Academic literature on the topic 'Massacres – algeria'

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Journal articles on the topic "Massacres – algeria"

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Chak, Farhan Mujahid. "An Inquiry into the Algerian Massacres." American Journal of Islam and Society 19, no. 1 (2002): 135–38. http://dx.doi.org/10.35632/ajis.v19i1.1961.

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The book under review offers a monumental, exhaustive and judiciousaccount of"who are the agents behind the 'horrendous violence' that has followedthe consolidation of the military over incumbent authorities?" Theanswer provided by the victors, those with the power to institute their choic esand interpretations, is that the paroxysm of "Islamic fundamentalism" isexacting grisly, gratuitous and ghastly violence on a society they have beenunable to conquer. On the contrary, scholars insist the beneficiaries of theresource rich regions of Algeria, largely unscathed in the carnage, are indicativeo
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Silva, Jussaramar da. "Operation Toba in Northeast Argentina: the spread of the State of Terror (1975–1977)." Cuadernos Iberoamericanos 10, no. 3 (2023): 70–87. http://dx.doi.org/10.46272/2409-3416-2022-10-3-70-87.

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The purpose of this article is to demonstrate how Argentine experience of internal repression was passed on to Paraguay as a result of the meetings between its intelligence services. The meetings were carried out by the military in the 1970s, aiming at joint operations of political persecution and extermination of the opponents of the dictatorships that prevailed in these two countries. The author analyzes documentation transmitted during the meeting called IIda Regional Bilateral Meeting of Intelligence between Paraguay and Argentina in 1978. Documentation reports to the Paraguayan military t
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Nesbitt, Nick. "Experimenting Freedom." Publications of the Modern Language Association of America 131, no. 1 (2016): 125–27. http://dx.doi.org/10.1632/pmla.2016.131.1.125.

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Never having known Assia Djebar, i can only speak of the effect her writing has had on me, above all one of her first works, Les enfants du nouveau monde (Children of the New World), created as Algerian independence became a reality, inaugurating a postcolonial nation full of promise and contradiction. In this novel Djebar wrote of Algeria at a moment, 1961-62, when it was on the threshold of its becoming, the very moment of the invention of Algeria, when the coming laborious construction of Algeria, which continues today, was already visible. The moment when the unyielding violence of the str
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Sharpe, Mani. "Visibility, speech and disembodiment in Jacques Panijel’s Octobre à Paris." French Cultural Studies 28, no. 4 (2017): 360–70. http://dx.doi.org/10.1177/0957155817724958.

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Octobre à Paris (1961) was a clandestine documentary executed after one of the most notorious yet occulted state massacres in French history, conducted after approximately 20–30,000 Algerians had flooded the streets of Paris in order to protest against police persecution. In existing scholarship on the film, critics have generally tended to historicise Octobre à Paris in largely politically progressive terms, as a rare example of anti-colonial cinema produced during a particularly stringent period in the history of French film. As the first part of this article will argue, this interpretation
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Fonju, Pr Njuafac Kenedy. "The Hottest Radical Pre-Colonial and Colonial Massacred of Native Muslim Algerians in the Maghrebians under 74 Changing Portfolios of Diplomatic Agents of Intensive Manipulations of Exploration, Exproriation and Exploitation (3Es) from Early 19th to Mid-20th Centuries." Cross-Currents: An International Peer-Reviewed Journal on Humanities & Social Sciences 9, no. 05 (2023): 69–86. http://dx.doi.org/10.36344/ccijhss.2023.v09i05.002.

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This paper brings out the identification of 74 French Diplomatic Massacred Agents of Native Muslims of Algerians (FDMANMA) from 1830 to 1962 with extension of radicalism and slaughtering cutting through the worst period of history. The perpetuators of Pre-colonial and Colonial Diplomatic Agents of Exploration, Expropriation and Intensive Exploitation (PCDAEEIE) till Confusing Self-Determination guided by the mechanisms of neo-colonialism in 1962 illustrated how the French presence in Algeria was a historical accident to the natives. Shortly after the July Monarchy of Louis Philippe I was overt
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Kapil, Arun. "The Algerian Civil War: A Review Essay." Middle East Studies Association Bulletin 32, no. 2 (1998): 155–60. http://dx.doi.org/10.1017/s0026318400037202.

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The Civil War in Algeria is entering its eighth year and, despite a recent decrease in intensity, shows no sign of ending. Just when it appears that the armed Islamist groups are on the verge of defeat, another horrendous massacre occurs, reminding all that the conflict is far from resolution. One of the particularities of the Algerian war is that so little has been known about it, about the protagonists, the attitude of the population, how the conflict has played out across the country, and even what exactly is being fought over. This has been largely due to restrictions on freely moving arou
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Thomas, Martin, and Pierre Asselin. "French Decolonisation and Civil War: The Dynamics of Violence in the Early Phases of Anti-colonial War in Vietnam and Algeria, 1940–1956." Journal of Modern European History 20, no. 4 (2022): 513–35. http://dx.doi.org/10.1177/16118944221130231.

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This article draws together historical sources and political science insights to test the emergence of civil war at the end of empire. It focuses on civil conflict in two French colonial territories, Vietnam and Algeria, during and immediately after 1945. It investigates the civil war dynamics of local, often intra-ethnic contests among anticolonial oppositionists. Concentrating on the early, formative years of insurgent violence, we aim to demonstrate that elements of civil war pre-existed the supposed outbreak of decolonisation conflicts – 1946 in Vietnam and 1954 in Algeria. Our approach co
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Kamecka, Małgorzata. "History and Identity according to Leïla Sebbar." Literatūra 61, no. 4 (2019): 54–66. http://dx.doi.org/10.15388/litera.2019.4.4.

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Leila Sebbar, since the beginning of her literary work, has been describing her identity experience connected with her mixed family origins: the writer’s father was Algerian and her mother French. This prevailing thread in her texts demonstrates the weight of the (re)construction of identity, frequently incoherent and delicate, in order to confirm her ethnic and cultural affinity.The author of this article is interested in problems, so close to the writer, of identity and history. The point of departure of the reflection on Sebbar’s attitude towards mother tongues of her parents is the analysi
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Carrington, Grace. "The May 1967 massacre in Guadeloupe." Journal of Romance Studies 22, no. 3 (2022): 389–412. http://dx.doi.org/10.3828/jrs.2022.21.

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On 26 May 1967, French police opened fire on striking workers in Pointeà-Pitre, Guadeloupe, sparking a major uprising across the city. According to officials at the time, eight Guadeloupeans were killed during the unrest and many more were injured. However, a state cover-up means we may never know the true death toll. The French government blamed the violence on a clandestine independence movement (GONG) and tried nineteen activists before the French court of state security for threatening the territorial integrity of the French Republic. Fifty years later, the massacre has received little ack
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HUBBELL, AMY L. "Uncovering Silence: France’s Move to Reconciliation and the Depiction of Algerian Migrant Workers." Australian Journal of French Studies 61, no. 3 (2024): 294–306. http://dx.doi.org/10.3828/ajfs.2024.25.

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In the catalogue Algériens en France: 1954–1962, la guerre, l’exil, la vie (2012), Benjamin Stora and Linda Amiri represent the lives of Algerian labourers and their struggles in the shantytowns around Paris during the Algerian War for Independence. From 1954 to 1962, the Algerian population in France rose sharply; yet, the workers were silenced in the national story until 2001, on the fortieth anniversary of the 17 October 1961 massacre of peaceful Algerian protesters in Paris. This article examines works that move Algerian migrant workers into the spotlight while considering historian Benjam
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Dissertations / Theses on the topic "Massacres – algeria"

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Hansen, Andrew L. "And Paris Saw Them: An Examination of Elie Kagan's Photographs of the Paris Massacre of October 17, 1961." Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1115051302.

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Books on the topic "Massacres – algeria"

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Simon, Jacques. Le massacre de Melouza: Algérie, juin 1957. L'Harmattan, 2006.

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Péju, Marcel. Le 17 octobre des Algériens. La Découverte, 2011.

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Valat, Rémy. Les calots bleus et la bataille de Paris: Une force de police auxiliaire pendant la guerre d'Algérie. Michalon, 2007.

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An Inquiry Into The Algerian Massacres. Hoggar, 1999.

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Brozgal, Lia. Absent the Archive. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622386.001.0001.

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Cultural Traces of a Massacre in Paris: The October 17, 1961 Anarchive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. Covered up by the state and hidden from history, the events of October 17 have nonetheless never been fully erased. Indeed, as early as 1962, stories about the massacre began to find their way their way into novels, poetry, songs, film, visual art, and performance. This book is about these stories, the way they have been told, and their function as both documentary and aesthetic objects. Ident
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Belloula, Nacera. Algerie: Le massacre des innocents (Collection "Les enfants du fleuve"). Fayard, 2000.

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Machtkonflikt in Algerien. Schiler, Hans, Verlag, 2002.

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Walker, Elsie. Caché. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495909.003.0007.

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This chapter is a sonic analysis of Caché as an important postcolonial statement, one that attempts to redress historical injustices by amplifying the buried truths, and the ongoing fallout, of France’s colonial legacy. More specifically, the chapter explains the sonic significance of the characters’ speech, silences, and failures to face truths and understand each other (represented by the aural motif of their saying “nothing”), especially in relation to the historically suppressed massacre of Algerians protesting for Independence in October 1961. The chapter also dwells on the film’s undenia
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Les calots bleus et la bataille de Paris: Une force de police auxiliaire pendant la guerre d'Algérie. Michalon, 2007.

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Book chapters on the topic "Massacres – algeria"

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Hubbell, Amy L. "Remembering the 5 July 1962 Massacre in Oran, Algeria." In Palgrave Macmillan Memory Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52056-4_11.

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Kalman, Samuel. "Conclusion." In Law, Order, and Empire. Cornell University Press, 2024. http://dx.doi.org/10.7591/cornell/9781501774041.003.0007.

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This chapter concludes the extent of police duty and law enforcement in Algeria. It explains that violence and repression instituted by various branches of colonial law enforcement in Algeria reached a crescendo during the 1954 to 1962 War of Independence. Police and gendarmes were more frequently involved in assisting army units in the extirpation of the Front de libération nationale (FLN) and Armée de libération nationale (ALN), which invariably included criminal actions such as torture and murder. The chapter highlights the inevitability of the War of Independence, especially after the mass
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Willis, Michael J. "Conflict, Amnesty and Amnesia." In Algeria. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197657577.003.0004.

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Abstract An examination of the civil conflict of the 1990s is essential to understanding Algerian politics of the past two decades. The conflict grew out of the formation of armed Islamist groups in the wake of the cancellation of elections and the banning of the FIS in 1992. It expanded massively in 1993 with the emergence of an extremist jihadi trend among the armed groups known as the GIA. The Algerian regime responded by expanding its forces and counter-terrorism operations and adopting more extreme measures against the armed groups including disappearances, torture, and the infiltration o
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Fieni, David. "From Dreyfus in the Colony to Céline’s Anti-Semitic Style." In Decadent Orientalisms. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823286409.003.0004.

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Orientalist philology brought people deemed Semitic together under the rubric of Semitism, and it subsequently broke up this forced grouping into the distinct categories of Jew, Arab, and Muslim. Chapter 3 demonstrates how the Dreyfus Affair exacerbated tensions between Jews, Muslims, and European residents of French colonial Algeria at the end of the nineteenth century. It explores the history of philological Semitism, discusses the legal status of Jews and Muslims in Algeria, and summarizes how the Dreyfus Affair affected Algerian politics and business. In order to think through the stylisti
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Brozgal, Lia. "Introduction." In Absent the Archive. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622386.003.0001.

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The introduction provides critical information on the history and stakes of the October 17 massacre, situating it within the context of the Algerian War for Independence and the French imperial project more generally. It is invested in tracing the evolution of the massacre’s representation in political, popular, and scholarly discourse, and in exploring the ways in which the massacre has been rendered both visible and invisible. Comparisons with Vichy (briefly) and with another episode of state violence (the 1962 police murder of protesters at the Charonne subway station) help to contextualize
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Stojanovic, Sonja. "Indelible Stains." In Mind the Ghost. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781800854888.003.0009.

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This chapter considers the memory of violent and traumatic events through the recurrence of stains (both literal and figurative) in novels by Leïla Sebbar, Kaouther Adimi, and Gaël Faye. Reading Sebbar’s La seine était rouge. Paris, octobre 1961 [The Seine Was Red: Paris, October 1961] (1999), this chapter examines the colours red and blue as signs of haunting that both precede and follow the 17 October massacre of Algerians. In Adimi’s Nos richesses [Our Riches] (2017), the violent stain of colonization and the denial of responsibility is shown through the use of the shifty third person prono
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Laronde, Michel. "17 October 1961." In Postcolonial Realms of Memory. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620665.003.0010.

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This entry focuses on the resistance against the erasure of institutional violence from collective memory during the Algerian War in France with the example of the 17 October 1961 massacre of North Africans in Paris. As part of an ongoing effort to correct the state’s misrepresentation of the event to the nation, a plaque was inaugurated by the mayor of Paris, Bertrand Delanoë, on October 17, 2001, to commemorate the fortieth anniversary of the event. The image of the plaque that reads ‘In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of 17 Octo
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Thomas, Martin. "Repression, reprisals and rhetorics of massacre in Algeria’s war." In Rhetorics of empire. Manchester University Press, 2017. http://dx.doi.org/10.7765/9781526120496.00016.

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Laronde, Michel. "Narrativizing foreclosed history in ‘postmemorial’ fiction of the Algerian War in France: October 17, 1961, a case in point." In Reimagining North African immigration. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9780719099489.003.0009.

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This chapter presents the resistance against the erasure of institutional violence from collective history during the Algerian War in France with the example of the 17 October 1961 massacre of North Africans in Paris. The political foreclosure of the event resulting in a collective trauma tied to the war resurfaces in beur literature and mainstream French fiction from the 1980s onward as memorial fragments naturalized in the novels. The traces of the October 17 event narrativized in postcolonial writing signal a postmemorial mentality where the past bears on the present of the nation’s postcol
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Smail Salhi, Zahia. "The End of the Chimera: Disillusion, Alienation and Ambivalence." In Occidentalism. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9780748645800.003.0008.

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This chapter argues that the 8 May 1945 massacre is the direct impetus behind the 1954 Algerian revolution. It is a major game changer in the rapport between the Algerian intelligentsia and the Occident resulting in a political divorce, which engendered an important volume of literature that recorded the painful birth of a nation painfully tearing itself from the domination of another. Caught between the traumas of yesterday’s colonial night, and the uncertainties of tomorrow, the expression of these anxieties produced literary accounts of high value. Their themes varied from a narrative of al
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