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Books on the topic 'Masques with music'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Dean, Winton. Handel's dramatic oratorios and masques. Oxford [England]: Clarendon Press, 1990.

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2

Blow, John. Venus & Adonis: A masque for the entertainment of the King; Organ voluntaries. London: Decca, 2003.

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3

Lenzi, Massimo. Maschere musiche: Saggi, materiali e studi sul simbolismo teatrale. Lucca: Pacini Fazzi, 2000.

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4

Holschneider, Andreas. Acis und Galatea: Kritischer Bericht. Kassel: Bärenreiter, 1995.

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5

Campion, Thomas. The discription of a maske: Presented before the kinges maiestie at White-hall, on Twelfth Night last, in honour of the Lord Hayes, and his bride. New York: Performers' Facsimiles, 2007.

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6

Charles, Williams. The masques of Amen House: Together with, Amen House poems and with selections from the music for the masques by Hubert J. Foss. Altadena, Calif: Mythopoeic Press, 2000.

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7

Wuorinen, Charles. Suite from The magic art. Louisville, Ky: Louisville Orchestra, 1989.

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8

Rygg, Kristin. Masked mysteries unmasked: Early modern music theater and its pyphagorian [i.e. Pythagorean] subtext. Hillsdale, NY: Pendragon Press, 2000.

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9

Langages et aphorismes dans la chanson congolaise: Masques onomastiques. Paris: L'Harmattan, 2011.

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10

(Editor), David W. Music, ed. The Judgment of Paris (Recent Researches in the Music of the Baroque Era). A-R Editions, 1999.

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11

Handel's dramatic oratorios and masques. Oxford: Clarendon, 1990.

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12

Masque and Opera in Restoration England. Taylor & Francis Group, 2016.

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13

Schmalenberger, Sarah. Hearing the Other in The Masque of Blackness. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0003.

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This chapter explores the role that the music for The Masque of Blackness, a court entertainment commissioned by Queen Anne and written by Ben Jonson, may have played in constructing a “black Other.” In particular, it questions existing interpretations about the meaning of “black Other” and frames historical perspectives of musical affect with regard to Otherness. Jonson printed a quarto containing The Masque of Blackness and its sequel, Masque of Beauty, ostensibly to preserve the spirit of an entertainment intended for a single performance. Both masques are filled with musical indications, from descriptions of sounds and dance types to song lyrics composed by Jonson himself. The chapter first considers the relationship between dance and music in The Masque of Blackness before discussing its cultural meaning, along with the issue of racial difference and Queen Anne's apparent dalliance with blackface in the masque. Finally, it describes the signification of blackness in The Masque of Blackness.

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14

Rygg, Kristin. Masqued Mysteries Unmasked: Early Modern Music Theater and Its Pythagorean Subtext. Pendragon Press, 2000.

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15

Callon, Gordon J. William Lawes: Collected Vocal Music : Masques (Recent Researches in the Music of the Baroque Era). A-R Editions, 2002.

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16

Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage. Boydell & Brewer, Incorporated, 2014.

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17

Savage, Roger. Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage. Boydell & Brewer, Incorporated, 2014.

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18

Savage, Roger. Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage. Boydell & Brewer, Limited, 2014.

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19

Walls, Peter. Music in the English Courtly Masque, 1604-1640. Oxford University Press, 1996.

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20

Composing History: National Identities and the English Masque Revival, 1860-1920. Boydell & Brewer, Limited, 2018.

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21

Ravelhofer, Barbara, and Oxford University Press Staff. Early Stuart Masque: Dance, Costume, and Music. Oxford University Press, 2009.

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22

Ravelhofer, Barbara. Early Stuart Masque: Dance, Costume, and Music. Oxford University Press, 2006.

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23

Garrick, Arne, and the masque of Alfred: A case study in national, theatrical, and musical politics. Lewiston: Edwin Mellen Press, 1994.

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24

Handel And Maurice Greenes Circle At The Apollo Academy The Music And Intellectual Contexts Of Oratorios Odes And Masques. V&r; Unipress, 2008.

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25

Handel, George Frideric. Acis and Galatea (Kalmus Edition). Alfred Publishing Company, 1985.

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26

Obadike, Mendi Lewis, and Keith Obadike. Four Electric Ghosts. 1913 Press, 2014.

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27

Music in the English courtly masque, 1604-1640. Oxford: Clarendon Press, 1996.

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28

The early Stuart masque: Dance, costume, and music. New York: Oxford University Press, 2006.

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29

Masque of Comus: Together with Incidental Music, Dances, Etc. Kessinger Publishing, LLC, 2010.

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30

Masque of Comus: Together with Incidental Music, Dances, Etc. Kessinger Publishing, LLC, 2007.

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31

Masque of Comus: Together with Incidental Music, Dances, Etc. Kessinger Publishing, LLC, 2010.

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32

Masque of Comus: Together with Incidental Music, Dances, Etc. Literary Licensing, LLC, 2014.

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33

John, Milton. Masque of Comus: Together with Incidental Music, Dances, Etc. Literary Licensing, LLC, 2014.

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34

Masque of Comus: Together with Incidental Music, Dances, Etc. Kessinger Publishing, LLC, 2010.

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35

COMUS. Sioux Falls: NuVision Publications, 2004.

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36

Masque of Comus the Original Music by Henry Lawes, Together with Incidental Music, Dances, Etc. Creative Media Partners, LLC, 2010.

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37

Masque of Comus. the Original Music by Henry Lawes, Together with Incidental Music, Dances, Etc. Creative Media Partners, LLC, 2022.

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38

Masque of Comus. the Original Music by Henry Lawes, Together with Incidental Music, Dances, Etc. Creative Media Partners, LLC, 2022.

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39

John, Milton. Masque of Comus. the Original Music by Henry Lawes, Together with Incidental Music, Dances, Etc. Creative Media Partners, LLC, 2017.

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40

Masque of Comus. the Original Music by Henry Lawes, Together with Incidental Music, Dances, Etc. Creative Media Partners, LLC, 2015.

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41

Masque of Comus the Original Music by Henry Lawes, Together with Incidental Music, Dances, Etc. HardPress, 2012.

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42

Mann, Joseph Arthur. Printed Musical Propaganda in Early Modern England. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979237.001.0001.

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Printed Musical Propaganda in Early Modern England exposes a relationship between music and propaganda that crossed generations and genres, revealing how consistently music, in theory and practice, was used as propaganda in a variety of printed genres that included or discussed music from the English Civil Wars through the reign of William and Mary. These bawdy broadside ballads, pamphlets paid for by Parliament, sermons advertising the Church of England’s love of music, catch-all music collections, music treatises addressed to monarchs, and masque and opera texts, when connected in a contextual mosaic, reveal a new picture of not just individual propaganda pieces, but multi-work propaganda campaigns with contributions that cross social boundaries. Musicians, Royalists, Parliamentarians, government officials, propagandists, clergymen, academics, and music printers worked together setting musical traps to catch the hearts and minds of their audiences and readers. Printed Musical Propaganda proves that the influential power of music was not merely an academic matter for the early modern English, but rather a practical benefit that many sought to exploit for their own gain.

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43

Bridge, Frederick, John Milton, and Henry Lawes. The Masque of Comus. The Original Music by Henry Lawes, Together With Incidental Music, Dances, etc. Franklin Classics, 2018.

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44

Masque of Comus. the Original Music by Henry Lawes, Together with Incidental Music, Dances, etc. - Primary Source Edition. Creative Media Partners, LLC, 2014.

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45

Masque of Comus. the Original Music by Henry Lawes, Together with Incidental Music, Dances, etc. - Primary Source Edition. Creative Media Partners, LLC, 2014.

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46

Thurmond, John. Harlequin Doctor Faustus: With the Masque of the Deities. Compos'd by John Thurmond, Dancing-Master. with Additions and Alterations. Gale Ecco, Print Editions, 2018.

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47

John, Milton. Comus: A Masque. As Alter'd from Milton's Masque at Ludlow-Castle, Which Was First Represented on Michaelmas-Day, 1634; ... the Music Was Composed by Mr. Hen. Lawes,. Creative Media Partners, LLC, 2018.

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48

John, Milton. Comus: A Masque. As Alter'd from Milton's Masque at Ludlow-Castle, Which Was First Represented on Michaelmas-Day, 1634; ... the Music Was Composed by Mr. Hen. Lawes,. Creative Media Partners, LLC, 2018.

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49

Le chant du masque: Une enquête ethnomusicologique chez les Wè de Côte d'Ivoire. Paris: L'Harmattan, 2011.

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50

Comus: A Masque. As Alter'd from Milton's Masque at Ludlow-Castle, Which Was First Represented on Michaelmas-Day, 1634; Before the Right Honourable the Earl of Bridgewater... . the Music Was Composed by Mr. Hen. Lawes,. Creative Media Partners, LLC, 2018.

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