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Journal articles on the topic 'Masterpiece classics'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Kinsella, Thomas, and David H. Wright. "The Vatican Vergil: A Masterpiece of Late Antique Art." Classical World 89, no. 6 (1996): 497. http://dx.doi.org/10.2307/4351863.

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2

D. A. Saunders. "The Derveni Krater: Masterpiece of Classical Greek Metalwork (review)." Classical World 103, no. 2 (2010): 266–67. http://dx.doi.org/10.1353/clw.0.0166.

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3

Cheremisinov, Georgy A. "A century of J. M. Keynes’ macroeconomic masterpiece." Izvestiya of Saratov University. New Series. Series Economics. Management. Law 21, no. 1 (2021): 4–17. http://dx.doi.org/10.18500/1994-2540-2021-21-1-4-17.

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. Introduction. In this article, the point of view that recognizes J. M. Keynes’ book “The Economic Consequences of Peace” as his best work, dedicated to the results of the Versailles Peace Conference and published in December 1919, is substantiated. The uniqueness of this publication is due to the author’s participation in the negotiation process, expressing a personal position of protest against the content of the Versailles Peace Treaty and the destructive consequences of its implementation. Scientific review. The experience of macroeconomic research of the European economy transformations

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MacDonald, Carolyn. "Take-Away Art: Ekphrasis and Appropriation in Martial's Apophoreta 170–82." Classical Antiquity 36, no. 2 (2017): 288–316. http://dx.doi.org/10.1525/ca.2017.36.2.288.

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This paper examines the cultural antagonisms of Martial's Apophoreta 170–82, a unique series of epigrammatic gift-tags for artworks to be given away during the Saturnalia. In these poems, I argue, Martial thematizes and enacts Rome's transformative appropriation of cultural capital from Greece and elsewhere. First, he adopts the Hellenistic trope of the ekphrastic gallery tour in order to evoke the “museum spaces” of the Flavian city, where artworks became testaments to the power and culture of Rome (Section 1). While evoking these masterpiece collections, however, the epigrams in fact describ

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Cousins, Eleri H. "An Imperial Image: The Bath Gorgon in Context." Britannia 47 (June 2, 2016): 99–118. http://dx.doi.org/10.1017/s0068113x16000131.

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ABSTRACTThis paper attempts to put the Gorgon from the pediment of the Temple of Sulis Minerva at Bath into a wider provincial context, by arguing for links between the Gorgon and first- and early second-century imitations in Gaul and Spain of the iconography of the Forum of Augustus in Rome. These imitations, part of what might be called a ‘visual language of empire’, served to connect the urban spaces of the provinces to Rome; by linking the Gorgon to this trend and setting aside interpretations of the Gorgon which have focused on his perceived status as a ‘Romano-Celtic’ masterpiece, we can

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Radzyukevich, Andrey, and Gennadi Grigorenko. "Mathematical aspects of architectural design logic of Roman Pantheon." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 14, no. 1 (2020): 226–45. http://dx.doi.org/10.25205/1995-4328-2020-14-1-226-245.

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The paper tests the methodology of architectural and ethnographic research of the object of material culture-a masterpiece of world architecture of the Roman Pantheon. The method involves performing the proportional-metrological analysis of the forms using the results of three-dimensional laser scanning. The sequence of actions allowing receiving extremely reliable dimensional drawings of necessary elements of an architectural monument is presented. The analysis suggests that the design metrological module of the Pantheon was a Roman foot of 0.445 m. A detailed analysis of the size of the rotu

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7

Dillon, John. "A Platonist Ars Amatoria." Classical Quarterly 44, no. 2 (1994): 387–92. http://dx.doi.org/10.1017/s0009838800043846.

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The concept of an ‘art of love’ has been popularised for all time by the naughty masterpiece of Ovid. A good deal of critical attention has been devoted to this work in recent times, including some to his possible sources, but under this latter rubric attention has chiefly been directed rather to his parody of more serious types of handbook, such as an ars medica, an ars grammatica, or an ars rhetorica, than to the possibility of his having predecessors in the actual ‘art’ of love.

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8

Lada-Richards, Ismene. "On Taking our Sources Seriously: Servius and the Theatrical Life of Vergil's Eclogues." Classical Antiquity 38, no. 1 (2019): 91–140. http://dx.doi.org/10.1525/ca.2019.38.1.91.

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This article revisits a famous staple of the Vergilian tradition, Servius's heavily contested scholion on the actress Volumnia Cytheris's theatrical rendition of Vergil's sixth Eclogue. By shifting the focus of inquiry from the strictly historical question ‘did it happen?’ it cuts through, identifies and disentangles a nexus of prejudices which have led to the devaluing of Servius's information. The sidelining or dismissal of this piece of evidence, I argue, has more to teach us about our own culturally entrenched and discipline-inherited assumptions than about what could have happened in late

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9

Kemple, Thomas. "The spatial sense of empire: Encountering strangers with Simmel, Tocqueville and Martineau." Journal of Classical Sociology 11, no. 4 (2011): 340–55. http://dx.doi.org/10.1177/1468795x11415149.

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This essay takes Georg Simmel’s conceptualization of space as a form of sociation ( Vergesellschaftung) in his 1908 masterpiece, Sociology, as a framework for critically re-reading two ninteetnth-century classics in the sociology of empire. Alexis de Tocqueville’s Democracy in America (1835/1940) is shown to illustrate Simmel’s understanding of social-spatial boundaries by portraying the cultural and historical geography of America as an ‘optic space’ of racial (in)equality. Similarly, Harriett Martineau’s study of morals and manners in Society in America (1837) exemplifies Simmel’s ideas on s

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10

La Bua, Giuseppe. "LATE CICERONIAN SCHOLARSHIP AND VIRGILIAN EXEGESIS: SERVIUS AND PS.-ASCONIUS." Classical Quarterly 68, no. 2 (2018): 667–80. http://dx.doi.org/10.1017/s0009838818000551.

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Late Antiquity witnessed intense scholarly activity on Virgil's poems. Aelius Donatus’ commentary, the twelve-bookInterpretationes Vergilianaecomposed by the fourth-century or fifth-century rhetorician Tiberius Claudius Donatus and other sets of scholia testify to the richness of late ‘Virgilian literature’. Servius’ full-scale commentary on Virgil's poetry (early fifth century) marked a watershed in the history of the reception of Virgil and in Latin criticism in general. Primarily ‘the instrument of a teacher’, Servius’ commentary was intended to teach students and readers to read and write

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11

Egorova, Sophia K. "A Paradise for Venus." Philologia Classica 15, no. 2 (2020): 277–91. http://dx.doi.org/10.21638/spbu20.2020.207.

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Though the buying pieces of the Classic and Italian art of the Petrine time seemed to lack strategy, one can perceive some tendencies that show an aim to create what the German call Antikensammlung, a collection of Classic art kept at the royal court and organized under museum principles. One of plausible proves of this activity is an unfulfilled project made by Iuriy Kologrivov, who was busy buying pieces of art for the Imperial compilation in Rome. Having acquired some education as an architect, he proposed to Peter the Great an extant draft of the Venus’ Gallery meant to adorn his residence

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Remchukova, Elena N., and Ekaterina M. Nedopekina. "Difficulties in translating Russian classics: Pushkin’s novel “Eugene Onegin” in English and French." Russian Journal of Linguistics 24, no. 4 (2020): 945–68. http://dx.doi.org/10.22363/2687-0088-2020-24-4-945-968.

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A translator of classical literature is faced with the task of identifying the goal and methods of conveying the national originality of a generally recognized literary masterpiece. The article considers this problem in the context of translations of the novel in verse Eugene Onegin by Alexander Pushkin into English and French. At the same time, it raises the questions of the translators attitude to their own work, the depth of interpretation of the original, the degree of adaptation of the original text for a foreign reader. In addition, a matter of great importance is the translators assessm

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Fischer, Peter M., Patrik Klingborg, Fanny Kärfve, et al. "The New Swedish Cyprus Expedition 2010. Excavations at Dromolaxia Vizatzia/Hala Sultan Tekke. Preliminary results." Opuscula. Annual of the Swedish Institutes at Athens and Rome 4 (November 2011): 69–98. http://dx.doi.org/10.30549/opathrom-04-04.

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Determination of the complete occupational sequence of the site, including investigation of pre-12th century levels which were thoroughly studied by P. Åström since the 1970s, is the main task of the planned project. During the course of the expedition (NSCE11) in spring 2010 a ground-penetrating radar survey (GPR) was carried out at Dromolaxia Vizatzia/Hala Sultan Tekke in Area 6, leading to the discovery of a large Late Cypriote complex. The compound is bordered to the north by a substantial wall, against which nine rooms (so far) could be exposed. Two occupational phases have been verified

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14

Harrison, S. J. "The Praise Singer: Horace Censorinus and Odes 4. 8." Journal of Roman Studies 80 (November 1990): 31–43. http://dx.doi.org/10.2307/300279.

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The criticism of the eighth ode of Horace's fourth book has been bedevilled by three major uncertainties: probable interpolation in its text, confusion about the identity of its addressee, and doubt as to its literary quality.1 These issues will form the central concerns of this discussion. Earlier critics have been consistently scathing in their view of Odes. 4. 8: some editors have even gone so far as to deny Horatian authorship,2 many have made dismissive judgements, following the verdict of Wilamowitz (‘really very bad’), and a recent commentator has classed 4. 8 as ‘the least lyrical of t

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15

Bockareva, Ol'ga. "The interpretation of classical music in Polish and Russian animation as a basis for creative dialogue." Muzikologija, no. 21 (2016): 175–84. http://dx.doi.org/10.2298/muz1621175b.

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Animated musical film, lying at the intersection of the two creative worlds and representing a dialogue between the musician and painter, is a living process of the visual interpretation of the artistic image of a musical work. A dialogue between the director of an animated film and the composer of a musical masterpiece can take place only if there is intonational (term used according to B. Asaf?ev?s writing) ?equalization? of the artistic and validation determinants of merger-related, personal, emotional states. The author emphasizes that within the artistic image of an animated film, the inn

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16

Cadogan, Gerald. "Nicolas Coldstream (1927–2008)." Annual of the British School at Athens 104 (November 2009): 1–8. http://dx.doi.org/10.1017/s0068245400000174.

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Nicolas Coldstream, archaeologist of Greece and the Mediterranean in the 9th and 8th centuries bc, was born in India, educated in England, and carried out the research for his first masterpiece Greek Geometric Pottery (1968) while Macmillan Student at the British School at Athens (1957–60). In 1960 he began a long career at the University of London, culminating with the Yates Chair of Classical Archaeology at University College. Renowned as a teacher, he drew many graduate students, especially from Greece and Cyprus. As a prolific scholar, he also wrote Geometric Greece (1977), many articles,

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Cheremisova, Irina V. "Semantics of Musical Text as a Key Condition for Development of Secondary Musical Personality." SHS Web of Conferences 69 (2019): 00028. http://dx.doi.org/10.1051/shsconf/20196900028.

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From the standpoint of the aesthetic and semiotic approach music is understood as a complex psychosemantic text. Theoretical analysis of studies of the psychological connection between music and speech allowed to develop the concept of secondary musical personality as a sort of secondary linguistic personality. The author has developed a musical-semantic pattern of development of secondary musical personality in the educational process. This theoretical pattern is a system of interrelated conditions and factors of development of secondary musical personality. The author determines complexity,

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18

Avitzur, Orly. "Neurology Debuts in Masterpiece Classicʼs ‘Downton Abbey’". Neurology Today 13, № 4 (2013): 20–21. http://dx.doi.org/10.1097/01.nt.0000427573.64426.fe.

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19

Vickers, Michael. "(B.) Barr-Sharrar The Derveni Krater: Masterpiece of Classical Greek Metalwork (Ancient Art and Architecture in Context 1). Princeton: American School of Classical Studies, 2008. Pp. 255, illus. £45. 978087-6619629." Journal of Hellenic Studies 130 (November 2010): 267–68. http://dx.doi.org/10.1017/s0075426910000820.

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20

Penney, J. H. W. "A Philological Masterpiece - (D.) Langslow (ed.) Jacob Wackernagel. Lectures on Syntax. With Special Reference to Greek, Latin, and Germanic. Pp. xxii + 982. Oxford: Oxford University Press, 2009. Cased, £150, US$250. ISBN: 978-0-19-815302-3." Classical Review 61, no. 1 (2011): 4–5. http://dx.doi.org/10.1017/s0009840x10001630.

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21

Kestner, Joseph A. "VICTORIAN ART HISTORY: RAP 2 UNWRAPPED." Victorian Literature and Culture 29, no. 1 (2001): 149–58. http://dx.doi.org/10.1017/s1060150301291098.

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AT THE END OF THE TWENTIETH CENTURY, Victorian painting experienced at least one mass media event, so far as circulation is concerned — the appearance of Frederic Leighton’s The Bath of Psyche (1890) on the wall of the drug kingpin in Paul Thomas Anderson’s notorious film Boogie Nights of 1997. As a ferocious deal is going awry, over the desperate dealers looms one of the masterpieces of the Victorian High Renaissance, a commentary through the cool classicism of the late Victorians about the corresponding fin-de-siècle of the lately finished century. It is a stunning moment — perhaps recognize

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22

Masséglia, Jane. "(M.) Hamiaux, (L.) Laugier and (J.-L.) Martinez Eds The Winged Victory of Samothrace: Rediscovering a Masterpiece. Paris: Musée du Louvre and Somogy, 2015. Pp. 197. €35. 9782350315010." Journal of Hellenic Studies 136 (2016): 277. http://dx.doi.org/10.1017/s0075426916000872.

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23

Ishwarrao, Pallavi Taru, and DR Rajpalsingh Chikhlikar. "Godan, The Film: What It Replicates and What It Hides." IJOHMN (International Journal online of Humanities) 5, no. 4 (2019): 71–76. http://dx.doi.org/10.24113/ijohmn.v5i4.107.

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The present research paper compares the novel Godan by Munshi Premchand written in 1936 in pre independence era and the film directed by Trilok Jetly in 1962 in post independence era. It simply underlines the scene, plot, persons and events etc. the cinema replicates or hides. Literature and cinema seems to have one similar motif or seems to work on the similar ground that is to reflect society. Literature doesn’t lie but “not mentioning something” or “saying it in different way” also ruins history. Generally we consider literature as a piece of history and what is written in it, we take it as

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Ward, Marchella. "(A.) Hinds (trans.) Euripides’ Iphigenia in Aulis. Two versions of Euripides’ masterpiece. With Martine Cuypers. Pp. 187. London: Oberon Books, 2017. Paper, £14.99. ISBN: 978-1-78682-135-5. - (A.) Hinds (trans.) Aeschylus’ The Oresteia. With Martine Cuypers. Pp. 238. London: Oberon Books, 2017. Paper, £14.99. ISBN: 978-1-78682-133-1." Classical Review 69, no. 2 (2019): 673–75. http://dx.doi.org/10.1017/s0009840x19000817.

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Vermoortel, Philip. "Multatuli in Zombieland." Werkwinkel 12, no. 2 (2017): 103–18. http://dx.doi.org/10.1515/werk-2017-0015.

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Abstract In 1860, the Dutch author Multatuli (pen name of Eduard Douwes Dekker) published Max Havelaar, which was to become the most famous nineteenth-century Dutch novel. In 2016, the book was rewritten by Martijn Adelmund as a book in which also zombies play a role. By doing so, Adelmund follows a fifteen-year-old American literary tradition to rewrite literary masterpieces as zombie books. Since Max Havelaar neither contains many characters nor descriptions of Indonesian nature and has a rather simple plot, Adelmund decided to mix the book with another nineteenth-century Dutch literary mast

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Bergmann, Bettina. "Greek Masterpieces and Roman Recreative Fictions." Harvard Studies in Classical Philology 97 (1995): 79. http://dx.doi.org/10.2307/311302.

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邹, 培培. "Introduction to Remake of Classic Masterpiece and Classic Chinese Literature for the College Students to Learn." Chinese Traditional Culture 02, no. 03 (2014): 55–60. http://dx.doi.org/10.12677/cnc.2014.23009.

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Buckley, Claire. "Masterpieces of Classical Art2010284Dyfri Williams. Masterpieces of Classical Art. London: The British Museum Press 2009. 360 pp., ISBN: 978 0 71412254 0 £19.99." Reference Reviews 24, no. 6 (2010): 42–43. http://dx.doi.org/10.1108/09504121011067256.

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Dillon, Roberto. "Videogames and Art: Comparing Emotional Feedback from Digital and Classic Masterpieces." IOSR Journal of Humanities and Social Science 21, no. 07 (2016): 79–85. http://dx.doi.org/10.9790/0837-2107087985.

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mangino, marcela baruch. "Martíín Fierro: A Uruguayan Classic." Gastronomica 8, no. 4 (2008): 83–86. http://dx.doi.org/10.1525/gfc.2008.8.4.83.

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The popular Uruguayan dessert, Martíín Fierro, takes its name from the famous hero of Argentine writer Joséé Hernandez's epic poem. The poem is regarded as a masterpiece of the gauchesque genre and a symbol of Argentine (and Uruguayan) identity. Hernáández's past as politician, poet and writer is explored in relation to his work, in particular, the epic poem, Martíín Fierro and The Return of Martíín Fierro. The Martíín Fierro dessert evolved from Hernandez's preference for a popular Argentinean dessert of cheese and sweet potato called "Vigilante" to the Uruguayan version of cheese with quince

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Щелкунова and Svetlana Shchelkunova. "Studying Anton Chekhov’s Story “The Student” in the Context of the Gospel Storyline." Profession-Oriented School 4, no. 1 (2016): 27–32. http://dx.doi.org/10.12737/18349.

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The paper introduces the concept of studying the Russian literature masterpieces in the context of Gospel storylines and parables in order to reveal spiritual meanings and unique poetics of classic examples of the great works of literature.

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Hodne, Lasse. "WINCKELMANN’S APOLLO AND THE PHYSIOGNOMY OF RACE." Nordic Journal of Aesthetics 29, no. 59 (2020): 6–35. http://dx.doi.org/10.7146/nja.v29i59.120469.

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The taste for classical art that induced museums in the West to acquire masterpieces from ancient Greece and Rome for their collections was stimulated largely by the writings of Johann Joachim Winckelmann. In the past decade, a number of articles have claimed that Winckelmann’s glorification of marble statues representing the white, male body promotes notions of white supremacy. The present article challenges this view by examining theories prevalent in the eighteenth century (especially climate theory) that affected Winckelmann’s views on race. Through an examination of different types of cla

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Fleming, Beth. "Discovering Masterpieces of Classical Music: Documentary and Concert (review)." Notes 69, no. 1 (2012): 142–43. http://dx.doi.org/10.1353/not.2012.0100.

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Johnson, Robert. "Bronislava Nijinska and the Spirit of Modernism." Experiment 17, no. 1 (2011): 264–90. http://dx.doi.org/10.1163/221173011x611950.

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Abstract No one should make judgments about ballets that no longer exist. Choreographer Bronislava Nijinska's surviving masterpieces offer sufficient proof of a a brilliant and varied imagination, inspired by her classical training; by the example of her brother, Vaslav Nijinsky; and by contemporary developments in the visual arts.

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Purnamasari, Elisa. "The Introduction of Classic Batik Motif to the Community Through Game." SISFORMA 4, no. 1 (2017): 31. http://dx.doi.org/10.24167/sisforma.v4i1.1039.

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Batik is a wealth of Indonesian nation that became a cultural heritage and has been registered in the Representative of the Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2009 [1]. The appearance of a variety of batik would be a pleasure for batik lovers so often used as clothing, furniture, or other equipment in everyday life.But the lack of knowledge of meaning and philosophy in batik itself so that batik is often being used indiscriminately without knowing the intentions contained in the batik itself and being a mistake in its use [2], especially classic batik is a

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Willson, Flora. "Classic staging: Pauline Viardot and the 1859 Orphée revival." Cambridge Opera Journal 22, no. 3 (2010): 301–26. http://dx.doi.org/10.1017/s0954586711000267.

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AbstractThe 1859 revival of Gluck's Orphée, reworked for the occasion by Berlioz, was one of a series of operatic résurrections staged at the Théâtre-Lyrique in Paris during the Second Empire. Starring Pauline Viardot (1821–1910) in the title role, it was the first major revival of Gluck's opera since the 1820s and attracted considerable attention in the press and elsewhere. Critics and others were fascinated by Viardot's dramatic presence on stage, producing images (both in pictures and words) of her Orpheus that are often striking in their awareness of time past. Indeed, ambivalence about th

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Blom, Jan Dirk. "Hallucinations and Illusions by Edmund Parish: the unlikely genesis and curious fate of a forgotten masterpiece." History of Psychiatry 31, no. 4 (2020): 405–20. http://dx.doi.org/10.1177/0957154x20929645.

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In 1894, the German scholar Edmund Parish published his classic work Über die Trugwahrnehmung, with an expanded English edition called Hallucinations and Illusions appearing in 1897. Both versions won critical acclaim from celebrities such as Joseph Jastrow and William James, although, curiously, few others seemed to have noticed the book. After two more publications, Parish inexplicably stopped publishing. During the century that followed, it seemed as if neither he nor his work had ever existed. Now that scholars have finally started to appreciate the book, the present paper seeks to answer

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Jaspers, Martijn. "The Neue Nationalgalerie: the Refurbishment of a Modern Monument." Heritage of Mies, no. 56 (2017): 78–85. http://dx.doi.org/10.52200/56.a.zqn4morp.

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After 46 years of continuous use, Mies van der Rohe's Neue Nationalgalerie in Berlin closed its doors to start works on its refurbishment. Being a masterpiece of the second half of the 20th century, conventional standards in terms of dealing with high-level heritage must be adhered to. The quality of this refurbishment can be found in the project’s holistic approach. Not only by taking into account the visual integrity but also by paying attention to its physical substance, time-bound and classical elements, the added value of the project is created.

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Hilma, Rila. "French in Culinary World." Humaniora 2, no. 2 (2011): 1396. http://dx.doi.org/10.21512/humaniora.v2i2.3206.

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More than million foods have been made by people from all over the world in the latest years. People now try to create new cooks and make some creativity on it. Then, cooking which the field is culinary has become an art because it needs an artistic value to decorate the food, a good taste and proper technique in processing delicious food in order to make it a masterpiece. French culinary is as famous as the Eiffel tower in the heart of the country, Paris. Most of fine dining international restaurants apply the French menu and cooking. This article presents an overview about the French element

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Susiyanto, Susiyanto. "PENGAJARAN AKHLAK BERBASIS NASKAH SASTRA WULANG." Al-Fikri: Jurnal Studi dan Penelitian Pendidikan Islam 1, no. 1 (2018): 72. http://dx.doi.org/10.30659/jspi.v1i1.2423.

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Sastra Wulang is a Javanist literature masterpiece that consists of advices and various discussion related to ethics. Classical text is an essential heritage for Javanist society character development. As in this javanist poet masterpiece, It puts a good character as an underlined case.Sastra Wulang often discusses the values that become javanest people believe, especially related to morality. Those values generally come from Islam, however, it is translated in order to be matched with the local context. With this method, thus the concepts taken from a religion would be more familiar and becom

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Goldstein, Laurence. "Wittgenstein's Ph.D Viva—A Re-Creation." Philosophy 74, no. 4 (1999): 499–513. http://dx.doi.org/10.1017/s0031819199000649.

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Wittgenstein's Ph.D. viva, held in June 1929, was a charade, for the dissertation presented by Wittgenstein was his Tractatus Logico-Philosophicus which had achieved the status of a classic in the seven years since its publication and was widely acclaimed as a masterpiece. The viva was treated by all participants as something of a joke, and the doctorate was duly awarded. But suppose that the viva had been properly conducted, and Wittgenstein had been subjected to searching criticism of the content of his dissertation, and the examiners had looked carefully at the question of how original were

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Wright, Thomas A., John Hollwitz, Richard W. Stackman, Arthur S. De Groat, Sally A. Baack, and Jeffrey P. Shay. "40 Years (and Counting): Steve Kerr Reflections on the “Folly”." Journal of Management Inquiry 27, no. 3 (2017): 309–15. http://dx.doi.org/10.1177/1056492617712664.

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It has been more than 40 years since Steve Kerr first noted that organizations invariably violate a fundamental law of social nature by rewarding the very behaviors which they are supposedly trying to discourage, while failing to reward the behaviors they desire to reinforce. But it is simply more than a faulty reward system that has allowed these malfunctions to continue. In an engaging and thought-provoking interview reflection (and extension) on his classic management masterpiece and more, Steve Kerr provides his insights on both why the “Folly” remains as prevalent today and, equally relev

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Trubnikоva, Liudmyla. "AN EVOLUTION OF MIMIC LOOK AT FINE ART." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 161–69. http://dx.doi.org/10.33838/naoma.28.2019.161-169.

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This article explore and analyses conformity to natural laws of individual interpretations of human emotions on a masterpieces of European artists from Antic age to early Modernism, also in Ukrainian painting (for instance, creative works of Olexander Murashko), The following examples are setting peculairities of creative positions of every author which reflected unusual mimic grimaces of his heroues in pickturesque portraits (especially at works of Antonello da Messina, Ercole de Roberti, Leonardo da Vinci, Frans Hals, Rembrandt Hannenszoon van Rijn, Mihaly Munkacsy, Ilya Repin, Edward Munk,

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Topolska, Ewelina. "Psychoeducation and Philosophy in a Literature Class – the Case of "Five Hours with Mario" by Miguel Delibes." Politeja 16, no. 3(60) (2020): 51–65. http://dx.doi.org/10.12797/politeja.16.2019.60.04.

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The paper presents a novel approach towards the analysis of a classic Spanish 20th century novel, Five Hours with Mario by Miguel Delibes. The author of the paper proposes two interpretative frameworks, of which The Moral Foundations Theory developed recently by Jonathan Haidt is the main one, and Karl Popper’s concept of the open and closed society, a complementary one. The interdisciplinary reading of Delibes’ masterpiece should help students and scholars revive and update their relationship to this worthwhile piece of fiction, as well as provide them with theoretical tools for an in-depth u

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İlknur, Sertdemir. "Book of Changes: Cosmological and Anthropological Metaphors in Chinese Philosophy." Academicus International Scientific Journal 24 (July 2021): 214–25. http://dx.doi.org/10.7336/academicus.2021.24.14.

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Ancient Chinese history holds a quality which has syncretized traditional thought with its cultural wealth unified of mystical and mythological figures in the background. Such that classical documents, which had begun to be written before Common Era, has directly influenced the political regime, education system and status of society in China. One of the most prominent features of these works is to propound collective knowledge about perception of cosmology, attitudes to earthiness, community standards, policy and morality. Among Five Classics works of these masterpieces of Chinese philosophy,

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MacPhail, Eric. "Jean Bodin and the Praise of Superstition." Rhetorica 36, no. 1 (2018): 24–38. http://dx.doi.org/10.1525/rh.2018.36.1.24.

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This essay situates the political thought of the French Renaissance prose writer Jean Bodin within the dual tradition of political theory and epideictic rhetoric. Bodin's pragmatic reappraisal of superstition, as a bulwark against atheism and anarchy, represents a sort of convergence of paradoxical encomium and political realism in the service of religious pluralism and pacification of civil war. When juxtaposed with his more famous predecessor Niccolò Machiavelli and more renowned contemporary Michel de Montaigne, Bodin's treatment of superstition, both in his vernacular masterpiece Les six l

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Cassella, Antonio. "Re-directing Climate Change and Terrorism by Allying Classical with Quantum Neural Computing." International Journal of Social Science Studies 5, no. 6 (2017): 94. http://dx.doi.org/10.11114/ijsss.v5i6.2439.

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Before the turn of the 21st century, terrorism and climate change may cause the breakdown of civilization. The cause of this advancing upheaval is the disparity between scientific ascent and social descent. This paper explores the social values hidden in sacred texts and artistic masterpieces through a debatable view of an impaired capacity for renewing familiar reality in Autism Spectrum Disorder (ASD), as well as an impaired ability to preserve shared beliefs in Schizophrenia Spectrum Disorders (SSD). The author posits that we will overcome the challenges unleashed by fundamentalism and glob

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Bazaieva, M. "THE INFLUENCE OF ANTIQUITY ON THE VIEWS FORMATION AND ACTIVITY OF THOMAS JEFFERSON." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 139 (2018): 10–14. http://dx.doi.org/10.17721/1728-2640.2018.139.01.

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The article is dedicated to the influence of antiquity on the formation of Thomas Jefferson’s system of philosophical, political, scientific and artistic views. Specificity of philosophical and cultural space of Europe and North America is considered, as well as conditions of education and personal development of Thomas Jefferson. Thomas Jefferson’s works are analyzed, direct citations and references to antique philosophers and writers are noted, likewise political ideas of Thomas Jefferson, that are grounded on antique history. Tendency to identification antique history, philosophy and litera

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Sarno, Megan. "Reflection, Representation, Religion: André Caplet’s Le Miroir de Jésus." 19th-Century Music 44, no. 1 (2020): 36–58. http://dx.doi.org/10.1525/ncm.2020.44.1.36.

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André Caplet’s Le Miroir de Jésus (1923), a song cycle scored for mezzo soprano soloist, women’s choir, string quartet, and two harps, has a lush sound world and dramatic vocal declamation, and it was immediately recognized as a masterpiece by the Parisian musical press. The work’s religious topic—mysteries of the rosary—has long been taken as the unambiguous sign that the piece and its composer were unapologetically Catholic, like the author of the poems, the convert Henri Ghéon. In the context of a secular French nation, unambiguous Catholicism can easily signal reactionary politics. Moreove

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Liu, Chao Peng. "Research on Web Application Technology for Building a Chinese-French Parallel Corpus of the Four Great Chinese Classical Novels." Applied Mechanics and Materials 473 (December 2013): 206–10. http://dx.doi.org/10.4028/www.scientific.net/amm.473.206.

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As masterpieces in Chinese classical literature, the Four Great Chinese Classical Novels with their multilingual translations have exerted a profound influence in literature and translation studies both home and abroad. Building a Chinese-French bilingual parallel corpus of the Four Great Chinese Classical Novels is believed to facilitate large-scale investigations into the original Chinese text and their French translations in terms of stylistics, diction, culture and translation techniques. In this paper, we introduced the French translations of the four novels and illustrated the process of

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