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Journal articles on the topic 'Matriarchal Consciousness'

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1

Robmarie, Lopez. "Gauguin's Sculpture: Eve as Archetype of Tahitian Matriarchal Consciousness." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) III, no. III (2025): 191–70. https://doi.org/10.5281/zenodo.15469590.

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<strong><em>Background:</em></strong><em> The work of Paul Gauguin (1848-1903), a French artist of Peruvian descent, is understood of great art historical significance due to its avant-garde use of symbolism. Though primarily a painter, Gauguin also produced numerous sculptures in a proto-surrealistic, experimental fashion, from what can be understood as an anthropological perspective. Myth and ancient life are common themes in Gauguin&rsquo;s works. His sculpture, Eve (1890) is an example of a highly symbolic work&mdash;perhaps exploring matriarchal consciousness. Gauguin spent his final year
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2

Butt, Amna Ijaz, Kanza Umer Khan, and Nafees Parvez. "Spatial Justice and Gender Socialization in Jamil Ahmad's The Wandering Falcon." Global Social Sciences Review V, no. III (2020): 75–81. http://dx.doi.org/10.31703/gssr.2020(v-iii).08.

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'With Justin Williams' 'spatial justice' and Pierre Bordieu's 'role of gender', this article explores how gender socialization is the outcome of spatial correspondences and how the biological concerns regarding gender, specifically in third world countries like Pakistan, are the catalysts in this process of gender socialization. In this regard, this article delimits Jamil Ahmad's The Wandering Falcon to exhibit the cultural interpellation concerning gender disparity in establishing spatial justice. Space contributes to the socio-political and cultural consciousness that lets the gender know hi
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3

Weinrib, Estelle, and Barbara Weller. "On Delayed Interpretation in the Practice of Sandplay Therapy (Expanded version)." Journal of Sandplay Therapy 24, no. 1 (2017): 143–50. http://dx.doi.org/10.61711/jst.2017.26.1.345.

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This expanded version of Weinrib's article discusses the rationale and practice of both Sandplay Therapy itself and that of delayed interpretation of Sandplay scenes. Differentiating working with sandplay scenes from dream interpretation in analysis, Weinrib identifies the therapist's role as primarily being "to listen, observe and participate empathically." Using Neumann's framework, the author identifies the work of Sandplay operating on the matriarchal level of consciousness where healing occurs. Finally, the author identifies Sandplay Therapy as encouraging the constellation of the Self an
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4

Rubchak, Marian J. "Ukraine's Ancient Matriarch as a Topos in Constructing a Feminine Identity." Feminist Review 92, no. 1 (2009): 129–50. http://dx.doi.org/10.1057/fr.2009.5.

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In 1991, Ukrainian independence opened an important theoretical channel for debating the status of its women. The people's collective memory of an ancient matriarchy generated a neo-matriarchal mythology which has been transformed into a delusional ideology that legitimizes female subordination, in the name of her alleged empowerment. Fieldwork in Ukraine – annual visits, including travel from one end of the country to another in official capacities, and many extended stays in Ukraine, as a scholar, researcher, educator and participant in key events, provided opportunities for exchanging views
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5

Tubić, Tamara. "KRAJIŠKI EGZODUS U ROMANU „DOZIVI KROZ OLUJU“ KOVILjKE TIŠME JANKOVIĆ." Lipar XXIV, no. 80 (2023): 107–20. http://dx.doi.org/10.46793/lipar80.107t.

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In this paper, we present the main values of Koviljka Tišma Janković’s novel Summons Through the Storm, a literary work that lies within the thematic framework of the Krajina war novel which deals with a significant point in the newer European history – the mass-exodus of Serbs from Croatia in 1995. The examined novel contains values that can be used as a basis for confirming the artistic positions on which the entire novel lies. Firstly, we notice that the novel uses the narrative consciousness to refuse the acceptance of truthfulness of any ideology and accepts only the truths of victims, ca
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6

Святненко, І. O. "Gender xenophobia: candidate gender behavior in a love and preliminary period." Grani 22, no. 3 (2019): 85–94. http://dx.doi.org/10.15421/171935.

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The article is devoted to the study of scenarios of gender behavior in situations of violence, gender patterns of friendship / maintenance of horizontal relations after marriage by representatives of men and women, tolerance / intolerance towards minority gender representatives, gender maturity / separation and heterophobia in marriage and gender legitimization of male friendship and women. This topic is relevant in the context of the study of gender hierarchies and latent discriminatory practices regarding men in matriarchal gender culture. The subject matter of the article is actualized, fir
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7

Harrow, Susan. "Thinking Madame Raquin: Consciousness and Cognition in Émile Zola's Thérèse Raquin (1867)." L'Esprit Créateur 64, no. 2 (2024): 68–86. http://dx.doi.org/10.1353/esp.2024.a934194.

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Abstract: An immersive reading of the elderly matriarch figure in Émile Zola's Thérèse Raquin (1867) demonstrates how representations of old age in nineteenth-century French fiction can benefit from cognitive literary-critical approaches. Putting to work key concepts from this fast-developing field (affordances, propinquity, cognitive adaptability, and embedded thinking) allows us to reveal the complex trajectory of consciousness and the inverse correlation of Madame Raquin's physical incapacity and her mental and imaginative adaptation. Literary cognitive approaches can thus enable a fuller p
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8

Warda, Wahaj Unnisa, and Mohammad Rezaul Karim. "Mother Pampa in Salman Rushdie’s Victory City." World Journal of English Language 14, no. 5 (2024): 25. http://dx.doi.org/10.5430/wjel.v14n5p25.

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Erich Neumann's The Great Mother: An Analysis of the Archetype provides a profound and comprehensive analysis of the mother archetype, delving into its deep-rooted significance in the human psyche. Neumann explores how this universal representation of motherhood represents not only life, nourishment, and protection but also encompasses broader themes of creation, sustenance, and empowerment. By examining its manifestations across diverse cultures, myths, and religions, he uncovers the far-reaching impact of this archetype on both individual and collective consciousness. Neumann's analysis of t
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9

Dhavaleswarapu, Ratna Hasanthi. "Womanism and Women in Alice Walker's The Temple of My Familiar." Shanlax International Journal of English 7, no. 2 (2019): 1–9. https://doi.org/10.5281/zenodo.2591149.

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African-American women have been inappropriately and unduly, stereotyped in various&nbsp;contrasting images as slaves post-slavery, wet nurses, superwomen, domestic helpers,&nbsp;mammies, matriarchs, jezebels, hoochies, welfare recipients, and hot bodies which discloses&nbsp;their repression in the United States of America. They have been showcased by both black men&nbsp;and white women in different ways quite contrary to their being in America. Toni Morrison,&nbsp;Alice Walker, Gloria Naylor, Gayl Jones, Paule Marshall, Sonia Sanchez, Toni Cade Bambara,&nbsp;to name a few writers, have put fo
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10

Kortunov, Vadim V., and Marina R. Gozalova. "Phenomenon of an Irrational in Eastern Direction in Thinking." International Journal of Criminology and Sociology 9 (April 5, 2022): 2622–27. http://dx.doi.org/10.6000/1929-4409.2020.09.323.

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Indian mythology and the Vedic image of the world built on its basis are of exceptional importance for understanding the entire Eastern culture. The mythological complex of Indian representations is the most ancient (researchers attribute its formation to the III millennium BC) and surprisingly persistent. The Vedic image of the world combines the features of proper mythology and religion and philosophy; it becomes the initial model for the formation of later religious and philosophical doctrines. Recall that it was the Vedic image of the world that formed the Brahmanism ideology prevailing in
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11

Bekmurzaeva, F. Sh. "Stereotypes-images and symbols-signs of a bee in the projection of the conceptual plane of linguistic consciousness." Vestnik of North-Eastern Federal University History Political Science Law 21, no. 2 (2024): 91–103. http://dx.doi.org/10.25587/2222-5404-2024-21-2-91-103.

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This article has several purposes: 1. analyse and identify stereotypical images of the entomological concept of bee in the Russian national linguistic consciousness; 2. reveal the symbolic content of linguistic consciousness by extracting semantic and symbolic signs attached to the stereotypical images of the entomological concept of bee; 3. establish the dynamic invariance (stability) and temporal relevance of the identified stereotypical images in the Russian linguistic picture of the world; 4. confirm the archetypal nature of bee images as universal “products” of the collective unconsciousn
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12

Poliakova, O. O., and V. V. Asotskyi. "DIONYSUS CULT AS A PROTOTYPE OF AUTONOMOUS GENDER." Anthropological Measurements of Philosophical Research, no. 15 (May 28, 2019): 155–65. https://doi.org/10.15802/ampr.v0i15.168865.

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<strong>Purpose.</strong>&nbsp;The research is based on the analysis of the cult of Dionysus: the introspection of the irrational content of the &quot;Dionysian states&quot;, in the symbolism of which an alternative scenario of gender relations is codified, based on autonomy and non-destructive interdependence. The achievement of this goal involves, firstly, the &quot;archeology&quot; of telestic madness and orgasm as the liberating states the comprehension of their semantic potential for the outlook of the Dionysian neophyte, and secondly, to identify the features that are likened to the cult
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13

Ratna Hasanthi, Dhavaleswarapu. "Womanism and Women in Alice Walker’s The Temple of My Familiar." Shanlax International Journal of English 7, no. 2 (2019): 1–9. http://dx.doi.org/10.34293/english.v7i2.322.

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African-American women have been inappropriately and unduly, stereotyped in various contrasting images as slaves post-slavery, wet nurses, super women, domestic helpers, mammies, matriarchs, jezebels, hoochies, welfare recipients, and hot bodies which discloses their repression in the United States of America. They have been showcased by both black men and white women in different ways quite contrary to their being in America. Toni Morrison, Alice Walker, Gloria Naylor, Gayl Jones, Paule Marshall, Sonia Sanchez, Toni Cade Bambara, to name a few writers, have put forth the condition of black wo
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14

Tao, Wenfei. "Sex, The Prerequisite Foundation of Human-Subject Construction." Scientific and Social Research 2, no. 3 (2020). http://dx.doi.org/10.36922/ssr.v2i3.993.

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Sexual behavior and sex-based love are the earliest metaphysical experiences of mankind, and they have played an important role in the human subject construction. First, sexual evolution and sexual selection have participated in the construction of human biological development, enabling human beings to be born and continued as an independent natural species. Secondly, sex and love participate in the construction and development of the human psychological world and are one of the deep sources of human consciousness. Finally, sex and love are important construction and driving factors for the de
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15

Cerminara, Barbara. "A Flight Back to Ground: Jung’s Recalcitrant Fourth as Rape into Consciousness. Symbolic Rape and Literal Rape in Persephone’s Myth." Journal of Analytical Psychology, June 25, 2025. https://doi.org/10.1111/1468-5922.13106.

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AbstractPatricia Berry’s interpretation of the Demeter/Persephone myth, and her concept of rape into consciousness, illuminate intrapsychic dynamics. However, this symbolic lens may inadvertently distance us from the devastating nature of literal rape—a reality the Homeric Hymn encapsulates. Jung’s concept of recalcitrant fourth offers a crucial counterpoint, demanding a shift from the symbolic to the empirical world. This violent flight back to ground forces a confrontation with life’s material and sensorial dimensions, where literal rape reaps trauma and death. Jung’s fourth, reconceptualize
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16

Alpysbayeva, K. B., Т. Т. Akimova, and G. K. Shashayeva. "THE EXPRESSION OF ANCIENT MOTIFS IN THE EPIC POEM «DOTAN BATYR»." Keruen 78, no. 1 (2023). http://dx.doi.org/10.53871/2078-8134.2023.1-03.

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The ancient epic is composed of mythical, fairy-tale, and legendary events, which to a certain extent artistically imagine the thinking, consciousness, beliefs, and worldview of the people of the first community. In the network of heritages of this category, there are fantasy scenes, mythical concepts about creation, plots during the transition from the era of matriarchy to the era of patriarchy, hunting profession, belief in witchcraft, dreams and visions, praying for children from saints, rapid growth of heroes, suitable choosing a horse and going on a long journey, encountering difficulties
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17

भुसाल Bhusal, प्रेमनारायण Premnarayan. "ख्वपदेश उपन्यासमा सांस्कृतिक चेतना {Cultural Consciousness in Khwapadesh Novlel}". Prajna प्रज्ञा, 15 грудня 2022, 117–28. http://dx.doi.org/10.3126/prajna.v123i1.50215.

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‘ख्वपदेश’ भादगाउँले (भक्तपुरे) समाजको सामाजिक र सांस्कृतिक पक्षलाई ऐतिहासिक परिवेशमा राखेर सिर्जना गरिएको उपन्यास हो । भादगाउँले समाजका रीतिस्थिति, प्रथा परम्परा, चालचलन र त्यहाँ विद्यमान जाति प्रथाले सिर्जना गरेका विभिन्न किसिमका सामाजिक विखण्डन र विकृतिका रूपहरूलाई समेत समावेश गरेर इतिहास र सामाजिक परिदृश्यका सीमारेखाबाट अगाडि बढेको उपन्यास भएकाले यहाँ भक्तपुरे संस्कृतिका परिदृश्यहरू बिम्बित भएका छन् । सांस्कृतिक यथार्थ र औपन्यासिक विधागत मूल्यका बिच तालमेल गर्न खोज्दा संस्कृतिको यथार्थ रूप के कति चित्रित हुनपुग्यो भन्ने कुराको अन्वेषणका लागि कृतिको सर्वाङ्गीण अध्ययन, विश्लेषण तथा तत्कालीन स
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18

McGuire, Kim. "Dystopian Fiction: Can it Enable us to Think Critically about Gendered Violence and Power?" International Journal of Gender, Sexuality and Law 3, no. 1 (2024). http://dx.doi.org/10.19164/ijgsl.v3i1.1577.

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This article discusses the issues of power sex, gender, and the law with regard to identifying and controlling violence against women. It discusses these concepts within dystopian works of fiction and their application, both actual and potential, to real life. The novels and films below have been selected for their perceived relevance to the author as examples of dystopian fiction, but importantly they engage with Gadamer’s concept of language and socially and historically affected consciousness. Hence, the themes, but also their reception, are products of their time and place. The central the
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19

Pinder, Morgan. "Mouldy Matriarchs and Dangerous Daughters." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2832.

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The Resident Evil video game series is especially notable for engaging with uncanny nature and monstrous reproduction, often facilitated through viral contamination. These third-person games usually feature an outbreak of some kind, instigated by a shadowy organisation, and star a member of law enforcement or the military as the protagonist. However, the seventh and eighth games of the franchise were different. While they explored many of the same themes and conventions as their predecessors, the technologies by which they evoked fear and suspense had become further immersed in the survival ho
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20

Ibragim, Suleimenov, Vitulyova Yelizaveta, and Matrassulova Dinara. "The Problem of the Essence of Matriarchy from the Point of View of the Evolution of Human Intellect and Consciousness: Feminism and Promising Tools for the Formation of a Cognitive Society." Journal of Ecohumanism 3, no. 8 (2024). https://doi.org/10.62754/joe.v3i8.5117.

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It is shown that the issue of the formation of cognitive society in modern conditions is closely related to the problems of feminism. This conclusion is based on the fact that human intellect and consciousness had and have a dual nature - they simultaneously contain both individual and collective components. The collective component is predominantly connected with the feminine basis, and the individual component with the masculine one. In the period of matriarchy, the collective component of human consciousness was dominant, which determined the subordination of ancient communities to supraper
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21

Scholes, Nicola. "The Difficulty of Reading Allen Ginsberg's "Kaddish" Suspiciously." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.394.

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The difficulty of reading Allen Ginsberg's poetry is a recurring theme in criticism of his work and that of other post-WWII "Beat Generation" writers. "Even when a concerted effort is made to illuminate [Beat] literature," laments Nancy M. Grace, "doing so is difficult: the romance of the Beat life threatens to subsume the project" (812). Of course, the Beat life is romantic to the extent that it is romantically regaled. Continual romantic portrayals, such as that of Ginsberg in the recent movie Howl (2010), rekindle the Beat romance for new audiences with chicken-and-egg circularity. I explor
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22

Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl
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