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Dissertations / Theses on the topic 'Material culture - South Africa - Venda'

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1

Khorommbi, Konanani Christopher. "The role of Venda culture in nature conservation : a case study of the inhabitants of the Tshivhase area." Thesis, Port Elizabeth Technikon, 2001. http://hdl.handle.net/10948/d1002119.

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This thesis investigates the role of Venda culture in nature conservation and natural resource management. The project is based on the premise that the survival of human beings is entirely dependent on the extent to which different cultures conserve the natural environment. The researcher assumes that the scientific approach is not the only one that is capable of addressing environmental issues but that indigenous technology has a positive role to play. The study specifically looks at the relationship between the Venda culture and conservation of land, water, plants and animals. In order to ac
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2

Matshidze, Pfarelo Eva. "The role of Makhadzi in traditional leadership among the Venda." Thesis, University of Zululand, 2013. http://hdl.handle.net/10530/1327.

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Submitted in fulfilment of the requirements for the degree of Doctor of philosophy in the Faculty of Arts, department of Anthropology and Development Studies at the University Of Zululand, South Africa, 2013.<br>This contribution considers the role of a father’s senior sister (makhadzi) in traditional leadership among the Venda speaking people in the present South Africa. It also considers their place in the new democratic South Africa against the backdrop that the legislations enacted to give effect to traditional leadership did not recognise them explicitly. While reviewing gender based p
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3

Mukhuwana, Joyce. "Tsenguluso ya thuthuwedzo ya maitele a tshirema kha vhurereli ha tshikhiresite ro sedza kha Tshivenda." Thesis, University of Limpopo (Turfloop Campus), 2012. http://hdl.handle.net/10386/1146.

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Thesis (M.A. (African Languages)) --University of Limpopo, 2012<br>The title of the research topic is: The critical analysis of African Traditional African Culture with special reference to Tshivenḓa in Christianity. The study would be based on the influence of Tradional Venḓa Culture to Christianity Religion. Though Vhavenḓa may be converted from Vhavenḓa Tradional Culture to Christianity their culture still influences their way of practising Christianity. The study will also examine ways, when and where these practises of Tshivenḓa have the influence in Christianity.
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4

Anderson, Gavin. "Andriesgrond revisited : material culture, ideologies and social change." Bachelor's thesis, University of Cape Town, 1991. http://hdl.handle.net/11427/19515.

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Bibliography: pages 127-137.<br>The original aims of this thesis were to analyze all the material remains from the previous excavations and collate all written reports on Andriesgrond Cave. Only one article has been written on Andriesgrond Cave (Parkington 1978), while several articles have referred to single unpublished reports or additional projects. Artefacts are analyzed and grouped according to their relevant chapters, and in the conclusion an interpretation of these finds is given in conjunction with social psychological theory of stress coping strategies and inter- and intragroup proces
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5

Mudau, Mpfariseni Andrew. "Tsenguluso ya mushumo wa makhadzi kha mvelele ya tshivenda." Thesis, University of Limpopo (Turfloop Campus), 2012. http://hdl.handle.net/10386/1145.

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Thesis (M.A. (African Languages)) --University of Limpopo, 2012<br>The mini-dissertation investigated the role played by an aunt in African Culture with special reference to Tshivenḓa. The study has discovered that an aunt played an important role in a family. Nowadays, other people are involved in the role played by makhadzi. This seems as if the community is confused about the role of makhadzi
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6

Brink, Yvonne. "Places of discourse and dialogue : a study in the material culture of the Cape during the rule of the Dutch East India Company." Doctoral thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/22580.

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Bibliography: pages 221-235.<br>The main object of study in this thesis is the architectural tradition commonly known as "Cape Dutch". The aim is to make sense of this architecture by answering questions about its coming into being, the people who created it, and their reasons for doing so. Contrary to the suggestions of most existing works on Cape Dutch architecture, an earlier substantial form of domestic architecture, which resembled the town houses of the Netherlands, underlies the tradition. Analysis of existing literature, archaeological excavation, and inventories, indicates that gradua
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7

Gribble, John. "Verlorenvlei vernacular : a structuralist analysis of Sandveld folk architecture." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/21820.

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A sample of 41 vernacular houses from the Verloenvlei and Lange Vlei valleys in the Sandveld on the Cape West coast, have been subjected to a structuralist analysis of their form. As elements of human material culture these houses represent the physical objectification of invisible culture. They are the products of a culturally dictated mental process of design, and in their form reflect the successful mediation by their creators of a set of binary oppositions common to all human experience. The mental rules that guide this process of design, and therefore account for the physical form of the
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8

Davison, Patricia. "Material culture, context and meaning : a critical investigation of museum practice, with particular reference to the South African Museum." Doctoral thesis, University of Cape Town, 1991. http://hdl.handle.net/11427/18276.

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Bibliography: p. 207-227.<br>The broad theoretical concern of the thesis is to elucidate the relationship between material culture and social relations, and to counter the analytical separation of cultural form and social practice, which is a pervasive problem in archaeology and material culture studies in general. This problem is addressed with reference to museum practice, focusing in particular on the social role of artefacts in two contextual domains - that of everyday life, as interpreted in ethnographic fieldwork, and that of a museum, which is in itself a complex cultural artefact. Thes
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9

Hamalwa, Beata. "Beadwork and its impact on contemporary fashion in South Africa." Thesis, Cape Peninsula University of Technology, 2012. http://hdl.handle.net/20.500.11838/2273.

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Thesis (MTech (Design))--Cape Peninsula University of Technology, 2012.<br>Judging from the market growth of African-style designs, including beadwork, it is clear that beadwork continues to recur in contemporary fashion, both locally and internationally. This thesis addresses the role traditional South African beadwork plays in contemporary fashion, in an attempt to determine its impact on fashion trends over time. It explores the history of beadwork in South Africa: its development from the pre-colonial era, under colonial rule, and during apartheid. The beadwork of the Ndebele, Zulu an
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10

Scott, Patricia Elena. "An approach to the urban history of early Victorian Grahamstown, 1832-53, with particular reference to the interiors and material culture of domestic dwellings." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1002408.

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This study is a venture in urban history in that although housing has been the subject of a number of recent studies, little attempt has been made within the British urban history framework to give serious study to what lies behind the architectural facade, the material domestic culture of an urban community. An important objective of this study is to examine the material culture of domestic dwellings in early Victorian Grahamstown, also referring to other parts of the Cape Colony. Where possible these facts are related to the occupants of the dwellings. No community, urban or rural, can be di
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11

Zachariou, Nicholas. "From missionary to merino: Identity, economy and material culture in the Karoo, Northern Cape, South Africa, 1800 - ca. 1870." Doctoral thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/27553.

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This thesis addresses the 19th century sequence of Kerkplaats, a farm in the central Karoo, Northern Cape, South Africa. Over this period different colonialisms of varying power and effect were introduced. The first was to local Khoe, San and Griqua communities in the form of one of the first London Missionary Society stations in the early 19th century. A second phase between 1830 and 1860 was to sheep farmers of German, Dutch and mixed descent, who absorbed and moulded the increasing impacts of British influence and materiality into older worlds of cultural resilience and practice. From 1860,
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12

Mukwevho, Tshilidzi. "Tsenguluso ya ndeme ya mbingano kha Tshivenda." Thesis, University of Limpopo, 2014. http://hdl.handle.net/10386/1254.

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13

MEYER, FREDERICK JOHANNES. "THE PROVISION OF SUPPORT MATERIAL TO ASSIST FET PHASE ACCOUNTING EDUCATORS IN THE FREE STATE PROVINCE." Thesis, Welkom Campus: Central University of Technology, Free State, 2008. http://hdl.handle.net/11462/217.

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Thesis (Ph. D.) - Central University of Technology, Free State, 2008<br>This study primarily focuses on the factors that should be taken into account when developing Learning and Teaching Support Material (LTSM) to be used by FET Accounting educators to improve the results of their learners. In order to accomplish this aim, literature from published books, textbooks, guidelines and syllabi from the Department of Education, speeches and articles on the internet, interviews and questionnaires were used in capturing data to establish the essence of Accounting and Accounting principles, to determ
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14

Abrahams, Gabeba. "Foodways of the mid-18th century Cape : archaeological ceramics from the Grand Parade in central Cape Town." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/21819.

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Bibliography: pages 278-301.<br>The principal intention of this thesis was to study the archaeologically excavated remains from the site of the Grand Parade in central Cape Town. The main lines of argument are centred around the question of the ceramics and how these can be interpreted to add to the knowledge of everyday life at the Cape. This involved excavation of the site, a descriptive report on the site, formulating a typological system of classification relevant to the sample, and interpretation of the ceramic data, considering its context within the local ceramic tradition and the overa
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15

Malan, Antonia. "Households of the Cape, 1750 to 1850 : inventories and the archaeological record." Doctoral thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/21617.

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Bibliography: p. 193-208.<br>The purpose of the research was to study changes that occurred in the material culture of the Cape during the period when the British took over control of the colony from the Dutch. There were three phases for investigation: the colony under the Dutch East India Company in the 18th century, twenty transitional years of interim British and Netherlands governments between 1795 and 1815, and the Cape as a British colony after 1815. An historical archaeological approach was applied to material remains surviving from those years, such as excavated artefacts, documents a
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16

Zazu, Cryton. "Representation and use of indigenous heritage constructs : implications for the quality and relevance of heritage education in post colonial southern Africa." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1002015.

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This study explores representation and use of indigenous heritage constructs with a view to identifying implications thereof for the quality and relevance of heritage education practices in post colonial southern Africa. Framed within a critical hermeneutic research paradigm under-laboured by critical realist ontology, the study was conducted using a multiple case study research design. The data collection protocol was three-phased, starting with a process of contextual profiling, within which insights were gained into discourses shaping the constitution and orientation of heritage education p
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17

Wade, Richard Peter. "A systematics for interpreting past structures with possible cosmic references in Sub-Saharan Africa." Diss., Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-05052009-174557/.

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18

Dederen, Jean-Marie. "Een etnoarcheologische benadering tot de 'materiële cultuur' van de Venda." Thesis, 2014. http://hdl.handle.net/10210/12493.

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19

Ndou, Muthuphei Rufus. "The gospel and Venda culture : an analysis of factors which hindered or facilitated the acceptance of Christianity by the Vhavenda." Thesis, 2000. http://hdl.handle.net/2263/23823.

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20

Zubieta, Calvert Leslie Francis. "The rock art of Chinamwali: material culture and girls' initiation in south-central Africa." Thesis, 2010. http://hdl.handle.net/10539/8137.

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In this thesis I examine the material culture of initiation in central Mala i, eastern Zambia and central-western Mozambique. The White Spread-eagled tradition is a rock art tradition that has been linked to the Che a girls’ initiation ceremony: Chinamwali. Women no longer paint as part of the initiation but they continue to make other objects that they use as mnemonic devices in this ceremony. I explore the parallels between these objects and the paintings, based on ethnographic accounts and data collected in my fieldwork. Rock paintings are interpreted in this study as part of a rang
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21

Munyai, Alidzulwi Simon. "Understanding the christian message in Venda : a study of the traditional concepts of God and of life hereafter among the Venda, with reference to the impact of these concepts on the christian churches." Diss., 2008. http://hdl.handle.net/2263/28527.

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This dissertation reflects on the problem of the Vhavenda experience of simultaneous belief in the life hereafter and the Biblical God. The study therefore indicates a systematic analysis of the Vhavenda concept of God as well as of life hereafter with regard to their own traditional and cultural experience. It became clear that Africans through the ages did believe in God. The human beings are created by God and life is a gift from God to the individuals, which means that they believed in God long before the missionaries came to this country. Africans had their own culture and their own relig
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22

Zulu, John. "The material culture of Hlubi male initiation: a case study from Matatiele, Eastern Cape, South Africa." Thesis, 2016. http://hdl.handle.net/10539/21807.

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A dissertation submitted in fulfillment of the requirements for the award of the Degree of Master of Social Sciences in the Department of Anthropology Faculty of Humanities University of the Witwatersrand March 2016<br>This is a study of the material culture associated with male circumcision rituals among Hlubi people in the Matatiele region of South Africa’s Eastern Cape Province. In recent years social scientists and public commentators have paid increasing attention to male circumcision in the context of controversies around ‘botched’ circumcisions, on the one hand, and the growing
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23

Engela, Ronette. "Space, material culture and meaning in the late Pleistocene and early Holocene at Rose Cave Cottage." Thesis, 1995. http://hdl.handle.net/10539/22719.

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A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree or Master of Arts. Johannesburg, February 1995.<br>This study, based on material excavated at Rose Cottage Cave, presents a new theoretical perspective for our understanding of the southern African archaeological record dated to the Pleistocenel Holocene boundary. Over the past twelve years, : NO contesting models for interpreting the Pleistocene! Holocene boundary have been proposed - it has been described as a period of cultural stasis, on
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24

Mugovhani, Ndwamato George. "Venda choral music: compositional styles." Diss., 2007. http://hdl.handle.net/10500/1202.

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Black choral music composers in South Africa, inspired by the few opportunities available to them until recent times, have nonetheless attempted to establish, perhaps subconsciously, some choral tradition and, in doing so, incorporate African musical elements in their works. My research traces the foundations and historical development of choral music as an art amongst Vhavenda, and the contributions made thereto by a number of past and present Venda composers that this researcher could manage to identify and trace, to the music of the people. The selected composers are Stephen Maimela Dziv
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25

Sikhweni, Nndwakhulu Michael. "Language, identity and preservation : the case of African languages with special reference to Tshivenḓa". Diss., 2016. http://hdl.handle.net/10500/22610.

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The research in this dissertation explored the demise of African languages of South Africa, Tshivenḓa in particular. The Vhavenḓa are historically one of the ethnic groups which have been in South Africa for a long time. The economic activities at Mapungubwe have ensured that they are able to absorb some of the small groups that came to the area to conduct business with them. Due to frequent tribal clashes, the Vhavenḓa resorted, for strategic reasons, to living in mountainous areas. They also refused to work for the Europeans. This exclusion from other ethnic groups kept their language and id
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Khorommbi, Ndwambi Lawrence. "Echoes from beyond a pass between two mountains (Christian Mission in Venda as reflection in some contemporary Tshivenda literature)." 1996. http://hdl.handle.net/10500/17077.

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The thesis of this study revolves around the validity of Tshivenda literature as an authorative commentary on Mission Work in Venda. The value of literary works by selected Tshivenda writers is explored on three important directions: (a) as a source of information on the Vhavenda world-view which is an important aspect in the Vhavenda's understanding of the Missionary message; (b) as a source of challenge to missiology, and (c) as a source of basis for an in-depth contextual missiology. The well-meaning contributions of the German Missionaries is appreciated. Their influence through the spread
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Mudimeli, Lufuluvhi Maria. "The impact of religious and cultural discourses on the leadership development of women in the ministry : a vhusadzi (womanhood) perspective." Thesis, 2011. http://hdl.handle.net/10500/5726.

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Culture and religion have both healthy and unhealthy effect on the leadership development of women in Africa. In this regard, the impact of especially African Pentecostal Christian discourses, as well as Vhavenda cultural discourses, on the lives of women leaders are brought to the surface through literary reviews, questionnaires and interviews. Accordingly, the data obtained by means of these methods are analysed using existing theological and cultural hermeneutics methods. Furthermore, they are deconstructed in terms of a vhusadzi (womanhood) perspective of empowerment regarding women in the
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28

Binneman, Johannes Nicolaas Francois. "Symbolic construction of communities during the Holocene Later Stone Age in the South-Eastern Cape." Thesis, 1995. http://hdl.handle.net/10539/20828.

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A thesis submitted to the Faculty of Science, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Doctor of Philosophy. Johannesburg, 1995.<br>The main concern of this study is the investigation of the events which initiated the symbolic construction of communities in the south-eastern Cape during the Holocene Later Stone Age. To understand and to explain the relationships which existed between different groups in this region a social approach was followed. The data presented in this thesis are a summary of the results obtained from a large nu
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Itsweni, Pelewe. "The Experiences of Death of loved ones and Bereavement amongst young Vhavenda Widows of Tshikombani Village at Nzhelele, Vhembe District in Limpopo , South Africa." Diss., 2018. http://hdl.handle.net/11602/1134.

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MA (Sociology)<br>Department of Sociology<br>Death and bereavement are sensitive issues experienced by all mortal species across the world. When death occurs, some individual are left bereaved. However, all societies have established cultural ways of mourning the dead as a way of healing the bereaved; although it seems the bereavement rituals are decided and performed without the bereaves consent. The aim of the study was to explore the experiences of death and bereavement amongst the young Vhavenda widows. The primary objectives of the study were to identify the challenges experienced by
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30

Whelan, Deborah. "The recent transmutation of the indigenous vernacular architecture of the people at Kwamthembu and Kwamchunu, Msinga district, KwaZulu-Natal, South Africa." Thesis, 2001. http://hdl.handle.net/10413/2582.

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The Msinga magisterial district, KwaZulu-Natal, South Africa is notable because it has for many years been regarded socially as a pariah region by residents of the Province. Over the decades it has been a 'dumping ground' for people and cultures, an infertile land where gun-running, the illegal cultivation of marijuana, and continuous stock theft has relieved some of the abject poverty, but has also exacerbated the local incidence of faction fighting. However, the people of the area have responded to this ongoing social submission by reacting with creativity and colour in their clothing, cultu
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31

Coetzee, Gertruida Catharina Johanna. "'n Histories-argeologiese studie van die Plaas Welkomskraal, Distrik Venterstad, Noordoos-Kaap." Diss., 2014. http://hdl.handle.net/10500/13260.

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Summaries and keywords in Afrikaans and English<br>Hierdie histories-argeologiese studie bied ‘n basiese beskrywing van die materiële kultuur van ‘n afgeleë Suider-Afrikaanse plaas wat tussen die 1880’s en die 1930’s bewoon is. Die studie berus op ‘n gedetailleerde ontleding van die opgegraafde vondste wat herwin is van ashope wat met drie wooneenhede op die plaas Welkomskraal, geleë in die distrik Venterstad in die Noordoos-Kaap, verbind word. Die artefakte is aan die hand van die naslaanversameling in die Bloemfonteinse Nasionale Museum en handelsadvertensies geïdentifiseer. Die materië
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Dube, Stephen Maqethuka. "The traditional Ba Venda concept of the after-life vis-à-vis, the Bavenda christian understanding of eternal life." Diss., 2002. http://hdl.handle.net/10500/1027.

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This dissertation explores the traditional Ba Venda concept of the after-life vis-a-vis the Ba Venda Christian understanding of eternal life. In this dissertation a historical background of the traditional Ba Venda and how there were reached with the gospel of Jesus Christ will be given. A comparative study of the traditional Ba Venda and Christian Ba Venda beliefs and practices is given. It will be noted that the Ba Venda Christians of BeitBridge district revert to traditional beliefs and practices concerning the dead. These rituals carried out by the Ba Venda Christians show the syncretistic
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33

Mashianoke, Thapedi Shadrack. "Tshianzwane music : the relationship between physical structure and abstractions in cultural progress and change." Diss., 2013. http://hdl.handle.net/10500/13047.

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Text in English<br>Accompanied DVD with printed record<br>In this dissertation, I explore music styles from Tshianzwane village in HaMakuya, in the Limpopo Province of South Africa, particularly malende, tshigombela, and children‘s songs. I consider the music styles as embedded in their extra-musical physical structure and abstractions; social rituals; frame of reference; forms of habitus; social order; cultural capital; social meanings, behaviour, power hierarchy, status, space, agency, institutions; formal-informal education and means; symbols; musical instruments; dance; religion; anc
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Ladzani, K. Y. "Moral regeneration in the lives of Vhavenda youth through indigenous knowledge systems : applied ethnography of communication-based approaches with special reference to Tshivhenda." Thesis, 2014. http://hdl.handle.net/10500/18662.

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Today, unlike yesterday we talk about Moral Regeneration amongst the Vhavenḓa youth of today and throughout the whole world. Strategies of combating this monster that is snatching our youth are recommended in this study. The problem dealt with in this study is the issue of Moral degeneration amongst the youth which needs to be regenerated. There are many causes of moral degeneration amongst the youth discussed in this study which are accompanied by the remedial strategies. As a way forward in this study, observations of researchers and scholars on how to find the solution about moral degenerat
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Palk, Debbie. "The economics of trade on the Eastern Cape Frontier, 1820-1860: a study of the glass and metal artefact assemblages from Huntley Street, Farmerfield and Fort Double Drift." Diss., 2018. http://hdl.handle.net/10500/24549.

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Text in English with abstracts in English, Afrikaans and isiXhosa<br>The collections-based research reported upon in this dissertation focuses on three sites in the Eastern Cape: Huntley Street in Grahamstown, Farmerfield, a nearby Wesleyan mission station, and Fort Double Drift, a British fortification on the Great Fish River. The collection, which is housed in the Albany Museum, derives from Patrice Jeppson’s excavations, completed in the 1980s. Analyses of the excavated glass and metal, augmented by a close reading of tender and shopkeepers’ advertisements in The Graham’s Town Journal, chro
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Wanless, Ann. "The silence of colonial melancholy : The Fourie collection of Khoisan ethnologica." Thesis, 2008. http://hdl.handle.net/10539/5710.

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Between 1916 and 1928 Dr Louis Fourie, Medical Officer for the Protectorate of South West Africa and amateur anthropologist, amassed a collection of some three and a half thousand artefacts, three hundred photographs and diverse documents originating from or concerned with numerous Khoisan groups living in the Protectorate. He gathered this material in the context of a complex process of colonisation of the area, in which he himself was an important player, both in his official capacity and in an unofficial role as anthropological adviser to the Administration. During this period South African
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