Academic literature on the topic 'Massimo Vignelli'

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Journal articles on the topic "Massimo Vignelli"

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Harnoko, Irwan, and Dria Setiautami. "Pengaruh Tipografi pada Era Massimo Vignelli terhadap Tipografi Michael Bierut." Humaniora 2, no. 2 (2011): 1368. http://dx.doi.org/10.21512/humaniora.v2i2.3201.

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Massimo Vignelli is a senior graphic designer lived in New York, as a vocal modernism against post-modernism. His statement firmly opposing post-modernism in several occasions: interview in Helvetica the movie, typeradio, talkshow, and some articles in Looking Closer or AIGA Journal. Graphic design works of Massimo Vignelli reflected his characteristic, which is firmly choosing typeface. Typefaces of Vignelly are around 5 typefaces: Bodoni, Helvetica, Times Roman, Century, and Futura. The article uses formal analysis method. The writers collected materials about Michael Bierut, Massimo VIgnell
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RIEDEL, MIJA, and Massimo Vignelli. "An Interview with Massimo Vignelli (1931-2014)." Archives of American Art Journal 53, no. 1/2 (2014): 78–115. http://dx.doi.org/10.1086/aaa.53.1_2.43155544.

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Harnoko, Irwan. "Pertempuran Ideologi Desainer Grafis Modernisme dan Postmodernisme dalam Konteks Font Helvetica." Humaniora 4, no. 1 (2013): 456. http://dx.doi.org/10.21512/humaniora.v4i1.3454.

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This article discusses the mindset of modernism designers: Massimo Vignelli, Wim Crouwel as opposed to the perspective of postmodernism designers: Paula Scher and David Carson on Helvetica font. This discussion becomes interesting because the leaders of the two sides are the key figures in the world of graphic design. Their opinions on Helvetica font can be used as a guide to study world’s graphic design, due to they dominate the mindset of contemporary designers.
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Generali, Daniele, Sabrina Nucera, Francesco Schettini, et al. "Abstract P1-10-14: Bridging the gap between real-world studies (RWSs) and randomized controlled trials (RCTs) of 1st-line palbociclib+aromatase inhibitors (P+AI) in hormone receptor-positive(HR+)/HER2-negative(-) metastatic breast cancer (mBC)." Clinical Cancer Research 31, no. 12_Supplement (2025): P1–10–14—P1–10–14. https://doi.org/10.1158/1557-3265.sabcs24-p1-10-14.

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Abstract Background: RCTs remain the gold standard to assess the efficacy of a treatment seeking regulatory approval. However, RWSs provide insights into patients (pts)’ outcomes in routine clinical practice. We assessed the real-world (RW) efficacy of 1st-line P+AI and compared it to RCTs’ results. Methods: A systematic review was performed to identify RWSs published from 2019 to 2023 including pts with HR+/HER2- mBC treated with 1st-line P+AI, with available median progression-free survival (mPFS) and/or overall survival (mOS). A meta-analysis was performed to estimate the pooled mPFS/OS usi
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Förster, Kim. "Massimo Vignelli: Oppositions, Skyline and the Institute." Places Journal, no. 2010 (September 16, 2010). http://dx.doi.org/10.22269/100916.

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Hananto, Brian Alvin, Jessie Rose Komala Hadi, Karina Olivia Hernawan, and Natasha Christina Gondo. "ANALISA FORM, KONTEN & KONTEKS PADA PETA KERETA BAWAH TANAH NEW YORK CITY (1972) KARYA MASSIMO VIGNELLI." Titik Imaji 3, no. 2 (2021). http://dx.doi.org/10.30813/.v3i2.2529.

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Menganalisa sebuah desain merupakan sebuah tantangan tersendiri ketika dilakukan tanpa adanya kerangka analisa yang dapat membantu kegiatan analisa tersebut. Dengan mengadopsi kacamata analisa form, konten, dan konteks yang umumnya ditemukan dalam karya seni, penulis melakukan analisa terhadap desain peta kereta bawah tanah New York City yang dirancang oleh Massimo Vignelli pada tahun 1972. Dengan menganalisa konteks yang melatari pembuatan peta tersebut dan menganalisa elemen-elemen desain grafis didalam peta tersebut, penulis dapat memperolah sebuah kesimpulan yang konklusif. Dengan analisa
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Lorusso, Daniele. "Coltura della vite, produzione e commercio del vino in Valtellina (secoli XIX-XX)." Territori del vino in Italia, no. 6 (March 1, 2014). http://dx.doi.org/10.58335/territoiresduvin.827.

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La viticultura valtellinese ha storicamente fondato le sue fortune sulla qualità dei vini, particolarmente ricercati dai vicini d’oltralpe. La domanda proveniente da Nord, principalmente da Grigioni, Svizzera, Tirolo, Austria, Germania meridionale, Boemia e persino Polonia, ha incentivato l’enorme opera di sistemazione in terrazze artificiali dei pendii più favorevolmente esposti, creando un paesaggio pressoché unico all’interno dell’area alpina per espansione areale e continuità territoriale del terrazzamento viticolo. Nel corso dell’occupazione delle Leghe Grigie (1512-1797), il commercio co
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Dissertations / Theses on the topic "Massimo Vignelli"

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Trematerra, Alice, Giuseppe Lotti, and Susanna Cerri. "Anticipare - Facilitare - Connettere - Orientare Quando il Communication design governa il processo identitario dei luoghi." Doctoral thesis, 2020. http://hdl.handle.net/2158/1197232.

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La ricerca si pone l’obiettivo di dimostrare, a partire da casi teorici e casi studio di rilievo internazionale il ruolo centrale del communication design nella costruzione dell’identità e del processo di comunicazione di un luogo. Raccontare l’esperienza lavorativa personale condotta all’interno del Didacommunicationlab, Laboratorio di Comunicazione del Dipartimento di Architettura dell’Università di Firenze, è utile per affrontare la tesi scientifica su cui si fonda questa ricerca. Lo stretto legame tra grafica e architettura, l’indispensabilità di una disciplina rispetto all’altra, la com
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Books on the topic "Massimo Vignelli"

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Vignelli, Lella. Lella and Massimo Vignelli: Design is one. Images Pub. Group, 2004.

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Observer, Design. Massimo Vignelli. Blurb, 2015.

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Observer, Design. Massimo Vignelli 50. Blurb, 2015.

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Migueles, Elizabeth. Mind of Massimo Vignelli. Blurb, 2015.

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Group, Images Publishing. Lella and Massimo Vignelli (International Graphic Design). Images Publishing Dist A/C, 2006.

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Lella and Massimo Vignelli: Two lives, one vision. RIT Press, 2014.

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Book chapters on the topic "Massimo Vignelli"

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O'Brien, William. "France and The Western Alps." In Prehistoric Copper Mining in Europe. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199605651.003.0010.

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The use of copper was first established in the western Alps during the late fifth/ early fourth millennia BC. There were several metal-using groups in what is now modern Switzerland during the fourth millennium, including the Cortaillod and Pfyn cultures, followed in the third millennium BC by groups of the Saône-Rhône culture (Strahm 1994). The first direct evidence of copper production, however, only dates from the Late Bronze Age. This is based on the dating of smelting slag heaps in the valley of Oberhalbstein in the canton of Graubünden (Fasnacht 2004). These slags derive from the smeltin
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