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Books on the topic 'Masque de cour'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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1

Une cour au pays du masque. Paris: L'Harmattan, 1997.

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2

The Stuart court masque and political culture. Cambridge: Cambridge University Press, 2008.

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3

Knowles, James. Politics and Political Culture in the Court Masque. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137432018.

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4

The masque of Stuart culture. Newark: University of Delaware Press, 1990.

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5

Darkowska-Nidzgorska, Olenka. Marionnettes et masques au coeur du théâtre africain. Saint-Maur: Sépia, 1998.

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6

Scholz, Gottfried. Tanzfeste der Könige: Die englische Court Masque im Spiegel der europäischen Kulturgeschichte. Wien: Böhlau, 2005.

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7

Sir William Davenant, the court masque, and the English seventeenth-century scenic stage, c1605 -c1700. Amherst, NY: Cambria Press, 2008.

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8

Ben, Jonson. Ben Jonson's plays and masques: Authoritative texts of Volpone, Epicoene, The alchemist, The masque of blackness, Mercury vindicated from the alchemists at court, Pleasure reconciled to virtue : contexts, backgrounds and sources, criticism. 2nd ed. New York: W.W. Norton, 2001.

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9

Marriage, performance, and politics at the Jacobean court. Burlington, VT: Ashgate, 2009.

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10

Perpetuall monuments: Die Repräsentation von Architektur in der italienischen Festdokumentation (ca. 1515-1640) und der englischen court masque (1604-1640). Münster: Lit, 2000.

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11

Streitberger, W. R. Court revels, 1485-1559. Toronto: University of Toronto Press, 1994.

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12

Veevers, Erica. Images of love and religion: Queen Henrietta Maria and court entertainments. Cambridge [Cambridgeshire]: Cambridge University Press, 1989.

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13

Visions of the courtly body: The patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court. Berlin: Akademie Verlag, 2012.

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14

Maski Karola I: Angielskie widowiska dworskie i teologia polityczna = The court masques of Charles I : the iconography and the divine right of kings. Warszawa: Instytut Sztuki PAN, 2014.

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15

Demaray, John G. Shakespeare and the spectacles of strangeness: The tempest and the transformation of Renaissance theatrical forms. Pittsburgh, Pa: Duquesne University Press, 1998.

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16

Shakespeare and the spectacles of strangeness: The tempest and the transformation of Renaissance theatrical forms. Pittsburgh, Pa: Duquesne University Press, 1997.

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17

Pearce, Robert R. A history of the inns of court and chancery: With notices of their ancient discipline, rules, orders, and customs, readings, moots, masques, revels, and entertainments, including an account of the eminent men of the four learned and honourable societies--Lincoln's Inn, the Inner Temple, the Middle Temple, and Gray's Inn, &c. Littleton, Colo: F.B. Rothman, 1987.

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18

Canova-Green, Marie-Claude. La politique-spectacle au Grand Siècle: Les rapports franco-anglais. Paris: Papers on French Seventeeth Century Literature, 1993.

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19

Canova-Green, Marie-Claude. La politique-spectacle au grand siècle: Les rapports franco-anglais. Paris: Papers on French Seventeenth Century Literature, 1993.

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20

Canova-Green, Marie-Claude. La Politique-spectacle au grand siècle: Les rapports franco-anglais. Paris: Papers on French Seventeeth Century Literature, 1993.

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21

Women on the Renaissance stage: Anna of Denmark and female masquing in the Stuart court (1590-1619). Manchester: Manchester University Press, 2002.

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22

Wikander, Matthew H. Princes to act: Royal audience and royal performance, 1578-1792. Baltimore: Johns Hopkins University Press, 1993.

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23

Wikander, Matthew H. Princes to act: Royal audience and royal performance, 1578-1792. Baltimore: Johns Hopkins University Press, 1993.

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24

The assassin's masque: Being a true and accurate account of the further adventures of Margaret Preston Fitzroy, maid of honor, card-sharp, house-breaker, forger, thief of private correspondence, sometime conspirator and confidential agent in the Court of His Majesty George I of England. Boston: Houghton Mifflin Harcourt, 2016.

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25

Drama at the courts of Queen Henrietta Maria. Cambridge, UK: Cambridge University Press, 2006.

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26

Schmalenberger, Sarah. Hearing the Other in The Masque of Blackness. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0003.

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This chapter explores the role that the music for The Masque of Blackness, a court entertainment commissioned by Queen Anne and written by Ben Jonson, may have played in constructing a “black Other.” In particular, it questions existing interpretations about the meaning of “black Other” and frames historical perspectives of musical affect with regard to Otherness. Jonson printed a quarto containing The Masque of Blackness and its sequel, Masque of Beauty, ostensibly to preserve the spirit of an entertainment intended for a single performance. Both masques are filled with musical indications, from descriptions of sounds and dance types to song lyrics composed by Jonson himself. The chapter first considers the relationship between dance and music in The Masque of Blackness before discussing its cultural meaning, along with the issue of racial difference and Queen Anne's apparent dalliance with blackface in the masque. Finally, it describes the signification of blackness in The Masque of Blackness.
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27

Orgel. Stuart Masques at Court. Univ of California Pr, 2000.

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28

Orgel. Stuart Masques at Court. Univ of California Pr, 1999.

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29

Butler, Martin. The Legal Masque. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.32.

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Masques and revels at the Inns of Court were public ritual occasions in which the termers could symbolically display the values of law and liberty with which they identified, as well as stage the aspirations and tensions experienced by their profession. Sometimes (as with The Triumph of Peace, 1634) these masques involved implied critique of the legality of royal policies. More often (as with masques danced during the period when Sir Francis Bacon was pre-eminent), they dramatized the on-going rapport between the Crown and its lawyers, underlining the obligations on both sides to pursue the values of trust and mutual respect.
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30

(Editor), David Bevington, and Peter Holbrook (Editor), eds. The Politics of the Stuart Court Masque. Cambridge University Press, 2006.

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31

M, Bevington David, and Holbrook Peter 1959-, eds. The politics of the Stuart court masque. Cambridge [England]: Cambridge University Press, 1998.

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32

Juliette, Benzoni. Secret d'etat t.3 : Le prisonnier masque. Pocket, 2001.

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33

Seiter, Roger, Isabelle Mercier, and Vincent Bailly. Le coeur de sang. 3, Le masque de Loki. Delcourt, 1999.

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34

Masques of Difference: Four Court Masques by Ben Jonson (Revels Student Editions). Manchester University Press, 2007.

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35

Phillips, Moira E. Courtly psychosis: The rhetoric of preferment in the court masque. 2000.

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36

Court Masque: A Study in the Relationship Between Poetry and the Revels. University of Cambridge ESOL Examinations, 2015.

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37

Marionnettes et masques au coeur du théâtre africain. Sepia, 2000.

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38

1948-, Lindley David, ed. Court masques: Jacobean and Caroline entertainments, 1605-1640. Oxford: Oxford University Press, 1995.

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39

Ravelhofer, Barbara, and Oxford University Press Staff. Early Stuart Masque: Dance, Costume, and Music. Oxford University Press, 2009.

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40

Ben, Jonson. Masques at Court: The Works of Ben Jonson V7. Kessinger Publishing, LLC, 2007.

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41

Court Masques: Jacobean and Caroline Entertainments 1605-1640 (Oxford World's Classics). Oxford Univ Pr (T), 1999.

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42

Nurbakhsh, Hossein. Famous Court Jesters/Dalqakha-Ye Mashur Darbari. Ibex Pub, 1990.

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43

Lyle, Anne, and Larry Rostant. The Prince of Lies: Night's Masque, Volume 3. Angry Robot, 2013.

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44

Jonson, Ben. Masques at Court: The Works of Ben Jonson Part Seven. Kessinger Publishing, 2004.

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45

Ben, Jonson, and Thomas Campion. Court Masques: Jacobean and Caroline Entertainments, 1605-1640 (World's Classics). Oxford University Press, USA, 1995.

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46

Ben, Jonson. The Works of Ben Jonson: Volume 7. Masques at Court. Adamant Media Corporation, 2001.

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47

Steele, Mary S. Plays & Masques at Court During the Reigns of Elizabeth, James & Charles. Reprint Services Corporation, 1992.

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48

Ben, Jonson. Court Masques: Jacobean and Caroline Entertainments, 1605-1640 (The World's Classics). Oxford University Press, USA, 1995.

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49

Sullivan, Mary. Court Masques Of James I: Their Influence On Shakespeare And The Public Theaters. Kessinger Publishing, LLC, 2007.

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50

Sullivan, Mary. Court Masques Of James I: Their Influence On Shakespeare And The Public Theaters. Kessinger Publishing, LLC, 2007.

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