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Journal articles on the topic 'Matriarchy in art'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Strenacikova Sr., Maria, and Maria Strenacikova Jr. "Art in Slovakia in Prehistoric Times." IKONI / ICONI, no. 4 (2021): 20–25. http://dx.doi.org/10.33779/2658-4824.2021.4.020-025.

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Archaeological research in the territory of today’s Slovakia has revealed rare artifacts from the oldest period in human history, from prehistory. Two unique female figures of Venus represent them. This article presents a statuette from the Paleolithic Era — the Venus of Moravany, which is made from a mammoth tusk and is an artistic expression of fertility in the matriarchy. The article also describes a gem from the Neolithic period, the Venus of Hrádok, Magna Mater, as the goddess of harvest, success, the giver of life and well-being.

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Eric Sipyinyu Njeng, Njeng. "Autobiography and Audre Lorde’s Matriarchal Sphere." Proceedings of The Global Conference on Gender Studies 1, no. 1 (2023): 45–59. http://dx.doi.org/10.33422/genderconf.v1i1.163.

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Audre Lorde, one of the most prominent black women poets of the 21st century, is concerned about the horrors of racism, sexism, heterosexism, and homophobia and genuinely attempts to erode them through the power of art. Audre Lorde’s life and work are inspired by an arsenal of powerful women, both cruel and kind, who give her the energy to strive in a world wrought with suffering, pain, and ostracism. Lorde celebrates women of her immediate maternal descent: her mother’s sturdy female relations; she celebrates her friends and lovers; seeks sustenance from a pantheon of mythic goddesses from We

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3

Alfirević, Dragana. "Tell me your truth." Maska 38, no. 217 (2023): 144–51. http://dx.doi.org/10.1386/maska_00178_1.

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Reflecting upon Jasna Žmak’s performance this is my truth, tell me yours, Dragana Alfirević points to the questions that the performance raises about the limits and possibilities of art and about the unwillingness of our society to talk about things and to deal with these questions in a sensitive and responsible way. The opposite of toxic patriarchy, as the author puts it in the conclusion, is not matriarchy, but vulnerability.

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4

Wróbel, Antonina. "Son Gokū i Power Rangers w Galicji." Intercultural Relations 8, no. 1(15) (2024): 62–76. http://dx.doi.org/10.12797/rm.01.2024.15.04.

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SON GOKŪ AND POWER RANGERS IN GALICIA: THE USE OF JAPANESE POP CULTURE IN THE ARTWORK OF GALICIAN MURALIST YOSEBA MP My paper discusses the influence of Japanese art on Galician art. Firstly, I provide a historical overview of the Spanish Japanese relations, with particular emphasis on Galicia. Second, the analysis of the works of Galician artist Yoseba MP allows reflection on the changes generated by the application of elements of Japanese pop culture to another cultural area. I put particular emphasis on the figure of the superhero and his transformation to the local context, so as to show h

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Chekh, Natalia. "‘NON-PHOTOGRAPHIC’: SERGIY BRATKOV AND BORIS MIKHAILOV." Doxa, no. 1(37) (July 5, 2023): 118–37. http://dx.doi.org/10.18524/2410-2601.2022.1(37).281827.

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The article analyzes the play prerequisites for the creation, methods of implementation and conditions of perception of B. Mіkhaіlov’s and S. Bratkov’s works — multimedia installations ‘Sacrifice to the God of War’ and ‘Box for Three Letters’, presented in the exhibition project ‘Alchemical Surrender’ of the Soros Center for Contemporary Art in Sevastopol in 1994. As a result of the research, it was found that S. Bratkov and B. Mikhaіlov had chosen ‘non-photographic’ as an artistic language for the project ‘Alchemical surrender’ — the language of carnival forms and carnival symbols. The multim

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6

Łobodziec, Agnieszka. "Violent Black Man and the Myth of Black Macho in Eugene O’Neill’s “The Dreamy Kid”." Respectus Philologicus 26, no. 31 (2014): 123–32. http://dx.doi.org/10.15388/respectus.2014.26.31.9.

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The aim of this article is the investigation of the extent to which Eugene O’Neill, in his drama The Dreamy Kid, (re)constructs, or employs, the black macho myth, which negatively images black men as marginalized and violent. This undertaking questions O’Neill’s self-proclaimed progressive racial attitudes and stated focus on the universal nature of human existence, which he professed to express through drama. Moreover, the article challenges the mainstream view of The Dreamy Kid as progressive. Although the play focalizes the experience of a marginalized black man, which could be interpreted

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7

Sen-Podstawska, Sabina Sweta, and Floyd Favel. "Resilient Matriarchs." Performance Research 28, no. 3 (2023): 54–63. http://dx.doi.org/10.1080/13528165.2023.2272504.

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8

Wilson, Sarah. "Germaine Richier: disquieting matriarch." Sculpture Journal 14, no. 1 (2005): 51–70. http://dx.doi.org/10.3828/sj.2005.14.1.6.

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9

Wilson, Sarah. "Germaine Richier: disquieting matriarch." Sculpture Journal 14, no. 1 (2005): 51–70. http://dx.doi.org/10.3828/sj.14.1.5.

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10

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2007): 271–341. http://dx.doi.org/10.1163/22134360-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 14

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11

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2008): 271–341. http://dx.doi.org/10.1163/13822373-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 14

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12

Ledgerwood, Judy L. "Khmer Kinship: The Matriliny/Matriarchy Myth." Journal of Anthropological Research 51, no. 3 (1995): 247–61. http://dx.doi.org/10.1086/jar.51.3.3630360.

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13

Siegel, Marcia B. "Matriarchal Mysteries." Hudson Review 49, no. 1 (1996): 97. http://dx.doi.org/10.2307/3851948.

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14

Rubchak, Marian J. "Ukraine's Ancient Matriarch as a Topos in Constructing a Feminine Identity." Feminist Review 92, no. 1 (2009): 129–50. http://dx.doi.org/10.1057/fr.2009.5.

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In 1991, Ukrainian independence opened an important theoretical channel for debating the status of its women. The people's collective memory of an ancient matriarchy generated a neo-matriarchal mythology which has been transformed into a delusional ideology that legitimizes female subordination, in the name of her alleged empowerment. Fieldwork in Ukraine – annual visits, including travel from one end of the country to another in official capacities, and many extended stays in Ukraine, as a scholar, researcher, educator and participant in key events, provided opportunities for exchanging views

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15

Toth, Bill D. "The Last Matriarch: A Novel by Sharman Apt Russell." Western American Literature 36, no. 1 (2001): 101–2. http://dx.doi.org/10.1353/wal.2001.0002.

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16

Jay, Jennifer W. "Imagining Matriarchy: "Kingdoms of Women" in Tang China." Journal of the American Oriental Society 116, no. 2 (1996): 220. http://dx.doi.org/10.2307/605697.

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17

Vlasova, Natalia O. "“Demonic, Ecstatic Antiquity”: On the Interpretation of Myth in the Opera “Elektra” by Richard Strauss — Hugo von Hofmannsthal." Vestnik of Saint Petersburg University. Arts 12, no. 2 (2022): 228–42. http://dx.doi.org/10.21638/spbu15.2022.201.

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The opera “Elektra” is of particular significance for Richard Strauss. It opens an ancient line in his musical and theatrical legacy and is at the same time the culmination of expressionist tendencies in his work. It also marks the start of Strauss’s collaboration with H. von Hofmannsthal as librettist. The tragedy of Hofmannsthal focuses on trends typical of the new understanding of antiquity in the second half of the 19th century. An interest in the archaic, in ancient cults and rituals representing the irrational aspects of Greek culture, is brought to the forefront. Hofmannsthal’s “Electra

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18

Sudha, S. "Women at the center: Life in a modern matriarchy." Journal of Marriage and Family 66, no. 5 (2004): 1349–50. http://dx.doi.org/10.1111/j.0022-2445.2004.00br6.x.

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19

Watu Yohanes Vianey. "ART OF TEKE AND WOMAN IDEOLOGY IN THE NGADA HERITAGE, EAST NUSA TENGGARA." Heritage of Nusantara: International Journal of Religious Literature and Heritage 12, no. 2 (2023): 187–216. http://dx.doi.org/10.31291/hn.v12i2.723.

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The art of teke, which is a part of the Ngadha people's traditional cultural practices, is the material object of this investigation. The formal object concerns the axiology of women's ideology and its existence. What feminist philosophy is expressed in the teke cultural heritage is the central question of this cultural study. This study explores cultural codes based on traditional Ngada hermeneutics in order to analyze the data through qualitative research methods. The research findings offer a fresh perspective on the distinctiveness of the ine weta ideology, which is a set of beliefs about

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20

Thompson, Daisy. "Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival." Canadian Theatre Review 192 (November 1, 2022): 70–73. http://dx.doi.org/10.3138/ctr.192.015.

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21

Kelley, Heidi. "The Myth of Matriarchy: Symbols of Womanhood in Galician Regional Identity." Anthropological Quarterly 67, no. 2 (1994): 71. http://dx.doi.org/10.2307/3317362.

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22

Foster, Martha Harroun. "Lost Women of the Matriarchy: Iroquois Women in the Historical Literature." American Indian Culture and Research Journal 19, no. 3 (1995): 121–40. http://dx.doi.org/10.17953/aicr.19.3.y227696897834055.

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23

Meskell, Lynn. "Goddesses, Gimbutas and New Age archaeology." Antiquity 69, no. 262 (1995): 74–86. http://dx.doi.org/10.1017/s0003598x00064310.

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For a century a notion of a prehistoric Mother Goddess has infused some perceptions of ancient Europe, whatever the realities of developing archaeological knowledge. With the reverent respect now being given to Marija Gimbutas, and her special vision of a perfect matriarchy in Old Europe, a daughter-goddess is now being made, bearer of a holy spirit in our own time, to be set alongside the wise mother of old.

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24

Ramon, Einat. "THE MATRIARCHS AND THE TORAH OFHESED(LOVING-KINDNESS)." Nashim: A Journal of Jewish Women's Studies & Gender Issues 10 (October 2005): 154–77. http://dx.doi.org/10.2979/nas.2005.-.10.154.

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25

Robmarie, Lopez. "Gauguin's Sculpture: Eve as Archetype of Tahitian Matriarchal Consciousness." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) III, no. III (2025): 191–70. https://doi.org/10.5281/zenodo.15469590.

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<strong><em>Background:</em></strong><em> The work of Paul Gauguin (1848-1903), a French artist of Peruvian descent, is understood of great art historical significance due to its avant-garde use of symbolism. Though primarily a painter, Gauguin also produced numerous sculptures in a proto-surrealistic, experimental fashion, from what can be understood as an anthropological perspective. Myth and ancient life are common themes in Gauguin’s works. His sculpture, Eve (1890) is an example of a highly symbolic work—perhaps exploring matriarchal consciousness. Gauguin spent his final year

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26

Leung, Linda. "The making of matriarchy: A comparison of Madonna and Margaret Thatcher." Journal of Gender Studies 6, no. 1 (1997): 33–42. http://dx.doi.org/10.1080/09589236.1997.9960667.

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27

Li, Juan, Hong Lei, Amir H. Alavi, and Gai-Ge Wang. "Elephant Herding Optimization: Variants, Hybrids, and Applications." Mathematics 8, no. 9 (2020): 1415. http://dx.doi.org/10.3390/math8091415.

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Elephant herding optimization (EHO) is a nature-inspired metaheuristic optimization algorithm based on the herding behavior of elephants. EHO uses a clan operator to update the distance of the elephants in each clan with respect to the position of a matriarch elephant. The superiority of the EHO method to several state-of-the-art metaheuristic algorithms has been demonstrated for many benchmark problems and in various application areas. A comprehensive review for the EHO-based algorithms and their applications are presented in this paper. Various aspects of the EHO variants for continuous opti

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28

ACCATI, LUISA. "Explicit Meanings: Catholicism, Matriarchy and the Distinctive Problems of Italian Feminism." Gender & History 7, no. 2 (1995): 241–59. http://dx.doi.org/10.1111/j.1468-0424.1995.tb00023.x.

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29

Lin, Xiaoping. "Behind Chinese Walls: The Uncanny Power of Matriarchy in Wang Chao’sThe Orphan of Anyang." Third Text 23, no. 2 (2009): 195–208. http://dx.doi.org/10.1080/09528820902840706.

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30

Marcantonio, Carla. "Roma: Silence, Language, and the Ambiguous Power of Affect." Film Quarterly 72, no. 4 (2019): 38–45. http://dx.doi.org/10.1525/fq.2019.72.4.38.

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FQ's new books editor Carla Marcantonio reflects upon her experience serving as Netflix's official translator for Yalitza Aparicio, the Indigenous Mexican woman who plays the housekeeper in director Alfonso Cuarón's Roma. Marcantonio explores themes that emerged over the course of the film's promotional campaign, ranging from the expected (the film's social impact and depiction of a makeshift matriarchy) to those less discussed, such as the film's significant political context and critique of patriarchy, masculinity, and violence. In closing, she offers a counter-argument to the interpretation

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31

Watson, Mark K. "An Australian Indigenous Diaspora: Warlpiri Matriarchs and the Refashioning of Tradition." Anthropological Forum 29, no. 4 (2019): 430–32. http://dx.doi.org/10.1080/00664677.2019.1636532.

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32

Onuekwe, Chima E., and Chinyere Lilian Okam. "Gender Disparity and Psycho-sexual Violence: An X-ray of How Imbalance is Perpetuated by Sexual Behaviour." Journal of Gender and Power 8, no. 2 (2017): 35–53. https://doi.org/10.5281/zenodo.5070085.

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ABSTRACT. The author presents the problem of gender disparity and different forms of sexual violence and identifies the traditional roots of female inferiority in the society. The article shows how the gender roles assigned to each sex manifest not only in the inequity on the socioeconomic field, but also in the sphere of sexual behaviours. The findings discussed in the present paper are based on a range of studies carried out across cultures as well as on the results of a Focus Group Discussion held among women of South Nigeria. The author focuses on how the submissive role of woman in a soci

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33

Campbell, Erin J. "Prophets, Saints, and Matriarchs: Portraits of Old Women in Early Modern Italy*." Renaissance Quarterly 63, no. 3 (2010): 807–49. http://dx.doi.org/10.1086/656929.

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AbstractThis essay examines portraits of old women that were produced for the households of the professional and elite classes in Emilia-Romagna, Lombardy, and the Veneto during the second half of the sixteenth century, when, as a result of religious and social reform, women's lives came under increasing scrutiny. By interpreting the portraits within the context of prescriptive texts on the stages of women's lives, this study argues that the portraits provide evidence for the pivotal role of old women within the moral and symbolic order of the family, as well as in the wider community beyond t

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34

Goodwin-Hawkins, Bryonny. "Morris dancers, matriarchs and paperbacks: Doing the village in contemporary Britain." Ethnography 17, no. 3 (2016): 309–25. http://dx.doi.org/10.1177/1466138115609378.

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35

Kabala, Boleslaw Z. "Rousseau and the Qualified Support of Matriarchal Rule." Humanities 9, no. 3 (2020): 99. http://dx.doi.org/10.3390/h9030099.

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The article investigates the relations between men and women in Rousseau’s major works to uncover the possibility of a long-term rule of women over men. Rousseau does provide examples of alternating rule between the sexes. However, given that the rule of prominent women like Sophie and Julie is indirect and more Machiavellian than that of men, I make the case that Rousseau sees straightforward control by women as more consistent with modern conditions (specifically in an indirect-rule as opposed to an instrumental-rationality sense). First, I provide examples of Sophie’s rule in Emile. Sophie

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36

HOLSEY, BAYO. "Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé by J. Lorand Matory." American Anthropologist 110, no. 1 (2008): 128–29. http://dx.doi.org/10.1111/j.1548-1433.2008.00018_53.x.

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37

Macpherson, Anne. "Colonial Matriarchs: Garveyism, Maternalism, and Belize's Black Cross Nurses, 1920-1952." Gender History 15, no. 3 (2003): 507–27. http://dx.doi.org/10.1111/j.0953-5233.2003.00318.x.

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38

Scheick, William J. "Reflexive Matriarchal Art as Re-Vision of Nuclear Fear: Stephanie S. Tolan's Pride of the Peacock." Lion and the Unicorn 18, no. 2 (1994): 171–77. http://dx.doi.org/10.1353/uni.0.0254.

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39

WEIX, G. G. "Women at the Center: Life in a Modern Matriarchy:Women at the Center: Life in a Modern Matriarchy." American Anthropologist 108, no. 2 (2006): 435–36. http://dx.doi.org/10.1525/aa.2006.108.2.435.

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40

Thorner, Sabra, Fran Edmonds, Kerri Clarke, and Maree Clarke. "The Making Is the Story." Meridians 24, no. 1 (2025): 89–125. https://doi.org/10.1215/15366936-11538723.

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Abstract In spring 2022, the authors co-led an experimental course and artists’ residency called “Decolonizing Museums.” The major outcomes were a possum-skin cloak (the first of its kind made in the United States) and a series of high-art photographs of project participants wearing the cloak. This project is part of an initiative to imagine and forge a Living Archive of Aboriginal Art, based in Australia. The objective: to radically reimagine what archives are and what they do, from Indigenous perspectives. The authors argue that photography-as-documentary practice (artists reflexively take p

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41

Zagal, Itzel, and Christina Edwin. "Día de Muertos in Alaska." sibirica 22, no. 1 (2023): 143–58. http://dx.doi.org/10.3167/sib.2023.220108.

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Abstract The celebration of Día de Muertos (Spanish for Day of the Dead) has been hosted by the Latino community in Anchorage, Alaska, every second of November since 2004, where the ritual to honor ancestors is shared, and a symbolic bridge between the communities that converge within the territory is built. During the 2021 celebration, the Indigenous women Christina Edwin (Denaa and Chicana) and Itzel Zagal (Mexica Xochimilca) collaborated on an altar that was culturally appropriate for Olga Ezi (Ahtna Dene, South Central Dena'ina matriarch). It was a tribute the Alaska Native women (Chedas o

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42

Fisek, Emine. "Inventing New Social Relations: Théâtre-femmes and the Creation of the Feminist Self in Québécois Women’s Plays." Canadian Theatre Review 140 (September 2009): 91–93. http://dx.doi.org/10.3138/ctr.140.018.

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In an early moment from Anne Hébert’s The Savage Season, matriarch Agnès Joncas declares, “My home is not a public place” (23). Having received news that the new priest in the village closest to her rural home is making his way over to her residence, Agnès draws a thick line between what she perceives to be the perimeters of private life (one’s home, one’s children and the relationships engendered by their enclosure) and the public domains of action (the parish, its authorities and the codes of conduct that bind them). Against Agnès’s will, however, the doors of her home are opened, the larger

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43

Taylor, Analisa. "Malinche and Matriarchal Utopia: Gendered Visions of Indigeneity in Mexico." Signs: Journal of Women in Culture and Society 31, no. 3 (2006): 815–40. http://dx.doi.org/10.1086/499209.

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Kovacs, Sasha, and Cheri Maracle. "Matriarchal Word Warriors in a Paddle Song for E. Pauline Johnson Tekahionwake." Canadian Theatre Review 192 (November 1, 2022): 82–85. http://dx.doi.org/10.3138/ctr.192.018.

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45

M. Almufti, Saman, Ridwan Boya Marqas, and Renas R. Asaad. "Comparative study between elephant herding optimization (EHO) and U-turning ant colony optimization (U-TACO) in solving symmetric traveling salesman problem (STSP)." Journal of Advanced Computer Science & Technology 8, no. 2 (2019): 32. http://dx.doi.org/10.14419/jacst.v8i2.29403.

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Swarm Intelligence is an active area of researches and one of the most well-known high-level techniques intended to generat, select or find a heuristic that optimize solutions of optimization problems.Elephant Herding optimization algorithm (EHO) is a metaheuristic swarm based search algorithm, which is used to solve various optimi-zation problems. The algorithm is deducted from the behavior of elephant groups in the wild. Were elephants live in a clan with a leader matriarch, while the male elephants separate from the group when they reach adulthood. This is used in the algorithm in two parts

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46

Tong, Xiao Di. "Immigrant Exclusion Acts: On Early Chinese Labor and Domestic Matriarchal Agency in Lin Yutang’s Chinatown Family." Genealogy 8, no. 1 (2024): 21. http://dx.doi.org/10.3390/genealogy8010021.

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In the introduction to her influential work on Asian American cultural studies and feminist materialist critique, Immigrant Acts: On Asian American Cultural Politics, Lisa Lowe shatters the contradictions manifested in Asian immigration, wherein Asians’ entry into the United States marked them either as marginalized from “within” the national political sphere or as linguistically, culturally, and racially “outside” of the national polity For Asian immigrants, the debate of being simultaneously needed and excluded is no more evidenced historically than using Chinese labor during the California

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47

Robinson, Rheanna E. "Decolonizing disability: Teachings from Tx̱ eemsim and voices from the lands of the Nisg ̱ a’a Nation." Canadian Journal of Disability Studies 13, no. 3 (2024): 1–40. https://doi.org/10.15353/cjds.v13i3.1160.

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Indigenous perspectives regarding disability are underrepresented in scholarly literature. This article profiles traditional perspectives and contemporary experiences regarding disability through voices from the lands of the Nisg ̱ a’a Nation. Influenced by Indigenous theory, this case study is based on semi-structured interviews with six diverse Indigenous community leaders including Simgigat (Hereditary Chiefs) and Sigidim Haanaḵ’ (Matriarchs). Four themes emerged: (1) Indigenous laws and cultural protocols enact principles of equity and inclusion; (2) language, kinship, and culture inform

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48

Sharma, Amogh Dhar. "Book Review: Diego Maiorano, Autumn of the Matriarch: Indira Gandhi’s Final Term in Office." South Asia Research 37, no. 2 (2017): 249–51. http://dx.doi.org/10.1177/0262728017700250.

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49

Du, Yue. "Concubinage and Motherhood in Qing China (1644–1911)." Journal of Family History 42, no. 2 (2017): 162–83. http://dx.doi.org/10.1177/0363199017695726.

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This article explores concubinage, a widespread form of quasi-marriage in Qing China (1644–1911), and its relationship with motherhood and social mobility. By examining legal codes and court records, this research challenges the academic paradigm, mainly based on literati writings, that portrays concubines as reproductive tools for their husband-masters and their husband-masters’ wives. It shows that bearing or raising sons or daughters helped concubines achieve upward social mobility recognized and protected by law and that motherhood remained the major source of power and security for concub

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50

Tevebring, Frederika. "Mythological Parallels and Visual Compulsions: The Matriarchal Subtext to Freud's Archaeology." American Imago 78, no. 2 (2021): 275–305. http://dx.doi.org/10.1353/aim.2021.0013.

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