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Wayne, Mike. "Book Review: Radical Mass Media Criticism, A Cultural Genealogy." Global Media and Communication 2, no. 3 (December 2006): 375–78. http://dx.doi.org/10.1177/1742766506069586.
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Vladimirova, Tatiana, and Valentina Slavina. "Media Criticism: Between Theory and Practice." Theoretical and Practical Issues of Journalism 7, no. 4 (October 15, 2018): 646–59. http://dx.doi.org/10.17150/2308-6203.2018.7(4).646-659.
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The article raises the problems of modern journalism, denotes such concepts as mass communication, media, media criticism. In the authors' opinion, media criticism is an invitation to the reader to a discussion, an open conversation, an appeal to pressing socio-political problems, publication of an alternative opinion that is necessary for any free society. Media criticism acts as a science, where both analysis, synthesis and forecast are present. The social importance of media criticism is underlined. It is noted that mass media criticism is no less important than professional media criticism. According to the authors, non-professionals in journalism can act from critical positions and are quite professional in relation to the media, for example, sociologists, economists, politicians. The authors analyze the current state of critical analytics in various media and communication. In detail, the research is undertaken with respect to the journal «Journalist» and «Novaya Gazeta», which present various aspects of media analysis. The authors tried to find out what has changed in journalism over the past few years? What is the status of journalistic criticism today? On the basis of the analysis, conclusions were drawn that the publications in «Novaya Gazeta» can be attributed to professional criticism, since the authors themselves are a representative of the journalistic profession. On the other hand, the media criticism of «Novaya Gazeta» can be called mass, since it is addressed to civil society. An example of professional criticism is, with full justification, the publications of the journal «Journalist», since academic criticism presupposes a scientific analysis based on theoretical comprehension, the ability to correlate social problems with their reflection in media products.
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Hope, Wayne. "REVIEW: Little light shed on a dark and restrictive era of media criticism." Pacific Journalism Review : Te Koakoa 9, no. 1 (September 1, 2003): 187–89. http://dx.doi.org/10.24135/pjr.v9i1.769.
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Review of Can we talk about the news? A discussion of media criticism in New Zealand, by Jane Dunbar. NZ Journalism Monographs, No3, Department of Mass Communication and Journalism, University of Canterbury.
In this monograph, Jane Dunbar interviews news journalists and media commentators about the quality of media criticism in New Zealand. This is certainly a pertinent theme for research. Dunbar's interviewees point out that local scrutiny of the news media is difficult to sustain. Thus, journalists within coporate media are unlikely to comment upon ownership patterns, within all media organisations unbiquitous advertising contracts available news space.
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Ignatova, Irina, and Elena Zubarkina. "Media Criticism in Germany: History and Theory." Theoretical and Practical Issues of Journalism 8, no. 3 (July 16, 2019): 512–23. http://dx.doi.org/10.17150/2308-6203.2019.8(3).512-523.
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The article is dedicated to the study of the history and theory of media criticism in Germany and the importance of the phenomenon of media criticism for the development and successful functioning of the mass media in German-speaking countries. The theoretical preconditions for the development of media criticism in Germany and its historical stages play an important role in understanding the modern institution of media criticism and the mechanisms of its impact on the recipient. Media criticism has existed since the media themselves appeared, and the existence and emergence of new media is always accompanied by positive or negative feedback on them. The development of the media inevitably leads to their criticism. The article considers media criticism as a global criticism of the media and as a study of individual specific phenomena in the media environment. The estimated role of media criticism is recognized by German-speaking researchers as one of the main functions. And it must be understood that media criticism provides an opportunity for a reasoned discussion about the media, without which neither the existence of the media, nor indeed the society as a whole is possible. Media criticism generates an open discussion and thereby contributes to the enlightenment of society. To some extent, setting norms and standards for the quality of journalism, it forms ethical boundaries of communication, both for journalists and for the audience. The stages of development of media criticism in Germany, described in the article, cover the period from the late 1980s to the present. The main subsystems of mass media are considered: television media criticism, media criticism on the radio, in print media, media criticism in the Internet space. Thanks to this, we get a full picture of the formation and development of media criticism in Germany.
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Kleinnijenhuis, Jan, Anita M. J. van Hoof, and Wouter van Atteveldt. "The Combined Effects of Mass Media and Social Media on Political Perceptions and Preferences." Journal of Communication 69, no. 6 (December 2019): 650–73. http://dx.doi.org/10.1093/joc/jqz038.
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Abstract Changes in political perceptions and preferences may result from the combined effects of news from various media. Estimating these combined effects requires the best possible, albeit different, measures of news obtained from self-selected mass media and social media that can be linked to panel survey data concerning perceptions and preferences. For the 2017 Dutch national elections, such data is available. Political perceptions and preferences are affected by news statements in self-selected mass media on issue positions, support and criticism, real world conditions and success and failure, in accordance with the theories on agenda setting and issue ownership, social identity, retrospective voting and bandwagon effects, respectively. Combined effects emerge because many people use both mass media and social media. The latter do more than just reinforce predispositions. Social media also have a mere exposure effect, and a multistep flow effect that amplifies news about party successes and failures from self-selected mass media.
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Arifin, Arifin. "KAJIAN KOMUNIKASI MASSA PADA SURAH AL-HUJURAT AYAT 6." Jurnal Ilmiah Mahasiswa Raushan Fikr 7, no. 1 (January 18, 2018): 35–50. http://dx.doi.org/10.24090/jimrf.v7i1.2205.
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The mass media, as an integral part of life, has become a blessing as well as a challenge to human life in the information society era. No exception for Muslims who live and become part of the information society at this time. The holy Qur’an which is believed to be the guide of life throughout the ages should be understood and explored by various disciplines of science. The universal values in the Qur’an can not only be highlighted by the doctrinal and theological perspectives of the norm, but also with the point of view of social science, one of them with the approach of mass communication. This paper explores surah Al-Hujurat verse 6 then explores it with a mass communication study approach. From the results of exploratioining and understanding to the interpretation of the scholars on surah Al-Hujurat verse 6 and various literature on mass communication, especially in mass media studies, it can be concluded that Surah Al-hujurat verse 6 contains various values and knowledge of how to respond the mass media today, The concept of knowing the news carrier, Tabayyun’s attitude, and the attention to the impact of the news in this chapter is in harmony with the study of mass communication in which there are theories about criticism of media, media texts and the effects of the mass media.
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Moll, Yasmin. "The Idea of Islamic Media: The Qur'an and the Decolonization of Mass Communication." International Journal of Middle East Studies 52, no. 4 (October 26, 2020): 623–42. http://dx.doi.org/10.1017/s0020743820000781.
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AbstractThe emergence of Islamic television in the Arab Middle East is usually explained as part of a Saudi media empire fueled by neoliberal petro-dollars. This article, by contrast, takes seriously the role ideas played alongside changing political economies in the origins of the world’s first Islamic television channel, Iqraa. Focusing on the intellectual and institutional career of “Islamic media” (al-i’lām al-Islāmī) as a category from the late sixties onwards in Egypt, I argue that Islamic television is part of a broader decolonization struggle involving the modern discipline of mass communication. Pioneering Arab communication scholars mounted a quest for epistemic emancipation in which the question of how to mediate Islam became inextricable from the question of what made media Islamic. Drawing on historical and ethnographic research, I show how the idea of Islamic media involved a radical reconceptualization of the Qur'an as mass communication from God and of Islam as a mediatic religion. This positing of an intimate affinity between Islam and media provoked secular skepticism and religious criticism that continue to this day. I conclude by reflecting on how the intellectual history of Islamic media challenges dominant framings of epistemological decolonization as a question of interrogating oppressive universalisms in favor of liberatory pluralisms.
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Von Harpe, M. "East German media in transition after reunification." Literator 18, no. 3 (April 30, 1997): 183–98. http://dx.doi.org/10.4102/lit.v18i3.573.
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This article analyses the issue of how the “post-socialist" civil society of the former GDR can be reconstructed to reduce dependence of the media on the state and on future private ownership, thereby maximising freedom of communication. The media had a powerful impact on the transitional phase following reunification. Before 1989 West German television and radio stations were "windows to the West". After reunification East Germans preferred to have their own newspapers, to watch their own television programmes or to listen to their own radio programmes. There has been some criticism about the quality of the media, but the majority of the contemporary audience is satisfied now. To meet the expectations of their audience the journalists themselves have learned to devote special attention to East German problems. One problem of concern is media concentration. Privatisation entails the danger that monopolising trends in mass media, especially in newspaper publishing, will continue in the new East German Lánder. Deregulation and quality programming offer an opportunity for a major breakthrough and new forms of media organisation and management. The period of acclimatisation following the reunification has, however, been too short for the mass media. Nevertheless, owing to specific characteristics of reunification, the transition East Germans have had to make has been largely successful.
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Mykolaienko, Alla. "Genre forms of modern Ukrainian media criticism." Synopsis: Text Context Media 27, no. 1 (2021): 32–38. http://dx.doi.org/10.28925/2311-259x.2021.1.5.
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The research of the media criticism segment of Ukraine is relevant in the framework of the modern information space and the need to regulate the media. Important for the research are its genre forms, that allow to systematize and diversify critical materials. The subject of the research are media-critical editions “Telecritica”, “Detector Media”, “Media Sapiens”, “Media Lab” and “Mediacritica”. The purpose of the article is to analyze informational, analytical and artistic-journalistic genres of media-critical publications of Ukraine. The system method, methods of comparison, analysis and synthesis are used in the article. For the first time, genre aspects of the leading Ukrainian media critical resources, features of their content with regard to the transformation processes within journalism and criticism are considered. The article deals with the specifics of implementing information genres of media criticism (note, interview) which are presented mainly in classical forms. Emphasis is placed on analytics, the publications of which most often articulate the problems of objectivity and bias of information, public trust in the media, the spread of fakes and commissioned materials. With the help of analytical genres, media criticism brings to the level of discussion of topical issues of mass communication beyond a narrow circle of specialists. The most popular in all Ukrainian media-critical publications genre of the article is analyzed, which most aligns with the main goals of media-criticism, to promote neutralization and correction of negative manifestations in the media, to orient the audience in the information space. The article also considers the analytical genres of review and overview, which testify to the values of media criticism. Separately, we are talking about artistic and journalistic genres (feuilleton, pamphlet), which today are less represented in journalism, at the same time they have become the basis for writing media-critical blogs. Emphasis is placed on the process of shifting genre boundaries, diffusion of genres, including in media criticism. Accordingly, the genre spectrum of media criticism is conditional and involves constant changes. As a result, it is noted that the media industry in Ukraine has a diverse and widely represented by genre forms critical reception. At the same time, media criticism is at the stage of forming a well-established methodology, in contrast to art criticism. Genre forms of media criticism do not go beyond journalism, but have the specifics of writing and directing materials. Emphasis is placed on the fact that a promising area is the study of genre transformations in media criticism.
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Bungin, Burhan, Monika Teguh, and Muhammad Dafa. "Cyber Community Towards Society 5.0 And The Future Of Social Reality." International Journal of Computer and Information System (IJCIS) 2, no. 3 (August 27, 2021): 73–79. http://dx.doi.org/10.29040/ijcis.v2i3.39.
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Abstract—In cyber community towards the Society 5.0 era, the use of industrial technology 4.0, especially communication media technology plays an important role. The information era causes digital communication media technology to develop very rapidly and encourage the birth of digital media that have real time capabilities and create new media. Currently mass media institutions that are not innovative are experiencing a fall. Then the existence of the construction of reality is also increasingly obscured by the mixing of life in the real world with the virtual world. Therefore, the study wants to criticize the existence of reality in the midst of the development of communication technology that is so fast. This study uses the interview method in collecting data and analyzing it using the narrative method. The results of this study are that in society 5.0 and industrial technology 4.0, a pseudo social reality constructed by communication technology media causes mass media to die, social harmony is confused and even lost, and hoaxes are attacks on harmony.technological advances in industry 5.0 increase above 70%.
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Leonardo, Reynord, and Ahmad Junaidi. "Kritik Sosial dalam Stand Up Comedy (Analisis Semiotika Show “Pragiwaksono World Tour”)." Koneksi 4, no. 2 (October 1, 2020): 185. http://dx.doi.org/10.24912/kn.v4i2.8077.
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This study discusses the stand up comedy that is popular among the people. Stand up comedy itself is a singular comedic art whose contents from ordinary jokes contain social criticism. Pandji Pragiwaksono is one example of a comic where he likes to bring stand up comedy material containing social criticism where there are some social problems that we are experiencing in the form of comedy. The theory used by researchers is the theory of mass communication, mass media, social criticism, stand up comedy. This study uses a qualitative approach with the semiotic analysis technique method Ferdinand De Saussure which divides the selected sign into two namely signifier and signified. In this study it was found that the show stand up comedy made by Pandji Pragiwaksono namely Pragiwaksono World Tour slipped a number of social criticisms in which social criticisms were presented including criticism of children's names, criticism of children 's Youtubers, critics of PSSI chairmen, critics of the profession of people, criticisms of humanity , criticism about fans, criticism about animals, and criticism of the attitude of Indonesian citizens. The result is stand up comedy is not just a tool to entertain the public but can also slip social criticism in the form of comedy criticism delivered by Pandji made with satire and comedy so that the message received can be captured easily by his listeners.Penelitian ini membahas tentang stand up comedy yang sedang populer dikalangan masyarakat. Stand up comedysendiri merupakan seni melawak secara tunggal di mana isi dari lawakan berupa kritik sosial. Pandji Pragiwaksono menjadi salah satu contoh komika di Indonesia yang membawakan materi stand up comedyberisi kritik sosial terhadap beberapa masalah sosial. Teori dan konsep yang digunakan peneliti adalah komunikasi massa, media massa, kritik sosial, stand up comedy. Penelitian ini menggunakan pendekatan kualitatif dengan metode teknik analisis semiotika Ferdinand De Saussure yang membagi tanda menjadi dua yaitu signifierdansignified. Penelitian ini menemukan bahwa pertunjukan stand up comedyPandji Pragiwaksono yaitu Pragiwaksono World Tourmenyelipkan beberapa kritik sosial antara lain kritik nama anak, kritik youtuberanak-anak, kritik ketua PSSI, kritik tentang profesi orang, kritik kemanusiaan, kritik tentang fans, kritik tentang satwa, dan kritik sikap warga Indonesia. Kesimpulan dari penelitian ini yaitu stand up comedybukan menjadi alat untuk menghibur masyarakat namun juga menyelipkan kritik sosial dalam bentuk komedi kritik yang dibuat dengan satir dan komedi sehingga pesan yang diterima dapat ditangkap dengan mudah oleh pendengarnya.
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Ortega Villasenor, Humberto, and Genaro Quinones Trujillo. "Aboriginal Cultures and Technocratic Culture." Essays in Philosophy 6, no. 1 (2005): 226–34. http://dx.doi.org/10.5840/eip20056128.
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Threatened aboriginal cultures provide valuable criteria for fruitful criticism of the dominant Western cultural paradigm and perceptual model, which many take for granted as the inevitable path for humankind to follow. However, this Western model has proven itself to be imprecise and limiting. It obscures fundamental aspects of human nature, such as the mythical, religious dimension, and communication with the Cosmos. Modern technology, high-speed communication and mass media affect our ability to perceive reality and respond to it. Non-Western worldviews could help us to regain meaningful communication with Nature and to learn new ways of perceiving our world.
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Lestari, Fathia. "Perilaku Sehat Masyarakat Priangan Tahun 1911-1942." Historia Madania: Jurnal Ilmu Sejarah 4, no. 2 (September 17, 2020): 233–46. http://dx.doi.org/10.15575/hm.v4i2.9500.
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This study aims at describing the healthy lifestyle of residents in Priangan . Healthy lifestyle is one of the behavior aspects involving the activity of mother - children, pattern of maintaining the body health, pattern of healthy food and sanitation. This paper used the mass media as main sources to see healthy behavior in Priangan. Mass media used is to give illustration of the mindset of healthy in society. The research conducted uses a historical method which has four parts, namely heuristic, criticism, interpretation and historiography.Based the sources, there are several things to sum up as follows :Firstly, from the 1911 until 1942 there had been a change in health behavior within the community in Priangan; Secondly, the changes are due the contact with culture, religion, and social structure; Thirdly, the change in health behavior constitutes the impact of cultural socialization from local genius and European Culture; Fourthly, Mass media has played a vital role for communicating the healthy culture in society.
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Klym, Ruslana. "Theoretical Aspects of the Communication Interaction of Political Institutions and Media (Illustrated by the Republic of Bulgaria)." Mediaforum : Analytics, Forecasts, Information Management, no. 7 (December 23, 2019): 260–70. http://dx.doi.org/10.31861/mediaforum.2019.7.260-270.
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The article defines that political institutions are integral elements of the political system of society, important subjects of politics and carriers of the political process, that regulate the political organization of society, ensuring its stable and long-term functioning. It is stated that the main scientific approaches to understanding the phenomenon of political communication is positivism, behaviorism, structural functionalism, institutionalism and the attention is drawn to the fact that the mass media perform several functions in modern society – communicative, informational, relay, through the implementation of which, media affects all spheres of society and play an important role in the process of interaction between the government and the public. It was noted that the authorities of the Republic of Bulgaria took advantage of the historical moment when the European Union member states were interested in cooperation and were able to convince the Bulgarian society that membership in the EU is a way to solve economic problems, which will further contribute to the economic well-being of the country. The article mentions that an important role in the European integration process of interaction between the authorities and the public was played by Bulgarian journalists, who conducted an extremely intensive and important information campaign, which resulted in 76% of support for the Republic’s membership in this international organization by the Bulgarian society The experience of the Republic of Bulgaria shows that effective work of the mass media is extremely important for establishing communication interaction between government and civil society at a crucial moment for the country. However, the modern Bulgarian media environment is subject to intense criticism for the poor quality of the media product, the media’s dependence on oligarchs, and corruption.
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Nizomi, Khairin. "POST MEDIA LITERACY: SUATU UPAYA PEMBERDAYAAN HIDUP DITENGAH DUNIA YANG SESAK MEDIA." Nusantara - Journal of Information and Library Studies 1, no. 2 (December 22, 2018): 153. http://dx.doi.org/10.30999/n-jils.v1i2.371.
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Sekarang manusia hidup dalam abad komunikasi massa kehidupan manusia sekarang tak bisa dilepaskan dari media mssa. Keluhan tentang dampak media massa kerap terdengar. Untuk itu perlu kiranya memahami apa itu literasi media. Pemahaman ini penting bagi para pegiat pendidikan melek media agar mampu melakukan kritik terhdap berbagai media yang melanggar aturan dan etika media yang ada di Indonesia sehingga terhindar dari berita yang bohong (hoax). Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif, dengan jenis penelitian studi kasus pada media social (Facebook). Analisis data dalam penelitian ini menggunakan Teori Narartive Analysis. Teknik pengumpulan data dalam penelitian ini menggunakan studi dokumen dan teknik pengambilan sampel menggunakan Proposive Sampling. Hasil dari dari penelitian ini menunjukkan Literasi media sama sekali bukanlah gerakan anti-media. Justru merupakan tindakan yang kita lakukan untuk menjaga media agar tetap bisa menjalankan fungsinya di tengah masyarakat. Dengan melek media, media massa akan memiliki khalayak bukan konsumen yang pada gilirannya akan memengaruhi bagaimana seharusnya media menjalankan peranya. Bila media tetap memperlakukan khalayak sebagai konsumen maka media akan mendapat tekanan dari khalayak. ABSTRACTNow humans live in the mass communication age of human life now can’t be separated from the mass media. Complaints about the impact of the mass media are often heard. For that, it is necessary to understand what is media literacy. This understanding is important for media literacy education activists to be able to criticize the media who violate the rules and ethics of the media in Indonesia, so avoid that false news (hoaxes). The method used in this study is descriptive qualitative, with the type of case study research on social media. Analysis of the data in this study using the Narrative Analysis Theory. Data collection techniques in this study using document studies and sampling techniques using Purposive Sampling. The results of this study indicate that media literacy is by no means an anti-media movement. It is precisely the action we take to keep the media to stay functional in society. With media literacy, mass media will have the audience, not the consumer who in turn would affect how the media should carry out its role. If the media still treats the audience as a consumer, then the media will get pressure from the audience. Then to literacy truth of a media (news) could see how the narrative (status) is growing.
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Nizomi, Khairin. "Post Media Literacy: Suatu Upaya Pemberdayaan Hidup Ditengah Dunia yang Sesak Media." JIPI (Jurnal Ilmu Perpustakaan dan Informasi) 4, no. 1 (May 31, 2019): 1. http://dx.doi.org/10.30829/jipi.v4i1.4837.
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<p>Sekarang manusia hidup dalam abad komunikasi massa kehidupan manusia sekarang tak bisa dilepaskan dari media mssa. Keluhan tentang dampak media massa kerap terdengar. Untuk itu perlu kiranya memahami apa itu literasi media. Pemahaman ini penting bagi para pegiat pendidikan melek media agar mampu melakukan kritik terhdap berbagai media yang melanggar aturan dan etika media yang ada di Indonesia sehingga terhindar dari berita yang bohong (hoax). Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif, dengan jenis penelitian studi kasus pada media social. Analisis data dalam penelitian ini menggunakan Teori <em>Narartive Analysis</em>. Teknik pengumpulan data dalam penelitian ini menggunakan studi dokumen dan teknik pengambilan sampel menggunakan <em>Purposive Sampling.</em> Hasil dari dari penelitian ini menunjukkan Literasi media sama sekali bukanlah gerakan anti-media. Justru merupakan tindakan yang kita lakukan untuk menjaga media agar tetap bisa menjalankan fungsinya di tengah masyarakat. Dengan melek media, media massa akan memiliki khalayak bukan konsumen yang pada gilirannya akan memengaruhi bagaimana seharusnya media menjalankan peranya. Bila media tetap memperlakukan khalayak sebagai konsumen maka media akan mendapat tekanan dari khalayak.</p><p> </p><p>Now humans live in the mass communication age of human life now can’t be separated from the mass media. Complaints about the impact of the mass media are often heard. For that it is necessary to understand what is media literacy. This understanding is important for media literacy education activists to be able to criticize the media who violate the rules and ethics of the media in Indonesia, so avoid that false news (hoaxes). The method used in this study is descriptive qualitative, with the type of case study research on social media. Analysis of the data in this study using Narrative Analysis Theory. Data collection techniques in this study using document studies and sampling techniques using Purposive Sampling. The results of this study indicate that media literacy is by no means an anti-media movement. It is precisely the action we take to keep the media in order to stay functional in society. With media literacy, mass media will have the audience not the consumer who in turn would affect how the media should carry out its role. If the media still treats the audience as a consumer then the media will get pressure from the audience. Then in order to literacy truth of a media (news) could see how the narrative (status) is growing.</p>
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Bachen, Christine. "Book Review of "Sex, Love, and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence," by Mary-Lou Galician." Popular Communication 3, no. 4 (November 2005): 273–75. http://dx.doi.org/10.1207/s15405710pc0304_5.
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THEOLOGOU, KOSTAS, YOULI RAPTI, PETER FETTNER, and YOULI PAPAIOANNOU. "ART AND COMMUNICATION AS A NOVEL EXPERIENCE IN MODERN CULTURE." Arhe 26, no. 32 (June 18, 2020): 141–67. http://dx.doi.org/10.19090/arhe.2019.32.141-167.
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In this paper we discuss the deadlocks of defining art in modern culture. The lack of criteria and modernism revisited are of crucial issue in this account. The theoretical mainframe of our approach is founded on the Frankfurt School thinkers (Max Horkheimer, Theodor Adorno, Walter Benjamin), and of course Jürgen Habermas. This theoretical apparatus also draws on contemporary accounts given by Sorbonne Professor Marc Jimenez and art critic John A. Walker.[1] The paper discusses whether fine art may survive, in what forms – and to what purpose – in an age of mass media and in conditions of rapid networked communication. The paper sets off from the critical role radical art plays in today’s divided yet global world and on the continuing debates between high art and low culture, but reflects on the interaction between art, media and technology.
To support our argument we suggest Body Art and other web/digital and technological applications in art, and the cyber-art currently being produced for the internet. The paper acknowledges the numerous interactions between art and culture in a postmodern pluralistic world, and draws from the vast range of contemporary works of art to illustrate and to criticize theoretical points. The true test of theory in aesthetics is their application to particular cases. When a theory shows limitations in such an application, we gain clues as to what theoretical adjustments or innovations are called for to accommodate today’s works.
The introductory part of the essay comprehensively surveys recent debates on works of art, mass culture and society, and their socio-philosophical significance. The main discussion refers to the work of Walter Benjamin and Jürgen Habermas, aptly commented on by Marc Jimenez;[2] after exploring the complex relationships between culture and art as it’s reflected in that work, the argument provides an account of the 1980s political turn in aesthetics and explicates the impact of new communication technologies in modern culture. The narration is enhanced by specific examples of works of art in the era of mass media, web and digital culture, and underlines both the styles’ pluralism and the variety of parameters affecting the interaction between art and mass media communication. Critical findings and suggestions for further research conclude the paper.
[1] Marc Jimenez, Qu’est-ce que l’esthétique, Paris: Gallimard, 1997; John A. Walker, Art in the Age of Mass Media, London: Pluto, 2001.
[2] Jimenez, Ibid.
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Ida Ayu Putu Anggie, Sinthiya. "JURIDICAL REVIEW HATE SPEECH Law No. 11 YEAR 2008 JUNCTO Law No. 19 OF 2016 CONCERNING ELECTRONIC INFORMATION AND TRANSACTIONS IN PROVIDING COMMUNICATION ETHICS EDUCATION IN SOCIAL MEDIA." Progressive Law Review 1, no. 01 (November 11, 2019): 30–46. http://dx.doi.org/10.36448/plr.v1i01.9.
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Social media is an online media, which makes it easy for us to communicate openly; social media is able to shift conventional mass media in spreading the news. Through social media everyone gets an expression space that is free and easy to communicate, free to express, criticize and share on social media. But in its journey social media provides a space of freedom that transcends boundaries and strikes norms and ethics. Now the easier it is for someone to do hate speech in the form of provocation, incitement, or insult to other individuals or groups in terms of various aspects such as race, color, ethnicity, gender, disability to sexual orientation, citizenship and religion on social media. The legal rules regarding hate speech are regulated in Article 310 and 311 of the Criminal Code and Law Number 40 of 2008 Law Number 11 of 2008. Building good ethics on social media is the rule of law that social media users can know and understand the limitations in communicating on social media so as to create good, polite, responsible and civilized communication ethics
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Pajnik, Mojca, Marko Ribać, and Peter Sekloča. "Sensitizing the concept of mediatization for the study of social movements." Communications 45, s1 (November 18, 2020): 603–23. http://dx.doi.org/10.1515/commun-2019-2064.
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AbstractWe suggest the “sensitizing concept of mediatization” as an analytical tool to analyze public communication of social movements in times of social, economic and political crisis, and we apply the tool to explore the case of the Slovenian uprisings of 2012–13. First, theoretically, we couple Tilly’s understanding of social movements’ practices with Hjarvard’s distinction between “direct” and “indirect” forms of mediatization. Second, in the empirical part, we categorize and classify movement organizations, activist initiatives and political groups into two distinct groups and observe how they respond to the media logic of newsworthiness and the political logic of office-seeking during the contentious actions of mass mobilization. We observe asymmetrical responses to processes of mediatization, which vary according to organizational structure, practices and movements’ vision of social transformation. The article shows how different protest groups respond to the three media logic techniques: a) personalization of political actors, b) decontextualization and simplification of transformative potential that are inherent to protest cycles, and how the two mobilized groups interact with the journalistic focus on c) spectacle and images of violence. We argue that the more the specific movement/group expresses criticism over the interplay of the media and the political logic, marked by the three discursive modes mentioned, the less it adopts the dominant media logic and the more it seeks for alternative and innovative media action.
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Jakšić, Lucijano, Krešimir Dabo, and Marija Volarević. "Possibilities of using a "PR stunt" in strategic communication of higher education." Obrazovanje za poduzetništvo - E4E 11, no. 1 (June 14, 2021): 110–24. http://dx.doi.org/10.38190/ope.11.1.10.
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"PR stunt" or „Publicity Stunt“ is a carefully planned event with the aim of drawing public attention to the organizers of the stunt or to another goal of the stunt organization. The reasons for considering the use of a promotional stunt have a great potential for a return to investment and the "earnings" from unpaid advertisements in the media which spontaneously reported that something interesting had happened. Apart from the media themselves, the general public also significantly contributes to the spread of publicity through stunts, so that today practically everyone can record the interesting thing they come across via their smartphone and share it on the Internet. Higher education, but also general education, has transformed from a traditional centuries-old approach where the focus was on teachers and institutions to a modern mass approach where the focus is on students and studying occurs through partnership and cooperation within the learning process. The emergence of mass higher education in almost all countries of the world now implies public criticism of factors such as: the quality of lifelong learning services, the success of examinations, the management of the institution, the form of funding and the student standard. Massification is accompanied by the expansion and diversification of higher education, and the result of the latter is the emergence of competition among individual higher education institutions. Therefore, the importance of effectively conveying the message of a higher education institution to a (potential) student or his sponsor of education therefore becomes the subject of professional marketing communication. The paper provides an overview of PR Stunts in Croatia and the world and proposes thematic guidelines for their organization.
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Duarte, Rodrigo. "From Adorno’s Critique of Culture Industry to the Critical Evaluation of Digital Media." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 62, no. 1 (2017): 14–24. http://dx.doi.org/10.28937/1000107633.
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Als Adorno und Horkheimer Anfang der vierziger Jahre ihren kritischen Begriff Kulturindustrie gebildet haben, dachten sie überwiegend an Kino und Radio als zentrale Medien. Das Fernsehen war damals nicht genug entwickelt, um als wichtiger Teil der Massenkultur jener Zeit berücksichtigt werden zu können. Die kritischen Aspekte ihres Beitrags waren aber so stark und gut strukturiert, dass man diese auch heutzutage nicht verwerfen kann, wenn es um eine faire Bewertung eines so wichtigen Phänomens der gegenwärtigen Kultur geht. Allerdings haben sich seit der Zeit von Adornos und Horkheimers Kritik eine Menge Modelle der Kritik der Massenkultur ergeben, die die Entwicklung der technischen Apparate berücksichtigen, von den analogischen Videosystemen zu den jüngsten Entwicklungen der digitalen Medien. Da deren Betrachtung nicht immer den genannten kritischen Standpunkt bewahrt hat, könnte ein Kriterium für die Wahl einer kritischen Betrachtungsweise sein, die Art und Weise zu reflektieren, in der die Beziehung zwischen Kunstwerken und Kulturwaren entworfen wird. Dementsprechend wählt der Autor Villem Flussers Theorie der »Posthistoire« als eine zeitgemäße Gegenposition zu Horkheimer und Adorno, besonders in seiner Zugangsweise zu den Themen von Kommunikation, Unterhaltung und Kunst überhaupt. When Adorno and Horkheimer constructed in the early forties the critical concept of culture industry they had in mind mainly movies and radio as its main media. Even television broad- casting was not developed enough at that time to be considered as an important player in the scene of mass culture. Nevertheless the critical aspects of their contribution were so strong and well structured that even today they cannot be discarded in a fair evaluation of such an import- ant phenomenon of contemporary culture. However there have been since the time of Adorno and Horkheimer’s criticism many models of mass culture critique that took into account the evolution of the technological devices, from analogical video systems to the more recent developments of digital media. Since the consideration of the latter does not always rely on the maintenance of the aforementioned critical point of view, a criterion guiding the choice of a theoretical approach could be the way in which the relation between artworks and cultural commodities is conceived. According to this criterion the author chooses as an updated counterpoint to Adorno and Horkheimer’s mass culture critique Vilém Flusser’s theory of what he calls “post-history,” especially in its approach on communication, entertainment and art tout court.
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Khitrova, T. "«Decentraliziation of History» as a Counter-Discourse of «Decommunization» in Modern Information Space of Ukraine." State and Regions. Series: Social Communications, no. 1(41) (March 10, 2020): 28. http://dx.doi.org/10.32840/cpu2219-8741/2020.1(41).4.
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<p><em>The article examines the main content and modern communication models of discourse / counter-discourse of «decommunization» in the information space of Ukraine. The theoretical basis for the scientific comprehension of the informational content of «decommunization» in today’s mass media discourse is not only the recent practice of its explication in the media, but also the problem of responsibility and compensation of «memory». Political manipulations in the Ukrainian symbolic space do not encourage the process of consolidation in its purification, but contribute to the parallel coexistence of different types of historical consciousness of the population (ethno-national and social).</em></p><p><em>In the modern communication space of Ukraine, in connection with the change of the political elite and the main priority directions of the state information policy, the media monitors the effect of the so-called «normalization» of the discourse of «historical memory», which is caused by the transition from national-cultural to social-humanitarian. the vector of constructing reality within the state program. In practical media activity, this process is characterized by the formation of an independent discourse stream of regional elites and «decentralization of history», using strategies of toponymical appealing decommunized titles and functioning of hidden discourses of renaming. The «decentralization of history» in regional communication models is, in fact, a modern form of counter-discourse of «decommunization» and is most prevalent in the information space of the Southern and Eastern regions of Ukraine. The content of the marked materials is mainly devoted to criticism of renaming, attempts to return the old name or double name change, toponymic appeal, lack of historical / cultural / social and other correlation of the name to the region, inconsistency of the history / heroics of the region and approval of the new ones.</em><strong></strong></p><strong><em>Key words: </em></strong><em>communication, decommunisation, discourse, identity, information space, historical memory, media.</em>
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Liu, Alan. "The Meaning of the Digital Humanities." PMLA/Publications of the Modern Language Association of America 128, no. 2 (March 2013): 409–23. http://dx.doi.org/10.1632/pmla.2013.128.2.409.
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This question of disciplinary meaning—which I ask from the viewpoint of the humanities generally—is larger than the question of disciplinary identity now preoccupying “DH” itself, as insiders call it. Having reached a critical mass of participants, publications, conferences, grant competitions, institutionalization (centers, programs, and advertised jobs), and general visibility, the field is vigorously forming an identity. Recent debates about whether the digital humanities are a “big tent” (Jockers and Worthey), “who's in and who's out?” (Ramsay), whether “you have to know how to code [or be a builder]” (Ramsay, “On Building”), the need for “more hack, less yack” (Cecire, “When Digital Humanities”; Koh), and “who you calling untheoretical?” (Bauer) witness a dialectics of inclusion and exclusion not unlike that of past emergent fields. An ethnographer of the field, indeed, might take a page from Claude Lévi-Strauss and chart the current digital humanities as something like a grid of affiliations and differences between neighboring tribes. Exaggerating the differences somewhat, as when a tribe boasts its uniqueness, we can thus say that the digital humanities—much of which affiliates with older humanities disciplines such as literature, history, classics, and the languages; with the remediation of older media such as books and libraries; and ultimately with the value of the old itself (history, archives, the curatorial mission)—are not the tribe of “new media studies,” under the sway of the design, visual, and media arts; Continental theory; cultural criticism; and the avant-garde new. Similarly, despite significant trends toward networked and multimodal work spanning social, visual, aural, and haptic media, much of the digital humanities focuses on documents and texts in a way that distinguishes the field's work from digital research in media studies, communication studies, information studies, and sociology. And the digital humanities are exploring new repertoires of interpretive or expressive “algorithmic criticism” (the “second wave” of the digital humanities proclaimed in “The Digital Humanities Manifesto 2.0” [3]) in a way that makes the field not even its earlier self, “humanities computing,” alleged to have had narrower technical and service-oriented aims. Recently, the digital humanities' limited engagement with identity and social-justice issues has also been seen to be a differentiating trait—for example, by the vibrant #transformDH collective, which worries that the digital humanities (unlike some areas of new media studies) are dominantly not concerned with race, gender, alternative sexualities, or disability.
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HERLINA, OKTAFIANI. "ANALISA FRAMING PEMBERITAAN KEBIJAKAN PEMERINTAH DALAM PENANGANAN COVID-19 DI MEDIA ONLINE." Jurnal Ilmiah Widya Sosiopolitika 3, no. 1 (July 15, 2021): 1. http://dx.doi.org/10.24843/jiwsp.2021.v03.i01.p01.
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The coronavirus has caused social, economic, and phsychological effects all over the world. Thisvirus is easy to spread and can pose a risk of death. Indonesia is one of the countries most affected bythis virus. At the beginning of its appearance, the information about those overflowed in the massmedia. The media inform about Covid-19 and government policies in handling the virus. This textbased qualitative research was conducted by framing analysis. Robert Entmant's framing scheme isused to describe the reality of reporting on government policies related to handling of Covid-19 inonline media. The data collection techniques is through observation, documentation, and literaturestudy. The research process is carried out by interpreting the stage of defining the problem,estimating problems, making moral decisions and emphasizing the solution. As a result, the newsframing of the handling of Covid-19 was built in line with the policies conveyed by the government inthe mass media. Public communication carried out by the government can determine the direction ofthe news narrative in the media. The policies taken by the government always have a political,economic, and health narrative. These three things become a narrative that can not be separated inthe news. The media often criticize government policies which are often inappropriate anduncoordinated so they are fed up with those informations sooner. The media should be able to givehope to the public to be optimistic and enthusiastic in dealing with the pandemic situation.
Keywords: Covid-19, Coronavirus, Media, Framing
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Čipkár, Ivan. "Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking." Prague Journal of English Studies 8, no. 1 (July 1, 2019): 97–117. http://dx.doi.org/10.2478/pjes-2019-0006.
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Abstract Aesthetic theory, as reflected in both contemporary cognitive (Patrick Colm Hogan) and more traditional structuralist criticism (H.G. Widdowson), points to the dynamics between familiarity and surprise as the driving force behind the pleasure we derive from reading fiction. This paper explains how Neil Gaiman’s works, particularly his novel Neverwhere, utilize genre expectations and reinvent mythologies in order to captivate audiences in the current age of unprecedented access to information and a rather superficial intertextuality. The paper draws on Brian Attebery’s analyses of the literature of the fantastic to place Gaiman within the context of both modernist and postmodernist legacies, while proposing that his works could be best understood as representative of the current cultural paradigm, sometimes labelled as the pseudo-modern or post-postmodernism. The discussion of the shifting paradigm is used as a backdrop for the scrutiny of the devices employed in Gaiman’s writing: the pre-modern focus on storytelling, prototypicality, modernist “mythic principle”, postmodernist textual strategies, and utilization of current technologies and mass-communication media.
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Harsa, Andar Dittya, and Gregorius Genep Sukendro. "Analisis Gaya Bahasa Sarkasme Lagu “Suci Maksimal” oleh Musisi Jason Ranti." Koneksi 4, no. 2 (October 1, 2020): 265. http://dx.doi.org/10.24912/kn.v4i2.8133.
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In Indonesia, there are many individual and group musicians who make music as a media for criticism of social or political aspects that are happening in the community. Like Iwan Fals, Slank, the Greenhouse Effect, Jason Ranti and others. This study aims to determine the meaning of the song "Suci Maximum" to the reader. This study uses a qualitative method. In this study using the heremeneutika technique. This research is about the analysis of the style of the sarcasm of the song Suci Maksimal of the band Jason Ranti. The thing to be discussed is the meaning of the language style of the song "Suci Maksimal" by Jason Ranti's band, which he wants to convey to the listeners. Theories used in this study are sarcasm, hermeneutics, song as mass communication and construction. This research uses descriptive qualitative research methods. The results of the study were obtained from online sources about the song "Suci Maximum" and related to Jason Ranti as the writer.Di Indonesia banyak musisi perorangan maupun kelompok yang menjadikan musik sebagai media kritik terhadap aspek sosial ataupun politik yang sedang terjadi di masyarakat. Seperti Iwan Fals, Slank, Efek Rumah Kaca, Jason Ranti dan lain-lain. Penelitian ini bertujuan untuk mengetahui makna lirik lagu “Suci Maksimal” kepada pembaca. Penelitian ini menggunakan metode kualitatif. Dalam penelitian ini menggunakan teknik heremeneutika. Penelitian ini tentang analisis gaya bahasa sarkasme lagu Suci Maksimal band Jason Ranti. Hal yang ingin dibahas yaitu, makna gaya bahasa lirik lagu “Suci Maksimal” band Jason Ranti yang ingin disampaikan kepada pendengar. Teori yang di pakai dalam penelitian ini, yaitu sarkasme, hermeneutika, lagu sebagai komunikasi massa dan konstruksi. Penelitian ini menggunakan metode penelitian kualitatif deskriptif. Hasil penelitian diperoleh dari sumber online mengenai lagu “Suci Maksimal” dan berhubungan dengan Jason Ranti selaku penulis.
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Helsa Dhyanti Mustika and Septiawan Santara Kurnia. "Komodifikasi Kritik Sosial dalam Film Sexy Killers." Jurnal Riset Jurnalistik dan Media Digital 1, no. 1 (July 6, 2021): 6–12. http://dx.doi.org/10.29313/jrjmd.v1i1.47.
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Abstract. The mass media is one source of information that is currently used easily by the public. With the development of communication technology today, people can easily access all information. Researchers used qualitative research methods. This research uses Theo Van Leeuwen's Critical Discourse Analysis. The results of the study carried out by these shows that the marginalization in the Sexy Killers movie dialogue text indicated that the marginalized groups in this study were farmers and surrounding communities living in areas near coal excavations and the construction of a power plant. The discourse of exclusion which includes passivation, nomination and substitution of clauses is contained in the text of the dialogue. While the discourse of exclusion with 7 categories also exists in this study except assimilation-individualization. While the discourse of social criticism in this study arises because of the dialogue from the surrounding community deliberately raised by researchers. The results of this study that the discourse of exclusion and inclusion as well as the discourse of social criticism in the film Sexy Killers successfully raised by the filmmaker. The result is readers and the audience who watch the film know how the actual conditions occur, as well as the impact on the surrounding community.
Abstrak. Media massa merupakan salah satu sumber informasi yang saat ini digunakan secara mudah oleh masyarakat. Dengan berkembangnya teknologi komunikasi saat ini, masyarakat dapat dengan mudah mengakses segala informasi. Peneliti menggunakan metode penelitian kualitatis. Penelitian ini menggunakan Analisis wacana Kritis milik Theo Van Leeuwen. Hasil penelitian yang dilakukan oleh tersebut menunjukan bahwa pemarjinalan dalam teks dialog film Sexy Killers tersebut tertera kelompok yang termarjinalkan dalam penelitian ini adalah para petani dan masyarakat sekitar yang tinggal di daerah dekat penggalian batu bara dan pembangunan PLTU. Wacana eksklusi yang meliputi pasivasi, nominalisasi, dan penggantian anak kalimat terdapat dalam teks dialog tersebut. Sementara wacana eksklusi dengan 7 kategori terdapat pula dalam penelitian ini kecuali asimilasi-individualisasi. Sementara wacana kritik social dalam penelitian ini muncul karena adanya dialog dari masyarakat sekitar yang sengaja dimunculkan oleh peneliti. Hasil dari penelitian ini bahwa wacana eksklusi dan inklusi juga wacana kritik social dalam film Sexy Killers berhasil dimunculkan oleh pembuat film tersebut. Hasilnya pembaca dan khalayak yang menonton film tersebut mengetahui bagaimana kondisi yang sebenarnya terjadi, juga dampak bagi masyarakat sekitarnya.
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Kušnír, Jaroslav. "Humanisation of the Subject in David Foster Wallace’s Fiction: From Postmodernism, Avant Pop to New Sensicerity? (Tri-Stan: I Sold Sissee Nar to Ecko, 1999)." Ars Aeterna 6, no. 1 (June 1, 2014): 33–38. http://dx.doi.org/10.2478/aa-2014-0005.
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Abstract David Foster Wallace’s fiction is often considered to be an expression of the new American fiction emerging in the late 1980s, the authors of which expressed a certain distance from the dehumanised and linguistically constructed subject of postmodern fiction, and which depicted individuals influenced by mass media, pop culture and technology in technologically advanced American society. David Foster Wallace’s short story Tri-Stan: I Sold Sissee Nar to Ecko (1999), however, was also included in the Avant-Pop Anthology (Larry McCaffery, L., eds. After Yesterday’s Crash: The Avant-Pop Anthology. London, New York: Penguin, 1995). Some other critics (Adam Kelly, for example) consider him to be an author who expresses New Sincerity in his depiction of reality, which is a tendency in fiction trying to depict human experience and emotions through the use of language and which does not emphasise the human subject and experience to be a product of the interplay of signifiers as understood by Deconstruction criticism and many postmodern authors. This paper will analyse David Foster Wallace’s use of narrative strategies that are connected with postmodern narrative techniques and, at the same time, the way they express a distance from them through a depiction of human experience as interactive communication between human subjects. In addition, the paper will analyse the poetics of the new sincerity as part of contemporary postpostmodern sensibility. That is why I use the term sensicerity to express a combination of the new sensibility and sincerity.
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Turow, Joseph. "Media Industries, Media Consequences: Rethinking Mass Communication." Annals of the International Communication Association 13, no. 1 (January 1990): 478–501. http://dx.doi.org/10.1080/23808985.1990.11678770.
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Siddiqui, Dilnawaz. "Mass Media Analysis." American Journal of Islam and Society 8, no. 3 (December 1, 1991): 473–99. http://dx.doi.org/10.35632/ajis.v8i3.2607.
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IntroductionAn ingenious combination of the latest video, computer, and satellitetechnologies has brought about an unprecedented telecommunicationrevolution. This phenomenal progress, and the resultant power it gives oneperson over millions of others (and one nation over many others), hasapparently generated myriad opportunities for humanity. Williams (1982, 195-9)states: “Just as the international political order up to the 19th century washighly influenced by control of sea lanes, and in the 20th century by airplaneand missile capabilities, so too may we expect international politics to betied to control of the powerful new worldwide communication networks(already in place). Those who control the networks could control the world.”Whether or not humanity utilizes these tools for its betterment dependsupon the beliefs, values, attitudes, and behaviors of those who control themedia. Humanity’s record so far in this respect is decidedly mixed.The content of communication is the communicator’s ideas, whichinfluence the cognitive (conceptual/perceptual) , affective (attitudinal), andconative (behavioral) aspects of an audience’s life. It is therefore necessaryto formulate valid methods and techniques of looking into various uses andthe impact of mass communication media on society.Ideological Background of the Modern Use of Mass MediaMedia analysis has existed since the first nonverbal communicationbetween humans, as has mass communication (i.e., public spealung and publicannouncements). Interpersonal contact has always called for interpretationand analysis, but it was only due to Muslim scholars’ study of the Prophet’s ...
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Smirnova, I. V. "Means of discourse manipulations in political party programs in Spain." MGIMO Review of International Relations, no. 1(34) (February 28, 2014): 270–76. http://dx.doi.org/10.24833/2071-8160-2014-1-34-270-276.
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Thanks to different mass media sources, members of any society are well aware of political developments and events and politicians. Every person has his or her own formed political beliefs and affirmations, interpreters other people's actions during political developments and evaluates events that take place. Political forces, in turn, see a person (a potential elector) as an object of external information influence. This lets them use political communication when competing for the power. In the modern democratic society this competition is carried out via parliamentarian debates, politicians' speeches, examining political parties' programs, political agitation and voting. General audience-oriented political discourse implements its function of political information influence. As the goal of any political party's program (as an independent form of text in the system of political discourse) is to win the elections and come to power, thus the audience influence function is one of the most fundamental and serve as the basis for the text. The text of a program itself is characterized by its persuasive orientation towards the audience, which reveal itself in such methods as convincing, argumentation, manipulation and evaluation. All the political programs pertain to parties which are at the power or which are in opposition. The main characteristic of oppositional programs is the criticism of the power, vice versa, the dominant party's programs confirm the correctness of their policy. All the political programs are multi-authored. The written form of any political program lets put into practice a detailed text analysis. This article presents the analysis of the texts of two leading Spanish political parties (the Spanish socialist worker's party and the people's party of Spain).
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Zheltukhina, Marina R., Natalia I. Klushina, Elena B. Ponomarenko, Natalia N. Vasilkova, and Anna I. Dzyubenko. "Modern media influence: mass culture – mass consciousness – mass communication." XLinguae 10, no. 4 (2017): 96–105. http://dx.doi.org/10.18355/xl.2017.10.04.09.
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Robie, David. "REVIEW: Tackling mass media and mass ignorance." Pacific Journalism Review : Te Koakoa 4, no. 1 (November 1, 1997): 165–68. http://dx.doi.org/10.24135/pjr.v4i1.634.
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Review of Dateline Earth: As if the planet mattered, by Kunda Dixit. Manila: InterPress.
Former Interpress regional editor Kunda Dixit's provacatively titled book Dateline Earth: Journalism As If The Planet Mattered, provides regional journalists with a timely global view that makes a mockery of dry old company balance sheets. 'Development should lead to human progress but it doesn't always' says Dixit. 'Journalists are a crucial link to the feedback loop ensuring that improvements in the quality of life can be sustained and do not permanently damage nature.'
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Crețu, Ioana-Narcisa. "Mass-Media Communication in Romania." International conference KNOWLEDGE-BASED ORGANIZATION 23, no. 2 (June 25, 2017): 270–75. http://dx.doi.org/10.1515/kbo-2017-0126.
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Abstract Over 1200 new publications have appeared in Romania since the fall of communism. Some of them don’t exist anymore, but there always appear new ones. The Romanian newspaper market comprises about 1500 publications most of which appear on a weekly basis and 200 daily newspapers. Television is the most familiar source of information. The radio landscape has changed considerably - similar to the television - since 1990. Besides the public broadcaster offering several programs, there are over 150 private local radio stations and various other channels. Despite the diversity of the Romanian press, we cannot yet speak of a completely free press (see the report of the Freedom House organization). The limitations of media freedom and freedom of speech are related to media ownership, but also with gaps in the national legislation. This study aims to contribute to the advancement in the conceptualization of qualitative journalism by proposing to analyze different situations of failure in investigative journalism and identifying factors that conduct to limitation of media freedom.
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Ржанова and S. Rzhanova. "Verbal Communication in Mass Media." Modern Communication Studies 4, no. 4 (August 10, 2015): 44–46. http://dx.doi.org/10.12737/12868.
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The article analyzes the communication process of modern mass media.
Journalism, holding true to its methods of undestanding reality, turns to the
postmodern manner of writing. Dialogueness of mass communication is
built on different levels. Speech reflects contradictory processes, which occur
in our life and are accompanied by changing moral values and spiritual
guidelines. Language occurrences in different kinds of mass communication
break up the foundations of Russian culture. A new information environment
should be created in agreement with the historical traditions and
linguistic culture of the society.
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Schmidt, Wendelin. "Mass media and visual communication." Third Text 19, no. 3 (May 2005): 307–16. http://dx.doi.org/10.1080/09528820500049296.
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Blagov, Yu V. "MASS- MEDIA AND INTERCULTURAL COMMUNICATION." Vestnik Volzhskogo universiteta im. V.N. Tatishcheva 1, no. 1 (2021): 118–25. http://dx.doi.org/10.51965/2076-7919_2021_1_1_118.
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Gazenko, Roman. "Mass media management." Media, culture and public relations 9, no. 1-2 (December 16, 2018): 95–99. http://dx.doi.org/10.32914/mcpr.9.1-2.7.
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The paper provides a professional overview of the development of media technology, as well as the influence of technology on media content and its interpretation. The aim of communication is definitively to connect the source with the receiver. It means to solve the main problem – to overwhelm the obstacle of space and time. Technological goals since the dark ages were aimed at increasing the physical features of man as direct carrier or to replace him by a more efficient one.
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Stempel, Guido H., and Thomas Hargrove. "Mass Media Audiences in a Changing Media Environment." Journalism & Mass Communication Quarterly 73, no. 3 (September 1996): 549–58. http://dx.doi.org/10.1177/107769909607300304.
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A national survey of 1,006 respondents found that 70.3% used local TV news as their primary source of news, followed by network TV news, newspapers, and radio news in that order. Use of talk radio, TV magazines, and grocery store tabloids was far less. A factor analysis showed five factors — TV news, radio, print media, computer media, and tabloids.
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Bantz, Charles R. "Organizational Communication, Media Industries, and Mass Communication." Annals of the International Communication Association 13, no. 1 (January 1990): 502–10. http://dx.doi.org/10.1080/23808985.1990.11678771.
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Zerman, David. "Crisis communication: managing the mass media." Information Management & Computer Security 3, no. 5 (December 1995): 25–28. http://dx.doi.org/10.1108/09685229510793013.
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Weimann, Gabriel. "Mass Communication Is Effective: The Power of Mass Media." Contemporary Psychology 47, no. 3 (June 2002): 312–14. http://dx.doi.org/10.1037/001134.
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Ровинская and Yu Rovinskaya. "To Modern Mass Media Technologies Practical Aspects Analysis (The Case of Sports Mass Media)." Modern Communication Studies 4, no. 2 (April 17, 2015): 50–53. http://dx.doi.org/10.12737/10576.
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The analysis of modern foreign sports mass media functioning in communication
plane on the basis of main principles, methods, approaches establishing
in work is provided in the research article. The author’s monitoring,
interviewing, experimental activities were performed during the Olympic
Games in Sochi in 2014. The general methodology of broadcasting, coverage,
perception of sports events is revealed. Sports priorities professional
ranking is specified. The notions of information and communication attractiveness,
communication and audience factor are thematically realized.
The specificity of information channels as sports theme message sources
through verbal and nonverbal speech implementation vectors is indicated.
Communication and metacommunication aspects of sports journalist’s professional
level are taxonomized. The role of sports mass media is clarified
on the basis of modern mass media technologies use.
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Simonson, Peter. "Mass Media and Religion." Journal of Communication 47, no. 2 (June 1, 1997): 140–43. http://dx.doi.org/10.1111/j.1460-2466.1997.tb02711.x.
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Potter, W. James. "Conceptualizing Mass Media Effect." Journal of Communication 61, no. 5 (October 2011): 896–915. http://dx.doi.org/10.1111/j.1460-2466.2011.01586.x.
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Beaudoin, Christopher E. "The Mass Media and Adolescent Socialization." Journalism & Mass Communication Quarterly 91, no. 3 (July 11, 2014): 544–61. http://dx.doi.org/10.1177/1077699014538829.
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Newell, Jay, Joseph J. Pilotta, and John C. Thomas. "Mass Media Displacement and Saturation." International Journal on Media Management 10, no. 4 (October 31, 2008): 131–38. http://dx.doi.org/10.1080/14241270802426600.
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