To see the other types of publications on this topic, follow the link: Material and immaterial.
Dissertations / Theses on the topic 'Material and immaterial'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 30 dissertations / theses for your research on the topic 'Material and immaterial.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Slavet, Eliza Farro. "Freud's Moses memory material and immaterial /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3252818.
Full textAbstract:
Thesis (Ph. D.)--University of California, San Diego, 2007.<br>Title from first page of PDF file (viewed April 19, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 302-325).
2
Eimke, Andrea. "Liminal Space - an investigation of material and immaterial boundaries and their space in between." AUT University, 2010. http://hdl.handle.net/10292/916.
Full textAbstract:
This visual arts project investigates notions of liminality and hybridity regarding the ambiguity of the interstitial position of the migrant. An examination of the migrant’s perspective and perception of cultural identity and the sense of home and belonging also underpins these studies. The project examines how the space between two cultures is experienced, and explores ways in which this might be visually expressed through the construction of fibre and textile art works. The researcher’s personal experience, as a German national now resident in the Cook Islands, provides the basis for reflections on cultural liminality and the ambivalence of feelings towards inclusion and exclusion. Material elements from European and Polynesian cultures such as cloth, fibres, and thread, and non-material elements like concepts and rituals are investigated for their potential to transcend the boundaries of their original culture to reveal the liminal space as source of energy and change. The 80% practice based work is accompanied by a 20% written exegesis
3
Koca, Asli. "Authentication Of Space: The Photograph As A Raw Material For Architectural Production." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611454/index.pdf.
Full textAbstract:
This thesis is a critical reconsideration of the relationship of architectural production with its unique mode of representation: &ldquo<br>photography.&rdquo<br>Photography has been interpreted essentially as a technique and a visual medium to document architecture in general. The &ldquo<br>photograph,&rdquo<br>in this sense, is regarded as a representational form of documentation and an artistic and material expression of architecture. Besides this conventional value, this study argues that photography not only provides a new medium for the reinterpretation of architectural space, but also a new material and technique for architectural production. In this respect, this study discusses photography as an emerging tool for architecture in which the photograph is conceived as a raw material. As in the manufacturing of a raw material in an industrial process, the main argument of this study is that as long as a photograph is processed with required components, it contributes to architectural production in a comparable manner. Even it has the potential to produce architectural space in its own right.
To understand the nature of this architectural space supported by a variety of physical and non-physical characteristics of photography, this study compares two different ways of architectural production with the aid of photographs. Starting with the assumption that there is a radical change in the conception of photography in architecture from an immaterial quality to material essence, this study argues that the photograph is a raw material that can be used to authenticate architectural space from the initial idea to the built object. Therefore, drawing attention to the changed value of photography for architecture over time, the aim of this study is to establish a critical framework to understand and discuss this contemporary function of photography in architecture.
4
CARVALHAES, PEGO KATIA ANDREA. "APPROACH OF THE SYSTEMIC DESIGN IN MATERIAL AND INTANGIBLE CULTURE OF ESTRADA REAL: TERRITORIAL SERRO CASE." Doctoral thesis, Politecnico di Torino, 2016. http://hdl.handle.net/11583/2644209.
Full textAbstract:
This study aimed to apply the Systemic Design methodology in the context of the Estrada Real (Royal Road), specifically in Serro Territory, in order to generate a new economic and development model in this location, by creating relationships between their production systems. The first step of the methodology involved the understanding the territory in all its amplitude, i.e., the history of the place, its physical and climatic aspects, its natural resources, its activities (social, cultural and productive), the way and the pace of life community, as well as its infrastructure. The second phase encompassed the systematization and analysis of existing artisanal production systems in Serro Territory. For such a field survey was conducted in which the artisans were interviewed and the production sites were visited. On this occasion, we investigated all output and input of their activities. In the third step of the methodology were designed the matter and energy flows of the nine production systems in question, from the analysis of the "negative points" that emerged in the previous step, as well as the characteristics and potential of the material and immaterial local resources. This process allowed the emergence of several new activities and new products. In the fourth and last step, the current system (existing) and the systemic system (proposed) were compared. Such confrontation demonstrated that, with the approach of Systemic Design the same territory would come to get, on average, an increase of 530% of products and 820% of activity, resulting therefore in a huge business volume. As envisioned results are highlighted: i) in the economic field: expansion of activities; increase in jobs; increase income generation in the community; ii) in the environmental sphere: sustainable management of natural resources; iii) in the cultural field: appreciation of culture; enhancement of local know-how; iv) in the social sector: improving quality of life; keeps its inhabitants in their territory.
5
Turrin, Daniela Anna. "Slippages .... exploring the aesthetic encounter from the perspective of Merleau-Ponty's ontology." University of Sydney. n/a, 2005. http://hdl.handle.net/2123/698.
Full textAbstract:
This paper addresses the aesthetic encounter from the perspective of the writings of Maurice Merleau-Ponty on the visible and the invisible. It begins with the premise that from time to time we encounter situations which precipitate a sense of slippage in our experience of the world. The paper proceeds to argue that the arts can provide a point of access to this experience, and that aesthetic theory has, for example, responded to it through the development of the notion of 'the sublime'. The writings of Maurice Merleau-Ponty and, in particular, aspects of his text The Visible and the invisible, are presented with a view to augmenting this aspect of aesthetic theory. Proceeding from a 'Merleau-Pontian' perspective, the paper explores how the arts can serve to disrupt our conventional sense of space and time - creating ripples in the substance Merleau-Ponty names as 'flesh' - so as to expose the chiasm or blind spot in our experience of the world. The methodology adopted is an experiential one, which draws on the writer's interaction with the selected works of various artists as well as her own practice in glass.
6
Escobar, Giane Vargas. "Clubes sociais negros: lugares de memória, resistência negra, patrimônio e potencial." Universidade Federal de Santa Maria, 2010. http://repositorio.ufsm.br/handle/1/10961.
Full textAbstract:
The Black Social Clubs had an important place in Brazilian society formation. They broke the standards of a time, acting in the fight against slavery and the racial
discrimination. The more ancient place is located in Rio Grande do Sul (South of Brazil), and it represents the greater representation. The objective of this study is to
know what principal measures should be done by the club managers and State about the preservation of these places that, in the end of the XX century and the beginning
of the new millennium, have been searching survive to the disarticulating problems, neglecting and asking for help. The methodology of this work is a documentary and
bibliographic research as well as techniques of the oral history and participant observation, with econographic character, doing an analysis of the final routings of
the 1st National Meeting of Black Clubs and Societies, occurred in 2006, in Santa Maria/RS. This meeting was a historical mark, constructing a new paradigm with
demands registered in the Santa Maria Letter , which pointed the principal guidelines for the club directors and the Public Power in coming years. The investigation has the principal objective of suggesting public policies in order to preserve, keep, strengthen, spread and safeguard these places of resistance and black identity, focusing the study on Treze de Maio, a Black Social Club created by workers of the extinct railroad in Santa Maria, RS, Brazil, mainly in its birth, from 1903 to 1914 and its revitalization as a community museum in the XXI century. This museum appears as a strategy, a reinvention of the heritage, with an eye in the past, searching the origins, but with actions in the present to recognize and register this centennial club and other pairs as immaterial heritage of Brazilian society. In this sense, it is consider as the principal result of this work, the opening process of the Social Black Clubs Register in Brazil, by the National Historic and Heritage Institute, (NHHI) in November 5th,2009, which will guarantee, after the inventory, the elaboration of a Safeguard Plan, which contemplates the National Politic of Immaterial Heritage.<br>Os Clubes Sociais Negros tiveram papel decisivo na formação da sociedade brasileira. Romperam com os padrões de uma época, atuando incisivamente na luta contra a escravidão e a discriminação racial, sendo que o espaço mais antigo do
país se localiza no RS, além de constituírem a maior representatividade até então mapeada. O problema que delineia este trabalho versa sobre quais as principais
medidas que devem ser tomadas por gestores clubistas e Estado no que tange à preservação destes territórios que, ao final do século XX e início de novo milênio, vêm procurando sobreviver às intempéries da desarticulação, do descaso e pedindo socorro. O presente trabalho utiliza como metodologia a pesquisa documental e bibliográfica, além de técnicas de história oral e observação participante, com caráter etnográfico, aplicação de questionário, analisando os encaminhamentos finais do 1º Encontro Nacional de Clubes e Sociedades Negras, realizado no ano de 2006, em Santa Maria/RS, o qual representou um marco histórico na construção de um novo paradigma, com demandas registradas na Carta de Santa Maria , que apontou as principais diretrizes para as ações de dirigentes clubistas e poder público
nos próximos anos. A investigação tem como objetivo principal propor a implementação de políticas públicas de preservação, manutenção, fortalecimento, difusão e salvaguarda destes lugares de resistência e identidade negra, centrando o
estudo na trajetória e transformações pelas quais passou a Sociedade Cultural Ferroviária Treze de Maio, Clube Social Negro criado por ferroviários da extinta Viação Férrea de Santa Maria/RS, em especial no período do seu nascimento, de
1903 a 1914, e sua posterior revitalização como um museu comunitário que surge em pleno século XXI, como uma estratégia, uma reinvenção do patrimônio, com olhar para o passado, buscando as origens, mas com ações no presente com vistas ao reconhecimento e Registro desta centenária agremiação e outros pares como patrimônio imaterial da sociedade brasileira. Nesse sentido, considera-se como
principal resultado deste trabalho a abertura do processo de Registro dos Clubes Sociais Negros do Brasil, pelo Instituto do Patrimônio Histórico e Artístico Nacional, o IPHAN, em 05 de novembro de 2009, o que lhe garantirá, após o inventário, a
elaboração de um Plano de Salvaguarda, vindo ao encontro do que prevê a Política Nacional do Patrimônio Imaterial.
7
Malta, Renata Barreto. "A COMUNICAÇÃO NO MERCADO DO IMATERIAL: Tensões e distensões da produção simbólica em uma era pós-material." Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/675.
Full textAbstract:
Made available in DSpace on 2016-08-03T12:29:51Z (GMT). No. of bitstreams: 1
Renata Barreto Malta.pdf: 2131792 bytes, checksum: d1b99e33eabaf8f87f42c89db628b856 (MD5)
Previous issue date: 2013-10-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis is constituted by two complementary stages, the theoretical and the empirical ones, which are essential to reach the following aims we have proposed. 1) Confirming a change in the publicity praxis in which material and functional elements become less relevant and immaterial and intangible elements more important. 2) Investigating, objectively and comparatively, the corpus content, demonstrating which themes prevail in different social periods and punctuating their tangible and intangible essence. 3) Presenting and delineating the Market of Immaterial , the outline of a new model of marketing segmentation which has the immateriality as base. The theoretical discussion based on Cultural Studies and in authors who discourse about the Post Modernity and its consumption relations is the bottom-line of this research and only by it we could elaborate the assumptions which have originated the two hypotheses, extremely connected, which sustain this thesis. The empirical research applies as a method the quantitative content analysis of the corpus, composed by advertising videos, carefully defined. Following the analytical and theoretical path, it was possible to conclude that we are in a post material era, ruled by the intangible, which modifies the market communication.<br>A tese é constituída por duas etapas complementares, a teórica e a empírica, essenciais para que os seguintes objetivos propostos sejam devidamente cumpridos. 1) confirmar uma mudança da práxis publicitária na qual elementos materiais e funcionais passam a ser minimizados e elementos imateriais e intangíveis evidenciados. 2) investigar de forma objetiva e comparativa o conteúdo do corpus e demonstrar quais temáticas prevalecem em diferentes períodos sociais, pontuando sua natureza tangível e intangível. 3) Apresentar e delinear o Mercado do Imaterial , o esboço de um novo modelo de segmentação de mercado que tem a imaterialidade como base. O aprofundamento teórico-conceitual alicerçado nos Estudos Culturais e em autores que discorrem sobre a pós-modernidade e suas relações de consumo é ponto de partida desta pesquisa e só por meio dele chegamos às premissas que dão origem às duas hipóteses, extremamente interligadas, que sustentam esta tese. A pesquisa empírica utiliza como procedimento metodológico a análise de conteúdo quantitativa do corpus, composto por vídeos publicitários criteriosamente definidos. Por meio do trajeto analítico e teórico, é possível concluir que estamos em um período pós-material regido pelo intangível, o que modifica a comunicação de mercado.
8
Vysockij, Pavel. "Personalo motyvamimo statyboje problemos ir jų sprendimo modėlio sudarymas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080722_141807-95499.
Full textAbstract:
Baigiamajame magistro darbe nagrinėjama personalo motyvavimo statyboje problema. Analizuojama įmones vertybių sistema, jos formavimas, įtaka organizacijos narių elgesiui bei veiklos sėkmei. Nagrinėjama darbuotojų motyvacijos svarba, jos tobulinimo aspektai, žmogaus poreikių prioritetai. Daug dėmesio skiriama veiksniams, kurie daro įtaka motyvacijai: darbo organizavimas, skatinimo budai, vadovavimo stilius. Apžvelgiama Lietuvos ir užsienio autorių patirtis įmones vertybių sistemos bei darbuotojų motyvavimo klausimais. Išnagrinėjus teorinius darbuotojų motyvavimo metodus, pasiūlomas kompleksinis personalo motyvavimo modelis, sukurtas atsižvelgiant į dabartinę statybų padėti Lietuvoje, aprašoma motyvacinės sistemos įtaka statybos dalyvių veiklai, pateikiamos išvados ir siūlymai, literatūros sąrašas. Darbą sudaro 6 dalys: įvadas, teorinė dalis, kurioje aptariama darbuotojų motyvacijos samprata, išanalizuotos pagrindinės turinio ir proceso motyvacijos teorijos, užsienio literatūros ir tyrimų apžvalga, siūlymai, kuriuos būtų galima taikyti Lietuvoje, išvados ir literatūros sąrašas. Darbo apimtis 87 p, 20 lentelių, 11 iliustracijų, 53 bibliografiniai šaltiniai.<br>The master thesis analyses the problem of personnel motivation in construction works. Examination follows company’s value system, its formulation, and influence over members’ behavior as well as overall company’s success. The matter under investigation concerns the importance of motivation, its development aspects, and human demands priorities. The consideration is shown for those factors having a great influence over motivation, such as work organization, inducement methods, and management style. The thesis covers experience of Lithuanian and foreign countries regarding the company’s value system and employees’ motivation. The theoretical part is followed by integrated personnel motivation model that is created in consideration of the current Lithuania situation in construction works. The work also describes the influence of motivational system over the participants in construction works. The literature list, conclusions, and suggestions are proposed as well. Thesis structure consists of 6 sections: Introduction; theoretical part that discusses the conception of employees’ motivation and main theories regarding the content and process theories of motivation; review of foreign literature and research; suggestions that could be applied in Lithuania; conclusions and reference list. Thesis consists of: 87 p. text, 11 pictures, 20 tables, 53 bibliographical entries.
9
Carvalho, Conceição de Maria Belfort de [UNESP]. "A genealogia do patrimônio em São Luís: da Athenas a capital da diversidade." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/103556.
Full textAbstract:
Made available in DSpace on 2014-06-11T19:32:46Z (GMT). No. of bitstreams: 0
Previous issue date: 2009-12-18Bitstream added on 2014-06-13T18:44:00Z : No. of bitstreams: 1
carvalho_cmb_dr_arafcl.pdf: 1181991 bytes, checksum: c3019e9e98bbe12eace71e0f3cd0a3ce (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias – impresso, outdoors, planfletos, busdoors – na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material...<br>An analysis of the production of identifies in São Luís – Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII – XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII – XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia – printed, outdoors, pamphlets, birsdoars – nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical – discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
10
ANGELINI, Dario. "ECOMUSEI E LA CULTURA MATERIALE E IMMATERIALE." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91346.
Full text
11
Turrin, Daniela Anna. "Slippages .... exploring the aesthetic encounter from the perspective of Merleau-Ponty's ontology." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/698.
Full textAbstract:
This paper addresses the aesthetic encounter from the perspective of the writings of Maurice Merleau-Ponty on the visible and the invisible. It begins with the premise that from time to time we encounter situations which precipitate a sense of slippage in our experience of the world. The paper proceeds to argue that the arts can provide a point of access to this experience, and that aesthetic theory has, for example, responded to it through the development of the notion of 'the sublime'. The writings of Maurice Merleau-Ponty and, in particular, aspects of his text The Visible and the invisible, are presented with a view to augmenting this aspect of aesthetic theory. Proceeding from a 'Merleau-Pontian' perspective, the paper explores how the arts can serve to disrupt our conventional sense of space and time - creating ripples in the substance Merleau-Ponty names as 'flesh' - so as to expose the chiasm or blind spot in our experience of the world. The methodology adopted is an experiential one, which draws on the writer's interaction with the selected works of various artists as well as her own practice in glass.
12
Carvalho, Conceição de Maria Belfort de. "A genealogia do patrimônio em São Luís : da Athenas a capital da diversidade /." Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/103556.
Full textAbstract:
Orientador: Maria do Rosário de Fátima Valencise Gregolin<br>Banca: Vanice de Oliveira Sargentini<br>Banca: Luzia Sigoli Fernandes Costa<br>Banca: Marisa Gama Khalil<br>Banca: Antonio Suárez Abreu<br>Resumo: Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias - impresso, outdoors, planfletos, busdoors - na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material... (Resumo completo, clicar acesso eletrônico abaixo)<br>Abstract: An analysis of the production of identifies in São Luís - Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII - XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII - XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia - printed, outdoors, pamphlets, birsdoars - nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical - discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)<br>Doutor
13
Knox, David Jonathan. "Making the Invisible Visible." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397743591.
Full text
14
Anzellotti, Elisa. "Memoria e materia della danza : problemi conservativi di un patrimonio culturale immateriale." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080130.
Full textAbstract:
Ce document vise à répondre à un discours sur la conservation du patrimoine culturel immatériel, qu’est la danse.A partir d'un postulat philosophique esthétique, nous étudierons les problèmes qui se posent avec un art dont l'essence réside dans l’éphémère.Une nouvelle perception du temps et de l’espace entrent en jeu et font que la danse est plus adaptée que les autres arts à l'évolution de ce siècle fluide et remplie de dichotomies.Pour bien comprendre l'importance de la préservation de ces biens, nous avons consacré un chapitre à la législation sur le patrimoine culturel immatériel, en référence notamment à la danse et aux droits d'auteur, point essentiel, lorsque nous allons aborder les problèmes liés aux archives, thème sur lequel se concentre une grande partie de notre travail.Après avoir enquêté sur les matériaux de la danse (avec une attention particulière sur le corps du danseur, le nouvelle technologies et sur le rapport avec les arts plastiques), nous traiterons la problématique de la préservation de la danse. Les principales questions concernent l'avenir, la préservation dans l'ère numérique, avec une référence particulière aux changements des musées et des archives.Nous prendrons pour exemples des cas européens et italiens pour étudier la situation de la protection de la danse et comprendre son évolution. Le critère qui a guidé ce choix fut précisément celui de souligner le danseur (nous nous somme appuyé sur la collaboration d’importants danseurs, comme les Dupuy, aussi avec de les entretien).De cette façon, nous avons jeté les bases théoriques d'un centre idéal pour l'étude et la préservation de la danse en Italie<br>This paper aims to discuss the difficulties involved in the preservation of the an intangible cultural heritage: the Dance.We shall begin from an aesthetic and philosophical premise as we investigate the problems that arise with an art form whose virtual essence lives in the ephemeral. However, this quality and the different perception of time and space that the dance create, that allows this art form to adapt to the fluidity of the 21st century - an era encumbered by dynamic dichotomies.In order to fully understand the importance of preserving this cultural heritage, an entire chapter has been devoted to “intangible cultural heritage legislation” which includes particular reference to dance works and copyright laws. An understanding of this aspect is essential - especially when confronting problems related to exploring and researching within dance archives - a prominent theme in this work. The thesis then moves onward to define the element of dance itself, with particular attention placed on the dancer’s instrument (the body) and the new technology. Only after thoroughly exploring this fundamental aspect, we will then discuss the sensitive issue of dance archive preservation.The preliminary exploration and definition in the thesis then brings us to the main question: How can we preserve and protect dance masterpieces in the digital era, especially with respect to current changes in National museums and archive conservation.Specific examples with regards to dance conservation and its evolution have been hued from selected European Institutions and in particular, those in Italy. One of the overriding concepts throughout this thesis has been to focus on the topic from the dancers point of view and therefore, collaborating with important dance figures such as the French master, Dupuy, has offered invaluable insight. It is the hope of this thesis to lay the ground work of a theoretical basis for an ideal center to study and preserve the evolution of dance in Italy<br>Il presente lavoro ha come obiettivo quello di affrontare un discorso conservativo di un bene culturale immateriale, qual è la danza.Partendo da una premessa estetico filosofica, si indagano le problematiche che si pongono in essere con un’arte la cui essenza risiede nell’effimero. Questa caratteristica, insieme alla diversa percezione di spazio e tempo che si ha con la danza, fanno sì che si adatti meglio di altre arti ai cambiamenti di questo secolo fluido e pieno di dicotomie.Per comprendere appieno l’importanza della salvaguardia di tale bene è stato dedicato un capitolo alla legislazione dei beni culturali intangibili, con particolare riferimento alla danza e al diritto d’autore, fondamentale anche quando si vanno ad affrontare le problematiche riguardanti gli archivi, punto su cui è incentrato molto del lavoro. Tema cardine è infatti la questione della conservazione della danza sia nelle sue componenti materiali, ma soprattutto nella sua immaterialità. Ruolo centrale è rivestito dal corpo del danzatore, elemento sfuggente come in tutte le arti performative. Particolare attenzione viene data alle nuove tecnologie (fotografia, cinema e video) senza tralasciare la documentazione e la conservazione che si ha con la scrittura e le immagini (con specifico riferimento al rapporto con le arti plastiche). Vengono presi in esame poi specifici esempi europei e italiani per indagare la situazione inerente la conservazione della danza. Un criterio che ha guidato la scelta è stato proprio quello di dare risalto al danzatore. In questo modo si sono volute gettare le basi teoriche per un ideale centro per lo studio e la conservazione della danza in Italia sul modello francese del CND
15
Anzellotti, Elisa. "Memoria e materia della danza : problemi conservativi di un patrimonio culturale immateriale." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080130.
Full textAbstract:
Ce document vise à répondre à un discours sur la conservation du patrimoine culturel immatériel, qu’est la danse.A partir d'un postulat philosophique esthétique, nous étudierons les problèmes qui se posent avec un art dont l'essence réside dans l’éphémère.Une nouvelle perception du temps et de l’espace entrent en jeu et font que la danse est plus adaptée que les autres arts à l'évolution de ce siècle fluide et remplie de dichotomies.Pour bien comprendre l'importance de la préservation de ces biens, nous avons consacré un chapitre à la législation sur le patrimoine culturel immatériel, en référence notamment à la danse et aux droits d'auteur, point essentiel, lorsque nous allons aborder les problèmes liés aux archives, thème sur lequel se concentre une grande partie de notre travail.Après avoir enquêté sur les matériaux de la danse (avec une attention particulière sur le corps du danseur, le nouvelle technologies et sur le rapport avec les arts plastiques), nous traiterons la problématique de la préservation de la danse. Les principales questions concernent l'avenir, la préservation dans l'ère numérique, avec une référence particulière aux changements des musées et des archives.Nous prendrons pour exemples des cas européens et italiens pour étudier la situation de la protection de la danse et comprendre son évolution. Le critère qui a guidé ce choix fut précisément celui de souligner le danseur (nous nous somme appuyé sur la collaboration d’importants danseurs, comme les Dupuy, aussi avec de les entretien).De cette façon, nous avons jeté les bases théoriques d'un centre idéal pour l'étude et la préservation de la danse en Italie<br>This paper aims to discuss the difficulties involved in the preservation of the an intangible cultural heritage: the Dance.We shall begin from an aesthetic and philosophical premise as we investigate the problems that arise with an art form whose virtual essence lives in the ephemeral. However, this quality and the different perception of time and space that the dance create, that allows this art form to adapt to the fluidity of the 21st century - an era encumbered by dynamic dichotomies.In order to fully understand the importance of preserving this cultural heritage, an entire chapter has been devoted to “intangible cultural heritage legislation” which includes particular reference to dance works and copyright laws. An understanding of this aspect is essential - especially when confronting problems related to exploring and researching within dance archives - a prominent theme in this work. The thesis then moves onward to define the element of dance itself, with particular attention placed on the dancer’s instrument (the body) and the new technology. Only after thoroughly exploring this fundamental aspect, we will then discuss the sensitive issue of dance archive preservation.The preliminary exploration and definition in the thesis then brings us to the main question: How can we preserve and protect dance masterpieces in the digital era, especially with respect to current changes in National museums and archive conservation.Specific examples with regards to dance conservation and its evolution have been hued from selected European Institutions and in particular, those in Italy. One of the overriding concepts throughout this thesis has been to focus on the topic from the dancers point of view and therefore, collaborating with important dance figures such as the French master, Dupuy, has offered invaluable insight. It is the hope of this thesis to lay the ground work of a theoretical basis for an ideal center to study and preserve the evolution of dance in Italy<br>Il presente lavoro ha come obiettivo quello di affrontare un discorso conservativo di un bene culturale immateriale, qual è la danza.Partendo da una premessa estetico filosofica, si indagano le problematiche che si pongono in essere con un’arte la cui essenza risiede nell’effimero. Questa caratteristica, insieme alla diversa percezione di spazio e tempo che si ha con la danza, fanno sì che si adatti meglio di altre arti ai cambiamenti di questo secolo fluido e pieno di dicotomie.Per comprendere appieno l’importanza della salvaguardia di tale bene è stato dedicato un capitolo alla legislazione dei beni culturali intangibili, con particolare riferimento alla danza e al diritto d’autore, fondamentale anche quando si vanno ad affrontare le problematiche riguardanti gli archivi, punto su cui è incentrato molto del lavoro. Tema cardine è infatti la questione della conservazione della danza sia nelle sue componenti materiali, ma soprattutto nella sua immaterialità. Ruolo centrale è rivestito dal corpo del danzatore, elemento sfuggente come in tutte le arti performative. Particolare attenzione viene data alle nuove tecnologie (fotografia, cinema e video) senza tralasciare la documentazione e la conservazione che si ha con la scrittura e le immagini (con specifico riferimento al rapporto con le arti plastiche). Vengono presi in esame poi specifici esempi europei e italiani per indagare la situazione inerente la conservazione della danza. Un criterio che ha guidato la scelta è stato proprio quello di dare risalto al danzatore. In questo modo si sono volute gettare le basi teoriche per un ideale centro per lo studio e la conservazione della danza in Italia sul modello francese del CND
16
Deroma, Silvia <1988>. "L'impairment test delle immobilizzazioni materiali e immateriali: profili applicativi in contesti di crisi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2695.
Full textAbstract:
Il bilancio ordinario ha come scopo principale quello di rappresentare la situazione attuale e – per quanto possibile – prospettica di un’azienda. Tale rappresentazione risulta fondamentale in relazione alle esigenze conoscitive che ruotano intorno alle vicende aziendali; tuttavia al giorno d’oggi il dinamismo e la complessità dell’ambiente in cui si collocano la maggior parte delle imprese rende questo compito informativo assai oneroso e difficile. Infatti i destinatari del bilancio sono numerosi e spesso con esigenze, aspettative e scopi diversi.
La sempre maggiore complessità aziendale e il continuo cambiamento, sia nei processi interni che nelle relazioni con l’ambiente esterno, comportano la necessità di rivedere ed aggiornare periodicamente i principi e le regole previste per la redazione del bilancio. Il contenuto e le finalità del bilancio vanno ripetutamente verificati e aggiornati nelle ipotesi di fondo.
Tali problematiche hanno portato all’esigenza di introdurre dei principi contabili di generale accettazione, che consistono in procedure tecniche idonee a standardizzare le soluzioni da seguire nella predisposizione dei bilanci a livello sovranazionale. L’avvento dei principi contabili internazionali risponde, dunque, all’esigenza di armonizzare i processi di valutazione e di rappresentazione degli eventi di gestione; ciò consente di riconoscere e controllare le modalità con cui i bilanci vengono redatti e permette un più facile raffronto fra i valori in essi contenuti.
17
Costantini, Giada <1995>. "GLI IMPATTI DEL COVID-19 SULLE PROCEDURE DI REVISIONE: L'IMPAIRMENT TEST DELLE IMMOBILIZZAZIONI MATERIALI E IMMATERIALI." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20806.
Full textAbstract:
L'elaborato si propone di analizzare in che modo le procedure di revisione sono state impattate dalla diffusione della pandemia da Covid-19, ponendo particolare attenzione alle poste soggette ad Impairment Test.
Il primo capitolo approfondisce in generale l'attività del revisore ai tempi del Covid-19, in particolare viene analizzato come sono variate le principali procedure di revisione in seguito alla pandemia.
L’obiettivo del secondo capitolo è quello di approfondire l’Impairment Test previsto dai principi contabili internazionali IAS/IFRS. Viene dapprima analizzato lo IAS 36 e successivamente viene esaminato il punto di vista del revisore, vagliando le principali procedure da quest’ultimo svolte.
Il terzo ed ultimo capitolo si pone l'obiettivo di confrontare i bilanci 2019 e 2020 di un campione di società quotate italiane. Di quest'ultime sono state analizzate le relazioni di revisione per verificare la presenza di Key Audit Matters riguardanti l'Impairment Test, al fine di comprendere le procedure che sono state svolte prevalentemente e come quest'ultime siano variate nei due esercizi di riferimento. È stato inoltre calcolato il peso delle poste soggette ad Impairment Test rispetto al totale dell'attivo e l'eventuale variazione tra i due esercizi e sono state effettuate delle considerazioni a riguardo.
18
De, guillebon Marie. "Vers une pratique du réemploi en architecture : expérimentations, outils, approches." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAH014.
Full textAbstract:
Le monde de la construction est aujourd’hui confronté aux exigences et enjeux de la transition socio-écologique. La discipline de l’architecture évolue afin de tendre vers une architecture plus éco-responsable tant du point de vue technique que culturel, économique que juridique. Le réemploi, moins développé que le recyclage, est une pratique qui s’émancipe à grande vitesse et peine à s’insérer dans le système de production normalisé et standardisé imputé par le système industriel et socio-technique actuel.La thèse s’inscrit dans le cadre théorique de la transition socio-écologique qui propose une vision plus large [1] des changements de paradigme à opérer en intégrant, au-delà du seul versant technique (énergie) l’ensemble des actions sociales et des comportements dits écologiques. Nous situons en ce sens notre recherche dans le cadre théorique que propose Sylvain Lavelle[2] qui opte pour « une transition plus juste ».[3] Il défend une transition polymorphe qui se fonde sur un changement d’oikos, de tekhnè, d’ethos et de muthos, dépassant ainsi la seule question énergétique et intégrant des principes de justice sociale, de relation à l’environnement, d’éthique et de nouvelles narrations socio-culturelles. Nous y lisons un programme d’action transposable à la pratique du réemploi et plus globalement à la discipline architecturale.Ce travail de thèse questionne les potentiels de cette pratique à induire d’autres approches et outils de projet pour tendre vers une architecture véritablement éco-responsable. Nous proposons la définition d’oïko-responsable pour appuyer sur la nécessité d’un changement de regard sur ce terme et donner à lire le programme d’actions qu’il suppose.Bien que philosophiques, ces définitions nous ont servi de grilles de lecture et d’analyse des pratiques expérimentales et des outils d’un double corpus de pratiques opérationnelles (huit acteurs) et pédagogique (un module) ; elles nous ont également permis de défricher le fond d’engagement et de sens de cette pratique.Ce travail de recherche est l’occasion de faire l’état des lieux de cette pratique émergente et poser un regard sur la manière dont elle oriente la triple pratique de l’architecture.Il conviendra alors de vérifier l’hypothèse selon laquelle le réemploi peut induire une architecture oikos-responsable en mobilisant la triple activité de pratique opérationnelle, pédagogique et de recherche. Pour cela, nous proposons un premier temps démontrant comment les praticiens travaillent à sa professionnalisation en réinsérant la dynamique expérimentale dans le processus de projet. Un second temps démontre leurs capacités à redéfinir ou créer des outils propres au réemploi à même de répondre à cette mutation écoresponsable. Ces deux temps tirent un portrait d’acteurs qui sollicitent, en définitive, cette pratique du réemploi comme un outil pour réinterroger la déontologie des pratiques d’architecte<br>The world of construction is nowadays confronted with the requirements and challenges of the socio-ecological transition. The discipline of architecture is evolving in order to move towards a more eco-responsible architecture from a technical, cultural, economic and legal point of view.Reuse, less developed than recycling, is a practice that is emancipating itself at high speed and struggling to fit into the standardized production system attributed by the current industrial and socio-technical system.The PHD is part of the theoretical framework of the socio-ecological transition, which proposes a broader vision of the paradigm changes to be made by integrating, beyond the technical side (energy), all social actions and so-called ecological behaviours. In this sense, we situate our research within the theoretical framework proposed by Sylvain Lavelle , who opts for "a fairer transition" . He defends a polymorphic transition based on a change of oïkos, tekhnè, ethos and muthos, thus going beyond the energy question alone and integrating principles of social justice, relationship to the environment, ethics and new socio-cultural narratives. We read, trought this thought, an action program that can be transposed to the practice of reuse and more generally to the architectural discipline.This thesis work questions the potential of this practice to induce other approaches and project tools to move towards a truly eco-responsible architecture. We propose the definition of oïko-responsible to support the need for a change of perspective on this term, and to give a reading of the programme of actions it implies. Although philosophical, these definitions have served as a framework for reading and analysing experimental practices and tools for a dual corpus of operational (eight actors) and pedagogical (one module) practices; they have also enabled us to explore the basis for commitment and meaning of this practice. The challenges of this research work consist in taking stock of this emerging practice and looking at how it guides the triple practice of architecture (pedagogy, research, operational).It will then be necessary to verify the hypothesis that reuse can induce an oïkos-responsible architecture by mobilizing the triple activity of operational practice, pedagogy and research. To this end, we propose a first step demonstrating how practitioners work towards its professionalization by reintegrating experimental dynamics into the project process. Secondly, they demonstrate their ability to redefine or create tools for reuse that can respond to this eco-responsible change. These two phases draw a portrait of actors who ultimately request this practice of reuse as a tool to reinterview the ethics of architectural practices
19
De, Finis Serena. "Service design for cultural intangible heritage: tra conoscenza dell’architettura contemporanea e turismo sostenibile il caso di Matosinhos." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Find full textAbstract:
Questo lavoro nasce dal desiderio di approfondire alcuni aspetti della vita legati alle architetture della città, a seguito della mia esperienza di ricerca di tesi svoltasi in Portogallo, nello specifico a Matosinhos, presso la fondazione Casa da Arquitectura.
20
Invartsen, Mette. "EXPANDED CHOREOGRAPHY : Shifting the agency of movement in The Artificial Nature Project and 69 positions." Doctoral thesis, Stockholms konstnärliga högskola, Institutionen för dans, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-177.
Full textAbstract:
Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. By investigating and creating a ‘nonhuman theater’ questions regarding material agency, ecology, natural disasters, the Anthropocene and non-subjective performativity are posed. The resulting reflections are closely related to the poetic principles utilized to create the performances, while also drawing connections to territories outside theater. By contrast, 69 positions inscribes itself into a history of human performance with afocus on nudity, sexuality and how the body historically has been a site for political struggles. By creating a guided tour through sexual performances – from the naked protest actions of the 1960’s, through an archive ofpersonal performances into a reflection on contemporary sexual practice – this solo work rethinks audience participation and proposes a notion of soft and social choreography. The contrasting performative strategiesarticulate a twofold notion of expanded choreography: on the one hand movement is extended beyond the human body by including the agency of nonhuman performers, and on the other hand, movement is expanded into animaginary and virtual space thanks to ‘language choreography’.<br><p>LINKS</p><p>https://vimeo.com/164552586</p><p>https://vimeo.com/164558381</p>
21
FINETTI, SIMONA. "LA POVERTA' EDUCATIVA: UN'ANALISI IN PROSPETTIVA PEDAGOGICA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2022. http://hdl.handle.net/10280/118473.
Full textAbstract:
Il sintagma “povertà educativa”, introdotto in Italia da Save the Children nel 2014 e successivamente tradotto dalla stessa onlus come “educational poverty” in ambito internazionale, ha avuto un certo successo sul piano politico e istituzionale nel contesto italiano, contribuendo a catalizzare l’attenzione sulle povertà dei minori e, in particolare, su quelle immateriali. Negli anni è stato utilizzato per designare un complesso insieme di fenomeni, tuttavia dal punto di vista pedagogico è mancata una disamina critica che ne facesse emergere i significati latenti. Pur provenendo dall’ambito delle discipline economico-sociali, il costrutto di “povertà educativa” interpella in modo inequivoco la riflessione pedagogica, riferendosi evidentemente a dimensioni squisitamente pertinenti al mondo dell’educazione. La presente ricerca ne ha ricostruito le origini e ha cercato di delineare direzioni di senso utili alla definizione dello spettro delle diverse “povertà educative” e di possibili modi per prevenirle e contrastarle. Le fonti selezionate attingono a letteratura internazionale aggiornata a dicembre 2021. Ulteriore fonte sono le voci di adolescenti, raccolte durante un esercizio di ricerca qualitativa ispirato al movimento Student Voice e condotto con un approccio di derivazione fenomenologica.<br>The phrase “povertà educativa”, introduced in Italy by Save the Children Italia in 2014 and later translated internationally as “educational poverty” by the same organization, has been successful in Italy both politically and socially, contributing to drawing attention to child poverty and, in particular, to financing prevention projects and enforcement actions against non-material child poverty. Over the years it has been used to denote a complex set of phenomena, however a critical pedagogical examination was missing in order to bring out some of its implicit meanings. Even if it originated from the fields of economics and social sciences, the idea of an “educational” poverty unequivocally challenges the pedagogical reflection, clearly referring to dimensions that are uniquely relevant to the world of education, both in its formal and informal implications. The present research reconstructed its origins and tried to outline meaningful directions for defining both the spectrum of different "educational poverties" and possible ways of preventing and contrasting them. The selected sources were drawn from an international literature updated in December 2021. Furthermore, adolescent voices were collected during a qualitative research exercise inspired by the Student Voice movement and conducted with a phenomenological derivation approach.
22
Caxeiro, Susana Cristina Belchior. "Immaterial in the Material: A study on 78rpm audio carriers in Portuguese collections." Doctoral thesis, 2021. http://hdl.handle.net/10362/133066.
Full textAbstract:
In 1887, Emile Berliner patented the gramophone and its flat lateral-cut records, a format that was the basis
of the birth of the music recording industry. The aim of this study is to contribute to the history of sound
recording and to the preservation of shellac discs through a better knowledge of the material and immaterial
aspects of industrial record manufacture during the acoustic period, ca. 1898-1925, through a multidisciplinary approach, combining research methods from ethnomusicology, history of technology and conservation sciences.
The first part of this study is dedicated to the history of the recording companies and record labels active
in Europe during the acoustic era, considering the different perspectives of their activity in these early decades: from artist and repertoire selection to the technical challenges of the early recording sessions, and to the marketing and distribution strategies that led to the implementation of this emerging industry across the globe, with Portugal serving as a case study of how the business relations could lead to the introduction of local labels in a country with no manufacturing facilities, and how major companies, like the Gramophone Co., operated in these smaller markets. The study then goes into the more technical aspects of record manufacture, with a focus on the procedures inside the factory. Shellac disc compound recipes were compiled, retrieving information from patents and historical documentation, to assess the most common ingredients used over time by each company as fillers, binders, and additives.
This then led to the second part of this study, where a set of shellac discs from Portuguese collections was
analysed with a non-destructive method, µ-EDXRF, with the aim of identifying the materials used as fillers
and ascertain whether it would be possible to attribute a specific pattern or a tendency to the production of
each European factory over time. This study may enable the material characterization of the production of
each factory over time, allowing in the future a better knowledge of the manufacturing location of local labels
whose history is little known up to now, being also important for further studies on the preservation of these
sound carriers – which are important information providers themselves, and need to be preserved together with the audio signal they carry.<br>Em 1887, Emile Berliner patenteou o gramofone e os seus discos planos de gravação lateral, um formato
que esteve na génese da indústria fonográfica. O objetivo deste estudo é contribuir para a história da gravação sonora e para a preservação dos discos de goma laca por meio de um melhor conhecimento dos aspectos materiais e imateriais envolvidos no fabrico industrial de discos durante o período acústico, ca. 1898-1925, através de uma abordagem multidisciplinar, combinando métodos de pesquisa da etnomusicologia, história da tecnologia e ciências da conservação.
A primeira parte deste estudo é dedicada à história das empresas discográficas e etiquetas activas na Europa durante a era acústica, considerando as diferentes perspectivas da sua atividade nessas primeiras décadas: desde a seleção de artistas e repertório aos desafios técnicos das sessões de gravação, passando pelas estratégias de marketing e distribuição que levaram à implementação desta indústria emergente por todo o mundo, com Portugal servindo como um estudo de caso de como as relações comerciais levaram à introdução de etiquetas locais num país sem meios próprios de produção, e como grandes empresas, como a Gramophone Co., operavam nesses mercados mais periféricos. Em seguida, o estudo aborda os aspectos mais técnicos do fabrico de discos, com foco nos procedimentos internos da fábrica. Foram compiladas receitas de compostos para fabricardiscos de goma laca a partir da consulta de patentes e de documentação histórica, de modo a listar os ingredientes mais comuns usados por cada empresa ao longo do tempo com a função de carga, ligante e aditivo.
Este passo conduziu então à segunda parte deste estudo, onde foi analisado um conjunto de discos de gomalaca de colecções portuguesas por um método não destrutivo, µ-EDXRF, com o objectivo de identificar quais os materiais utilizados como carga, e averiguar a possibilidade de atribuir um determinado padrão ou tendência à produção de cada fábrica europeia ao longo do tempo. Com o desenvolvimento deste estudo poderá ser possível atribuir o fabrico de etiquetas locais, cuja história empresarial ainda seja pouco conhecida, a um determinado centro de produção. O conhecimento dos materiais presentes nos discos será também fundamental para futuros estudos sobre a preservação destes suportes de áudio, que são eles próprios importantes fontes de informação, sendo importante a sua preservação juntamente com o sinal de áudio que armazenam.
23
Kameníková, Hana. "Peněžité zadostiučinění jako právní prostředek ochrany osobnosti v občanském právu." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313135.
Full textAbstract:
1 Abstract: The subject of this paper is the issue of the pecuniary satisfaction as a legal instrument of protection of the personality in civil law. It is obvious that the main object of this work is the question of personal rights and its protection, which has its part in constitutional laws. This paper also analyses the definition of law on protection of personality, an entitlements to sue and to be sued relating to protection of personality. This essay is divided into five chapters with relatively separated thesis. In the first part the issue of conception of personality is analysed. What is personality in the terms of law? There are two different views - in first personality is identical with human existence, in second view personality is only role assignated to human by system of law. This part of the work analyses especially socialistic view of person and its protection and iusnaturalistic conception of personality. Both of them have practical impacts on legislation in Czechoslovakia and in Czech Republic as well. Anthropological conception respects new proposal of Civil code, while socialistic view and its basics exerts influence up recent Civil Code nr. 40/1964. Second part of this work analyses generally personality rights and sources of laws of personality and monistic and dualistic theory. In...
24
giallorenzo, flavia. "Airbnb in Urban Regions. What In-Becoming Issues and Opportunities for Public Policies from Airbnb as a Complex System?" Doctoral thesis, 2022. http://hdl.handle.net/2158/1277399.
Full textAbstract:
The research investigates complex dynamics in territories focusing on material and immaterial aspects of Airbnb, as an in-becoming issue for urban and regional governance. The short-term rental (STR) market is a disruptive social and urban challenge for local institutions because of its wide diffusion. Thus, it is broadly approached by different fields of study because of its effects on urban livability, and it is vastly discussed in over-tourist cities.
The research hypothesizes that the materiality and immateriality of dynamics of the Airbnb’s patterns of supply and demand diffusion, the tangled interplay among local and global, private, and public actors involved and the multi-level governance of the short-term rental market are evidence of a complex system that is worth investigating in urban regions. Moreover, the Covid-19 pandemic set unique conditions to highlight the Airbnb system’s complexity in transition phases.
Therefore, the research proposes to frame the STR market in complexity theories linked to urban domains, in which assumptions on planning and governance rely on complex features of systems and are aimed at discussing the effectiveness of public policy models and tools, here debated in a regional dimension. Methodologically, the single case study proceeds through a data-driven approach, while the research project is built on a theory-driven approach.
Ultimately, the research aims to identify the dimension and the specific attributes of a gap between the governance system and the complex features of the Airbnb system, questioning how these features may influence the current urban governance models and tools for short-term rental in Italy and specifically in Tuscany. Limited to the Airbnb material and immaterial dynamics, the research investigates the weaknesses and strengths of the current governance and planning paradigm at different levels in Italy, considering the complexity of the Airbnb system.
In in-becoming contexts, the thesis claims that effective rules arise from a systemic approach to the governance of the STR market, because its main actors, such as Airbnb, involve a multiplicity of scales, powers, markets, and life systems, mainly in cities, but also in urban regions because of the morpho-genetic and flow system that constitute regions and attract tourist flows.
The conclusions sketch the efficiency of approaching the STR market in Italy from a regional perspective, introducing the assemblages of actors, the ‘roughness’ of territories and the role of the history as (a part of the) drivers of unpredictable patterns of evolution/revolution. Contextually, the impossibility to foresee private plans at the local level doesn’t imply the impossibility for other normative levels to set framing rules for STR platforms and correlated dynamics to protect the weakest actors in the game.
In conclusion, the analyses driven by complexity and planning studies open to the chance to further discuss the effects and not only the patterns of the Airbnb system in regions, aimed at supporting urban and regional policy, revising their models and tools under the lens of complexity theories linked to urban domains.
25
Čuříková, Pavla. "Peněžitá náhrada imateriální újmy v českém soukromém právu." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-338477.
Full textAbstract:
Material satisfaction of immaterial loss in Czech private law (summary) The purpose of my thesis is to analyze the moral and material satisfaction in Czech civil law. I wanted to provide a deep interpretation of these institutes which represent an important phenomenon in our time. The importance of protection of personality increased in the 20th century in connection with development of human and personal rights. In last years also according to mass media and global society. My aim was not only to give the interpretation of basic institutes and instruments of protection of personality but also to show more extensive circumstances of this topic, set into relevant judicial cases and European aspects. I quit the part regarding constitutional law which creates a basis for another law adjustment and other basic grounds because I have already dealt with them in my previous dissertations. Chapter one attempts to provide an introduction to the topic of my dissertation giving overview of all chapters. Chapter two and three are denoted to the basic institutions relating to the protection of personality, moral and material satisfaction. They show the meaning of the institutions and also give readers the introduction to these problems. Chapter four provides an important introduction to the history of protection of...
26
Trigueiros, Maria Isabel M. Laborinhas Silva Limpo. "D. António Barroso e as potencialidades do turismo religioso em Remelhe (Barcelos, norte de Portugal)." Master's thesis, 2015. http://hdl.handle.net/1822/40717.
Full textAbstract:
Dissertação de mestrado em Património e Turismo Cultural<br>O turismo é incontestavelmente um vetor de crescimento e de desenvolvimento local,
podendo tornar-se uma alavanca para o incremento de áreas menos privilegiadas,
potenciando os recursos existentes, quer sejam de índole natural ou de índole cultural.
A partir de finais do séc. XIX e princípios do séc. XX, a história de Remelhe, no
concelho de Barcelos, está indissociavelmente ligada à figura de D. António Barroso. O
seu nascimento, o seu exílio e a sua capela-jazigo nesta freguesia, tornou o seu nome
mais conhecido, consagrando-a como a terra do Grande Missionário e Bispo do Porto.
Assim, o objetivo geral deste trabalho foi o de averiguar se o património material e
imaterial, associado a D. António Barroso, podia ser um bom recurso, passível de ser
convertido em produto turístico cultural, nomeadamente, um produto vocacionado para
o turismo religioso, promotor de desenvolvimento sustentável. Através da pesquisa
bibliográfica, da observação participante, de entrevistas, de questionários e de uma
análise SWOT, chegou-se à conclusão que Remelhe tem recursos para promover
atividade turística com base na figura de D. António Barroso, se houver empenho e
investimento por parte das entidades religiosas, autoridades políticas locais/regionais e
investidores privados. Verificámos, ainda, que este poderá ser articulado, em rede, com
outros recursos religiosos existentes em Remelhe e noutras freguesias do concelho de
Barcelos.
O centenário da morte de D. António Barroso, que ocorre em 2018, e a esperada
conclusão do processo canónico em curso, com vista à sua beatificação/canonização,
poderão trazer novos elementos de valorização turística para a região.<br>Tourism is undoubtedly a vector of growth and local development and may become a
lever for the development of underprivileged areas, by increasing the existing resources,
either natural or of cultural nature.
From the end of the XIX century and beginning of the XX century, the story of
Remelhe in the municipality of Barcelos, is inextricably linked to the figure of D.
António Barroso. His birth, his exile and chapel-vault in this parish, made his name
best-known, establishing it as the land of the Great Missionary and Bishop of OPorto.
Thus, the aim of this study was to ascertain whether the tangible and intangible
heritage associated with D. António Barroso could be a good resource, which can be
converted into a cultural tourism product, namely a product devoted to religious
tourism, promoting sustainable development.
Bibliographical research, participant observation, interviews, questionnaires and a
SWOT analysis have led to the conclusion that Remelhe has resources to promote
tourism based on the figure of Don Antonio Barroso, providing that there is
commitment and investment of religious organizations, local / regional political
authorities and private investors. We have also noticed that this may be articulated,
networked, with other existing religious resources in Remelhe and other parishes of
Barcelos county.
The centenary of the death of D. António Barroso, occurring in 2018, and the
expected completion of the ongoing canonical process with a view to his beatification /
canonization, may eventually bring new elements of tourism development of the area.
27
LELLA, FRANCESCO. "Metodologia e progettazione di un interattivo per la valorizzazione del patrimonio culturale materiale ed immateriale: Il caso studio del Teatro di Marcello." Doctoral thesis, 2018. http://hdl.handle.net/11573/1088522.
Full textAbstract:
La ricerca propone la progettazione di in un sistema digitale integrato di valorizzazione del patrimonio culturale – sia materiale che immateriale – basato su di modello interattivo e tridimensionale del Teatro di Marcello a Roma.
Una codifica dei processi progettuali in merito risulta attualmente assente, nonostante l’esigenza mostrata in diversi studi di sviluppare maggiormente tale ambito ; il lavoro, accogliendo tali suggerimenti, tende a stabilire una possibile linea metodologica nella creazione di contenuti culturali multimediali, applicando lo sviluppo delle analisi effettuate su di un caso pratico di progettazione, che possa fornire una risposta ad una carenza di letteratura e sistematizzazione del lavoro. La ricerca mira inoltre ad ampliare la conoscenza del teatro latino, da parte non solo dell’utenza culturale ma anche da chi è spesso lontano da tale mondo, tramite l'utilizzo delle nuove tecnologie digitali di fruizione del patrimonio. La decisione di affrontare la progettazione con un modello tridimensionale ed interattivo, corredato di percorsi narrativi di fruizione ed una piccola sala museale, vuole offrire una visione di ampio respiro, ma non generica o superficiale, del mondo antico.
28
SIBILLA, MAURIZIO. "Lo sviluppo delle infrastrutture / Infrastrutture per lo sviluppo. Modelli evolutivi: le micro reti locali ed i nuovi assetti, materiali ed immateriali, per le Città Intelligenti." Doctoral thesis, 2011. http://hdl.handle.net/11573/918880.
Full textAbstract:
IL LAVORO DI RICERCA SI COLLOCA NELL'AMBITO DELLA GESTIONE TECNOLOGICA AMBIENTALE DEI PROCESSI INSEDIATIVI. LO STUDIO AFFRONTA IL TEMA DELL'EVOLUZIONE DA UN SISTEMA ENERGETICO CENTRALIZZATO A BASE DI COMBUSTIBILI FOSSILI E GESTIONE PASSIVA, VERSO UN SISTEMA DECENTRATO, SUPPORTATO DA FONTI ENERGETICHE RINNOVABILI, ATTRAVERSO LA CONFIGURAZIONE DI MICRO RETI LOCALI.
29
Augustynek, Dariusz. "Les orgines historiques de la coopération économique régionale comme forme non-hégémonique de coopération." Thèse, 2010. http://hdl.handle.net/1866/4506.
Full textAbstract:
Résumé.
Le mémoire s’intéresse à l’émergence historique de la coopération économique régionale comme
forme non-hégémonique de coopération. Nous y proposons une approche alternative au problème
de l’origine de la coopération systémique, par rapport à la conception d’origine hégémonique de la
coopération systémique, propre aux théories néolibérale et néoréaliste. Plutôt que par le biais des
théories du marché, l’origine de la coopération est approchée par le biais des processus caractérisant
l’anarchie-même tel le processus de construction anarchique des formes de guerre. Et plus
spécifiquement, des formes de guerre dont l’usage soumet la structure anarchique à des contraintes
extrêmes, mettant celle-ci en crise, exemplifiée par la chute de la puissance hégémonique, la fin
d’un système hégémonique et le début de coopération systémique non-hégémonique, de nature plus
régionale et économique. En privilégiant l’approche historique, nous insistons notamment sur
l’impact critique du commerce au loin et du crédit international dans la construction par la structure
anarchique des formes de guerre que la puissance hégémonique ne peut plus supporter.<br>Historical origins of regional economic cooperation as a non-hegemonic form of
cooperation.
Abstract.
This thesis examines the emergence of the regional economic cooperation as a non-hegemonic form
of cooperation. We propose an alternative to the prevailing conception of hegemonic origin of
systemic cooperation, proposed by the neorealist and neoliberal theories. Rather than relying on
theories of the market, we focus instead on some critical processes of the anarchical structure itself,
such as creation of forms of war by anarchy. More specifically, we focus on the forms of war that
put the anarchical structure under maximal strain, bringing it to an overwhelming systemic crisis,
the fall of a hegemonic power, the end of a hegemonic system, and the onset of a non-hegemonic
systemic cooperation of more regional and economic nature. Prioritizing the historical approach we
stress especially the role of long-distance trade and international credit in the construction, by the
anarchical structure itself, of forms of war impossible for the hegemonic power to withstand.
30
AVELLINI, ELISA. "Il progetto invisibile. Vicinanza come strumento: prove lungo il Tevere." Doctoral thesis, 2020. http://hdl.handle.net/11573/1467223.
Full textAbstract:
La tesi esplora la relazione tra materialità e immaterialità dello spazio urbano, osservandola tanto nel progetto quanto nelle pratiche quotidiane degli individui.
Nella pratica progettuale, infatti, questa relazione è stata perlopiù pensata come dicotomica, attraverso visioni funzionaliste per cui alterare la materialità dello spazio permette di determinarne gli usi possibili. Allo stesso tempo, gli studi urbanistici, antropologici e sociologici delle pratiche urbane hanno mostrato come i modi in cui le persone vivono uno spazio pensano aspetti materiali e immateriali dello spazio come un’unità inscindibile.
L’obiettivo della ricerca è quindi quello di costruire uno strumento interpretativo che permetta di ricomprendere all’interno del progetto urbano un’analisi delle pratiche, capace di tenere conto degli sguardi multidisciplinari che si occupano della città.
Per raggiungere questo obiettivo mi sono confrontata con il caso del tratto urbano del fiume Tevere, spazio in cui l’opposizione tra una fisicità difficile da alterare e il grande accumularsi di memorie e significati hanno nel tempo reso difficile pensare qualsiasi forma di intervento.
Attraverso l’analisi delle stagioni progettuali che hanno ragionato sul Tevere e il confronto con una letteratura multidisciplinare riguardante il rapporto tra materialità e immaterialità, ho definito il concetto di “vicinanza”, termine polisemico che sta ad indicare una lente interpretativa con cui osservare la relazione tra spazio e individui per come viene mediata proprio dalle caratteristiche materiali e immateriali del luogo.
Ho messo alla prova questo strumento all’interno di una ricerca sul campo basata sulla teoria attore-rete e su un approccio etnografico. Attraverso l’incontro con i frequentatori di piazza Tevere, lo strumento vicinanza mi ha permesso di individuare e rappresentare graficamente i termini in cui individui e luogo si relazionano e gli effetti di questa relazione. L’unione dell’osservazione sul campo delle pratiche e la conoscenza delle caratteristiche architettoniche di questo spazio permette infatti di individuare gli attanti che fungono da mediatori di queste relazioni, i nodi fondamentali su cui potenzialmente agire, mostrando come nelle pratiche dei frequentatori del Tevere le sue caratteristiche fisiche e immateriali vengano integrate al punto da non poter essere più distinguibili.
Lo strumento vicinanza infine emerge per la possibilità che offre nella collaborazione multidisciplinare, facilitando la traducibilità di dati qualitativi all’interno di schemi rappresentativi più vicini e più facilmente utilizzabili in contesti progettuali, andando anzi a permetterci di rappresentare e implementare i progetti invisibili racchiusi nelle pratiche degli individui.