Academic literature on the topic 'Materialism in art'

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Journal articles on the topic "Materialism in art"

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Soqandi, Mahnaz, and Fatemeh Sadat Basirizadeh. "Cultural Materialism in Lorca’s Poetry." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 2 (2020): 682–91. http://dx.doi.org/10.33258/birci.v3i2.879.

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The aim of the present research is to investigate Lorca’s poem from cultural materialist point of view. To do so, the researcher investigates how culture and social mechanism function in the context in which the poems have been written. Cultural materialism attempts to investigate different aspects of society, art, economy, language, and politics from an external point of view and analyze them to find out how identity and self are shaped accordingly. Cultural materialism is demonstrated in different categories including gender, ethnic studies, postmodernism, postcolonialism, and other fields.
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Stark, Trevor. "Lawrence Weiner's Materialism." October, no. 180 (2022): 105–20. http://dx.doi.org/10.1162/octo_a_00455.

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Abstract From the 1960s until his death in 2021, Lawrence Weiner developed an art practice operating in language, which he described as being that of a “materialist.” This paper examines the scope of Weiner's career to determine what he could mean by that term—to derive the specific characteristics of his linguistic materialism. Differentiating his work from existing materialist paradigms in poetics and linguistics, this paper argues that the matter of language for Weiner was not reducible to the visual character of the signifier or to the physicality of the referent. Rather than attempt to de
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Leonard, Nicholas. "The Arts and New Materialism: A Call to Stewardship through Mercy, Grace, and Hope." Humanities 9, no. 3 (2020): 84. http://dx.doi.org/10.3390/h9030084.

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During highly polarized times, issues are quickly addressed in ways that emphasize divisions. To support the healing of our polarized culture through art, new materialist theory as presented by Karen Barad and Rosi Braidotti will be entangled with art and artmaking according to Dennis Atkinson and Makoto Fujimura to argue for art as an act of environmental and cultural stewardship, creating new possibilities and differences in the virtual that are merciful, graceful, and hopeful. To form this argument, first a summary of new materialism and ethics through Agential Realism and Affirmative Ethic
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Zareei, Mo H. "Audiovisual Materialism." Organised Sound 25, no. 3 (2020): 362–71. http://dx.doi.org/10.1017/s1355771820000321.

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This article looks at the emergence of physical material in a growing number of contemporary sound-based art practices. From academic symposia to music festivals and media art exhibitions, the material presence of physical artefacts is notable in a variety of sound-based disciplines and scenarios. Considering the significance of the visual aspect of these works, this article proposes a reassessment of what audiovisual entails. I argue that our understanding of audiovisual status needs to be expanded beyond the scope of screen-based applications and move into the physical realm of objects and m
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Gogoșeanu, Mihaela-Oana. "Noul Materialism: Ipoteze Și Contexte." Lucian Blaga Yearbook 23, no. 1-2 (2022): 9–28. http://dx.doi.org/10.2478/clb-2022-0001.

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Abstract The aim of this paper is to reflect the directions proposed by the new materialism’s theorists by revealing them in a field in which the new materialist perspective has not experienced the same emergence as in cultural studies or philosophy: literature, an area whose socio-cultural implication will enable the correlations with the art of performance. For this purpose, after a brief theoretical introduction, “hypothesis”, of the approach, whose role is in fact to clarify the ideas that the new materialism supports, we reveal a series of neo-materialist “contexts” in the literatures of
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Küttel, Nora Mariella. "Material agency in art installations: exploring the interplay of art, space, and materials in Detroit." Geographica Helvetica 79, no. 2 (2024): 149–60. http://dx.doi.org/10.5194/gh-79-149-2024.

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Abstract. Decades of decline, disinvestment, and racism have left Detroit with an abundance of abandoned buildings, ruins, vacant lots, and illicit trash dumps. Though these structures and materials might have forfeited their previous purposes, they can act as catalysts, substances, and co-creators of artworks. The paper is thus interested in examining the intricate interplay between art, space, and materiality in Detroit further. Drawing from the practices of local artists Olayami Dabls and Scott Hocking, the paper adopts a new materialist framework to investigate the dynamic agency of matter
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Burford, Mark. "Hanslick's Idealist Materialism." 19th-Century Music 30, no. 2 (2006): 166–81. http://dx.doi.org/10.1525/ncm.2006.30.2.166.

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In the mid-nineteenth century, materialist and empiricist modes of thought characteristic of natural science increasingly called into question the speculation of German idealist philosophy. Music historians have commonly associated Eduard Hanslick's Vom Musikalisch-Schšnen (On the Musically Beautiful, 1854) with this tendency toward positivism, interpreting the treatise as an argument for musical formalism. His treatise indeed sought to revise idealist musical aesthetics, but in a far less straightforward way. Hanslick devotes considerable attention to the "material" that makes up mus
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Day, Kevin T. "The Medium Is the Environment: Digital materialism, climate crisis and digital art as pedagogy." International Journal of Education Through Art 19, no. 1 (2023): 69–82. http://dx.doi.org/10.1386/eta_00119_1.

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This article examines the environmental implications of ubiquitous information and communication technologies (ICT) manufacturing, operations and usage, using the theories of new materialism and digital materialism, and offers an interactive video installation as a case study for contemporary digital art’s pedagogical potential in response to such environmental issues. Contrary to the imageries of the cloud and the notion of immateriality as promoted by the tech industry, digital media systems are grounded in the material world and operate at the expense of the material substrate. Such a socio
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Nachtigall, Jenny, and Kerstin Stakemeier. "Art Work as Life Work: Lu Märten's Feminist “Objectivity”." October, no. 178 (2021): 35–54. http://dx.doi.org/10.1162/octo_a_00438.

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Abstract “Art Work as Life Work: Lu Märten's Feminist ‘Objectivity’” highlights the feminist stakes of German feminist-materialist art historian Lu Märten's interventions in the interwar discourses on art and labor, on objectivity (Sachlichkeit), and the new media of film and radio. The essay argues that Märten's contributions to these areas sit squarely within more familiar narratives of materialist aesthetics and Weimar culture (from Walter Benjamin's epochal Artwork Essay to the Bauhaus) and that they do so on account of her heterodox reading of Marx and commitment to Spinoza's monism. In M
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Stone, Gregory L. "Chrétien de Troyes and Cultural Materialism." Arthuriana 6, no. 2 (1996): 69–87. http://dx.doi.org/10.1353/art.1996.0040.

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Dissertations / Theses on the topic "Materialism in art"

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Barbour, Susan Jean. "Elegaic materialism : the poetry and art of Susan Howe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4a0decd4-dec1-4f23-9457-d4d8b58c97c1.

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The American poet Susan Howe (1937-present) began her career as a visual artist, but owing to a dearth of information about her early collages it has been difficult to say anything substantive about how they might have shaped her poetic practice. In 2010, she placed her collages on archive. Along with a number of personal interviews with Howe, this heretofore unavailable material has enabled me to consider Howe's subsequent work in a new light and to establish significant links between her early visual aesthetics and the poetics of bibliography, historiography, and elegy for which she is now k
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Ravisankar, Ramya N. "Artmaking as Entanglement: Expanded notions of artmaking through new materialism." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557001719441416.

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Wolfe-Alegria, Eduardo. "Meta/Physicals: Surrealism, spirituality and figuration in contemporary art." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/13634.

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In the following thesis entitled Meta/Physicals: Surrealism, spirituality and figuration in contemporary art, I focus on an interpretation of spirituality ultimately separate to religion, that encompasses notions of a vital force underpinning existence, which acknowledges the innate connectedness of all “things,” and which is open to notions of the paranormal, aiming to discuss this interpretation of spirituality, in relation to contemporary art and in particular to figurative contemporary art. In the first chapter, I address a number of ways in which contemporary art and art discourses relate
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LaFountain, Jason David. "The Puritan Art World." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11006.

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In this dissertation, I argue that the iconoclastic and anti-materialistic "art of living to God" is the central theoretical preoccupation of English and American Puritan intellectuals. I call attention to a wealth of previously unacknowledged writing about image, art, architecture, and form in Puritan literature, while highlighting how recent materialist analyses of Puritan culture have effectively obscured evidence of iconoclasm and anti-materialism in this milieu. In the first chapter, I explore the Puritan inheritance of John Calvin's theology of the "living image," which defines human bei
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Boyd, Madeleine Jean. "Horse / human entanglements: new materialisms and non-human perspectives in art." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/14352.

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Making Art with Horses is a liminal experiment at the intersection of animal studies and performative contemporary art. A starting point for research is the assertion that non-human species and processes have perspectives, and that these perspectives have been under-explored in contemporary art and theory. Epistemological and ontological direction is guided by Karen Barad’s Agential Realism, the broader movement of new materialisms including the assemblage theory of Giles Deleuze and Felix Guattari, as well as phenomenological observation practices. Horses have been selected as the species wi
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Evans, Phyllis Leverich. "Empty pleasures." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=632.

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Thesis (M.F.A.)--West Virginia University, 1999.<br>Title from document title page. Document formatted into pages; contains v, 24 p. : col. ill. Includes abstract. Includes bibliographical references (p. 19).
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Mills, Christina Murdoch. "Materiality as the basis for the aesthetic experience in contemporary art." Diss., [Missoula, Mont.] : The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06152009-094348.

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Hood, Emily Jean. "Creative Matter: Exploring the Co-Creative Nature of Things." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404623/.

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This dissertation is about new materialism as it relates to art education. It is a speculative inquiry that seeks to illuminate the interconnectivity of things by considering the ways in which things participate in generative practices of perceiving and making. To do so, the dissertation pioneers an arts-based methodology that allows for broad considerations about who and what can be considered an agent in the process of art making. In this inquiry, the researcher is an artist-participant with other more-than-human and human participants to construct an (im)material autohistoria-teoría, a r
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Fries, Katherine. "Touching Impermanence: Experiential Embodied Engagements with Materiality in Contemporary Art Practice." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17880.

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Touching impermanence describes the experiential moment in an art encounter when one senses the enchanted reality of one’s interconnections within the sentient matterflow of existence. All matter in existence is constantly vibrating, changing, assembling and evolving into forms and organisms, cycling through decay and disintegration, then reforming again with diversity and difference; this is the impermanence of sentient matter-flow. Humans are just one form of these reciprocal assemblages; we are within and part of sentient matter-flow. We also co-create with sentient matter-flow, changing th
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Jefferies, Tiana. "Tuning to thresholds: An object-oriented study of affect and contemporary art practice." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/212528/1/Tiana_Jefferies_Thesis.pdf.

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This practice-led research project explores the complex and contradictory affective responses encountered as a creative practitioner in relation to materiality. Using an Object-Oriented and New Materialist approach, I propose that affect resides between and around objects and that this relational space can be seen as a threshold. This proposition is informed by the ideas of Melissa Gregg, Gregory Seigworth, Graham Harman, and Jane Bennett, and contextualised by the creative practices of Eva Hesse, Rachel Whiteread, and Sarah Sze. It is my contention that collaborating with the agencies of obje
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Books on the topic "Materialism in art"

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Espacio Santa Clara (Seville, Spain), Sala Atín Aya, and CICUS, Centro de Iniciativas Culturales de la Universidad de Sevilla, eds. Aplicación Murillo: Materialismo, charitas, populismo = Murillo aplication : materialism, charity, populism. Instituto de la Cultura y las Artes de Sevilla (ICAS), Ayuntamiento de Sevilla, 2019.

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Klingborg, Caroline Elgh. NyMaterialism: New materialism. Art and Theory Publishing, 2018.

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Chin-sŏk, Ch'oe. Kamŭng ŭi yumullon kwa yesul: Materialism and art in affect. Tosŏ Ch'ulp'an b, 2020.

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Krefeld, Museum Haus Lange, Museum Haus Esters, Krefelder Kunstmuseen (Germany), and Galerie im Taxispalais (Innsbruck, Austria), eds. Living in the material world: Lara Almarcegui, Michael Beutler, Karla Black, Berta Fischer, Theaster Gates, Ane Mette Hol, Jessica Jackson Hutchins, David Jablonowski, Markus Karstiess, Alicja Kwade, Marie Lund, Oscar Tuazon. Snoeck Verlagsgesellschaft mbH, 2014.

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Greenwood, Geoffrey. The cultural evolution of man: Language, art, religion, socialism, capitalism, idealism, materialism. Avon, 1997.

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1969-, Torra-Mattenklott Caroline, and Strässle Thomas 1972-, eds. Poetiken der Materie: Stoffe und ihre Qualitäten in Literatur, Kunst und Philosophie. Rombach Verlag, 2005.

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Zentrum für Kunst und Medientechnologie Karlsruhe and VAF-Stiftung, eds. Materialbild: Material picture = Immagine materiale : Italia 1950-1965. ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe, 2009.

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Michele, Abeles, Kelm Annette, Pryde Josephine 1967-, Quinlan Eileen 1972-, and Museum Moderner Kunst (Austria), eds. Objects recognized in flashes. Mumok - Museum moderner Kunst Stiftung Ludwig, 2019.

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Zhongguo ren min jie fang jun jun shi ke xue yuan. Jun shi bian zheng fa yan jiu bian xie zu. Jun shi bian zheng fa yan jiu. Jun shi ke xue chu ban she : Xin hua shu dian fa xing, 1985.

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Tugarinov, V. P. Izbrannye filosofskie trudy. Izd-vo Leningradskogo universiteta, 1988.

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Book chapters on the topic "Materialism in art"

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Geczy, Adam. "Bland Matter: New Materialism, and Barking Up the Wrong Tree." In Where is Art? Routledge, 2022. http://dx.doi.org/10.4324/9781003037071-7.

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Dustin, Christopher A., and Joanna E. Ziegler. "“Not diverse from things”: Emersonian Materialism." In Practicing Mortality: Art, Philosophy, and Contemplative Seeing. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-06993-1_11.

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Zepke, Stephen. "The Animist Readymade: Towards a Vital Materialism of Contemporary Art." In Animism in Art and Performance. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66550-4_12.

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Munteán, László, and Liedeke Plate. "Introduction: Materials Matter." In Edition Kulturwissenschaft. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839466971-002.

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In the introduction of the volume Materials of Culture, László Munteán and Liedeke Plate advocate for a 'materials turn' within the larger sweep of the material turn in the humanities and the social sciences. Drawing on theories of material culture studies, new materialism, and material agency, as well as on recent scholarship in anthropology, archaeology, and art history, the authors lay the groundwork for a materials-based perspective in cultural studies. Rather than taking objects, things, and the concept of materiality, as points of departure for analysis, this perspective focuses on materials and highlights their relevance to culture and vice versa.
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Oroveanu, Anca. "Paint Matter and Trace: Reflections on Horia Bernea’s Art." In Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49945-6_8.

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Kumler, Aden. "Materials, Materia, “Materiality”." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch4.

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Brouillette, Sarah. "Work as Art and Art as Life." In Literary Materialisms. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137339959_6.

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Avgitidou, Angeliki. "Materials in performance." In Performance Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003197904-3.

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Malin, Michael J. "Toxicology of Art Materials." In The Chemistry and Mechanism of Art Materials. CRC Press, 2021. http://dx.doi.org/10.1201/9781003053453-5.

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Harvey, Graham. "Art works." In Materiality and the Study of Religion. Routledge, 2016. http://dx.doi.org/10.4324/9781315604787-7.

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Conference papers on the topic "Materialism in art"

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Sturlaugson, Brent. "Supply Chain Materialism." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.58.

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The goal of this paper is to unsettle prevailing assumptions of sustainability in architecture by analyzing the supply chain of building materials. By closely following the transformations of architectural materials and those that transform them, the tangible effects of design become more apparent (e.g. material extraction, environmental pollution, waste streams), and the intangible forces become more visible (e.g. economic incentives, labor abuses, political spending). The paper begins by outlining several theoretical and representational challenges of supply chains, followed by examples of h
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Didmanidze, Ibraim, and Irma Bagrationi. "INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.

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The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the �Theory of Environment� and �Conception of Organotropism� from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of French philosopher and sociologist Jean-Marie Guyau [in the work �Problems of Contemporary Aesthetics�] the aesthetic ideal of art has a meaning by presentive only social sympathy aesthetics; A German philosopher and aesthetician Alexander Gottlieb Bau
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"Waterscape and Mountain Views are All Painting Materials —On Mr. Ding Congwei’s Watercolor Painting Art." In 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.078.

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"[Spine art]." In 2018 Innovative Materials and Technologies in Electrical Engineering (i-MITEL). IEEE, 2018. http://dx.doi.org/10.1109/imitel.2018.8370459.

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Abraham, Margaret H., Stefanie Scheerer, Odile Madden, and Fran Adar. "Laser-induced chemical changes in art materials." In Lasers in Metrology and Art Conservation, edited by Renzo Salimbeni. SPIE, 2001. http://dx.doi.org/10.1117/12.445646.

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Krasilnikova Sytchkova, Anna, Maria Luisa Grilli, Angela M. Piegari, and Eric Mattmann. "Transparent Conductive Materials for Art Protection Glass." In Optical Interference Coatings. OSA, 2007. http://dx.doi.org/10.1364/oic.2007.thc6.

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Dodkhudoeva, Larisa N. "Wakhan folk art (professor M.F. Ruziev’s field materials)." In International scientific conference " Readings in memory of B.B. Lashkarbekov dedicated to the 70th anniversary of his birth". Yazyki Narodov Mira, 2020. http://dx.doi.org/10.37892/978-5-89191-092-8-2020-0-0-342-351.

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Ferraro, Pietro, Sergio De Nicola, Andrea Finizio, Simonetta Grilli, and Giovanni Pierattini. "Digital holographic interferometry for characterization of transparent materials." In Lasers in Metrology and Art Conservation, edited by Roland Hoefling, Werner P. O. Jueptner, and Malgorzata Kujawinska. SPIE, 2001. http://dx.doi.org/10.1117/12.445580.

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Weiler, Jennifer, and Kat Fowler. "3D visualization of genetic networks using diverse art materials." In 2017 IEEE VIS Arts Program (VISAP). IEEE, 2017. http://dx.doi.org/10.1109/visap.2017.8282371.

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Khan, Tahir, Ning Zhang, and Abdullah Akram. "State of the art review of Functionally Graded Materials." In 2019 2nd International Conference on Computing, Mathematics and Engineering Technologies (iCoMET). IEEE, 2019. http://dx.doi.org/10.1109/icomet.2019.8673489.

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Reports on the topic "Materialism in art"

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Los, Josyp. Панорама сенсів: аргументи авторитетів світоглядної публіцистики. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11731.

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The article deals with the problem of the meaningfulness (essence) of the worldview journalism in the context of the argumentative resources of the work of influentive authors, for which the missionary role of the word is decisive. The search for meaning has been debated for centuries by orators, philosophers, psychologists, writers, sociologists, historians, journalists, and so on. In addition to other factors, a combination of the principles of worldview journalism and conceptual humanitarianism gives effective results. The author explores the acute problem of the effectiveness of a journali
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Maurice, David. Materials for ARS Reaction Chambers. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1845318.

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Alexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Pipeline Research Council International, Inc. (PRCI), 2010. http://dx.doi.org/10.55274/r0000005.

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Composite materials have been used to repair high pressure transmission pipelines. Over this time period a wide variety of composite systems have been developed and evaluated. With the increased demands being placed on pipeline systems around the world, it is expected that the market potential for composite repair systems will continue to expand. Additionally, as composite technology is further developed the opportunities for new applications will expand. An assessment of this composite repair technology is needed. This report has been developed to provide industry with a state of the art asse
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(Archived), Irina Ward, and Farah Abu Saleh. PR-473-144506-R01 State of the Art Alternatives to Steel Pipelines. Pipeline Research Council International, Inc. (PRCI), 2017. http://dx.doi.org/10.55274/r0011459.

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This report is a literature review of several non-metallic material systems often used as alter-natives to steel pipelines. The pipeline systems reviewed are high density polyethylene (HDPE), fiberglass reinforced plastic (FRP), flexible composite and thermoplastic liners. This report is not intended to be a detailed guide or design manual on the use of the referenced materials for pipeline applications, rather an overall evaluation on the current state of these systems. Significant industry literature and documentation already exists on the design, manufacturing, installation, and operation o
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Forster, Aaron M. Materials Testing Standards for Additive Manufacturing of Polymer Materials: State of the Art and Standards Applicability. National Institute of Standards and Technology, 2015. http://dx.doi.org/10.6028/nist.ir.8059.

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Ricker, Neil Lawrence, and Benjamin B. Cipiti. Advancing the state of the art in materials accountancy through Safeguards Performance Modeling. Office of Scientific and Technical Information (OSTI), 2008. http://dx.doi.org/10.2172/939846.

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Maupin, Julie, and Dr Michael Mamoun. DTPH56-06-T-0004 Plastic Pipe Failure, Risk, and Threat Analysis. Pipeline Research Council International, Inc. (PRCI), 2006. http://dx.doi.org/10.55274/r0012119.

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Reports, publications, papers, and databases were reviewed to better define risks and threats to plastic gas distribution piping. Failure modes were described for plastic PE piping with the most significant being slow crack growth (SCG). Short-term mechanical tests such as tensile, quick burst, melt index, and density tests did not show a correlation with a material's susceptibility to SCG failure. The bend-back test was able to visually identify 1971 low-ductile inner wall materials. PENT test failure times were reported for materials manufactured during the period1972-1985. The PENT test did
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Morrison, K. G. PR-214-9109-R01 Application of Pulsed Gas Metal ARC Welding to Pipeline Construction. Pipeline Research Council International, Inc. (PRCI), 1992. http://dx.doi.org/10.55274/r0011832.

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Evaluates the use of high strength micro-alloyed steels in pipeline construction for the potential savings in material, materials handling, and welding construction costs. Pulsed- Gas Metal Arc Welding (P-GMAW) is considered the most appropriate welding process to join these materials since high quality, low hydrogen welds with excellent mechanical properties are possible.
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Kim, Alexander. Osteological studies of Archaeological Materials from Bohai Sites in Russia. A State of the Art. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.03.

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Glover, Steven. Arc Parameter Modeling (Arc Breakdown Experiments and Modeling: Confined Geometries and Alternate Gap Materials). Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1411768.

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