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1

Museum, Botswana National. National Museum publicity material. Botswana National Museum, 2009.

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2

Palacios González, Daniel. Making Monuments from Mass Graves in Contemporary Spain. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048560134.

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This book narrates how, beginning in 1936, bodies buried in mass graves during the Spanish War and subsequent dictatorship were turned into monuments. The book describes how the production of monuments evolved and what forms this process and these monuments took; it examines how the monuments were incorporated into society and used to influence public opinion; and it argues that this process was not simply based on the formal logic of tradition but instead reflected a conscious plan with a specific and rational end goal. As such, this book puts forward the idea that the monument as a material
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3

A, Funari Pedro Paulo, Soares André Luis R, and World Archaeological Congress (3rd : 1994 : New Delhi, India), eds. Cultura material e arqueologia histórica. Instituto de Filosofia e Ciências Humanas, Universidade Estadual de Campinas, 1998.

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4

Rosamund, Cleal, and Pollard Joshua, eds. Monuments and material culture: Papers in honour of an Avebury archaologist: Isobel Smith. Hobnob Press, 2004.

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5

Molina, Coronada Mora, and Coronada Mora Molina. La intervención de 2005 en el Dolmen de Menga: Temporalidad, biografía y cultura material en un monumento del patrimonio mundial. Editorial Universidad de Sevilla, 2018.

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6

Garman, James C. "Faithful and loyal servants": The masking and marking of ethnicity in the material culture of death. South Carolina Institute of Archaeology and Anthropology, University of South Carolina, 1992.

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7

McDonald, Miriam R. The Sir William Arrol collection: A guide to the international material held in the National Monuments Record of Scotland. RCAHMS, 2000.

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8

K, Oglethorpe M., and Royal Commission on the Ancient and Historical Monuments of Scotland., eds. The Sir William Arrol collection: A guide to the Scottish material held in the National Monuments Record of Scotland. RCAHMS, 1998.

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9

Bảo tàng dân tộc học Việt Nam, ed. The grave house of the Jarai Arap people. Thế Giới, 2006.

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10

Morales, Javier Alfonso López. Cementerio San Camilo de Pereira: Representación visual y material del diseño, las artes y la arquitectura : desde los primeros años del siglo XX, hasta la década del ochenta. Universidad Católica de Pereira, 2016.

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11

S, Jones Melanie, and Wakefield Rachael D, eds. Aspects of stone weathering, decay and conservation: Proceedings of the 1997 Stone Weathering and Atmospheric Pollution Network Conference (SWAPNET '97), the Robert Gordon University, 15-17 May 1997. Imperial College Press, 1999.

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12

Ngô, Văn Doanh. Nhà mò̂ và tượng mò̂ Giarai, Bơhnar. Sở Văn hóa thông tin và thẻ̂ thao tỉnh Gia Lai, 1993.

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13

Peter, Harbison. 'Our treasure of antiquities': Beranger and Bigari's antiquarian sketching tour of Connacht in 1779 : based on material in the National Library of Ireland and the Royal Irish Academy. Wordwell, 2002.

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14

Gosudarstvennyĭ istoriko-kulʹturnyĭ muzeĭ-zapovednik "Moskovskiĭ Kremlʹ". Pami︠a︡tniki materialʹnoĭ kulʹtury IV tysi︠a︡cheletii︠a︡ do nasheĭ ėry--pervoĭ poloviny I tysi︠a︡cheletii︠a︡ nasheĭ ėry =: Monuments of material culture 4th millennium BC-the first half of the 1st millennium AD. Gos. istoriko-kulʹturnyĭ muzeĭ-zapovednik Moskovskiĭ Kremlʹ, 2010.

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15

Case, Richard B. Matching monuments to soil types. U.S. Department of the Interior, Bureau of Land Management, Branch of Survey/Mapping Development, 1986.

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16

1954-, Bennett Wayne, ed. The materiality of stone: Explorations in landscape phenomenology. Berg, 2004.

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17

Eric, May, Jones Mark, Mitchell Julian, and Royal Society of Chemistry (Great Britain), eds. Heritage microbiology and science: Microbes, monuments and maritime materials. Royal Society of Chemistry, 2008.

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18

Il'vickaya, Svetlana. History of architecture of world confessions. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1416908.

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The textbook discusses the features of the cult architecture of a number of Eastern countries. These are architectural monuments, the main types of temples, as well as the style trends of the main denominations of India, China, Japan, the region of Southeast Asia, Arab-Muslim countries, the Orthodox East, etc. The problem of cultural interaction between the West and the East in the context of architectural science and globalization in architecture is presented.
 It contains not only a theoretical part, but also a practical one, including the methodology for performing analytical work on t
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19

Pecchioni, Elena, and Alba Patrizia Santo. Florence RockinArt. Firenze University Press, 2020. http://dx.doi.org/10.36253/9788855181570.

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The city of Firenze represents, for the variety of its artistic and architectural heritage, a kind of open-air museum. Works of art and monuments are mainly made of the rocks outcropping in Firenze and in the surrounding areas; indeed, a close link exists between monuments, geographical position of the city and its history. Florence, is characterised by the color of its stone-built cultural heritage, mainly by the warm ochraceous color of the Medieval Pietraforte sandstone and the cerulean grey of the Renaissance Pietra Serena sandstone together with other natural and artificial materials used
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20

A, Shulepova Ė, та Nauchno-issledovatelʹskiĭ institut kulʹtury, ред. Materialy Svoda pami͡a︡tnikov istorii i kulʹtury RSFSR. Nauchno-issl. in-t kulʹtury, 1990.

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21

Gentili, Enzo Biffi. A regola d'arte: Monumenti futuri. Modo, 1999.

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22

Ivanovich, Krushanov Andreĭ, Stri͡u︡chenko I. G, Institut istorii, arkheologii i ėtnografii narodov Dalʹnego Vostoka (Akademii͡a︡ nauk SSSR), Primorskiĭ kraĭispolkom (Russia). Upravlenie kulʹtury. та Vserossiĭskoe obshchestvo okhrany pami͡a︡tnikov istorii i kulʹtury. Primorskoe kraevoe otdelenie., ред. Pami͡a︡tniki istorii i kulʹtury Primorskogo krai͡a︡: Materialy k svodu. Dalʹnevostochnoe knizhnoe izd-vo, 1991.

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23

V, Teli︠u︡k A., ред. Triumfalʹnai︠a︡ arka: Blagoveshchensk--iz veka v vek : materialy, dokumenty, svidetelʹstva, vospominanii︠a︡. Amurskai︠a︡ i︠a︡rmarka, 2006.

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24

Carr, Aaron. Washington Monument. AV2 by Weigl, 2014.

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25

1943-, Amoroso Giovanni G., ed. Materiali e tecniche nel restauro. D. Flaccovio, 1996.

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26

Fedorovich, Kiri͡u︡shin I͡U︡riĭ, Altaĭskiĭ kraĭispolkom Upravlenie kulʹtury та Vserossiĭskoe obshchestvo okhrany pami͡a︡tnikov istorii i kulʹtury. Altaĭskoe kraevoe otdelenie., ред. Pami͡a︡tniki istorii i kulʹtury Severo-Zapadnogo Altai͡a︡: Metodicheskie materialy k obsuzhdenii͡u︡ maketa svoda pami͡a︡tnikov. [s.n.], 1990.

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27

Warda, Johannes. Veto des Materials: Denkmaldiskurs, Wiederaneignung von Architektur und modernes Umweltbewusstsein. Wohnungswirtschaft Heute Verlagsgesellschaft, 2016.

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28

Blundo, Amelia. I mausolei della necropoli di Assuan: Materiali per un'indagine comparativa. All'insegna del giglio, 2020.

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29

Carlo, Giavarini, and Centro interdipartimentale di scienza e tecnica per la conservazione del patrimonio storico-architettonico., eds. The Basilica of Maxentius: The monument, its materials, construction, and stability. L'Erma di Bretschneider, 2005.

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30

Servat, Alberto, and Miguel Baca Rossi. Miguel Baca Rossi: Retrospectiva (1917- 2016) : la materia cobra vida : arte e historia moderadas. Instituto Cultural Peruano Norteamericano, 2018.

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31

Shutova, N. I. Kulʹtovye pami︠a︡tniki Kamsko-Vi︠a︡tskogo regiona: Materialy i issledovanii︠a︡. Udmurskiĭ in-t istorii, i︠a︡zyka i lit-ry, UrO RAN, 2004.

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32

Belarusʹ, Natsyi︠a︡nalʹny arkhiŭ Rėspubliki, ed. Uvekovechenie pami︠a︡ti zashchitnikov Otechestva i zhertv voĭn v Belarusi, 1941-2008 gg: Dokumenty i materialy. NARB, 2008.

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33

A, Shulepova Ė, Poli͡a︡kova M. A, Pisarʹkova L. F. 1952-, Frolov A. S та Konferent͡s︡ii͡a︡ "Kulʹturnoe nasledie Rossii--opyt i problemy podgotovki svoda pami͡a︡tnikov istorii i kulʹtury" (1989 : Nauchno-issledovatelʹskiĭ institut kulʹtury), ред. Kulʹturnoe nasledie Rossii--opyt i problemy podgotovki svoda pami͡a︡tnikov istorii i kulʹtury : materialy nauchnoĭ konferent͡s︡ii. Nauchno-issl. in-t kulʹtury, 1990.

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34

A, Beli͡aev L., and Institut arkheologii (Rossiĭskai͡a akademii͡a nauk), eds. Russkoe srednevekovoe nadgrobie XIII-XVII veka: Materialy k svodu. Nauka, 2006.

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35

Jacob, Bauthumley, ed. A brief history of the most material passages and persecutions of the church of Christ, from the death of our Saviour, to the time of William the Conqueror: Collected out of the Acts and monuments of the church, written by Mr. Fox, in the three first Books of martyrs ... Printed for William Redmayne ..., 1985.

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36

A, Moropoulou, and Techniko Epimelētērio Hellados, eds. Compatible materials for the protection of cultural heritage. Technical Chamber of Greece, 2000.

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37

Sartori, Rino. Pietre e marmi di Firenze: Notizie storiche, antiche cave, genesi e presenza nei monumenti. Alinea, 2002.

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38

Gavrilov, A. V. Amfornye kleĭma okrugi antichnoĭ Feodosii: Materialy k khronologii arkheologicheskikh pami︠a︡tnikov = Amforni kleĭma okruhy antychnoï Feodosiï : materialy do khronolohii̤ arkheolohichnykh pam'i︠a︡tok = Amphora stamps of neighborhood vicinity of ancient Feodosia : materials to the chronology of archaeological monuments. Izdatelʹstvo "Donbass", 2011.

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39

Lazareva, Tat'yana. Altar barriers of temples of Central Russia of Modern times (on the example of the Prioksky region). INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1903337.

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The monograph is the first attempt to study the previously unknown and mostly lost iconostases of Central Russia of Modern times, before the break in the history of the continuous evolution of the altar barrier. Based on the results of the art history analysis, the main trends in the stylistic and iconographic development of iconostases are revealed. The considered works of the XVIII — early XX century include monuments of the Oryol, Bryansk, Yelets, Ryazan, Nizhny Novgorod lands, unique ensembles of Arzamas and Murom. The lack of literature and sources is compensated by information from more
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40

Pollard, Joshua, and Rosamund Cleal. Monuments and Material Culture. Hobnob Press, 2004.

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41

Wheeldon, Marianne. Collective Memory and the Material Shaping of Debussy’s Legacy. Oxford University Press, 2018. http://dx.doi.org/10.1093/acprof:oso/9780190631222.003.0005.

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Chapter 5 considers the role of material culture by examining the campaign to erect a monument dedicated to the memory of Debussy. Rather than taking at face value the timeless, universal image that these monuments sought to project, this chapter focuses on the political, practical, and aesthetic realities that underpinned contemporary debates on how best to commemorate Debussy. Every step of this project of public commemoration was called into question: from the choice of sculptor, artistic style, subject matter, and location of the monument to the necessity of fashioning such an homage in th
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42

Shrock, Dennis. Choral Monuments. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469023.001.0001.

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This book provides extensive and in-depth material about eleven epoch-making choral masterworks that span the history of Western culture from the Renaissance to the modern era. Included are Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony no. 9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapter
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43

Langroudi, Amir Ershad. Protective Material Coatings for Preserving Cultural Heritage Monuments and Artwork. Bentham Science Publishers, 2022.

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44

Langroudi, Amir Ershad. Protective Material Coatings for Preserving Cultural Heritage Monuments and Artwork. Bentham Science Publishers, 2022.

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45

Langroudi, Amir Ershad. Protective Material Coatings for Preserving Cultural Heritage Monuments and Artwork. Bentham Science Publishers, 2022.

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46

Harmanşah, Ömür. Monuments and Memory: Architecture and Visual Culture in Ancient Anatolian History. Edited by Gregory McMahon and Sharon Steadman. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195376142.013.0028.

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This article on long-term cultural landscapes of Anatolia focuses on various episodes of fragmentation and connectivity with adjacent regions, through the study of monumental architecture and visual/material culture from prehistory to the end of the Achaemenid period. It attempts to trace a line of thought around monumentality and social memory, in order to see our paradigms from Anatolian history in a critical long-term perspective. The article argues that architecture and monuments are the most visible and powerful remnants of past civilizations, especially through funerary monuments, and th
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47

Migotti, Branka, Marjeta Sasel Kos Jamison, and Iva Radman-Livaja. Roman Funerary Monuments of South-Western Pannonia in Their Material, Social, and Religious Context. Archaeopress, 2018.

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48

Migotti, Branka, Marjeta Sasel Kos Jamison, and Iva Radman-Livaja. Roman Funerary Monuments of South-Western Pannonia in Their Material, Social, and Religious Context. Archaeopress, 2018.

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49

Tombs of the Ancient Poets: Between Literary Reception and Material Culture. Oxford University Press, 2018.

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50

Kreshak, Cari. Historic cemetery headstones as material culture indicators of social roles in Whatcom County, Washington. 1993.

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