Academic literature on the topic 'Mass media and war. Discourse analysis. Kosovo (Republic)'

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Journal articles on the topic "Mass media and war. Discourse analysis. Kosovo (Republic)"

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Kalinin, Oleg Igorevich. "Comparative characteristic of linguistic representation of the concept of Trade War in mass media of the People’s Republic of China and the United States." Филология: научные исследования, no. 11 (November 2020): 93–107. http://dx.doi.org/10.7256/2454-0749.2020.11.32650.

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This article is dedicated to analysis of the concept of Trade War in Chinese and American linguocultures. The initial position of the research is the thesis on unavoidable conceptualization of the objects and phenomena of the surrounding world in language, and possibility of their studying by means of conceptual analysis. The subject of this research is the specificity of representation of the concept of Trade War in media discourse in Chinese and English languages. Special attention is given to the semantic core of the concept and its speech representation in the news materials. The research
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Rozpedowski, Joanna K. "Just Peace at War’s End." Politikon: The IAPSS Journal of Political Science 26 (March 31, 2015): 96–118. http://dx.doi.org/10.22151/politikon.26.6.

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The contemporary period is characterized by intense scholarly, legal and socio-political debates about the conceptual framework, which ought to guide state responses to unmitigated violence resulting from protracted armed conflicts across the globe. The prevalence of military interventionist discourse in the media and governmental organizations necessitates further reflection on the international community’s legal obligations not only with respect to putting an end to violence, but holding aggressors of armed perpetrations individually accountable for political unrest, economic destabilization
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Musgrove, Brian Michael. "Recovering Public Memory: Politics, Aesthetics and Contempt." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.108.

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1. Guy Debord in the Land of the Long WeekendIt’s the weekend – leisure time. It’s the interlude when, Guy Debord contends, the proletarian is briefly free of the “total contempt so clearly built into every aspect of the organization and management of production” in commodity capitalism; when workers are temporarily “treated like grown-ups, with a great show of solicitude and politeness, in their new role as consumers.” But this patronising show turns out to be another form of subjection to the diktats of “political economy”: “the totality of human existence falls under the regime of the ‘perf
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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle
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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2715.

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 Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d
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Coghlan, Jo. "Dissent Dressing: The Colour and Fabric of Political Rage." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1497.

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What we wear signals our membership within groups, be theyorganised by gender, class, ethnicity or religion. Simultaneously our clothing signifies hierarchies and power relations that sustain dominant power structures. How we dress is an expression of our identity. For Veblen, how we dress expresses wealth and social stratification. In imitating the fashion of the wealthy, claims Simmel, we seek social equality. For Barthes, clothing is embedded with systems of meaning. For Hebdige, clothing has modalities of meaning depending on the wearer, as do clothes for gender (Davis) and for the body (E
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Dawson, Andrew. "Reality to Dream: Western Pop in Eastern Avant-Garde (Re-)Presentations of Socialism's End – the Case of Laibach." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1478.

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Introduction: Socialism – from Eternal Reality to Passing DreamThe Year of Revolutions in 1989 presaged the end of the Cold War. For many people, it must have felt like the end of the Twentieth Century, and the 1990s a period of waiting for the Millennium. However, the 1990s was, in fact, a period of profound transformation in the post-Socialist world.In early representations of Socialism’s end, a dominant narrative was that of collapse. Dramatic events, such as the dismantling of the Berlin Wall in Germany enabled representation of the end as an unexpected moment. Senses of unexpectedness res
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Dissertations / Theses on the topic "Mass media and war. Discourse analysis. Kosovo (Republic)"

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Jovanovic-Krstic, Viktoria. "Evaluating the discourse of war in the press media a lexicogrammatical examination of the 1999 NATO bombing of Serbia from the perspective of appraisal theory /." 2004. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99192.

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Thesis (Ph. D.)--York University, 2004. Graduate Programme in English.<br>Typescript. Includes bibliographical references (leaves [337-354]. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99192.
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