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Journal articles on the topic 'Material and cultural'

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1

Mintz, Sidney. "Material Culture, Cultural Material." Diogenes 47, no. 188 (1999): 16–21. http://dx.doi.org/10.1177/039219219904718802.

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2

Eastaugh, Nicholas, Janet Lang, and Andrew Middleton. "Radiography of Cultural Material." Studies in Conservation 45, no. 2 (2000): 141. http://dx.doi.org/10.2307/1506673.

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3

Arizaga Castro, Álvaro R., Pastor Fábrega Álvarez, Xurxo M. Ayán Vila, and Anxo Rodríguez Paz. "A apropiación simbólica da cultura material castrexa na paisaxe cultural dos Chaos de Amoeiro (Ourense, Galicia)." Cuadernos de Estudios Gallegos 53, no. 119 (2006): 87–129. http://dx.doi.org/10.3989/ceg.2006.v53.i119.4.

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4

Trushaj, Aleks. "Vanished civilisation hidden treasure theories analysis." Interdisciplinary Cultural and Humanities Review 2, no. 3 (2023): 25–33. http://dx.doi.org/10.59214/cultural/3.2023.25.

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The research relevance is determined by the substantial potential of the scientific search for information and sources on the life of the Scythians. Since the 18th century, researchers have thoroughly begun to approach the excavation of Scythian mounds in search of legendary treasures. Periodic finds with significant accompanying material memos provide more and more reasons to assert that the Scythian Herrhos, about which Herodotus wrote, really existed, but its location is still a mystery. This study presents the main versions and theories about the hidden treasures of the vanished Scythian c
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5

Trushaj, Aleks. "Vanished civilisation hidden treasure theories analysis." Interdisciplinary Cultural and Humanities Review 3, no. 1 (2024): 25–33. http://dx.doi.org/10.59214/cultural/1.2024.25.

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The research relevance is determined by the substantial potential of the scientific search for information and sources on the life of the Scythians. Since the 18th century, researchers have thoroughly begun to approach the excavation of Scythian mounds in search of legendary treasures. Periodic finds with significant accompanying material memos provide more and more reasons to assert that the Scythian Herrhos, about which Herodotus wrote, really existed, but its location is still a mystery. This study presents the main versions and theories about the hidden treasures of the vanished Scythian c
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6

Porpora, Douglas V. "Cultural Rules and Material Relations." Sociological Theory 11, no. 2 (1993): 212. http://dx.doi.org/10.2307/202143.

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7

Tëmkin, Ilya, and Niles Eldredge. "Phylogenetics and Material Cultural Evolution." Current Anthropology 48, no. 1 (2007): 146–54. http://dx.doi.org/10.1086/510463.

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8

Grassby, Richard. "Material Culture and Cultural History." Journal of Interdisciplinary History 35, no. 4 (2005): 591–603. http://dx.doi.org/10.1162/0022195043327426.

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Whereas literary and cultural historians are interested in how early modern English culture was represented and perceived, historians of material culture are concerned with how it functioned and was experienced. Much can be learned from the study of the physical artifacts and goods described in inventories; only hard evidence can challenge and constrain economic and cultural determinism. The empirical evidence, however, has its own limitations, and only cultural theory can interpret the symbolic meaning of things. The effectiveness of each method increases when both are combined.
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9

De Ávila, Cristiane Bartz, Angela Mara Bento Ribeiro, and Maria de Fátima Bento Ribeiro. "Patrimônio Cultural e Políticas Culturais." RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade 1, no. 02 (2015): 255. http://dx.doi.org/10.23899/relacult.v1i02.58.

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O presente trabalho tem por objetivo analisar como as políticas culturais relacionadas aos estudos sobre o Patrimônio Cultural Imaterial tem se desenvolvido ao longo destes últimos anos. Sabemos que as primeiras iniciativas de preservação do patrimônio estavam atreladas ao patrimônio material, o qual denominamos “pedra e cal”. A partir de discussões sobre a valorização de culturas dos grupos denominados “minorias”[1], há uma preocupação com o patrimônio imaterial, tais como danças e saberes-fazeres.[1] Sobre o uso do termo “minoritários”, ver Appadurai (2009).
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10

MICHLOVIC, MICHAEL G. "Ethnographies of Archaeological Practice: Cultural Encounters, Material Transformations:Ethnographies of Archaeological Practice: Cultural Encounters, Material Transformations." American Anthropologist 109, no. 2 (2007): 373–74. http://dx.doi.org/10.1525/aa.2007.109.2.373.

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11

Hu, Hao, Xiaoxiao Cao, Tao Zhang, Zhenfu Chen, and Jinliang Xie. "Three-Dimensional Printing Materials for Cultural Innovation Products of Historical Buildings." Buildings 12, no. 5 (2022): 624. http://dx.doi.org/10.3390/buildings12050624.

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Innovation products from historical cultural architectural have widely adopted 3D printing technology in recent years. To study the applicability of existing 3D printing materials, it is necessary to analyze the performance indicators of 3D printing materials and carry out material science experiments. Step 1: the material performance index composition of cultural innovation products was derived by integrating the literature of cultural heritage, product design, quality system, and material science. Step 2: The columns of Chengs’ Miyake in Huizhou were taken as the creative source. Its geometr
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12

Alves, Elder Patrick Maia. "Diversidade cultural, patrimônio cultural material e cultura popular: a Unesco e a construção de um universalismo global." Sociedade e Estado 25, no. 3 (2010): 539–60. http://dx.doi.org/10.1590/s0102-69922010000300007.

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Este artigo procura situar o advento e a operacionalização de uma formação discursiva responsável pela emergência de um novo universalismo global. Tal universalismo traz como imperativo ético-moral a defesa e a promoção de valores como a diversidade cultural. Para compreender as implicações políticas e culturais desse universalismo, este trabalho elege como eixo empírico a atuação da Organização das Nações Unidas Para Educação, a Ciência e a Cultura (UNESCO), destacando as ações dessa organização na coordenação e dinamização de um trânsito simbólico e discursivo transnacional envolvendo govern
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13

Usmanovich, Yusupov Zafar, and Abdurahmanov Nomonkhon. "Attention to material and cultural monuments." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 3 (2021): 1861–64. http://dx.doi.org/10.5958/2249-7137.2021.00931.9.

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14

Gregson, Nicky. "MATERIAL, LITERARY NARRATIVE AND CULTURAL ECONOMY." Journal of Cultural Economy 2, no. 3 (2009): 285–300. http://dx.doi.org/10.1080/17530350903345520.

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15

刘, 虎. "A Potential Surface Protective Material of Cultural Relics: Photochromic Material." Advances in Material Chemistry 02, no. 03 (2014): 39–42. http://dx.doi.org/10.12677/amc.2014.23006.

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16

Gao, Bo, Jie Gao, Min Li, and Juan Zhao. "Applied Research on Wood Epidermal Interface of Cultural Building." Applied Mechanics and Materials 174-177 (May 2012): 314–17. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.314.

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This thesis is to introduce the presentation and application of wood, the traditional building material, as one of the epidermis materials of contemporary cultural architectures. It will clarify materials types as wood architecture epidermis materials and the creating tendency of interface presentation, as well as its treatments and protections in architecture application. This intends to provide technical and theoretical supports to methods of emergence of appearance type of new wood structure architecture material.
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17

Calegari Furtado, Kenedy Daniel, Hualan Patrício Pacheco, and Fernando Dall Igna. "Astronomia Cultural no Ensino Médio." Revista Latino-Americana de Educação em Astronomia, no. 38 (November 24, 2024): 61–91. http://dx.doi.org/10.14244/relea/2024.38.61-91.

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Este trabalho é o desdobramento de um projeto de pesquisa do programa de doutorado profissional em educação escolar (PPGEEPROF) e tem como objetivo a proposição de uma sequência didática para o ensino de constelações celestes indígenas no ensino básico em disciplinas que tenham transversalidade com a astronomia. A necessidade de tratar desses conhecimentos de povos originários já aparece na legislação há muitos anos, no entanto as formas de trabalhá-lo não são delimitadas por esses documentos, abrindo assim diversas possibilidades de abordagem desses conteúdos e desse conhecimento cultural. É
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18

Blank, Dionis Mauri Penning. "Cultura, Identidade e Memória: Repensando o Patrimônio (Cultural)." Prisma Juridico 13, no. 1 (2014): 37–70. http://dx.doi.org/10.5585/prismaj.v13n1.4564.

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O objetivo desta pesquisa foi identificar uma forma particular de pensar o patrimônio (cultural), relacionando a cultura, a identidade e a memória. O artigo aborda a construção imaginária do que se entende por nacional, resultado de uma unidade e coerência, de fato, inexistentes em uma nação. Demais, investiga a busca memorial e a patrimonialização, apresentando o patrimônio como uma representação simbólica das inúmeras versões das identidades. Ao final, descreve a noção contemporânea de patrimônio material e imaterial, justificando que esses elementos devem coexistir, pois se vinculam à legit
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19

Freedman, Carl. "On Science Fiction and Other Cultural Material." Science Fiction Studies 47, no. 2 (2020): 291–95. http://dx.doi.org/10.1353/sfs.2020.0064.

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20

Llueca, Ciro. "Digitalización y accesibilidad del material cultural europeo." Anuario ThinkEPI 10 (May 10, 2016): 178. http://dx.doi.org/10.3145/thinkepi.2016.35.

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21

Green, Harvey. "Cultural History and the Material(s) Turn." Cultural History 1, no. 1 (2012): 61–82. http://dx.doi.org/10.3366/cult.2012.0006.

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22

Freedman. "On Science Fiction and Other Cultural Material." Science Fiction Studies 47, no. 2 (2020): 291. http://dx.doi.org/10.5621/sciefictstud.47.2.0291.

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23

Zanirato, Silvia Helena, and Andrea Cavicchioli. "Estratégias de conservação do patrimônio cultural material." Revista Memória em Rede 5, no. 8 (2016): 113–27. http://dx.doi.org/10.15210/rmr.v5i8.9469.

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A discussão contemplada no texto se refere aos entendimentos acerca das intervenções realizadas sobre os elementos materiais que constituem o patrimônio cultural, em especial a conservação preventiva e o restauro, operações que objetivam prolongar a permanência física do bem e a mantê-lo em bom estado e durante a maior parte do tempo possível.
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24

KANE, BRIAN. "Relays: Audiotape, Material Affordances, and Cultural Practice." Twentieth-Century Music 14, no. 1 (2017): 65–75. http://dx.doi.org/10.1017/s1478572217000068.

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AbstractThis article considers the relationship between audiotape's material affordances and the audibility of cultural practices. Not all changes in the materiality of sound media are audible to listeners, and not all changes in the audibility of cultural practices require changes in their material support. Thus focus on the affordances of sound technologies – those possibilities of sound technologies that may or may not be engaged by its users, and the wide range of practices that such technologies support – can help to connect materiality and audibility. I address the affordances of audiota
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25

Rapp, Friedrich. "The Material and Cultural Aspects of Technology." Society for Philosophy and Technology Quarterly Electronic Journal 4, no. 3 (1999): 178–85. http://dx.doi.org/10.5840/techne19994310.

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26

Miranda Gonçalves, Rubén. "La protección del patrimonio cultural material en caso de conflicto armado." Revista Jurídica da Presidência 19, no. 118 (2017): 244. http://dx.doi.org/10.20499/2236-3645.rjp2017v19e118-1622.

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La preservación del patrimonio cultural mundial ha ganado mucha atención en los últimos años, pues la destrucción de los bienes culturales ha sido una trágica constante. En este sentido, la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura – UNESCO ha reconocido diversas construcciones históricas, conjunto de bienes materiales o naturales como patrimonio cultural y herencia de toda la humanidad, por lo que preservar el patrimonio cultural es extremadamente importante en tanto en cuanto forma parte de la historiografía de diversas generaciones y que contribuye y mue
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27

Parrott, Helen. "Legislatlng To Protect Australia’S material Cultural Heritage—Guidelines For Cultural Resources Professionals." Australian Archaeology 31, no. 1 (1990): 75–82. http://dx.doi.org/10.1080/03122417.1990.11681391.

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28

Detaro, Romeo Felarca. "Material and non-material cultures in Pototan, Iloilo." Multidisciplinary Science Journal 6 (July 29, 2024): 2024ss0527. http://dx.doi.org/10.31893/multiscience.2024ss0527.

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The small rural town of Pototan in Iloilo, Philippines, boasts a rich cultural heritage manifested through unique artifacts, structures, beliefs, and traditions. However, documentation on the material and non-material elements that comprise Pototanon culture is limited. This study aimed to systematically identify and analyze notable examples of objects (material culture) and practices (non-material culture) through ethnographic fieldwork, grounded in theories of cultural ecology. The research employed qualitative methods such as interviews, participant observation, and photography to explore t
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29

Gonçalves, Naudiney de Castro. "Cultura material canavieira do Cariri cearense: anos 1930-1970." Domínios da Imagem 15, no. 28 (2021): 141. http://dx.doi.org/10.5433/2237-9126.2021v15n28p141.

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Este artigo apresenta a cultura material canavieira do Cariri cearense, produzida entre as décadas de 1930 e 1970, como fonte possível para uma abordagem historiográfica da transição tecnológica dos engenhos artesanais para a agroindústria. Propomos uma compreensão da Chapada do Araripe, localizada a aproximadamente 500 quilômetros ao sul da capital Fortaleza, enquanto paisagem cultural por abrigar tanto os vestígios materiais, quanto as expressões populares que remetem aos saberes tradicionais e ao cotidiano dos canaviais. Ao analisarmos as ruínas e os remanescentes de maquinários, nos aproxi
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30

Viracocha Lema, Marco Vinicio, Renato Hernán Herrera Chávez, and William Marco Samaniego Erazo. "Patrimonio cultural material y demanda turística, cantón Latacunga, provincia de Cotopaxi." ConcienciaDigital 6, no. 2 (2023): 115–36. http://dx.doi.org/10.33262/concienciadigital.v6i2.2545.

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Introducción. Latacunga, es un cantón lleno de historia, tradición y cultura que enamora a propios y extraños por su riqueza patrimonial material e inmaterial, con un gran potencial del turismo cultural-patrimonial. Objetivos. El presente trabajo de investigación tiene como objetivo analizar el patrimonio cultural material y su influencia con la demanda turística. Metodología. El diseño de la investigación empleado es no experimental, transversal; de tipo documental, de campo, descriptiva y de carácter correlacional. La validación del instrumento de investigación a través de alfa de Cronbach,
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31

Wang, Zhiqiang, Zhongjian Zhang, Feiyue Wang, and Jianbin Liu. "A pXRF-Based Approach to Identifying the Material Source of Stone Cultural Relics: A Case Study." Minerals 12, no. 2 (2022): 199. http://dx.doi.org/10.3390/min12020199.

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Precise identification of material sources is of great significance to archaeological study, conservation, and restoration of stone cultural relics. The present study proposes a simple and efficient approach to identifying the material source of stone cultural relics based on portable X-ray fluorescence spectrometer (pXRF) and statistical analyses. Chemical elements of stone samples, including Ca, K, Fe, Al, Si, Cl, S, and Mg from both cultural relics and potential quarries, were first measured non-destructively using a pXRF device. Obtained chemical element data were then classified using sta
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32

SOARES, Liliana, Ermanno APARO, and Manuel RIBEIRO. "Cross-Cultural Ventures to Design Stone Products." Eurasia Proceedings of Science Technology Engineering and Mathematics 19 (December 14, 2022): 9–14. http://dx.doi.org/10.55549/epstem.1218633.

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This paper is part of an ongoing research, addressing the design of stone products to guide materials to new applications in a reality that asks for local qualities, sustainability, and change. The authors present the thesis that unexpected materials can be obtained through the mix-combination of its basic components. Accidental materials speak through a complex network of interrelationships in relation to the context. So, the power of expressiveness can be obtained through the controlled mixture of its elementary components. In a world where things deliberately unstable are the raw material f
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33

Zhao, Zhi Qing, and Li Tao. "Study on Intangible Cultural Heritage Protection of the Architectural Cultural Heritage." Applied Mechanics and Materials 638-640 (September 2014): 2312–15. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2312.

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In the current context of globalization and regional characteristics of urban and rural culture general lacking, due to the long history and has the heavy connotation, the historical cultural heritage reflected the rich local culture and traditional cultural imprint. According to the definition, the content and relationship of material cultural heritage and intangible cultural heritage, this paper intensively study the non-material cultural heritage factors loaded by buildings architecture cultural heritage, and presented the problems and coping methods during the course of the Intangible Cult
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34

Yang, Lisha. "Research on Digital Archives Construction of Jingdezhen Ceramic Material Cultural Heritage Based on Blockchain Technology." International Journal of Engineering and Technology 14, no. 3 (2022): 52–55. http://dx.doi.org/10.7763/ijet.2022.v14.1201.

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With the rapid development of modern technology and information means, the society has entered a new stage of development. Under the background of the rapid development of digital technology, the ceramic material culture in Jingdezhen has also been seriously affected. In order to better realize the protection of Jingdezhen ceramic material culture, various modern means should be used to comprehensively protect the ceramic material and cultural heritage, Through the application of blockchain technology, more perfect digital archives can be constructed, which can be used as a basis to promote th
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35

Lévai, Péter, and Zsuzsa Turiné Farkas. "Hydro-cultural growing of cut flower in greenhouse." Acta Agraria Debreceniensis, no. 27 (November 15, 2007): 139–46. http://dx.doi.org/10.34101/actaagrar/27/3117.

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The closed system hydro-cultural growing is environmentfriendly, the chemical fertilizer used for nourishing material supply does not contaminate the soil water and it is possible to eliminate the chemical materials accumulating during the disinfection of the soil getting into the environment. It can be mechanized and regulated well so the optimum growing conditions can be fixed for the plant and as a consequence higher yield can be reached both for the carnation and for Zantedeschia and for Rosa. Growing method with saving both the nourishing material and the water. Taking all the above into
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36

Saračević, Narcis. "Digitalizirane zbirke Biblioteke Sarajeva : Zbirke starih i rijetkih knjiga, periodičnih publikacija, dokumenata i druge građe o Sarajevu i Bosni i Hercegovini." Međunarodna konferencija Evropske smjernice za saradnju biblioteka, arhiva i muzeja (Online) 11, no. 11 (2025): 253–76. https://doi.org/10.71271/issn.2303-520x.2024.14.

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By digitizing its holdings and creating the website digital.bgs.ba, which contains digitized collections of old and rare books, periodicals, documents and other materials about Sarajevo and Bosnia and Herzegovina, the Library of Sarajevo provides access to library materials that represent valuable examples of cultural, historical and scientific heritage, which is in line with the digitization processes worldwide, that in recent decades have been an important segment in the development of cultural policy in the context of creating a modern information society, a society of knowledge and progres
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37

Vondra, Zdenek. "Scenarios of Multimedia Presentation of Material Cultural Heritage." Mediterranean Journal of Social & Behavioral Research 2, no. 2-3 (2018): 19–22. http://dx.doi.org/10.30935/mjosbr/8383.

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38

Starr, Chelsea, Suzanna Danuta Walters, and Janet Wolff. "Material Girls: Making Sense of Feminist Cultural Theory." Contemporary Sociology 25, no. 6 (1996): 818. http://dx.doi.org/10.2307/2077318.

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39

Özay, Erkin, Gregory Delaney, Nicholas Traverse, and Andrew Pries. "Making Bibelot: Casting material research within cultural frameworks." Frontiers of Architectural Research 8, no. 2 (2019): 121–35. http://dx.doi.org/10.1016/j.foar.2019.03.003.

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40

WELLS, PETER S. "MATERIAL SYMBOLS AND THE INTERPRETATION OF CULTURAL CHANGE." Oxford Journal of Archaeology 4, no. 1 (1985): 9–18. http://dx.doi.org/10.1111/j.1468-0092.1985.tb00227.x.

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41

Sanchiz, Juan M. Cano. "Cultural material, globalización y Arqueología de la industrialización." Revista Arqueologia Pública 9, no. 4 (2016): 99. http://dx.doi.org/10.20396/rap.v9i4.8643523.

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Neste trabalho refletimos sobre a delimitação conceitual da disciplina arqueológica a partir de nossa experiência prática (este texto não é uma revisão teórica). Nosso interesse é centrado na aplicação do método arqueológico ao mundo contemporâneo (no sentido de Idade histórica); mais especificamente, este trabalho é focado na arqueologia da industrialização. Selecionamos dois estudos de caso para oferecer uma demonstração de uso transversal de ferramentas de pesquisa e fontes de informação: o complexo mineiro-metalúrgico de Cerro Muriano (Córdova, Espanha) e as oficinas da Companhia Paulista
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42

Lim, Jae-Min. "Research on Cultural Material in Approved Chinese Textbooks." Chinese Language Education and Research 20 (December 31, 2014): 205. http://dx.doi.org/10.24285/cler.2014.12.20.205.

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43

Kuryazova, Darmanjan. "FEATURES OF STORAGEOF MATERIAL CULTURAL HERITAGE OF UZBEKISTAN." CROSSROADS OF CULTURE 3, no. 2 (2020): 4–9. http://dx.doi.org/10.26739/2181-0737-2020-3-1.

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44

Eldredge, Niles. "Paleontology and Cornets: Thoughts on Material Cultural Evolution." Evolution: Education and Outreach 4, no. 3 (2011): 364–73. http://dx.doi.org/10.1007/s12052-011-0356-z.

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45

Šmit, Žiga, and Eva Menart. "Special Issue of “Material Analysis in Cultural Heritage”." Materials 16, no. 6 (2023): 2370. http://dx.doi.org/10.3390/ma16062370.

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46

Melnyk, Myroslava. "Theatre art: Conceptual and categorical problems." Interdisciplinary Cultural and Humanities Review 2, no. 3 (2023): 46–52. http://dx.doi.org/10.59214/cultural/3.2023.46.

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Theatre art is a fundamental component of modern culture and requires a detailed analysis of the problems of a set of interrelated concepts, which will reflect the key substantive and functional aspects concerning theatre art. The research relevance is determined by the description of the problems of the conceptual and categorical apparatus of theatrical art for the first time is subjected to a complex structural and semantic analysis, which is necessary to determine the study of ways of forming new terms, which will make it possible to present the system of modern theatrical terminology in a
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47

Melnyk, Myroslava. "Theatre art: Conceptual and categorical problems." Interdisciplinary Cultural and Humanities Review 3, no. 1 (2024): 46–52. http://dx.doi.org/10.59214/cultural/1.2024.46.

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Theatre art is a fundamental component of modern culture and requires a detailed analysis of the problems of a set of interrelated concepts, which will reflect the key substantive and functional aspects concerning theatre art. The research relevance is determined by the description of the problems of the conceptual and categorical apparatus of theatrical art for the first time is subjected to a complex structural and semantic analysis, which is necessary to determine the study of ways of forming new terms, which will make it possible to present the system of modern theatrical terminology in a
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48

Abduvaliyevna, Alibekova Mokhira. "A Classroom Material Analysis toDevelop Sociopragmatic Skills inEnglish Language Education." International Journal of Pedagogics 5, no. 5 (2025): 36–41. https://doi.org/10.37547/ijp/volume05issue05-10.

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This study investigates the alignment of Uzbek high school English textbooks with local sociocultural norms. Findings reveal a significant gap between textbook content andUzbek communication practices, highlighting the need for cultural authenticity and explicit pragmatic instruction. The study emphasizes the importance of integrating local cultural norms, providing metapragmatic explanations, and fostering critical reflection to enhance learners' intercultural competence.
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49

Maciel, Rogerio Andrade, Sebastião Rodrigues da Silva Junior, and Jânio Venâncio dos Santos. "CULTURA MATERIAL DO XAROPE NA PASTORAL DA SAÚDE E O CURRÍCULO CULTURAL NO CONTEXTO ESCOLAR." Revista e-Curriculum 19, no. 1 (2021): 430–52. http://dx.doi.org/10.23925/1809-3876.2021v19i1p430-452.

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Este artigo apresenta uma análise da Cultura Material do Xarope no cotidiano da Pastoral da Saúde em Bragança, Estado do Pará (PA), e a proposição do currículo cultural para o contexto escolar. A metodologia é a da Nova História Cultural na observação dos objetos de consumo, empregados para a produção do Xarope, cujas significações e sentidos possibilitaram a tessitura do currículo escolar. O uso de imagens, as entrevistas, o Caderno de controle da Pastoral da Saúde e os documentos digitais compuseram a coleta de dados. A análise dos dados sobreveio pela produção, circulação e apropriação, cat
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Fierascu, Irina, Radu Claudiu Fierascu, Iulia Florentina Dana-Negula, et al. "Nanotechnology – Materials and Techniques for Safeguarding Cultural Heritage." Digital Presentation and Preservation of Cultural and Scientific Heritage 8 (September 3, 2018): 171–76. http://dx.doi.org/10.55630/dipp.2018.8.16.

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The presented project aims to provide practical solutions for ceramic and paper artifacts, based on new antifungal recipes, in order to reduce the impact of biodegradation of cultural heritage artifacts. The developed recipes, specific for each type of support material (ceramic and paper), will be based on the use of soft nanomaterials, applicable in the form of xerogels or spraying. The recipes will take into consideration the interaction between the developed materials and the support materials.
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