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Journal articles on the topic 'Master craftsmen'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Margarita Alyokhina. "PRISONER MASTER CRAFTSMEN." Current Digest of the Russian Press, The 73, no. 021 (2021): 11. http://dx.doi.org/10.21557/dsp.68605547.

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2

Kwok, Roberta. "Genomics: DNA's master craftsmen." Nature 468, no. 7320 (2010): 22–25. http://dx.doi.org/10.1038/468022a.

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Khisamitdinova, Firdaus G. "Folk terminology of mythologized characters of the group “craftsmen-professionals” in the dialects of the Bashkir language." Sibirskiy filologicheskiy zhurnal, no. 4 (2022): 243–56. http://dx.doi.org/10.17223/18137083/81/19.

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This paper describes the folk terminology of a group of “knowledgeable people” called “craftsmen-professionals.” The main, widespread, and dialect terms referring to the mythologized characters “craftsmen-professionals” are identified using dictionaries, folklore and art works, and the field materials of the author. In the Bashkir language, the generalizing term for “craftsmen-professionals” is the word оҫта (craftsman). In addition, the words һөнәрсе / һөнәрмән (artisan, master), кәсепсе (a person engaged in some kind of craft) are used. Much attention is paid to the characteristics of the te

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4

Katayama, Errol G. "David Charles and Aristotle’s Master Craftsmen." Ancient Philosophy 31, no. 1 (2011): 145–60. http://dx.doi.org/10.5840/ancientphil20113118.

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5

Archer, Richard. "Can master craftsmen be mass-produced?" Nature Reviews Drug Discovery 1, no. 3 (2002): 245. http://dx.doi.org/10.1038/nrd760.

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6

Alio, A. N., E. Ikoli, and B. U. Ezeora. "Power System Installation Skill Needs of Electrical Craftsmen in the Informal Sector of the Economy for Sustainable Self-Employment in South-South Nigeria." African Journal of Current Research 5, no. 3 (2024): 16–26. https://doi.org/10.5281/zenodo.13349271.

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<em>The general purpose of the study was to determine industrial electrical installation skill needs of electrical craftsmen in the formal sector of the economy for sustainable self-employment in South-South Nigeria. One research question and a null hypothesis guided the study. The study was carried out in South-South States of Nigeria using a descriptive survey research design. The population for the study was 417 registered industrial Electrical installation craftsmen and master craftsmen in informal sector of economy in the South-South zone of Nigeria. Census sampling was used because the e

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Alio, A. N., E. Ikoli, and B. U. Ezeora. "Cable Conduit System Installation Skill Needs of Electrical Craftsmen in the Informal Sector of the Economy for Sustainable Self-Employment in South-South Nigeria." American Journal of Applied Sciences and Engineering 5, no. 2 (2024): 28–38. https://doi.org/10.5281/zenodo.13316948.

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<em>The general purpose of the study was to determine industrial electrical installation skill needs of electrical craftsmen in the informal sector of the economy for sustainable self-employment in South-South Nigeria. One research question and a null hypothesis guided the study. The study was carried out in South-South States of Nigeria using a descriptive survey research design. The population for the study was 417 registered industrial Electrical installation craftsmen and master craftsmen in informal sector of economy in the South-South zone of Nigeria. Census sampling was used because the

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Кozytska, Mariia Zorianivna. "ТHE РUTSENTELAS: A FAMILY OF VIOLIN MASTER CRAFTSMEN". Музичне мистецтво і культура 1, № 34 (2022): 225–38. http://dx.doi.org/10.31723/2524-0447-2022-34-1-17.

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9

Shaidurov, Vladimir N. "ST. PETERSBURG’S GERMAN CRAFTSMEN IN THE 19TH CENTURY: CORPORATE AND PRODUCTION ORGANIZATION." Ural Historical Journal 83, no. 2 (2024): 165–73. http://dx.doi.org/10.30759/1728-9718-2024-2(83)-165-173.

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The craftsman has been a prominent figure in Russia’s social and economic history of the 18th — early 20th centuries. In the absence or underdevelopment of manufactory and factory production, he was the main producer of goods, which an urban citizen could not exist without. Since 1720s, St. Petersburg craftsmen were united into craft guilds, which existed until 1917 (German craft guilds until the outbreak of the First World War). However, scholars have virtually overlooked this social group. The article is based on published and archival documents and considers some aspects of daily life of Ge

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Imbert, Clément, and Reynold John. "Transition from master craftsman to engineering degree." South Florida Journal of Development 2, no. 2 (2021): 1277–87. http://dx.doi.org/10.46932/sfjdv2n2-012.

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There is a great need for Master-Craftsmen who are highly valued in industry locally but are not afforded the same recognition as in Germany, so in order to encourage more applicants a bridging progression to a Bachelor’s degree should be devised. There are several paths to the education of engineers. Traditionally students of engineering attend secondary school from which they matriculate to a tertiary institution. In many countries candidates may opt to do an Associate degree articulating to a Bachelor’s degree. However, in some countries, it is possible to become an engineer without a tradi

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11

Morrison, Alice Reed, and Marjorie Hunt. "The Stone Carvers: Master Craftsmen of Washington National Cathedral." Journal of American Folklore 115, no. 457/458 (2002): 502. http://dx.doi.org/10.2307/4129210.

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12

Rubain, Bankole Adéyèmi, and Guy Sourou Nouatin. "Craftsmen Perception of the Dual Apprenticeship in Benin." International Journal of Social Science Research 9, no. 1 (2021): 77. http://dx.doi.org/10.5296/ijssr.v9i1.17905.

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This paper analyzes the craftsmen perception of dual apprenticeship in Benin. The introduction of dual apprenticeship in technical vocational education and training system has established new structural arrangements in the apprenticeship system. The apprentices must leave the workshop for one day of theoretical instructions and practical knowledge. By assessing how this alternative system of apprenticeship is perceived, this research adopted a qualitative method. It was conducted in Cotonou, Abomey-Calavi and Parakou with the collaboration of the master craftsmen including staff members of pro

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Morrison, Alice Reed. "The Stone Carvers: Master Craftsmen of Washington National Cathedral (review)." Journal of American Folklore 115, no. 457 (2002): 502–3. http://dx.doi.org/10.1353/jaf.2002.0043.

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14

Cooke,, Edward S. "Master Craftsmen of Newport: The Townsends and Goddards. Michael Moses." Winterthur Portfolio 21, no. 1 (1986): 78–80. http://dx.doi.org/10.1086/496263.

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15

Jõeste, Kristi. "Harjutamine teeb meistriks ehk käsitöölise muljeid Richard Sennetti raamatust „Taidur“ / Practicing makes the master. A craftsperson’s perspective on Richard Sennett’s “The Craftsman”." Studia Vernacula 14 (November 14, 2022): 232–39. http://dx.doi.org/10.12697/sv.2022.14.232-239.

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In her review, Kristi Jõeste, an Estonian glove-knitting master, reflects on Sennett’s ideas in The Craftsman which have appealed to her the most: the persona of a craftsman, craftsmanship, tacit knowledge, skills and practice, motivation, routine tolerance, dialogue with materials, and the connection between hand and head. While ’craft’ in English is defined as a skillful process of making something, the Estonian definitions of ’käsitöö’ do not mention skills – the intellectual component of making – at all. In Estonian there are four definitions for ’käsitöö’ in dictionaries: 1) small-s

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Jarkas, Abdulaziz M., and Milan Radosavljevic. "Motivational Factors Impacting the Productivity of Construction Master Craftsmen in Kuwait." Journal of Management in Engineering 29, no. 4 (2013): 446–54. http://dx.doi.org/10.1061/(asce)me.1943-5479.0000160.

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17

Meincke, Angela, Daniel Hausdorf, Nonie Gadsden, et al. "Cellulose Nitrate Coatings on Furniture of the Company of Master Craftsmen." Journal of the American Institute for Conservation 48, no. 1 (2009): 1–24. http://dx.doi.org/10.1179/019713609804528070.

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Cseh, Fruzsina. "Käsitööoskus väljasuremise äärel: ratassepa käsitööoskuste kadumine / A craft on the brink of extinction: The loss of the wheelwright’s craf." Studia Vernacula 10 (November 5, 2019): 46–65. http://dx.doi.org/10.12697/sv.2019.10.46-65.

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Taking into consideration the lives of the craftsmen, as influenced by the changing social and economic conditions and being aware of their memories, is beneficial not only for understanding the technical aspects of wheeler’s craft but also for following the loss of workmanship in their biographies and attitude. During my fieldwork in the settlements of Northeastern and Eastern Hungary and Bácska (Serbia) between 2006 and 2011, I focused on former wheelwrights working in the handicraft industry. Studying the loss of knowledge raises new questions regarding the research methodology of dis

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Cseh, Fruzsina. "Käsitööoskus väljasuremise äärel: ratassepa käsitööoskuste kadumine / A craft on the brink of extinction: The loss of the wheelwright’s craf." Studia Vernacula 10 (November 5, 2019): 46–65. http://dx.doi.org/10.12697/sv.2019.10.46-65.

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Taking into consideration the lives of the craftsmen, as influenced by the changing social and economic conditions and being aware of their memories, is beneficial not only for understanding the technical aspects of wheeler’s craft but also for following the loss of workmanship in their biographies and attitude. During my fieldwork in the settlements of Northeastern and Eastern Hungary and Bácska (Serbia) between 2006 and 2011, I focused on former wheelwrights working in the handicraft industry. Studying the loss of knowledge raises new questions regarding the research methodology of dis

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20

Dambruyne, Johan. "Guilds, Social Mobility and Status in Sixteenth-Century Ghent." International Review of Social History 43, no. 1 (1998): 31–78. http://dx.doi.org/10.1017/s0020859098000029.

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This article investigates the relationship between social mobility and status in guilds and the political situation in sixteenth-century Ghent. First, it argues that Ghent guilds showed neither a static picture of upward mobility nor a rectilinear and one-way evolution. It demonstrates that the opportunities for social promotion within the guild system were, to a great extent, determined by the successive political regimes of the city. Second, the article proves that the guild boards in the sixteenth century had neither a typically oligarchic nor a typically democratic character. Third, the in

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Nègre, Valérie. "Production and Circulation of Technical Knowledge on Building Sites at the End of the Eighteenth Century." HoST - Journal of History of Science and Technology 15, no. 2 (2021): 17–33. http://dx.doi.org/10.2478/host-2021-0011.

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Abstract This article aims to shed light on the exchange of technical knowledge between architects, master craftsmen and workmen on building sites at the end of the eighteenth century. In the Age of Enlightenment, major building sites were places where a large number of skilled practitioners of various ranks met (engineers, architects, contractors, experts, craftsmen). These were therefore places where the exchange of knowledge and know-how occurred but also places of struggle for power and knowledge. The article examines these exchanges and struggles using the case study of the building site

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22

Glover, Adukwei Sempe, Ninette Afi Appiah, and Alhassan Saana Haruna. "Exploring Ethical Challenges and Labour Practices in the Informal Sector: A Study of Ghana’s Fashion Apprenticeship Programs." Fashion and Textiles Review 5 (December 31, 2024): 95–113. https://doi.org/10.35738/ftr.v5.2024.14.

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Purpose: This study explores the ethical challenges and labour practices within Ghana’s fashion apprenticeship programs, with a focus on how these practices align with the National Apprenticeship Policy (NAP). Given the critical role of apprenticeships in skills development and economic empowerment in Ghana, the study seeks to identify gaps between policy provisions and actual practices, particularly within the highly informal fashion sector. Methodology/Design: The study adopts a qualitative approach, utilising in-depth interviews with key stakeholders, including apprentices, master craftsmen

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23

Gering, P., N. Oertwig, M. Kayser, H. Schweizer, and S. Rimmelspacher. "JUMP 4.0/JUMP 4.0. Mobile job scheduling support for the master craftsman in production." wt Werkstattstechnik online 108, no. 04 (2018): 230–34. http://dx.doi.org/10.37544/1436-4980-2018-04-36.

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Das Forschungsprojekt „JUMP 4.0“ entwickelt ein interaktives Prozessmanagementsystem, das auf die Bedürfnisse der Meisterinnen und Meister zugeschnitten ist, um Prozesse zu planen, überwachen und abzusichern. &nbsp; The research project „JUMP 4.0“ develops an interactive process management system that is tailored to the needs of master craftsmen in order to plan, monitor and secure processes.

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Arakelyan, M. G. "Illuminated Bible of the Armenian Master Ghazar Baberdatsi of Lvov." Art & Culture Studies, no. 2 (June 2023): 248–67. http://dx.doi.org/10.51678/2226-0072-2023-2-248-267.

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The proposed subject has tremendous significance for specialists in the field of studying iconography, Armenian miniature painting and theology, since the article examines and analyzes the relationship of miniatures of the masters of the Armenian community of New Julfa (Isfahan, Iran) with the works of Armenian miniaturists of the Polish-Lithuanian Commonwealth of the first quarter of the 17th century. This is especially presented in the iconography of full-page miniatures with the biblical and apocalyptical scenes in the traditions of the East and West. Thus, the miniatures of the Bible (Mate

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25

Knézy, Judit. "Céhes adatok a somogyi pék- és mézesbábos mesterekről az 1810-es évektől 1869-ig." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 1 (2013): 251–60. http://dx.doi.org/10.26080/krrmkozl.2013.1.251.

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During the 18th and 19th century the guilds in Som-ogy county had developed only slowly because of the lack of cities in the region. The low number of educated baking mas-ters was also based on the fact that the practice of household bread baking remained in existence until the 1960s. Bread bak-ing was made in the 18th and 19th century by seasoned cooks-men and bread specialists. The craftsmen of the markettown Csurgó only got their landlord’s approval for creating a mixed crafts guild in 1810. The bakers and honey-cake makers of this town belonged to the so called ’German’ guild from 1814. Th

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Ertl, Thomas. "Money Topples Borders." Medieval History Journal 16, no. 2 (2013): 501–24. http://dx.doi.org/10.1177/0971945813515020.

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In the late Middle Ages and in the early modern period, the European continent was characterised by a vast mobility of skilled and unskilled labour: Italian merchants established themselves in Bruges and in other commercial centres, German soldiers and craftsmen intermittently lived in Italy, merchants from many different nations met at trade fairs which regularly took place in Frankfurt am Main and in other cities and countless journeymen went on the road before they established themselves as master craftsmen somewhere. This migration was accompanied by an exchange of commodities, technologie

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Aube, Sandra. "Skills and Style in Heritage: The Woodworker Faḫr al-Dīn and his Son ʿAlī in the Mazandaran (Iran, ca. 1440-1500)". Eurasian Studies 15, № 2 (2017): 283–303. http://dx.doi.org/10.1163/24685623-12340039.

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Abstract In the region of Mazandaran (Northern Iran) is preserved an outstanding corpus of wooden works associated with fifteenth-century tomb-towers. A large portion of these wooden panels bear the signature of a woodworker (or “carpenter”, najjār). These constitute a significant resource for the study of woodworking and woodworkers. This article presents two woodworkers from this exceptional corpus: Master Faḫr al-Dīn and his son, Master ʿAlī. The first is recorded in Sārī around the 840s/1440s, the latter in Bābul and Bābulsar between 876/1471-2 and 906/1500. Through an analysis of their re

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Karakul, Özlem. "Sculptural reproduction of architectural ornamentation as a way for conservation of traditional craftsmanship." Global Journal of Arts Education 8, no. 1 (2018): 17–27. http://dx.doi.org/10.18844/gjae.v8i1.3253.

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 Traditional craftsmanship as a part of intangible cultural heritage needs to be conserved as defined in the UNESCO 2003 Convention and Living Human Treasures System. In architecture, traditional craftsmanship is embodied on architectural ornaments in historic buildings by local builders; and the conservation of it necessitates its transmission process from generation to generation. In the traditional building production period, the transmission process had been guaranteed by master–apprentice relation, but nowadays, it has been interrupted together with the drastic change in building te

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Sinyai, Clayton, Pete Stafford, and Chris Trahan. "Doing it Old School: Peer-led occupational safety training in the U.S. construction Industry." Notes from the Field 48, no. 3 (2014): 605–11. http://dx.doi.org/10.7202/1021923ar.

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Many labour organizations that sponsor occupational health and safety training champion “peer training,” preferring instructors drawn from the shopfloor over academically credentialed experts. But peer training is hardly new: in the skilled trades, master craftsmen have instructed apprentices since the Middle Ages. Building on the apprenticeship model of education, the U.S.-based construction unions have created a network of more than 4,000 peer trainers who provide occupational health and safety training to up to 100,000 men and women in the building trades each year.

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Yakovleva, Maria I. "MOSAICS IN THE REGIONAL MUSEUM OF MESSINA, THEIR STYLISTIC FEATURES AND PLACE IN THE ART OF THE EARLY PALAEOLOGAN PERIOD." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2021): 65–77. http://dx.doi.org/10.28995/2686-7249-2021-6-65-77.

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The Regional Museum of Messina possesses four fragments of monumental mosaics originating from local churches. Their dating, as suggested in research literature, varies between the second half of the 13th century and the first third of the 14th. А question remains open concerning the roles that the authentic Byzantine and/or local Sicilian masters played in their creation. Messinian mosaic fragments show familiarity with methods of rendering faces which were not crystallized in Byzantine art before the origin of the mosaics in Kariye Camii (1316–1321). In the opinion expressed here, they were

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Borstrock, Shaun. "Craftsmanship: Interview with Kathryn Sargent, master cutter and tailor." Luxury Studies: The In Pursuit of Luxury Journal 2, no. 1 (2023): 87–100. http://dx.doi.org/10.1386/ipol_00021_7.

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As part of the In Pursuit of Luxury podcast series, I have interviewed a number of people in a variety of areas in the luxury sector whose work involves areas ranging from design to business, manufacturing, publishing, sustainability and PR. I have interviewed designers and craftspersons and those who are involved in leadership roles in major corporations. In our pursuit of luxury and now in the eighth season of the In Pursuit of Luxury podcast we continue the debate around luxury. What is luxury? How is it defined? Who defines it? And why define it at all? These questions and more are at the

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Zaytseva, N. G. "Yeast and leaven – craftsmen, blacksmiths? (names of notions in the Vepsian ethnolinguistic space)." Bulletin of Ugric studies 10, no. 4 (2020): 642–51. http://dx.doi.org/10.30624/2220-4156-2020-10-4-642-651.

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Introduction: the article analyzes the Vepsian terms for yeast and leaven. This vocabulary is interesting from the point of view of motifs of nomination, preservation of the Baltic-Finnish etymological heritage, innovative moments and the results of contact phenomena observed both in the direct borrowing of the necessary lexemes into the Vepsian language, and in the semantic and grammatical influence on the group of this vocabulary. Objective: to study a group of vocabulary associated with the names of yeast and leaven, to identify the motifs of nomination, their originality and innovativeness

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Zapletalová, Jana. "Swiss artists in Alpine passes… How artists travelled from the Lombard-Ticino lakes to Central Europe." Quart, no. 2(56) (June 1, 2020): 3–16. https://doi.org/10.19195/quart.2020.2.74545.

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Traveling played an important role in the lives of master artists and craftsmen from the region of the Lombard-Ticino lakes. These masters have been extremely mobile since the Middle Ages and, thanks to their flexibility and mobility, have been able to obtain commissions in many places in Europe and Russia. Travel influenced not only their lives, but also the building and artistic activities and the organization of the work of these masters. The text based on the study of archival documents deals with a wide range of topics related to the migration of these artists and artisans to Central Euro

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Ericsson, Tom. "Vägen till Metropolis." Kulturella Perspektiv – Svensk etnologisk tidskrift 17, no. 3-4 (2008): 68–77. http://dx.doi.org/10.54807/kp.v17.28519.

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From the Middle Ages to the abolition of the guilds in the nineteenth century travelling was central within the European handicrafts. Each person who would become a master artisan had during his formation to learn his profession from other master artisans. Therefore, apprentices and journeymen worked for shorter or longer periods in the workshops of older master artisans either at home or in another European country. This article shows that the traditional educational pattern within the handicrafts continued in Sweden long after the abolition of the guilds and the introduction of the free trad

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Bhorat, Ziyaad. "Automation, Slavery, and Work in Aristotle’s Politics Book I." Polis: The Journal for Ancient Greek and Roman Political Thought 39, no. 2 (2022): 279–302. http://dx.doi.org/10.1163/20512996-12340366.

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Abstract Engaging Aristotle’s broader corpus, this paper offers an exegesis of his counterfactual statement in the Politics regarding self-weaving shuttles and self-playing lyres. It argues that Aristotle imagines and offers his own theory of automation – if by automation we understand the conditions, limits, and consequences of substituting human work with artificial tools capable of acting themselves to complete the relevant task. Because such automated tools are impossible in Aristotle’s time, his political thought is never positively released from its foundational dependence on living tool

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Manyś, Bernadetta. "Uczeń w szeregach rzemieślniczych. System edukacyjny i wychowawczy chłopców w wileńskich cechach w dobie wczesnonowożytnej w świetle statutów cechowych." Biuletyn Historii Wychowania, no. 40 (June 15, 2019): 7–23. http://dx.doi.org/10.14746/bhw.2019.40.1.

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In this paper, I analyse the educational and teaching systems developed for boys joining Vilnius craft workshops. The boys worked (participating in production) and prepared themselves for their future profession. In my paper, I present the educational and teaching paths leading to an apprentice assuming the status of a fellow. It is interesting how the students operated in the structures of the guild workshops and what skills they possessed. The research does not encompass the sons of master craftsmen and out-of-guild craftsmen who would come to Vilnius and attempt to join the craft guilds. Th

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Congcong, Ren. "Making Modern Knowledge of Traditional Carpentry in China and Japan: Myth, Reality and Transmission." HoST - Journal of History of Science and Technology 15, no. 2 (2021): 34–62. http://dx.doi.org/10.2478/host-2021-0012.

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Abstract Carpentry skills were among the most important elements of building practice in premodern China and Japan, and traditional carpentry skills continue in use in both countries to the present day. Although their importance has been greatly marginalised in building practice, in both countries some master carpenters have gained public recognition. This paper compares the modernisation of traditional building knowledge in China and Japan, and the fate of carpentry knowledge as the building industry and the formal discipline of architecture evolved. It distinguishes three phases in this hist

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Mulyanto and Lili Hartono. "Innovation of Batik Textile Works Using Wax Printing Techniques: Insights from Indonesia." ISVS e-journal 12, no. 2 (2025): 13–25. https://doi.org/10.61275/isvsej-2023-12-02-04.

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Batik is a type of decoratively patterned cloth made by applying hot wax to the surface of the cloth with a canting or stamp tool, a process that takes a long time. One batik maker in one week only produces 1 sheet of cloth (115cm x 250cm). Therefore, there is a question as to what is the right technique to speed up the batik production process. This research examines the wax printing technique including the steps for making it, the equipment used, and the preparation of the dough material. Research was conducted at the Dewi Ratih batik business in Sragen, Central Java, Indonesia using qualita

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Khubaeva, L. K. "Vladikavkaz military vocational school (Part 2)." Vestnik of North Ossetian State University, no. 1 (March 25, 2025): 74–80. https://doi.org/10.29025/1994-7720-2025-1-74-80.

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The second part is a continuation of the work published in one of the previous issues on the topic: History of the Vladikavkaz Military Craft School. It continues to examine the history of the school, the opening of a workshop with its subsequent expansion. The workshop expanded by opening new departments in it. The article provides specially developed rules, both for the school as a whole and separately for the workshop, on the basis of which the educational process was carried out. The article also briefly describes the appearance of the uniform manufactured in the school and the methods of

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Manfredi Latilla, Vito, Federico Frattini, Antonio Messeni Petruzzelli, and Martina Berner. "Knowledge management, knowledge transfer and organizational performance in the arts and crafts industry: a literature review." Journal of Knowledge Management 22, no. 6 (2018): 1310–31. http://dx.doi.org/10.1108/jkm-08-2017-0367.

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Purpose This paper aims to provide a comprehensive academic literature review on the relationship between knowledge management, knowledge transfer and organizational performance in a specific subset of the creative industry, i.e. arts and crafts organizations. Furthermore, this paper analyzes how knowledge management and transfer within arts and crafts organizations help increase performance and enhance the value of the activity of the so-called “knowledge workers” (i.e. craftsmen), who are the real knowledge owners in the process of value creation. Design/methodology/approach The literature r

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Tandecki, Janusz. "Migrations of Craftsmen in Polish Lands in the Middle Ages and on the Threshold of Modern Times According to Archival Sources." Res Historica 55 (July 20, 2023): 103–18. http://dx.doi.org/10.17951/rh.2023.55.103-118.

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The oldest, medieval travels of journeymen who searched for work in other cities were initially treated as natural prolongation of their study period. Over time, such migrations became an important way to find a job or higher wage, although the desire to deepen professional skills or meet new people and get acquainted with new places were other important factors. Since the 15th century, the obligation of additional travel might have been treated as a punishment after an unsuccessful attempt to deliver proof of technical competence (the „masterpiece”). It happened also that departing from works

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Sidorenko, V., and L. Sedikova. "Padlock of the Master ’Omar (’Umar) the Syrian Excavated at Mediaeval Cherson." Materials in Archaeology, History and Ethnography of Tauria, no. XXIX (December 27, 2024): 192–208. https://doi.org/10.29039/2413-189x.2024.29.192-208.

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The article discusses Arabic inscriptions on a figured bronze padlock, which was excavated at Chersonese, its chronology and attribution. The first inscription runs along the upper lateral plane of the front door of its body and is a nominal single-member demonstrative sentence, informing the artisan’s personal name, his father’s name (kunya), name by the birthplace (nisba), and nickname (laqab): “This is the creation of Omar (Umar), son of Abu Bakr, of ez-Zabadani, Syrian”. The other two inscriptions are a poetic wish for the future owner of the castle, apositively connected by means of a con

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SULLIVAN, WILLIAM F. ""born to be hanged": What Runaway Apprentice Advertisements Reveal about Connecticut’s Master Craftsmen in the Early Republic." Connecticut History Review 46, no. 1 (2007): 1–15. http://dx.doi.org/10.2307/44369756.

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Sibalis, Michael David. "Parisian Labour During the French Revolution." Historical Papers 21, no. 1 (2006): 11–32. http://dx.doi.org/10.7202/030945ar.

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Abstract Workers in revolutionary Paris did not show the class consciousness nor, with certain exceptions, the organizational skills of the workers' movement after 1830. Nevertheless, an analysis of eighty-five recorded labour disputes proves labour protest to have been a significant form of protest in the capital between 1789 and 1799. Sans-culotte unity has been exaggerated, and wage-earners articulated demands (principally for higher wages) that set them apart from the master-craftsmen and shopkeepers who directed the sans-culotte movement. The response of the authorities to labour unrest w

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CARACAUSI, ANDREA. "A reassessment of the role of guild courts in disputes over apprenticeship contracts: a case study from early modern Italy." Continuity and Change 32, no. 1 (2017): 85–114. http://dx.doi.org/10.1017/s0268416017000029.

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AbstractThis article analyses the mechanisms of conflict resolution in apprenticeship contracts using a large database of disputes from early modern Italy. It finds that the guild court under investigation (the Padua Woollen Guild court) did not enforce training contracts, but rather sought to improve on incomplete contracts by adding clauses, thereby helping individuals renegotiate and redefine the contractual arrangements into which they had decided to enter. However, power relations within the court operated largely in favour of employers, both merchants and master craftsmen. The article co

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Kornblith, Gary J. "The Craftsman as Industrialist: Jonas Chickering and the Transformation of American Piano Making." Business History Review 59, no. 3 (1985): 349–68. http://dx.doi.org/10.2307/3114003.

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Master craftsmen played a critical role in launching the Industrial Revolution in America. In this case study of artisan entrepreneurship, Professor Kornblith analyzes the career of Jonas Chickering (1798–1853), the foremost American piano manufacturer before the emergence of the Steinways. By revolutionizing the way in which pianos were made, Chickering—with the help of others—turned a modest craft operation into a major industrial enterprise. Yet, Kornblith contends, he remained true to the craftsman's goal of artistic excellence and won the respect of his employees as well as of the public

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Kirillova, Ekaterina. "Transitional Age: Artisans of Reims in Early Modern Times." Средние века 85, no. 2 (2024): 109. http://dx.doi.org/10.7868/s0131878024020065.

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Using the statutes of craft and trade corporations in Reims, the author examines the relationship between different ways of assessing a person’s age and the age criteria that determined the transition from apprentice and journeyman to master, workshop owner, teacher, and official in authority. Set by specific numbers and correlated with such characteristics as education, family and financial status, etc., age criteria identified people who were not «adult» enough in the biological and social sense, limiting their access to corporate privileges. Further, it was no longer age, but other criteria

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Nurjoyo, Joko, Hafik Umarul Munir, and Kun Setyaning Astuti. "Charles Sander Pierce Semiotic Analysis of Symbolic Meaning on Kriya Art of Panji Mask Cirebon." International Journal of Multicultural and Multireligious Understanding 9, no. 2 (2022): 177. http://dx.doi.org/10.18415/ijmmu.v9i2.3370.

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The local community in Mandarangan Village in Cirebon is located in the Kasepuhan palace area, which is often known as a cultural heritage of its ancestors, and so that many master craftsmen including craftsmen of Panji mask are born. The art of Panji mask craft has some interesting symbols to study. The art of Indonesian Panji Cirebon masks in the village of Slangit has many varieties of meanings in the form of visualization, which brings various interpretations to mask art lovers. This study aims to determine the symbolic meaning contained in the Cirebon style Panji mask using the semiotic a

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Simanjuntak, Mardohar Batu Bornok. "Nishida Kitaro’s Expressive Activity in Katana Sword Making as a Way to Achieve Pure Experience." Dekonstruksi 9, no. 04 (2023): 111–16. http://dx.doi.org/10.54154/dekonstruksi.v9i04.197.

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Western craft and craftmanship have long been taken as complementary or even supplementary – in contrast with high art and artistic explorations. This pejorative approach is quite common from western industrial perspective. An artisan’s work is then taken less seriously than an artist’s oeuvre d’art. Contrary to this, Asian countries have long recognised the mastery of these master craftsmen and gave no different treatment to artists and artisans. This paper examines the concept of expressive activity from Japanese philosopher Nishida Kitaro in his essay “Expressive Activity” written in 1925.

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Pylypchuk, Sviatoslav. "IVAN FRANKO’S SHORT STORY “AT THE WOODSHOP”: THE FOLKLORE CONTEXT." Слово і Час, no. 6 (December 21, 2024): 11–28. https://doi.org/10.33608/0236-1477.2024.06.11-28.

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In the short story “At the Woodshop,” while outlining the trials a village boy faces in adapting to the urban environment, Ivan Franko added a remarkable layer of oral lore. He employed the songs and narratives popular among the Drohobych craftsmen to explicate how the schoolboy from Nahuievychi village came to understand his surroundings and got accustomed to the city life. The writer revealed numerous common features and a significant number of variations between the folklore of Nahuievychi and Drohobych. He particularly noted the active circulation of craftsmen’s narratives, known as ‘works

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