Relevant bibliographies by topics / Mass media and literature / Dissertations / Theses
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Dissertations / Theses on the topic 'Mass media and literature'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Machele, Moleboge. "The mass media and nation-building in independent Namibia." Thesis, Cardiff University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286072.

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2

Sung, Dong-kyoo. "Globalisation and mass media : the case of publishing in Korea." Thesis, Loughborough University, 1995. https://dspace.lboro.ac.uk/2134/10598.

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This thesis is an attempt to analyse publishing critically, in keeping with the current preoccupation with the phenomenon of 'globalisation'. The primary concern of this thesis is to systemise and elaborate a theoretical frame for the study of international publishing by looking into the following major research questions. I. How can we apply the concept of globalisation which has recently dominated discussion in the social sciences in analysing international publishing? 2. What are the major factors which influence contemporary international publishing that have resulted in an uneven intellec
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3

Willihnganz, Jonah Gabriel. "Radio blues : literature, mass communication and the human voice in depression America /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174694.

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4

Casey, Cara C. "Imaginative play a review of literature on the influence of media and educational changes /." Online version, 2008. http://www.uwstout.edu/lib/thesis/2008/2008caseyc.pdf.

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5

Jung, Nathan A. "Public relations| Diaspora, media, and the state(s) of American literature." Thesis, Loyola University Chicago, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3722593.

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<p>Like any good public relations campaign, this dissertation aims to offer a persuasive interpretation of certain key facts. The facts, as I see them, are as follows: first, a great number of contemporary novels and poems explore the personal and social consequences of diasporic migration. Second, these texts, along with their print and electronic paratexts, share a pervasive interest in media. And third, these works are rarely read in conversation with one another, despite their mutual concern for migration and media. Owing to this last point in particular, scholarship has failed to fully ad
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6

Bashmakova, Natalʹi︠a︡ Vanhala-Aniszewski Marjatta. "Re-reading Soviet and post-Soviet texts /." Joensuu : University of Joensuu, 2005. http://www.loc.gov/catdir/toc/fy0604/2005530487.html.

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7

Sa, Sergio Araujo de. "A Reinvenção do Escritor: Literatura e Mass Media." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-798HLN.

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A partir da articulação entre literatura e comunicação, esta tese procura o lugar e a função do escritor no mundo urbano latino-americano contemporâneo. Para isso, recorre a narrativas de autores brasileiros e argentinos em que o escritor aparece como narrador e ou/ personagem. O trabalho examina também a figura de escritor e a obra ficcional construídas na mídia por meio da entrevista jornalística. Memória, imagem e deslocamento constituem núcleos temáticos que aproximam a literatura em prosa dos meios de comunicação de massa. Lixo, paranóia e sarcasmo configuram noções que tentam explicar o
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8

Ingvoldstad, Bjorn Paul. "Post-socialism, globalization, and popular culture 21st century Lithuanian media and media audiences /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219906.

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Thesis (Ph.D.)--Indiana University, Dept. of Communication and Culture, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 1962. Adviser: Barbara Klinger. "Title from dissertation home page (viewed June 21, 2007)."
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9

Saaris, Natalie Potok. "Refashioning the Novel in the Age of Image Media." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11477.

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This dissertation examines how the contemporary French novel is responding to television. While much has been written regarding the threat that television poses to books, narrative, and language, the survival strategies of writers have been largely overlooked. Rather than lamenting the novel's decline, this study asks how writers are rethinking the purpose and form of the novel to better represent televisual subjectivity and to adapt the genre to a new cultural paradigm. Contemporary novelists must negotiate a tension between distinguishing the novel from the medium of television while also
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10

Al-Ibrahim, Yousef M. "The mass media in the Gulf region with special reference to the State of Qatar." Thesis, Cardiff University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302619.

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11

Cozma, Codrina. "The power of the spoken word : literature in the American mass media of the 1990s." [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/usf/dc/et/SFE0001223.

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12

Schiffer, Sabine. "Die Darstellung des Islams in der Presse Sprache, Bilder, Suggestionen : eine Auswahl von Techniken und Beispielen /." Würzburg : Ergon, 2005. http://catalog.hathitrust.org/api/volumes/oclc/62185651.html.

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13

Walsh, Maria. "Indentity-in-motion : the narrative duration of the dis/continuous film moment." Thesis, University of Plymouth, 2003. http://hdl.handle.net/10026.1/361.

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The trajectorv of this thesis is set out like a journey upon which encounters are staged between two films. film theor), and philosophers. such as Slavoj Zizek. Gilles Deletize, and Maurice Merleau-Ponty. An encounter with a moment of image suspension. a cut to the blank screen- in Tacita Dean's film, Disappearance atSea (1996). motivates the beginning of this journey's narrative. My reading of this moment counters the way that suspended film moments have been discussed in terms of non-narrative in 1970s film theory and in the contemporary psychoanalýlic filin theory of Slavoj Zizek. Using Gil
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14

King, Alasdair James. "The plebiscite of the consumers : Hans Magnus Enzensberger and cultural populism." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302028.

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15

Gelfand, Lynn. "Tales, technology, and transformations how different media environments shape the structure, style, and content of folk narratives /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319906.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.<br>Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3267. Adviser: Mary Ellen Brown.
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16

Beriker, Emma A. "Joan Didion's Iconic Nonfiction: Mass Media Distortion of the Written Form." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/847.

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This thesis explores Joan Didion’s concern of mass media’s infiltration on the processing and communication of her personal reality and memory. Didion herself communicates an anxiety of the infiltration of mass media into her individual communication of her unique, indescribable experience. Yet, she too is unable to escape this and instead, is forced to make this an act of adaptation, not separation. Mass media pervades Didion’s own mind, taking over her processing of experience and memory through the modes of photography and film. With these forms of mass media, Didion seeks a purity of perso
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17

Blanc, Marc. ""Gramophones Playing the Same Tune": Club Ideology and Mass Media in George Orwell's Burmese Days (1934)." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524847264997736.

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18

Hamilton, Joshua Bridgwater. "Resituating Desire, Rewriting Reading| Spanish Neo-Avant Garde Visual Poetry and the Critique of Mass Media and Consumer Capitalism." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3587659.

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<p> This dissertation examines the Spanish visual poetry of the 1960s and 1970s, which appeared during the later period of the Franco regime and responded to the rise of mass media and consumer capitalism. It draws on the theoretical work of Gilles Deleuze and F&eacute;lix Guattari to examine how this poetry created an oppositional practice that destabilized the conventional use of codes in media, art, and literature. It brings to light what I will explore as the "schizoid" character of their work and how it redefines the roles of reader, writer, and text in order to create an awareness that
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19

Takehana, Elisabet 'Osk. "Chuck Palahniuk and Jean Baudrillard: The terminal state of human subjectivity." CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3039.

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Examines Chuck Palahniuk's novel Invisible monsters using the theories of Jean Baudrillard as a lens through which to better understand Palahniuk's commentary on the effects mass media have on human subjectivity in the terminal state.
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20

Hammer, Kate. "Reading Richard Schechner : allegories of performance." Thesis, University of Surrey, 1998. http://epubs.surrey.ac.uk/842921/.

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'Reading Richard Schechner' explores the theatre, theory, and academic leadership of a key figure in American theatre studies, engaging critically with Schechner's contributions, in order to assess their value for future theatre research. Chapter One considers how Schechner's theatre participated in social change and situates Schechner's analogy of theatre to ritual within an avant-garde theatrical tradition. Chapter Two models Schechner's career in terms of a singular performance project which moves from its early focus on theatre production, through performance theory, leading finally to his
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21

Smith, Ian. "Through hell and high theory : Malcolm Lowry's 'Under the volcano' and contemporary issues of literary theory." Thesis, University of Hull, 1997. http://hydra.hull.ac.uk/resources/hull:3486.

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22

McGowran, Katharine Margaret. "House and home in late Victorian women's poetry." Thesis, University of Hull, 1999. http://hydra.hull.ac.uk/resources/hull:3954.

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Any consideration of the theme of ‘house and home’ leads into discussion on three different levels of discourse. First of all, houses have biographical and historical significance; they are, after all, real places in which real lives are lived. Secondly, home is an ideologically loaded noun, a bastion of value which is inextricably entwined with the notion of the pure woman. Thirdly, in literature, houses are metaphorical places. This thesis is primarily a study of those metaphorical places. It explores representations of ‘house’ and ‘home’ in late Victorian women's poetry. However, it also ta
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23

Kaat, Jacques. "The reception of Dutch fictional prose in Great Britain : a reception-sociological study of Dutch twentieth century fictional prose in translation in Great Britain (1970-1983) in relation to the Dutch and English literary canon." Thesis, University of Hull, 1987. http://hydra.hull.ac.uk/resources/hull:3099.

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24

Tudor, Adrian Philip. "The first old French Vie des peres : texts and contexts." Thesis, University of Hull, 1998. http://hydra.hull.ac.uk/resources/hull:3889.

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25

Al-Kasim, Faisal Moayad. "Iconoclasm in modern British drama." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:8285.

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Iconoclasm has proved to be a major feature in modern British drama, where in a short period of time, the theatre has witnessed a host of iconoclastic dramatists, where demythologization has been widespread and fierce and where the icons of the present and the past have been subjected to a wholesale desecration in large numbers at the hands of the Ardens, Brenton, Bond, Churchill and others, who, as their dramatization of history and its idols has shown, have much in common. Although the above playwrights and others were most active towards the end of the sixties and throughout the seventies,
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26

Vanacker, Sabine Anne. "The presence of women : modernist autobiography by Dorothy Richardson, Gertrude Stein and H.D." Thesis, University of Hull, 1994. http://hydra.hull.ac.uk/resources/hull:3480.

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27

Ward, Diane Elizabeth. "Clear lamps and dim stars : new perspectives on the work of Ivor Gurney." Thesis, University of Hull, 1994. http://hydra.hull.ac.uk/resources/hull:3481.

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28

Edgar, Robert Charles. "The schlemiel and anomie : the fool in society." Thesis, University of Hull, 2001. http://hydra.hull.ac.uk/resources/hull:3533.

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This thesis examines the character of the schlemiel in comparative Jewish and Gentile American literature and cinema. It is the central claim that whilst the schlemiel is a strong Jewish character type this figure also appears in the texts of other socio-cultural groupings to an ever increasingly degree. With this is mind the character is examined in relation to the contemporary Western world, or Postmodern society.To achieve this aim the study is divided into three sections. The first deals with traditional perspectives on the schlemiel, examining prior definitions and gives a brief historica
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29

Hinchliffe, Ian. "The documentary novel : fact, fiction or fraud? : an examination of three Scandinavian examples of the documentary novel from the 1960s and 1970s." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:8034.

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This study seeks primarily to examine three Scandinavian examples of the documentary novel. Initially I endeavour to isolate certain purported characteristics of the genre as a whole by considering which aspects of a narrative have prompted the critics to call it a 'documentary novel'. I then examine the three works in detail, applying standard techniques of literary criticism and comparing the facts on which the novels are based with the novels themselves to determine what makes them 'documentary' and what makes them 'novels'. The three novels share common techniques and all deal with the sub
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30

Zamorano, Rueda Ana Isabel. ""A sea that had no shores" : the fiction of Violet Trefusis in relation to V. Sackville-West and V. Woolf." Thesis, University of Hull, 1997. http://hydra.hull.ac.uk/resources/hull:5416.

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This thesis shows how the notion of androgyny works in the fiction of Violet Trefusis. It also posits her writing in connection to some novels by Vita Sackville-West and Virginia Woolf. Working within a theoretical framework provided by Julia Kristeva's psychoanalytical theory this thesis focusses on and seeks to redress the traditional conceptualization of androgyny providing a notion of the androgyne more in accordance to Woolf's androgynous ideal. The androgyne is understood in this thesis as a carnivalesque figure that disrupts the patriarchal system of hierarchical binary oppositions. Cha
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31

Dullaghan, Andre. "Galina Ustvolskaya : her heritage and her voice." Thesis, City University London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274611.

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32

Buckley, David Kenneth. "Strange fascination : a study of David Bowie." Thesis, University of Liverpool, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385456.

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This thesis examines the work of David Bowie and its main theme is identity construction. Bowie was the first male pop star to project a succession of personae and his vocal styles, stage performances, lyrical method and videos are analysed in the light of his redefinitions of himself for public consumption. Bowie's guiding aesthetic was that of collage and his indebtedness to a variety of extra-musical sources, most significantly from literature and the theatre, is discussed. The theses eschews traditional narrative approaches which have been used to discuss individuals within pop, and deals
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33

Uniyal, Ranu. "A changing vision : women and landscape in the fiction of Margaret Drabble and Anita Desai." Thesis, University of Hull, 1992. http://hydra.hull.ac.uk/resources/hull:3121.

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34

Stott, Rebecca Kathleen. "The kiss of death : a demystification of the late-nineteenth century 'femme fatale' in the works of Bram Stoker, Rider Haggard, Joseph Conrad and Thomas Hardy." Thesis, University of York, 1989. http://etheses.whiterose.ac.uk/4267/.

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The thesis takes its beginnings from the work of Mario Praz, The Romantic Agony and from Michel Foucault's The History of Sexuality, Vol. 1. Praz has argued that the construction of the 'femme fatale' as a recognizable type is a phenomenon of the late nineteenth century. Foucault proposes that the nineteenth century is characterised not by a repression of sexual discourses but by a multiplication of centres from which such discourses are produced. The thesis places the 'femme fatale' in the socio-historical context of the 90s and searches both for the plurality of discourses mobilised to defin
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35

Luckhurst, Roger Michael. "'Between two walls' : postmodernist theory and the 'problem' of J. G. Ballard." Thesis, University of Hull, 1992. http://hydra.hull.ac.uk/resources/hull:3114.

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36

Rashwan, Nagy Mohamed Fahim Eweis. "Lyn Hejinian's and Charles Bernstein's language poetics : a postmodern conceptual grammar." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13271.

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37

CRINITI, STEPHEN FRANCIS. "NAVIGATING THE TORRENT: DOCUMENTARY FICTION IN THE AGE OF MASS MEDIA." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1189530451.

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38

Reeve, Anthony James Hutchinson. "Aspects of the life of Dr Thomas Arnold (1795-1842) in the light of the unpublished correspondence." Thesis, University of Hull, 1988. http://hydra.hull.ac.uk/resources/hull:3130.

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39

Middleton, Deborah Kathleen. "The theatre of affect." Thesis, University of Hull, 1993. http://hydra.hull.ac.uk/resources/hull:3554.

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There is an extensive body of work in the fields of philosophy, psychology, and sociology which identifies a specific world view based on the following criticism of modern society: that people live monocerebral existences divided from their physical, emotional, and intuitive abilities. In this state, the capacity for affect -emotional response - is believed to be atrophied, and experience nullified. Such a condition - which may be loosely termed 'mind/body split' - results in a diminished ability to relate to other people, a sense of alienation from the world, and a pathological loss of human
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40

Tipper, Paul Andrew. "Colour symbolism in the works of Gustave Flaubert." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:3814.

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The thesis adopts a structural and systematic approach to the study and analysis of colour terms in Flaubert's fiction.The Introduction highlights how Flaubert has come to be regarded as a problematic writer and how much existing work on his colour terms is in some way lacking in clarity. I proceed to fill this gap in Flaubert studies by elaborating a method of analysis of colour terms which clarifies how meaning is produced by the text. The method of analysis comprises eight stages which are systematically worked through as one considers eleven variables, one or several of the latter coming i
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41

Warren, John Binfield. "The treatment of moral and intellectual education in radical and denominational British periodicals 1824-1875." Thesis, University of Hull, 1990. http://hydra.hull.ac.uk/resources/hull:4579.

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42

Andersen, Hans Christian Ib. "The playwright and his theatre : Howard Brenton, David Hare and Snoo Wilson." Thesis, University of Hull, 1987. http://hydra.hull.ac.uk/resources/hull:5336.

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In the context of changes in British theatre theory and practice, in particular in the post-1968 Fringe, is it possible to consider playscripts as literary works,expressing the views of individual writers? The emphasis within the early Fringe was on collectively organized workshops and group creativity, and on the exploration of non-verbal expression on stage, something which had been anticipated by the pre-1968 avant-garde and which amounted to a challenge to the playwright's traditionally dominant position in the theatre. However, the playscript, as an example of written fictional narrative,
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43

Thompson, Shirley Catherine. "The autograph manuscripts of Marc-Antoine Charpentier : clues to performance." Thesis, University of Hull, 1997. http://hydra.hull.ac.uk/resources/hull:5459.

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44

Cox, Donna. "Psycho-analysis and textual production." Thesis, University of Hull, 2000. http://hydra.hull.ac.uk/resources/hull:3957.

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As its title suggests, this study is divided into two separate but related parts. Each part of the thesis is then sub-divided into sections. Part I is evolutionary in nature, building its argument in a more linear and expository style than those sections which comprise Part II which stand in a more dialogical relation to each other and are self-sufficient in form. The title of the thesis uses the term 'psycho-analysis' as it was first introduced by Freud with reference to a systemic methodology. It should be noted that the 'textual production' to which I refer in the title should not suggest a
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45

Bemelmans, Josephus Wilhelmus Maria. "Charlotte Bronte and the uses of creative writing : a study in function and form." Thesis, University of Hull, 1988. http://hydra.hull.ac.uk/resources/hull:7027.

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This study examines the functions of Bronte's "scribblemania" at each stage of her intellectual and emotional development, as well as the narrative forms, many originating in the exceptional visual qualities of her imagination, which she employed to shape her thoughts into fictional correlatives. Young Bronte, while indifferent to contemporary fiction, aspired to become a painter, and looked upon her prose writings as a diary. Between 1829 and 1833, she recorded her visions of the realm of artists and poets in which she hoped one day to participate. In 1834 and early 1835, while the career in
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Kincaid, Deirdre Lindsay. "Rough magic : the theatrical life of John Wilkes Booth." Thesis, University of Hull, 2000. http://hydra.hull.ac.uk/resources/hull:4641.

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When John Wilkes Booth shot Abraham Lincoln in Ford's Theatre in Washington on the evening of April 14,1865, he destroyed any possibility that his reputation as an actor would be dispassionately assessed for the foreseeable future. A bitter, fratricidal war was drawing to its close, and Northern newspapers were not interested in being fair; opprobrium was heaped on Booth's name, beginning in the press the following day. Twelve days later he was dead, shot during an attempted arrest. In 1890, his fellow player Clara Morris asserted hopefully, ‘At this late day the country can afford to deal jus
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47

Darcy, Jane. "Critical attitudes to the novels of Thomas Hardy 1870-1985." Thesis, University of Hull, 1986. http://hydra.hull.ac.uk/resources/hull:6981.

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In this thesis an examination is made of criticism of Thomas Hardy's novels from the earliest comments of his publishers and reviewers in the late nineteenth century to the apparently more sophisticated studies of the mid-1980's. The thesis is organised chronologically with each chapter dealing with a specific historical period of not more than a few decades which marks a particular phase of criticism of Hardy's novels and which often reflects more general developments in critical attitudes to the novel as an art form. Thus, while much light is thrown on Hardy's own art as a novelist in the co
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48

Czornyj, Peter John. "Georg Philipp Telemann (1681-1767) : his relationship to Carl Heinrich Graun and the Berlin circle." Thesis, University of Hull, 1988. http://hydra.hull.ac.uk/resources/hull:4484.

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The history of music in Germany in the first half of the eighteenth century is best understood within the context of the social, cultural and intellectual history of the German people during this period.The intellectual coming of age of the middle classes during the first decades of the century occurred as a result of growing confidence in the establishment of a national spoken and literary language. In a gradual progression of liberation and purification, the German language broke away from the dominant voices and cultures of its closest neighbours, leading to the crystalization of a clearly
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49

Law, Sarah Astrid Jacqueline. "Ecriture spirituelle : the mysticism of Evelyn Underhill, May Sinclair and Dorothy Richardson." Thesis, Queen Mary, University of London, 1997. http://qmro.qmul.ac.uk/xmlui/handle/123456789/25545.

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The association of women and mysticism this century is not always perceived as a positive one. In Power, Gender and Christian Mysticism (1995), the feminist philosopher of religion, Grace Jantzen, suggests that the experience of mysticism gradually became defined as an ineffable, private emotional encounter in order to remove it from the sphere of political management of society and religion. She writes of a direct increase of association between mysticism and women, who were permitted to have spiritual experiences, but powerless to speak with authority about their insights. Jantzen's view of
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50

White, Bryan Douglas. "Louis Grabu and his opera 'Albion and Albanius'." Thesis, Bangor University, 1999. https://research.bangor.ac.uk/portal/en/theses/louis-grabu-and-his-opera-albion-and-albanius(eafbda13-2be5-48fa-b16a-370ebf5bcf41).html.

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Albion and Albanius and its composer, Louis Grabu, have been unjustly dismissed by musical scholars. This thesis seeks to redress that injustice. A documentary biography of Grabu is provided, and a discussion of the inception of Albion and Albanius, detailing the role of each of its creators. The opera is subjected to a thorough examination, including a discussion of: 1) the relationship between the 1685 libretto and the 1687 score; 2) its largescale structure and tonal plan; 3) and its vocal and instrumental writing. These studies reveal that Grabu, in composing the music, Dryden, in writing
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