuseppe. "Masochism and its Rhythm." Journal of the American Psychoanalytic Association 64, no. 5 (2016): 885–916. http://dx.doi.org/10.1177/0003065116674442.

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13

Abra, Jock. "The Dancer as Masochist." Dance Research Journal 19, no. 2 (1987): 33. http://dx.doi.org/10.2307/1478169.

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14

Tsaconas, E. Hella. "Sensational Flesh: Race, Power, and Masochism." TDR/The Drama Review 61, no. 3 (2017): 184–85. http://dx.doi.org/10.1162/dram_r_00684.

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15

Chu, Zhaoying. "Analysis on the Application of Austins Speech Act Theory in the Fort-da Game." Communications in Humanities Research 4, no. 1 (2023): 291–94. http://dx.doi.org/10.54254/2753-7064/4/20220496.

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Fort-da game is a classic case of psychoanalytic doctrine, and its model has provided great inspiration for the study of psychiatric disorders such as masochism and hysteria. In this paper, whether the motive of the young boy's behavior is hidden behind the fort-da game would be analyzed by applying Austin's speech act theory from the perspective of linguistics and exploring the operation mode of other language games. In conclusion, fort-da could be a kind of speech act that reflects the little boys intention.

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16

Brunton, Jaime. "Melodrama, Masochism, and Biopolitical Encounters inThe Fosters." Quarterly Review of Film and Video 34, no. 7 (2017): 650–63. http://dx.doi.org/10.1080/10509208.2017.1344054.

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17

Briefel, Aviva. "Monster Pains: Masochism, Menstruation, and Identification in the Horror Film." Film Quarterly 58, no. 3 (2005): 16–27. http://dx.doi.org/10.1525/fq.2005.58.3.16.

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Abstract Aviva Briefel examines the ways in which the horror film's gendering of the monster's pain affects audience identification. Male monsters in these films are associated with acts of masochism that allow for a comfortable spectatorial distance. In contrast, female monsters precede their sadistic rampages with moments of menstruation, which claustrophobically draw their audiences to them.

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18

Ryalls, Emily. "Emo Angst, Masochism, and Masculinity in Crisis." Text and Performance Quarterly 33, no. 2 (2013): 83–97. http://dx.doi.org/10.1080/10462937.2013.764570.

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19

SOON, ANDREW HOCK. "Footbinding and Masochism: A Psychoanalytical Exploration." Women's Studies 33, no. 5 (2004): 651–76. http://dx.doi.org/10.1080/00497870490464459.

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20

Hart, Lynda. "Doing it anyway Lesbian sado‐masochism and performance." Women & Performance: a journal of feminist theory 13, no. 1 (2002): 89–106. http://dx.doi.org/10.1080/07407700208571395.

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21

Krueger, Richard B. "The DSM Diagnostic Criteria for Sexual Masochism." Archives of Sexual Behavior 39, no. 2 (2010): 346–56. http://dx.doi.org/10.1007/s10508-010-9613-4.

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22

Meyer, Jon K., and Fred M. Levin. "Sadism and Masochism in Neurosis and Symptom Formation." Journal of the American Psychoanalytic Association 38, no. 3 (1990): 789–804. http://dx.doi.org/10.1177/000306519003800312.

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23

Vlasenko, Polina. "Book Review: Sensational Flesh: Race, Power, and Masochism." Feminist Review 120, no. 1 (2018): 159–61. http://dx.doi.org/10.1057/s41305-018-0130-y.

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24

Thanem, Torkild, and Louise Wallenberg. "Buggering Freud and Deleuze: toward a queer theory of masochism." Journal of Aesthetics & Culture 2, no. 1 (2010): 4642. http://dx.doi.org/10.3402/jac.v2i0.4642.

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25

Lewis, Reina. "Dis-Graceful Images: Della Grace and Lesbian Sado-Masochism." Feminist Review, no. 46 (1994): 76. http://dx.doi.org/10.2307/1395420.

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26

Lewis, Reina. "Dis-Graceful Images: Della Grace and Lesbian Sado-masochism." Feminist Review 46, no. 1 (1994): 76–91. http://dx.doi.org/10.1057/fr.1994.7.

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27

Lykins, Amy D., and James M. Cantor. "Vorarephilia: A Case Study in Masochism and Erotic Consumption." Archives of Sexual Behavior 43, no. 1 (2013): 181–86. http://dx.doi.org/10.1007/s10508-013-0185-y.

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28

Roberts Shumaker, Jeanette. "Sado-Masochism in Clare Boylan’s Home Rule and Holy Pictures." Estudios Irlandeses, no. 6 (March 15, 2011): 91–102. http://dx.doi.org/10.24162/ei2011-2026.

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29

Wright, Susan. "Depathologizing Consensual Sexual Sadism, Sexual Masochism, Transvestic Fetishism, and Fetishism." Archives of Sexual Behavior 39, no. 6 (2010): 1229–30. http://dx.doi.org/10.1007/s10508-010-9651-y.

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30

Jefferson, Michael. "Offences against the Person: Into the 21st Century." Journal of Criminal Law 76, no. 6 (2012): 472–92. http://dx.doi.org/10.1350/jcla.2012.76.6.805.

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The Law Commission will shortly begin discussions on reform of the law of non-fatal offences by issuing a scoping paper. This article starts with a review of recent improvements in the ways in which the Commission may get its Bills enacted. It then critiques the principal (to modern eyes) crimes of this kind found in the Offences against the Person Act 1861. Its focus lies on those offences and not the more policy-driven law, for example, on the transmission of HIV/AIDS, sado-masochism, male circumcision, and boxing (all of which are highly important). It concentrates on the Commission's previ

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31

Vighi, Fabio. "Liberation Hurts: Violence, Masochism and Anti-Capitalism According to Pasolini." Italian Studies 62, no. 1 (2007): 61–77. http://dx.doi.org/10.1179/007516307x174856.

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32

Bach, Ulrich. "Sacher-Masoch's Utopian Peripheries." German Quarterly 80, no. 2 (2008): 201–19. http://dx.doi.org/10.1111/j.1756-1183.2007.tb00071.x.

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33

Reader, Keith. "Another Deleuzian Resnais:L'Année dernière à Marienbad(1961) as conflict between sadism and masochism." Studies in French Cinema 8, no. 2 (2008): 149–58. http://dx.doi.org/10.1386/sfc.8.2.149_1.

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34

HEATHCOTE, OWEN. "Masochism, sadism and homotextuality: the examples of Yukio Mishima and Eric Jourdan." Paragraph 17, no. 2 (1994): 174–89. http://dx.doi.org/10.3366/para.1994.17.2.174.

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35

Klocke, Astrid, Michael C. Finke, and Carl Niekerk. "One Hundred Years of Masochism. Literary Texts, Social and Cultural Contexts." German Studies Review 25, no. 3 (2002): 580. http://dx.doi.org/10.2307/1432605.

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36

Rebhorn, Matthew. "Flaying Dutchman: Masochism, Minstrelsy, and the Gender Politics of Amiri Baraka's Dutchman." Callaloo 26, no. 3 (2003): 796–812. http://dx.doi.org/10.1353/cal.2003.0102.

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37

Gagnier, Regenia. "Imperial Masochism: British Fiction, Fantasy, and Social Class, by John Kucich." Victorian Studies 50, no. 1 (2007): 166–68. http://dx.doi.org/10.2979/vic.2007.50.1.166.

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38

Uebel, Michael. "Psychoanalysis and the Question of Violence: From Masochism to Shame." American Imago 69, no. 4 (2012): 473–505. http://dx.doi.org/10.1353/aim.2012.0022.

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39

Cooper, Arnold M., and Michael H. Sacks. "Scientific Proceedings—Panel Reports; Sadism and Masochism in Character Disorder and Resistance." Journal of the American Psychoanalytic Association 39, no. 1 (1991): 215–26. http://dx.doi.org/10.1177/000306519103900110.

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40

Kurt, Holly, and Natti Ronel. "Addicted to Pain: A Preliminary Model of Sexual Masochism as Addiction." International Journal of Offender Therapy and Comparative Criminology 61, no. 15 (2016): 1760–74. http://dx.doi.org/10.1177/0306624x15627804.

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An exploratory, qualitative, phenomenological study focused on the experience of pain while participating in sexual masochistic acts. Semi-structured interviews were conducted with nine individuals (four female, five male) who regularly participate in sexually masochistic acts and point to pain as central to their experience. Qualitative analysis of the data revealed several key characteristics of the participant’s experience: the first time, intoxication, craving and withdrawal, tolerance, pain as control, and the pain inducing partner. The findings indicate that the way pain is experienced w

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41

Delfino, Massimiliano Luca. "Reaffirming the Author: Gesualdo Bufalino's Calende greche and Autofiction Between Sadism and Masochism." Italica 98, no. 1 (2021): 53–76. http://dx.doi.org/10.5406/23256672.98.1.05.

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Abstract In this article, I show how in Gesualdo Bufalino's only autofiction titled Calende greche the thematization of truth and falsehood is part of a seductive strategy that aims at controlling the readers’ hermeneutical agency. I identify a corporeal dimension of the text and a link between the diegetic thematization of libidinal pleasure and the author's literary creation of his subjectivity. On this basis, I argue that the text performatively establishes both a sadist and a masochist dynamic with its readers. Calende greche thus allows us to explore one of the most distinctive textual st

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42

Basu, B. "The Genuflected Body of the Masochist in Richard Wright." Public Culture 16, no. 2 (2004): 239–64. http://dx.doi.org/10.1215/08992363-16-2-239.

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43

Sadek, Noha. "The Phenomenology and Dynamics of Wealth Shame: Between Moral Responsibility and Moral Masochism." Journal of the American Psychoanalytic Association 68, no. 4 (2020): 615–48. http://dx.doi.org/10.1177/0003065120949972.

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In an age of striking inequality in wealth, a related phenomenon, wealth shame, has developed. A multidisciplinary exploration of such shame examines its intrapsychic, intersubjective, transgenerational, and sociopolitical roots in the U.S., as well as its multiple functions: as an ethical response to economic disparity (moral responsibility), as a manifestation of a pervasive shame pattern (moral masochism), and as a defense against pleasure, feelings of superiority, and the fear of being envied. Several clinical vignettes illustrate these themes and are followed by reflections on their clini

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44

Novick, Jack, and Kerry Kelly Novick. "Some Comments on Masochism and the Delusion of Omnipotence From A Developmental Perspective." Journal of the American Psychoanalytic Association 39, no. 2 (1991): 307–31. http://dx.doi.org/10.1177/000306519103900201.

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45

Frías, Álvaro, Laura González, Cárol Palma, and Núria Farriols. "Is There a Relationship Between Borderline Personality Disorder and Sexual Masochism in Women?" Archives of Sexual Behavior 46, no. 3 (2016): 747–54. http://dx.doi.org/10.1007/s10508-016-0834-z.

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46

Straw, Mark. "The guilt zone: Trauma, masochism and the ethics of spectatorship in Brian De Palma's Redacted (2007)." Continuum 24, no. 1 (2010): 91–105. http://dx.doi.org/10.1080/10304310903419567.

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47

Sherwin, Miranda. "Deconstructing the Male: Masochism, Female Spectatorship, and the Femme Fatale inFatal Attraction, Body of Evidence, andBasic Instinct." Journal of Popular Film and Television 35, no. 4 (2008): 174–82. http://dx.doi.org/10.3200/jpft.35.4.174-182.

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48

Hashmonay, Gali. "On Masochism: A Resident’s Conflict Between Sacrifice and Self-Preservation During the COVID-19 Pandemic." Journal of the American Psychoanalytic Association 68, no. 3 (2020): 471–73. http://dx.doi.org/10.1177/0003065120937709.

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49

Wilke, Sabine. "Von Bären, Katzen, Hunden und anderen nicht-menschlichen Wesen: Tierliches in Leopold von Sacher-Masochs Novelle Venus im Pelz." Literatur für Leser 39, no. 3 (2018): 169–80. http://dx.doi.org/10.3726/9445_lfl_16-3_169.

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Der österreichische Schriftsteller Leopold von Sacher-Masoch war zu seiner Zeit – der zweiten Hälfte des neunzehnten Jahrhunderts – ein viel gelesener Erfolgsautor, der für seine zahlreichen Romane und Erzählungen bekannt war, viele davon Stoffe umformend, die aus Osteuropa stammen, beispielsweise aus Polen, Galizien oder aus der Bukowina. Regelrecht berühmt wurde er mit seiner Novelle Venus im Pelz (1870), unter anderem auch dadurch, dass sie in der zeitgenössischen psychiatrischen Forschung rezipiert und von dem Sexualforscher Richard von Krafft-Ebing eingesetzt wurde, um den Begriff Masochi

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50

Avalos, Julio C. ""An Agony of Pleasurable Suffering": Masochism and Maternal Deprivation in Mark Twain." American Imago 62, no. 1 (2005): 35–58. http://dx.doi.org/10.1353/aim.2005.0012.

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