Journal articles: 'Masque of the red death (Poe, Edgar Allan)'

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Lopes, Sofia. "Anti-transcendentalism and dark romanticism in Poe's "The Masque of the Red Death"." Entrelinhas 13, no. 1 (May 19, 2021): 104–6. http://dx.doi.org/10.4013/entr.2019.131.08.

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This review seeks to analyse the short story “The Masque of the Red Death”, by Edgar Allan Poe, and to study its connection to the anti-transcendentalist and dark romantic movements. Through an examination of the literary aspects contained in the story, this work aims to inspect Poe's writing style, notedly marked by a bold approach of the themes of death, mourning and decay, and to compare his aesthetic decisions - such as the strong symbolic streak, the reliance on colour and architecture and the artistic depiction of death - to the chief tenets that influenced anti-transcendentalist writers over the 19th century.

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Buday, Maroš. "From One Master of Horror to Another: Tracing Poe’s Influence in Stephen King’s The Shining." Prague Journal of English Studies 4, no. 1 (July 1, 2015): 47–59. http://dx.doi.org/10.1515/pjes-2015-0003.

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Abstract This article deals with the work of two of the most prominent horror fiction writers in American history, namely Edgar Allan Poe and Stephen King. The focus of this study is put on the comparative approach while tracing the influence of Poe’s several chosen narratives in King’s novel called The Shining (1977). The chosen approach has uncovered that King’s novel embodies numerous characteristics, tendencies, and other signs of inspiration by Poe’s narratives. The Shining encompasses Poe’s tales such as “The Masque of the Red Death”, “The Fall of the House of Usher”, and “The Black Cat” which are shown to be pivotal aspects of King’s novel. The analysis has shown that the aforementioned King’s novel exhibits Shakespearean elements intertwined with Poe’s “Masque of the Red Death”, the Overlook Hotel to be a composite consisting of various Poesque references, and that The Shining’s protagonist is a reflection of autobiographical references to specific aspects of the lives of Poe and King themselves.

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Jeha, Júlio César. "E. A. Poe: the fall of the masque." Estudos Germânicos 7, no. 1 (December 31, 1986): 218. http://dx.doi.org/10.17851/0101-837x.7.1.218.

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This dissertation is a study of Edgar Allan Poe's "The fall of the house of Usher" and "The masque of the red death", as representative tales of the Gothic and, by extension, of the fantastic mode. It has two axes: one is a survey of critical theories on the fantastic and its main manifestation, the Gothic, in an attempt to distinguish the constituents of the mode and to apply them to a reading of Poe's tales. The other axis is centered on one of these constituents, an esoteric substratum which underlies both texts and is fundamental to Poe's metaphysics as expressed in his aesthetics, Finally, the specular construction of the texts is examined, as well as the use of intertextuality and the ideological questions projected in terms of a theory of knowledge.

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BIRKAN-BAYDAN, ESRA. "The Factor of Author's Reputation in Retranslations: Edgar Allan Poe on the Turkish Literary Scene." TranscUlturAl: A Journal of Translation and Cultural Studies 7, no. 1 (June 15, 2015): 148. http://dx.doi.org/10.21992/t9863z.

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This paper investigates the validity of André Lefevere’s assumption that “a canonized author is translated more on his own terms (according to his own poetics) than on those of the receiving system” (2000: 237) through a case study of Edgar Allan Poe retranslations in the Turkish literary system. The first part of the paper includes extratextual analysis carried out according to Gérard Genette’s categorization of “metatexts” and “paratexts,” and a further category which includes the social media. Poe’s poetics and the poetics of the Turkish literary system, as well as Poe’s reception in the system are explored through extratextual analysis to determine whether Poe gained more canonicity or reputation. The extratextual analysis reveals the author’s increasing influence, reception and reputation in the Turkish literary system over a time span of almost ninety years. The second part of the paper presents the textual analysis of Poe’s two tales, “Hop-Frog” and “The Masque of the Red Death”, in eight translations published between 1928 and 2002. Textual analysis serves to reveal whether Poe was translated more according to his own poetics as he became more reputable in the target literary system. The paper concludes that factors other than reputation of an author have also a role to play in translating an author according to his own poetics.

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López Lizana, Alejandro. "De Kleist a Poe: afinidades estructurales y temáticas entre “La mendiga de Locarno” y “The Masque of the Red Death”." Inter Litteras, no. 3 (November 15, 2021): 136–53. http://dx.doi.org/10.34096/interlitteras.n3.10746.

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El objetivo del presente artículo es el de abordar un estudio comparado de los relatos “La mendiga de Locarno”, de Heinrich von Kleist, y “The Masque of the Red Death”, de Edgar Allan Poe. Para ello se partirá de que ambos autores son considerados figuras fundamentales del proceso de consolidación de la narrativa breve en la primera mitad del siglo XIX en sus respectivas literaturas nacionales. Este hecho, unido al íntimo conocimiento que los dos tenían de la literatura de terror alemana y anglosajona de su tiempo, propicia una serie de coincidencias formales y temáticas en sus textos que los sitúan en una constelación literaria repleta de fuentes y admiradores comunes. No obstante, un análisis más exhaustivo de las obras propuestas revela una asombrosa afinidad en el modo en que tanto Kleist como Poe aprovechan los materiales textuales de los que parten: mediante la subversión de las expectativas genéricas, los dos proponen una concepción del terror en la que lo irresoluble del misterio sobrenatural cuestiona la existencia de un orden moral armónico y la capacidad humana de llegar a entender nuestro mundo.

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Dewi, Novita. "Contemplating COVID-19 through disease and death in three short stories by Edgar Allan Poe." Studies in English Language and Education 8, no. 2 (May 3, 2021): 848–63. http://dx.doi.org/10.24815/siele.v8i2.19240.

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Wort-case scenarios depicted in literary works may function to mourn and warn people about the real situation, such as the spread of COVID-19 that has altered worldwide life drastically. This study offers a reflection on the current pandemic time through a close reading of selected American classic literary works. The imagination of fear, isolation, and mask-wearing in Edgar Allan Poe’s short stories is resonant with the new expressions of the COVID-19 pandemic. Three short stories by Poe, i.e., ‘The Masque of the Red Death’, ‘The Cask of Amontillado’, and ‘The Sphinx’ are chosen for examination using the thematic analysis method. Repeated reading of the short stories shows that parallels can be drawn between these stories and today’s phenomenon about anxiety, social restriction, and health protocols. What can be implied from the analysis are as follows: (1) Fear of the disease results in the characters’ added distress, (2) The characters’ aberrant behaviour as to overprotect themselves is exacerbated by the dreadful situation, and (3) Poe’s obsession with dread and death to shock the readers can be historically traced through his own inner predicaments, ill-health, and the 1832 Cholera contagion. In conclusion, the findings resonate with the COVID-19 epidemic’s upshots.

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Sherstiuk, N. O. "FEATURES OF TIME AND SPACE IN THE SHORT STORY “THE MASQUE OF RED DEATH” BY EDGAR ALLAN POE." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 3, no. 2 (2019): 141–45. http://dx.doi.org/10.32838/2663-6069/2019.3-2/26.

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Nur Ahmadi, Arinfandira Ramadhanti, Lalu Muhaimi,. "Symbol In Edgar Allan Poe’s Selected Short Stories And Their Pedagogical Implication: A Semiotic Perspective." Jurnal Ilmiah Profesi pendidikan 4, no. 2 (November 30, 2019): 91–93. http://dx.doi.org/10.29303/jipp.v4i2.87.

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Abstract : The main objectives of this study are to identify the symbols which are contextually attached to certain words and phrases; to analyze the contextual meaning of the symbols; and to describe the pedagogical implications of the uses of those symbols to the practices of teaching English as a foreign language (TEFL). These all are conducted by following Pierce’s triadic theory. The sources of the data of this study are some carefully selected short stories written by Edgar Allan Poe. Descriptive qualitative method is used to collect the data which are then analysed and presented explanatorily. The results of the analysis of the data suggest that there are six symbols which are contextually attached to words and phrases in The Masque of Red Death, three symbols in The Pit and Pendulum, and three symbols in The Black Cat. Those symbols carry important pedagogical implications to the teaching of English as a foreign language. This implies that teachers of English may use these short stories and their symbols to teach English vocabulary in reading section by using flashcard, and by which they can conclude the learning section by presenting the moral values in the short stories.Keywords : Symbols, Semiotic

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Górka, Elżbieta, and Mieszko Wandowicz. "Odwrócony „świat na opak”. O Masce Śmierci Szkarłatnej Edgara Allana Poe w kontekście teorii karnawału." Przestrzenie Teorii, no. 35 (December 15, 2021): 235–46. http://dx.doi.org/10.14746/pt.2021.35.11.

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This paper considers The Masque of the Red Death, a short story by E.A. Poe. Understanding the carnival as mundus inversus (temporary inversion of order) and using the theories proposed by M. Bakhtin or V. Turner, the authors present an interpretation according to which Poe’s ball is indeed an inversion of a ball – an anti-carnival. Furthermore, they do not agree with the allegorical understanding of Poe’s works. Indicating a suggestion made by Poe himself, they choose an interpretation related to Eliade’s concept of symbolism. They also disagree with the theory in which The Masque of the Red Death is the story about the non-existence of God. Referring to other religious interpretations and the problems of time, they present their own biblical conclusion.

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Yuliastuti, Anicleta, and Rommel Utungga Pasopati. "THE EPIPHANY OF FACES OF COVID-19 PANDEMIC AS REFLECTED IN EDGAR ALLAN POE’S THE MASQUE OF THE RED DEATH." UC Journal: ELT, Linguistics and Literature Journal 2, no. 1 (May 30, 2021): 43–57. http://dx.doi.org/10.24071/uc.v2i1.3431.

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Edgar Allan Poe’s The Masque of The Red Death is a famous story of a plague in which the infected ones died with blood coming out from pores. Prince Prospero as ruler of that area ignores it but then was killed by a figure with a face full of blood covered in a mask. In the COVID-19 pandemic, the infected ones are quite seen as terror and disgust. People stay away from them as if they are dirty and sinful. It is similar to how Red Masque and Red Death are indicated in Poe’s story. However, Emmanuel Levinas argues that the epiphany of the face invites people to be ethical to others. Then, how is the epiphany of the face reflected in Edgar Allan Poe’s The Masque of The Red Death? By using the qualitative method, written data, concepts, and theories are asserted to answer that question. Comparing Levinas’ explanation, Poe’s story, and today’s pandemic situation could bring in better insight into how the infected ones should be treated better. They must not be excluded, but they need our ethical compassion in answering their presence to us.

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Nichols, Kenneth. "Case Study #2: The Mask of the Red Death by Edgar Allan Poe." Public Voices 13, no. 1 (November 18, 2016): 165. http://dx.doi.org/10.22140/pv.64.

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Every era has had its scourge, contagion, pestilence, or plague. And every age has had to deal with those problems in the best way it could at the time. Edgar Allan Poe creates for us a leader whose method of “dealing” was, at best, ill-considered.

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Yoon, Sarah. "Color Symbolisms of Diseases: Edgar Allan Poe’s “The Masque of the Red Death”." Explicator 79, no. 1-2 (February 25, 2021): 21–24. http://dx.doi.org/10.1080/00144940.2021.1891014.

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Wright, Laurence. "Plague and Cultural Panic: Edgar Allan Poe’s ‘The Masque of the Red Death’." English Studies in Africa 64, no. 1-2 (January 2, 2021): 47–58. http://dx.doi.org/10.1080/00138398.2021.1969096.

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Angelica, Ethan, and James Armstrong. "Two Reviews of Zombie Joe's Edgar Allan Poe's "Masque of the Red Death," "The Tell-Tale Heart" & "The Bells"." Edgar Allan Poe Review 9, no. 2 (2008): 84–88. http://dx.doi.org/10.2307/41506301.

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Almahameed, Atef Adel, Nusaiba Adel Almahameed, Reem Rabea, and Imad-edden Nayif M. A'leade Alshamare. "Death Portrayals in Edgar Allan Poe’s ‘The Masque of the Red Death’: A Transtextual Study in Relation to the Holy Qur’an and Arabic Literary Heritage." Advances in Language and Literary Studies 9, no. 5 (October 31, 2018): 84. http://dx.doi.org/10.7575/aiac.alls.v.9n.5p.84.

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This paper is aimed at interpreting Edgar Allan Poe’s ‘The Masque of the Red Death’ (1842) and its portrayal of death in relation to the Holy Qur’an and Arabic literary heritage. This reading provides new insights into the understanding of the story. The paper argues that Poe’s story and its depictions of death allows for a transtextual analysis as it is based, for a significant extent, on stories from the Qur’an, the holy book of Islam, which informs of the inevitability of death. In addition, the anatomic study of the story investigates the influence of Arabic literary heritage and its role in arousing the writer’s imagination. Scholarly work notes that Poe’s story follows many traditions of gothic fiction and is often analysed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Apart from scholarly work on the story, the paper is purported at rereading the story and explores the transtextual connections and affiliations between the story’s portrayal of death and what Qur’an tells about death. There are striking moments of parallelism between the two sources on the notion of death although the story’s oriental and Islamic references to death shine implicitly through and never made explicit nor directly copy the Qur’anic verse or the Arabic literary sources. Therefore, the paper digs deeply into the story to explore how its representations of death are influenced and shaped by the Holy Qur’an and Arabic literary heritage

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Haspel, Paul. "Bells of Freedom and Foreboding: Liberty Bell Ideology and the Clock Motif in Edgar Allan Poe's "The Masque of the Red Death"." Edgar Allan Poe Review 13, no. 1 (2012): 46–70. http://dx.doi.org/10.2307/edgallpoerev.13.1.0046.

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Grumberg, Karen. "Gothic Temporalities and Insecure Sanctuaries in Lea Goldberg's The Lady of the Castle and Edgar Allan Poe's “Masque of the Red Death”." Comparative Literature 68, no. 4 (December 2016): 408–26. http://dx.doi.org/10.1215/00104124-3698487.

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Sianturi, Betty. "Reading Literature in the Time of Pandemic." PIONEER: Journal of Language and Literature 12, no. 2 (December 31, 2020): 129. http://dx.doi.org/10.36841/pioneer.v12i2.705.

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This paper contextualizes the role of literature during the current state of Covid-19 outbreak. As representation of plague has been a stable in literature across time and space, reading literature about pandemic offers important insights in dealing with the changing period. This study offers a reading of ‘The Marque of Red Death’, a short story written by Edgar Allan Poe which dramatizes the outbreak of titular plague. Poe’s narration contextualizes the horrifying aspects of plague and also criticizes the social inequality concerning the ability of different social classes to cope with pandemic. Hence, this depiction asserts that ecological problem is inseparable with social problem and racial inequality. This study is conducted under ecocritical framework which emphasizes the reorientation of human and non-human relationship through the imaginary literature. The findings suggest that the non-human entity in form of plague is depicted as a disruptive force that abolish the progress of human civilization. This dramatization explores humanity to ponder their position in the world as a reminder of their mortality. The analysis suggests that during the troubled era of Covid-19 outbreak, reading representation of plague in literature can provide an idea with how people across time and space cope with pandemic outbreak.

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Birkle, Carmen. "Pandemics as the great levellers? Class, community and capital in US-American short stories." Short Fiction in Theory & Practice 12, no. 2 (October 1, 2022): 141–53. http://dx.doi.org/10.1386/fict_00058_1.

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This article focuses on literature’s potential for healing – both medical and sociopolitical – in times of severe crisis such as the COVID-19 pandemic. Affect is an important literary tool to make people aware of social inequalities, in particular reading or writing short stories with the experience of a simultaneous real-life pandemic. Reading is an embodied act through which the reader enters into a dialogue with both the author and the text. Emotions emerge that are often more deeply stored in memory than the words as such, and that changes our perception of the world. This effect is also encapsulated in Siri Hustvedt’s analysis of reading practices, Sara Ahmed’s affect theory and Rita Felski’s four ways of engaging with texts. I analyse John O’Hara’s short story ‘The Doctor’s Son’ (1935), situated in rural Pennsylvania at the time of the 1918 Influenza, and Victor LaValle’s ‘Recognition’ (2020), resonating with the COVID-19 pandemic in an isolated apartment building in New York City. Both stories question the concept of pandemics as the great levellers by pointing out social injustice due to class and ethnic hierarchies. Taking Edgar Allan Poe’s ‘The Masque of the Red Death’ (1842) and Poe’s emphasis on the preconceived and single effect of fear and subsequent horror caused by the ‘Red/Black Death’, as a starting point, the article presents O’Hara’s story as a manifestation of the medical, social and ethnic phenomena at work in 1918: social distancing, facial masks, closed public institutions, people’s resistance to these measures and medical treatment along ethnic and class lines. LaValle’s ‘Recognition’ allows readers a glimpse into the relationship between an unnamed African American woman, who is also the narrator, and Pilar, a Colombian American woman, who dies of the virus. As part of a contemporary Decameron project, ‘Recognition’ stresses the human need for community, communication and, thus mutual human recognition, giving the dead – whether rich or poor – a name and demanding to undo systemic social inequalities. In that sense, literature can heal the nation.

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Aldama, Frederick Luis. "What Literature Tells Us about the Pandemic." Journal of Critical Studies in Language and Literature 2, no. 1 (December 26, 2020): 24–27. http://dx.doi.org/10.46809/jcsll.v2i1.50.

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Literature can play an important role in shaping our responses to the COVID-19 pandemic. It can offer us significant insights into how individuals treated the trauma of pandemics in the past, and how to survive in a situation beyond our control. Considering the changes and challenges that the coronavirus might bring for us, we should know that the world we are living in today is shaped by the biological crisis of the past. This understanding can help us deal with the challenges in the current pandemic situation. Literature can show us how the crisis has affected the lives of infected individuals. By exploring the theme of disease and pandemic, which is consistent and well-established in literature (Cooke, 2009), we come across a number of literary works dealing with plagues, epidemics and other forms of biological crises. Among the prominent examples of pandemic literature is Albert Camus’s The Plague (1947), narrating the story of a plague sweeping the French Algerian city of Oran. The novel illustrates the powerlessness of individuals to affect their destinies. Jack London’s The Scarlet Plague (1912) is another story depicting the spread of the Red Death, an uncontrollable epidemic that depopulated and nearly destroyed the world. The book is considered as prophetic of the coronavirus pandemic, especially given London wrote it at a time when the world was not as quickly connected by travel as it is today (Matthews, 2020). Furthermore, Edgar Allan Poe’s The Masque of the Red Death (1842) is a short story on the metaphorical element of the plague. Through the personification of the plague, represented by a mysterious figure as a Red Death victim, the author contemplates on the inevitability of death; the issue is not that people die from the plague, but that people are plagued by death (Steel, 1981). Moreover, Mary Shelley’s The Last Man (1826) is another apocalyptic novel, depicting a future which is ravaged by a plague. Shelley illustrates the concept of immunization in this fiction showing her understanding about the nature of contagion. Pandemic is also depicted in medieval writings, such as Giovanni Boccaccio’s The Decameron and Geoffrey Chaucer’s The Canterbury Tales illustrating human behaviour: the fear of infection increased sins such as greed, lust and corruption, which paradoxically led to infection and consequently to both moral and physical death (Grigsby, 2008). In ancient literature, Homer’s Iliad opens with a plague visited upon the Greek camp at Troy to punish the Greeks for Agamemnon’s enslavement of Chryseis. Plague and epidemic were rather frequent catastrophes in ancient world. When plague spread, no medicine could help, and no one could stop it from striking; the only way to escape was to avoid contact with infected persons and contaminated objects (Tognotti. 2013). Certainly, COVID-19 has shaken up our economic systems and affected all aspects of our living. In this respect, literature can give us the opportunity to think through how similar crises were dealt with previously, and how we might structure our societies more equitably in their aftermath. Thus, in order to explore what literature tells us about the pandemic, the following interview is conducted with Frederick Aldama, a Distinguished Professor of English at the Ohio State University.

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Sánchez Auñón, Estefanía. "Romanticism in the North American Short Story." Cartaphilus. Revista de investigación y crítica estética 18 (January 13, 2021). http://dx.doi.org/10.6018/cartaphilus.456101.

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El Romanticismo fue un movimiento extremadamente influyente que surgió a finales del siglo 18 y que tuvo un gran impacto en varias áreas, incluida la literatura. Innumerables escritores han representado en sus obras características esenciales del Romanticismo como la representación de horror y emociones intensas, el uso de entornos naturales exóticos y salvajes, el nacionalismo, el individualismo, la mente humana, y el simbolismo, entre muchas otras. En este artículo, se muestra cómo el Romanticismo influyó, en concreto, la narrativa breve norteamericana analizando cinco obras: “Rip Van Winkle,” de Washington Irving; “The Minister’s Black Veil,” de Nathaniel Hawthorne; “Bartleby, the Scrivener,” de Herman Melville; y “The Minister’s Black Veil” y “The Tell-Tale Heart,” de Edgar Allan Poe. Los resultados que se han obtenido de este análisis han demostrado que estas cinco historias breves se pueden considerar trabajos románticos porque reflejan múltiples características del Romanticismo. De hecho, estos autores retratan las peculiaridades de los dos sub-campos más importantes del Romanticismo Americano conocidos como “Romanticismo Claro” y “Romanticismo Oscuro.” Romanticism was an extremely influential movement which flourished at the end of the 18th century and which had a huge impact on various areas, including literature. Countless writers have represented in their works key Romantic features such as the depiction of horror and intense emotions, the use of exotic and wild natural settings, nationalism, individualism, the reproduction of the human psyche, and symbolism, among many others. In this paper, it is shown how the Romantic Movement influenced, more specifically, the North American short story by analysing five works: Washington Irving’s “Rip Van Winkle,” Nathaniel Hawthorne’s “The Minister’s Black Veil,” Herman Melville’s “Bartleby, the Scrivener,” and Edgar Allan Poe’s “The Masque of the Red Death” and “The Tell-Tale Heart.” The results which have been obtained from this analysis have demonstrated that these five short stories can be considered as Romantic works because they reflect multiple characteristics of the Romantic Movement. In fact, these writers portray the peculiarities of the most important subfields of American Romanticism, which are known as “Light Romanticism” and “Dark Romanticism.”

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"COVID 19 or SARS COV-2. From Fiction to Reality, Chronicle of The Coronavirus." International Journal of Orthopaedics Research 4, no. 1 (March 31, 2021). http://dx.doi.org/10.33140/ijor.04.001.

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For a long time, the "Red Death" had devastated the region. Never had any plague, been so fatal, so horrible [1]…. "Thus begins the story THE MASK OF THE RED DEATH, written by EDGAR ALLAN POE. Terrifying, isn't it? And they say that reality outweighs fiction [2].

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CELİK, Kubra. "Çeviri Göstergebilimi Işığında Bir İnceleme: Edgar Allan Poe’nun The Masque of the Red Death Başlıklı Öyküsü ve Türkçe Çevirileri." SÖYLEM Filoloji Dergisi, January 14, 2023. http://dx.doi.org/10.29110/soylemdergi.1184874.

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Bu çalışmanın amacı Edgar Allan Poe’nun The Masque of the Red Death (1842) başlıklı öyküsü ve Türkçe çevirilerini, çeviri göstergebiliminin sunduğu bakış açısıyla inceleyerek çeviri göstergebiliminin çevirmene ve çeviri sürecine sunabileceği katkıları ortaya koymaktır. Edgar Allan Poe’nun 1842 yılında yayımlanan The Masque of the Red Death adlı öyküsü ve bu öykünün Tomris Uyar (1991), Nebiha Şentürk (2016), Nazire Ersöz (2017) ve Hasan Fehmi Nemli (2018) tarafından Türkçeye yapılan çevirileri bu çalışmanın bütüncesini oluşturmaktadır. Özgün metnin göstergebilimsel çözümlenmesinde Öztürk Kasar’ın (2009) Paris Göstergebilim Okulu’nun sunduğu metin çözümleme adımlarını çeviri göstergebilimi kapsamında derlediği göstergebilimsel çözümleme modeli esas alınmıştır. Eserin Türkçede yayımlanan dört farklı çevirisi ise Öztürk Kasar’ın ortaya koyduğu Çeviride Anlam Evrilmesi Dizgeselliği (2021) odağında bir çeviri değerlendirmesine tabi tutulmuştur. “Öyküdeki sembollerin çevirisi”, “Alımlayan özneye yönelik hitapların çevirisi”, “Metinlerarası öğelerin çevirisi” ve “Anlam evirici eğilimlere farklı örnekler” başlıklarıyla ele alınan çeviri değerlendirmesinde, toplam on altı söylemde anlam evirici eğilim saptanmıştır. Yapılan çeviri değerlendirmesinde hata avcılığından kaçınılarak çevirmen kararları dizgeselliğin sunduğu veriler odağında betimleyici bir yaklaşımla ele alınmıştır.

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Jassim, Shaima Abdullah. "Pandemics Between Survival And Devastation:, A Study Of Edgar Allan Poe’s "The Masque Of The Red Death" And Jack London’s "The Scarlet Plague"." مجلة آداب الفراهيدي, 2021, 441. http://dx.doi.org/10.51990/2228-013-047-021.

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VESE, Donato. "Managing the Pandemic: The Italian Strategy for Fighting COVID-19 and the Challenge of Sharing Administrative Powers." European Journal of Risk Regulation, September 3, 2020, 1–28. http://dx.doi.org/10.1017/err.2020.82.

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This article analyses the administrative measures and, more specifically, the administrative strategy implemented in the immediacy of the emergency by the Italian government in order to determine whether it was effective in managing the COVID-19 pandemic throughout the country. In analysing the administrative strategy, the article emphasises the role that the current system of constitutional separation of powers plays in emergency management and how this system can impact health risk assessment. An explanation of the risk management system in Italian and European Union (EU) law is provided and the following key legal issues are addressed: (1) the notion and features of emergency risk regulation from a pandemic perspective, distinguishing between risk and emergency; (2) the potential and limits of the precautionary principle in EU law; and (3) the Italian constitutional scenario with respect to the main provisions regulating central government, regional and local powers. Specifically, this article argues that the administrative strategy for effectively implementing emergency risk regulation based on an adequate and correct risk assessment requires “power sharing” across the different levels of government with the participation of all of the institutional actors involved in the decision-making process: Government, Regions and local authorities. “And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all”. Edgar Allan Poe, The Mask of the Red Death, Complete Tales and Poems (New York, Vintage Books 1975) p 273

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Journal articles on the topic 'Masque of the red death (Poe, Edgar Allan)'

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