Academic literature on the topic 'Matsumoto'

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Journal articles on the topic "Matsumoto"

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Uchiyama, Akiko. "Meeting the New Anne Shirley: Matsumoto Yūko’s Intimate Translation of Anne of Green Gables." TTR 26, no. 1 (June 22, 2016): 153–75. http://dx.doi.org/10.7202/1036953ar.

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Akage no An, the Japanese translation of L.M. Montgomery’s Anne of Green Gables (1908), has enjoyed continued popularity in Japan since the translation was first published in 1952. This paper examines one of the many translations that have been published since then, Matsumoto Yūko’s Akage no An, published in 1993. Unlike previous translations, which generally targeted child readers, Matsumoto translated the book for adult readers. The notable difference in Matsumoto’s translation is her detailed endnotes explaining literary allusions and cultural references. This paper examines how Matsumoto translated Anne of Green Gables, with a particular focus on her relationship with the text. This relationship is viewed through the lens of feminist literary criticism, which, Matsumoto explains, relates to her approach to translation. Her translation is also discussed through the idea of girls’ intimate reading. While Matsumoto describes her approach as aligned with feminist literary studies, this paper argues that the success of her translation is also underpinned by her practice of “girls’ intimate reading.” Feminist literary studies and girls’ intimate reading are shown to be interconnected in Matsumoto’s work.
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Karlová, Petra. "The Emergence of Japanese Ethnology." Archiv orientální 82, no. 2 (September 10, 2014): 581–601. http://dx.doi.org/10.47979/aror.j.82.2.581-601.

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This paper attempts to clarify the emergence of Matsumoto Nobuhiro as an ethnologist in the period 1919–23. Matsumoto Nobuhiro (1897–1981) was an ethnologist who is known as a pioneer in Southeast Asian studies and the Japanese mythology in Japan. Previous researches have already pointed out the influence of Yanagita Kunio and of the French School of Sociology on Matsumoto’s academic work from the late 1920s. However, they did not examine Matsumoto’s research in the early 1920s when Matsumoto started studying ethnology. The clarification of the formation o fMatsumoto’s ethnology in this period can contribute to the understanding of emergence and formation of ethnology in Japan. Based on the analysis of Matsumoto’s writing in the period 1919–23, this paper explains that Matsumoto became ethnologist because he joined the discussion on the human origins under influence of Evolutionism. It argues that he researched primitive culture of various peoples in order to clarify the origins of the Japanese and Chinese culture. Further, the paper shows that Matsumoto became ethnologist due to studying Western ethnology under the guidance of ethno-psychologist Kawai Teiichi and folklorist Yanagita Kunio, and it mentions also influenceofMatsumoto’s teachers of Chinese history on the formation of Matsumoto’s ethnology. Therefore, the paper demonstrates that the Japanese ethnology emerged from the discussion on the human origins under influence of Evolutionism by importing Western ethnological theories in close relation with the Japanese folklore studies and history.
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Karlová, Petra. "The Emergence of Japanese Ethnology." Archiv orientální 82, no. 2 (September 10, 2014): 359–79. http://dx.doi.org/10.47979/aror.j.82.2.359-379.

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This paper attempts to clarify the emergence of Matsumoto Nobuhiro as an ethnologist in the period 1919–23. Matsumoto Nobuhiro (1897–1981) was an ethnologist who is known as a pioneer in Southeast Asian studies and the Japanese mythology in Japan. Previous researches have already pointed out the influence of Yanagita Kunio and of the French School of Sociology on Matsumoto’s academic work from the late 1920s. However, they did not examine Matsumoto’s research in the early 1920s when Matsumoto started studying ethnology. The clarification of the formation o fMatsumoto’s ethnology in this period can contribute to the understanding of emergence and formation of ethnology in Japan. Based on the analysis of Matsumoto’s writing in the period 1919–23, this paper explains that Matsumoto became ethnologist because he joined the discussion on the human origins under influence of Evolutionism. It argues that he researched primitive culture of various peoples in order to clarify the origins of the Japanese and Chinese culture. Further, the paper shows that Matsumoto became ethnologist due to studying Western ethnology under the guidance of ethno-psychologist Kawai Teiichi and folklorist Yanagita Kunio, and it mentions also influenceofMatsumoto’s teachers of Chinese history on the formation of Matsumoto’s ethnology. Therefore, the paper demonstrates that the Japanese ethnology emerged from the discussion on the human origins under influence of Evolutionism by importing Western ethnological theories in close relation with the Japanese folklore studies and history.
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Veluru, Bhargav, Rajiv Kumar, Manjunatha T. Rao, Usha Bharathi T., Dhananjaya M.V., and Venugopalan R. "Estimation of heterobeltiosis in F1 hybrids of China aster [Callistephus chinensis (L.) Nees]." Journal of Applied and Natural Science 11, no. 1 (February 15, 2019): 1–6. http://dx.doi.org/10.31018/jans.v11i1.1950.

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Heterosis over better parents was estimated in thirty crosses of China aster involving six lines viz., Matsumoto Pink, Matsumoto Red, Matsumoto Rose, Matsumoto Yellow, Matsumoto Scarlet and Matsumoto White and five testers viz., Phule Ganesh Violet, Phule Ganesh Purple, IIHRJ3-2, IIHRG13 and Local White during 2016-17 at ICAR-Indian Institute of Horticultural Research, Bengaluru during 2016-17. Results revealed that the cross L6 × T5 exhibited highest positive significant heterobeltiosis at 5% level of significance for plant height (33.85), flower stalk length (73.76), number of flowers per plant (101.18), weight of flowers per plant (47.90) and flower yield per hectare (47.91). The cross L1 x T3 exhibited maximum negative heterobeltiosis for days to first flowering (-47.41). L5 x T4 recorded the maximum positive heterobeltiosis (at 5%) for flower head diameter (26.44) and 100 flower weight (3.41).
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Perkins, Marianne Murray. "Return to Matsumoto." American String Teacher 58, no. 1 (February 2008): 22–27. http://dx.doi.org/10.1177/000313130805800105.

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Maki, Yutaka. "Dr. Satoshi Matsumoto." Child's Nervous System 5, no. 1 (February 1989): 1–2. http://dx.doi.org/10.1007/bf00706736.

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PHAM, NHI THI, RIKIO MATSUMOTO, KAZUHIKO KONISHI, MAO-LING SHENG, and GAVIN R. BROAD. "A review of the genus Apophysius Cushman (Ichneumonidae: Phygadeuontinae), with descriptions of six new species." Zootaxa 4802, no. 2 (June 23, 2020): 301–16. http://dx.doi.org/10.11646/zootaxa.4802.2.5.

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The phygadeuontine genus Apophysius (Ichneumonidae) is reviewed for the first time. Six new species are described, A. baolocensis Pham, Matsumoto & Broad sp. nov., A. constrictus Pham, Matsumoto & Broad sp. nov. and A. taynguyenensis Pham, Matsumoto & Broad sp. nov. from the Central Highlands of Vietnam, A. latus Pham, Matsumoto, Konishi, Sheng & Broad sp. nov. from China and Vietnam, A. takasukai Pham, Konishi & Broad sp. nov. from the Cameron Highlands, Malaysia, and A. pentaceratops Broad sp. nov. from Sarawak, Malaysia. A key to the nine known species of the genus Apophysius is included.
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Steiner, Hope. "Master of Silence: Matsumoto Shunsuke’s Muon no fūkei and His Quiet Resistance to Sensōga During the Fifteen-Year War." Mutual Images Journal, no. 5 (December 20, 2018): 85–104. http://dx.doi.org/10.32926/2018.5.ste.mast.

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This article is focused on the wartime works of Japanese artist Matsumoto Shunsuke (1912-1948). In particular, it examines his Muon no fūkei (silent landscapes) series from 1941-1945 and the artist’s motivations behind choosing to depict everyday street scenes in Japan during the Fifteen-Year War (1931-1945). The war was a difficult time for most artists; they were either forced to conform to social and governmental pressures to paint sensōga (war paintings), or they had to virtually stop production rather than run the risk of being arrested. Matsumoto Shunsuke was one of the few painters to focus on individual expression and everyday life scenes during this period. He spent much of Japan’s war wandering the streets, sketching and taking photographs that would later become the templates for his landscapes. The study of wartime art in Japan is still a relatively new topic, but much speculation has been given to Matsumoto’s works as symbols of anti-war resistance. However, the artist’s motivations were far more complex. This paper will explore Matsumoto’s alienation from Japanese society due to his deafness and artistic principles and how these factors, along with his political disagreements with the government and other artists, led him away from sensōga and instead towards the silent landscapes that have today become some of the most popular paintings from the era.
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Tayebi, Akbar, and Shahbazi Nia. "On Matsumoto change of m-th root finsler metrics." Publications de l'Institut Math?matique (Belgrade) 101, no. 115 (2017): 183–90. http://dx.doi.org/10.2298/pim1715183t.

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We consider Matsumoto change of Finsler metrics. First, we find a condition under which the Matsumoto change of a Finsler metric is projectively related to it. Then, considering the subspace of m-th root Finsler metrics, if ?F is the Matsumoto change of F, we prove that ?F is locally projectively flat if and only if it is locally dually flat. In this case, F and ?F reduce to locally Minkowskian metrics.
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ZHANG, XIAOLING, and YIBING SHEN. "On Einstein Matsumoto metrics." Publicationes Mathematicae Debrecen 85, no. 1-2 (July 1, 2014): 15–30. http://dx.doi.org/10.5486/pmd.2014.5745.

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Dissertations / Theses on the topic "Matsumoto"

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Paulauskas, Tomas. "Diskrečioji ribinė teorema Matsumoto dzeta funkcijai analizinių funkcijų erdvėje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20081203_193033-69214.

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Tegul funkcija φ(s) s=σ+it, yra apibrėžta srityje σ>α+β+1 polinomine Oilerio sandauga. Magistro darbe įrodyta diskreti ribinė teorema analizinių funkcijų erdvėje H(D), funkcijai φ(s). Tarkime, kad h>0 toks fiksuotas skaičius, kad kuriems nors sveikiems k≠0 skaičius exp{2πk/h} yra racionalus, o B(H(D)) yra erdvės H(D) Borelio aibių klasė. Darbe įrodyta, kad tikimybinis matas silpnai konverguoja į vieno H(D) reikšmio atsitiktinio elemento skirstinį.
For σ>α+β+1, define the function φ(s), s=σ+it, by a polynomial Euler product. In our work, a discrete limit theorem in the space H(D) of analytic functions for the function φ(s) is proved. Suppose that h>0 is a fixed number such that for some integers k≠0 the number exp{2πk/h} is racional, and denote by B(H(D)) the class of Borel sets of the space H(D). Then we prove that the probability measure converges weakly to the distribution of one H(D)- valued random element.
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Santos, Elinei Pinto dos. "Bifurcações, controle e sincronização do caos nos circuitos de Matsumoto-Chua." Universidade de São Paulo, 2001. http://www.teses.usp.br/teses/disponiveis/43/43134/tde-04122013-105609/.

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Neste trabalho utilizamos técnicas de controle e sincronização de sistemas caóticos, visando o uso delas para comunicação com caos. Aplicamos tais técnicas no circuito elétrico de Matsumoto-Chua. Inicialmente, mostramos a sensibilidade dos atratores deste circuito quando variamos os seus parâmetros. Determinamos as suas bacias de atração. Através da análise biespectral, verificamos que o acoplamento quadrático é alto para o atrator tipo Rössler, e quase nulo para o atrator Espiral-Dupla. Para a caracterização global do circuito, apresentamos diagramas, no espaço de parâmetros, com os valores dos expoentes de Lyapunov ou autocorrelação. A seguir estudamos esse circuito com uma perturbação senoidal. Com isto, identificamos novos cenários para a transição para o caos a partir da quase periodicidade. Duas destas transições foram identificados pela primeira vez nesse circuito. Aplicamos ao circuito cinco métodos de controle de caos: supressão de caos por sincronização de freqüências, controle de órbitas periódicas instáveis pelos métodos OGY e de realitnentação , estabilização no ponto ele equilíbrio (método de Hwang), migração e arraste (método OPCL). Finalmente, consideramos dois circuitos de Matsumo-Chua acoplados e determinamos as suas bacias de sincronização. Mostramos que a sincronização dos circuitos acoplados pode não depender das condições iniciais (fronteira das bacias contínua) ou ser extremamente sensível às condições iniciais (fronteira elas bacias elo tipo crivada ou intercrivada).
In this work we use control and synchronization of chaos techniques aiming their implementation in communicating with chaos. These techniques are applied into the electric circuit of Matsumoto-Chua. Initialty, we show the sensibility of the attractors under parameter variations. We determine the attractor basin of attractions. Through the bi-spectral analysis, we verify that the quadratic coupling is high for the Rössler-type attractor, and almost null for the Double-Scroll attractor. For the global charactcrization of this system, we show parameter diagrams of the Lyapunov exponents or auto-correlation. We also study this circuit under a sinusoidal perturbation. In this configuration, we identify new scenario for the transition to chaos through quasi-periodicity. Two of these transitions are identified by us for the first time in this perturbed circuit. We apply five control of chaos techniques: chaos suppression by frequency synchronization, control of unstable periodic orbits by the OGY and feed-back methods, stabilization of the equilibrium points (Hwang method), migration and entrainment (OPCL method). Finally, we consider two acoupled Matsumoto-Chua\'s circuits and determine their synchronization basins. We show that the synchronization in these coupled circuits may not depend on the initial conditions (continuous synchronization basin boundary) or may depend extremely on the initial conditions (riddled or intermingled synchronization basin boundaries).
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Scolaro, Lucilla <1990&gt. "Furusato nel Giappone Rurale Contemporaneo. Progetti di rivitalizzazione tra Matsumoto e Azumino." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8974.

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Il furusato è un concetto chiave per la comprensione di molti fenomeni legati al panorama del Giappone rurale contemporaneo. Traducibile come “città natale”, “paese natio”, o “villaggio tradizionale”, comincia ad assumere particolare rilevanza a partire dal periodo Meiji (1868-1912), contemporaneamente all’affacciarsi del Giappone nel panorama internazionale. Il termine evocava sia una dimensione spaziale, identificata con le periferie rurali soggette ad un progressivo spopolamento, sia una dimensione emotiva, legata alla nostalgia e al senso di perdita per il distacco da quei luoghi. Il furusato viene poi connotato da una dimensione temporale che lo relega progressivamente ad un passato mitico, consacrandolo a cuore delle tradizioni autentiche giapponesi. Mito individuale e nazionale, nel corso del tempo, e soprattutto dal secondo dopoguerra, il furusato è venuto a costituirsi in qualità di immaginario e posta in gioco di lotte non solo politico-identitarie, ma anche economiche, incentivando ad esempio progetti di pianificazione urbana e campagne pubblicitarie volte ad incoraggiare il turismo domestico e la riscoperta del Giappone autentico. Essendo tutt’ora un immaginario molto fertile, la presente ricerca si propone di illustrare come sia mutato nel tempo e in che termini sia possibile considerarlo attualmente. La lente utilizzata è quella dell’osservazione sul campo di una comunità rurale nella prefettura di Nagano. Associazioni di comuni cittadini, aziende agroalimentari e cooperative agricole sono impegnate nell’opera di rivitalizzazione territoriale attraverso la costruzione e la gestione di una comunità competitiva e coesa, che faccia fronte ai problemi di invecchiamento della popolazione e al progressivo spopolamento. Nella tensione tra il conservarsi come comunità chiusa e originale, e l’aprirsi alla competitività regionale ed ai possibili afflussi di capitale umano straniero, nelle municipalità di Matsumoto e Azumino, il furusato si slega in parte dalla dimensione nostalgica, per diventare paradigma di costruzione e impegno attivo nel presente, con tutte le caratteristiche di una vera e propria impresa.
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Sourmelidis, Athanasios [Verfasser], Jörn [Gutachter] Steuding, Kohji [Gutachter] Matsumoto, and Vagia [Gutachter] Vlachou. "Universality and Hypertranscendence of Zeta-Functions / Athanasios Sourmelidis ; Gutachter: Jörn Steuding, Kohji Matsumoto, Vagia Vlachou." Würzburg : Universität Würzburg, 2020. http://d-nb.info/1202714137/34.

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Baici, Luca <1995&gt. "Cosa fa ridere? Analisi comparativa della comicità nelle versioni italiana e giapponese del format "LOL/Matsumoto Hitoshi's Documental"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21545.

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L’umorismo è una caratteristica peculiare dell’essere umano e può essere trovato all’interno di ogni forma culturale. Ogni società attinge dalla propria cultura determinati aspetti che possono essere utilizzati all’interno dell’umorismo, creando forme sempre nuove e diverse per far ridere gli altri. Per questo motivo lo humor generato in un determinato contesto socio-culturale può non essere comprensibile altrove in egual misura. In questo contesto di diversità culturale dello humor, come si inserisce un format comico, nato in Giappone, ma che sta conquistando negli ultimi anni anche paesi europei? Questo elaborato si ripropone di comparare il format LOL/Matsumoto Hitoshi’s Documental con lo scopo di individuare le caratteristiche culturali e sociali che sottintendono la creazione dell’umorismo tra l’Italia e il Giappone. La scelta del format è dovuta all’omogeneità delle regole del gioco. Avendo un ambiente di analisi che presenta le medesime caratteristiche si cercherà di delineare le caratteristiche dei comici, delle loro persone, dei loro personaggi e delle relazioni che stringono tra di loro in modo da delineare quali aspetti possiede lo humor creato nel format, in che misura vengono utilizzati e se alcuni di questi si presentano in entrambe le versioni del format o in che modo differiscono. L’obiettivo dell’elaborato sarà quello di comprendere maggiormente gli aspetti umoristici tra i due paesi e sviluppare gli strumenti per una migliore cooperazione culturale attraverso la comprensione delle caratteristiche culturali tra Italia e Giappone. La prima parte si concentrerà sull’introduzione allo humor da un punto di vista filosofico e psicologico. La seconda parte comprenderà gli strumenti per l’analisi semantica e pragmatica dell’umorismo. La terza parte sarà riservata all’analisi del format nelle versioni italiana e giapponese, dove verranno utilizzati gli strumenti descritti nei primi due capitoli per comprendere quali aspetti culturali vengano utilizzati dai comici attraverso le loro persone/personaggi, in che modo si approcciano tra di loro (e col pubblico) i vari comici e a che tipo di comicità puntino.
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Nishimura, Tomohiro. "Revision of the Late Cretaceous desmoceratine genus "Damesites" Matsumoto, 1942 from the Yezo Group, in the northwestern Pacific realm." 京都大学 (Kyoto University), 2008. http://hdl.handle.net/2433/124365.

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Baggetta, Paola <1992&gt. "Una fiaba di altri tempi, una metafora odierna: Cenerentola attraverso le opere di Sano Yōko, Matsumoto Yūko, Kiryū Misao." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15048.

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La tesi affronta come tema centrale la riscrittura della fiaba di Cenerentola in Giappone, prendendo in esame tre versioni di tre autrici diverse, quali Sano Yōko, Matsumoto Yūko, Kiryū Misao, in un arco temporale che va dal 1985 al 1998. La prima parte dell’elaborato si occuperà di fornire un’idea generale della condizione della donna, oltre che di spiegare il fenomeno del Grimm Boom in cui le tre autrici si inseriscono, grazie allo studio di Murai Mayako. In seguito, verranno prese in esame le tre riscritture nello specifico, illustrando gli elementi che assurgono a metafora della condizione sociale della donna degli anni ’80-’90. Si analizzerà la Cenerentola arrampicatrice sociale di Sano, che ha saputo sfruttare la sua bellezza e l’idea della femminilità a suo vantaggio. In seguito quella di Matsumoto che descrive una donna che cerca di riappropriarsi del proprio corpo considerato spesso un oggetto o una proprietà in una società patriarcale; infine Kiryū che pone l’accento sulla protagonista da un punto di vista introspettivo, oltre a mostrare l’importanza dei legami tra donne, in particolare quello tra madre e figlia.
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Hamza, Marwa. "Caractérisations des familles exponentielles naturelles cubiques : étude des lois Beta généralisées et de certaines lois de Kummer." Thesis, Université de Lorraine, 2015. http://www.theses.fr/2015LORR0036/document.

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Cette thèse contient deux parties différentes. Dans la première partie, nous nous sommes intéressés aux familles exponentielles naturelles cubiques dont la fonction variance est un polynôme de degré inférieur ou égal à 3. Nous donnons trois caractérisations de ces familles en se basant sur une approche Bayesienne. L’une de ces caractérisations repose sur le fait que la fonction cumulante vérifie une équation différentielle. La deuxième partie de notre travail est consacrée aux conséquences de la propriété d’indépendance de type « Matsumoto-Yor » qui a été développée par Koudou et Vallois. Cette propriété fait intervenir la famille de lois de Kummer de type 2 et les lois Beta généralisées. En se basant sur la méthode de conditionnement et sur la méthode de rejet, nous donnons des réalisations presque sûre de ces distributions de probabilités. D’autre part, nous caractérisons la famille de lois de Kummer de type 2 (resp. les lois Beta généralisées) par une équation algébrique impliquant des lois gamma (resp. les lois Beta)
This thesis has two different parts. In the first part we are interested in the real cubic natural exponential families such that their variance function is a polynomial of degree less than or equal to 3. We give three characterizations of such families using a Bayesian approach. One of these characterizations is based on a differential equation verified by the cumulant function. In a second part we study in depth the independence property of the type “Matsumoto-Yor” that was developed by Koudou and Vallois. This property involves the Kummer distribution of type 2 and the generalized beta ones. Using the conditioning and the rejection method, we give almost sure realization of these distributions. We characterize the family of Kummer distribution of type 2 with an algebraic equation involving the gamma ones. We proceed similarly with the generalized beta distributions
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Roche, Carles. "La Sombra del coloso: figura y fondo en el género de monstruos gigantes." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/385362.

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Partiendo de los conceptos de figura y fondo, procedentes del campo de la teoría del arte, el trabajo investiga en primera instancia su posible aplicación al ámbito de lo cinematográfico, vinculándolos al discurso más amplio sobre la representación geométrica del espacio (perspectiva) entendida como forma simbólica de aprehensión de la realidad. Para ello, el trabajo interroga un género popular en el que se declinan de manera especialmente fructífera los temas de la figura y fondo como es el cine de monstruos gigantes, cuyo primer momento de esplendor gira entorno a los años 50 y 60 del siglo XX, era de apogeo y crisis de los modelos tradicionales de representación. En la segunda parte del trabajo, se plantean algunos interrogantes hermenéuticos alrededor del resurgimiento de la figura del monstruo gigante en la cultura audiovisual contemporánea, su función estética en el contexto digital y su conexión con las nuevas formas de representar la realidad en el género fantástico, así como la paralela –y aparentemente paradójica– conversión del gigante en signo íntimo para la conciencia del espectador.
Taking as a starting point the Figure/Background division as established in art theory, this work tries first to reframe it within the cinematographic studies, and to link it to wider aspects of geometric rendering of space (the Perspective System) as a symbolic form of apprehending reality. In order to do so, this work addresses a popular film genre where the Figure/Background issues are central: the giant monster movies that had their Golden Age in the 50’s and 60’, a time when traditional models of representation came to a crisis with the arrival of modern cinema. In the second part of this work, hermeneutic analysis is put into work to address the comeback of the giant monster in contemporary audiovisual culture, its aesthetic function in our digital era and its connection with new forms of representing reality in science fiction cinema, as well as the apparently paradoxical conversion of the giant monster in a sort of intimate sign for the viewer.
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Hui, Yu Ching, and 尤靜慧. "The research of "Matsumoto Seicho",Major in his mystery." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/37560450180803266428.

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Books on the topic "Matsumoto"

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Matsumoto, Hitoshi. Matsumoto. Tōkyō: Asahi Shinbunsha, 1995.

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Matsumoto, Eiichirō. Matsumoto Eiichirō ten: Eiichiro Matsumoto exhibition, 1990. [Ōme-shi]: Ōme Shiritsu Bijutsukan, 1990.

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(Japan), Matsumoto-shi. Matsumoto shishi. Nagano-ken Matsumoto-shi: Matsumoto-shi, 1993.

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Matsumoto, Yoko. Yoko Matsumoto. Düsseldorf: Goethe Institut, 1991.

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1963-, Matsumoto Hitoshi, ed. Matsumoto Shinsuke. Tōkyō: Wani Bukkusu, 2002.

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Takehiko, Okada, and Nishi Nihon Shinbunsha, eds. Matsumoto Jiichirō. Fukuoka-shi: Nishi Nihon Shinbunsha, 2003.

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Matsumoto, Hitoshi. Matsumoto bōzu. Tōkyō: Rokkingu On, 1999.

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Matsumoto saiban. Tōkyō: Rokkingu On, 2002.

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Iinkai, Matsumoto Sokkōjo Hyakunenshi Henshū. Matsumoto no kishō hyakunen: Matsumoto Sokkōjo sōritsu hyakushūnen kinen. Matsumoto-shi: Matsumoto Sokkōjo, 1998.

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Mori, Nobukatsu. Matsumoto Seichō sakuin jiten: Index dictionary of Seicho Matsumoto. 2nd ed. [Tokyo]: Nihon Tosho Kankōkai, 2016.

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Book chapters on the topic "Matsumoto"

1

Kodama, Seiji. "Matsumoto, Matataro." In Encyclopedia of psychology, Vol. 5., 123–24. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10520-056.

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Motosugi, Shozo. "Matsumoto Performing Arts Centre, 2004 Matsumoto, Japan." In Modern Theatres 1950–2020, 402–13. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-48.

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Ding, Jintai, Albrecht Petzoldt, and Dieter S. Schmidt. "The Matsumoto-Imai Cryptosystem." In Multivariate Public Key Cryptosystems, 25–60. New York, NY: Springer US, 2020. http://dx.doi.org/10.1007/978-1-0716-0987-3_3.

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Thifault, Paul. "Sisters Matsumoto (1998) by Philip Kan Gotanda." In The Routledge Introduction to American Drama, 159–68. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003142713-18.

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Holmberg, Ryan. "Matsumoto Katsuji: Modern Tomboys and Early Shōjo Manga." In Women’s Manga in Asia and Beyond, 199–226. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97229-9_14.

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Wang, Chih-Hung, Tzonelih Hwang, and Jiun-Jang Tsai. "On the Matsumoto and Imai’s Human Identification Scheme." In Advances in Cryptology — EUROCRYPT ’95, 382–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/3-540-49264-x_31.

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Bougerol, Philippe. "Matsumoto–Yor Process and Infinite Dimensional Hyperbolic Space." In Lecture Notes in Mathematics, 521–59. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18585-9_23.

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Bácsó, Sándor. "On a Problem of M. Matsumoto and Z. Shen." In Finsler and Lagrange Geometries, 55–61. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0405-2_4.

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Youssef, Amr, and Guang Gong. "Cryptanalysis of Imai and Matsumoto Scheme B Asymmetric Cryptosystem." In Lecture Notes in Computer Science, 214–22. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45311-3_20.

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Diene, Adama, Jintai Ding, Jason E. Gower, Timothy J. Hodges, and Zhijun Yin. "Dimension of the Linearization Equations of the Matsumoto-Imai Cryptosystems." In Coding and Cryptography, 242–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11779360_20.

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Conference papers on the topic "Matsumoto"

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Amakawa, Jonathan. "Matsumoto-jo." In ACM SIGGRAPH 2008 new tech demos. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1401615.1401639.

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Zhang, Wenbin, and Chi How Tan. "A new perturbed matsumoto-imai signature scheme." In the 2nd ACM workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2600694.2600698.

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Kimura, Toshiaki, Yuki Nagai, and Mutsuro Sasaki. "Structural design of a seismic isolated building in Matsumoto city." In IABSE Symposium, Vancouver 2017: Engineering the Future. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2017. http://dx.doi.org/10.2749/vancouver.2017.1297.

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Saito, Makoto, and Rikyu Ikariyama. "Improvement of particle generation in a dry etching apparatus - tetsuyuki matsumoto." In 2016 International Symposium on Semiconductor Manufacturing (ISSM). IEEE, 2016. http://dx.doi.org/10.1109/issm.2016.7934530.

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Gu, W. Y., X. G. Mao, and B. A. Rawlins. "Direct Measurements of Hydraulic Permeability Coefficients of Cartilaginous Tissues." In ASME 1998 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/imece1998-0134.

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Abstract Fluid is a major component of cartilaginous tissues. Its transport is primarily governed by the hydraulic permeability coefficient of the tissue. The hydraulic permeability coefficient is important to the understanding of the transport processes of interstitial water and ions [e.g., Gu et al, 1993] and the viscoelastic behavior of the tissue [e.g., Mow et al, 1980; Setton et al, 1993]. However, the hydraulic permeability coefficients of these tissues are extremely low and difficult to quantify precisely. Studies in the literature report on the determination of the hydraulic permeability of these tissues directly by measuring fluid flux corresponding to the applied pressure difference in a permeation experiment [Edwards, 1967; Mansour and Mow, 1976; Mansour and Matsumoto, 1998; Maroudas and Bullough, 1968; McCutchen, 1962] or indirectly by curvefitting experimental data from confined compression or indentation tests using the biphasic theory[e.g., Athanasiou et al, 1991; Best et al, 1994; Drost et al, 1995; Houben et al, 1997, Iatridis et al, 1997; Mak et al, 1987; Mansour and Matsumoto, 1998; Mow et al, 1980; Setton et al, 1993]. Recently, Gu and co-workers (1998) reported that the permeability coefficient of human anulus fibrosus determined directly was one order of magnitude greater than that determined indirectly [e.g. Best et al, 1994, Drost et al, 1995, Houben et al, 1997, Iatridis et al, 1997]. To address this discrepancy, we investigated the hydraulic permeability coefficients of human lumbar anulus fibrosus and bovine articular cartilage using a new technique developed by Gu and co-workers (1998). The hydraulic permeability coefficient of human anulus fibrosus was compared to that of bovine articular cartilage measured under the same testing conditions.
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Brockhoff, Dimo, Bernd Bischl, and Tobias Wagner. "The Impact of Initial Designs on the Performance of MATSuMoTo on the Noiseless BBOB-2015 Testbed." In GECCO '15: Genetic and Evolutionary Computation Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2739482.2768470.

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Brockhoff, Dimo. "Comparison of the MATSuMoTo library for expensive optimization on the noiseless black-box optimization benchmarking testbed." In 2015 IEEE Congress on Evolutionary Computation (CEC). IEEE, 2015. http://dx.doi.org/10.1109/cec.2015.7257134.

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D. A. Silva, Germannya, Tibério C. M. Tabosa, Ana Maria Q. Andrade, and Virginia P. Cavalcanti. "Aspects of Ergonomics and Sustainability Design Applied to the Utilities Board for Café Tokyo’s in Recife, Pernambuco/Brazil." In Applied Human Factors and Ergonomics Conference. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100822.

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This paper presents the design method applied for the development of the product line created to meet the demand for utilities Café Tokyo’s table, headed by Matsumoto family, dedicated to oriental cuisine in Recife, since the '70s. The methodology strategies used for the project were organized in the following steps of research: analysis, synthesis and monitoring the production process. As a result, the Origami line utilities table has good usability, given the design of irregular geometry. Was produced with ceramic residue donated by a factory of sanitary wares and glazed with lead-free ceramic glaze composition which, besides ensuring good mechanical resistance of the pieces still provides environmental and economic sustainability of the group of artisans of Cabo de Santo Agostinho – Pernambuco, supported by The Imaginário Laboratory since 2003.
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Suh, Donguk, and Kenji Yasuoka. "Molecular Dynamics Simulation of Three-Dimensional Heterogeneous Nucleation." In ASME/JSME 2011 8th Thermal Engineering Joint Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/ajtec2011-44407.

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Nanoparticle growth based on three-dimensional heterogeneous nucleation was simulated by classical molecular dynamics. To collectively observe the effects of the dimension of seeds and thermodynamic conditions, seed size and system supersaturation ratio were the factors that were examined to see if they influenced the nucleation rates. Two stages were found to exist within the system, where the first stage is from the seed growth and the second from homogeneous nucleation. The Yasuoka-Matsumoto method was used to calculate the rates. The homogeneous nucleation characteristics coincided with the classical nucleation theory, but heterogeneous nucleation showed an irregular form, which at the current state cannot not be fully understood. Kinetic analysis was also performed to calculate the critical nucleus size and better understand the seed growth characteristics. All in all, the seed effects were insignificant to the overall nucleation characteristics for this system.
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Suh, Donguk, and Kenji Yasuoka. "Kinetic Analysis on Nanoparticle Condensation by Molecular Dynamics." In ASME 2012 10th International Conference on Nanochannels, Microchannels, and Minichannels collocated with the ASME 2012 Heat Transfer Summer Conference and the ASME 2012 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/icnmm2012-73140.

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Condensation on a cubic seed particle was simulated by classical molecular dynamics. Seed size and supersaturation ratio of the system were the factors that were examined in order to observe the effects of the dimension of seeds and thermodynamic conditions. Two stages of nucleation were observed in the phenomenon, where the first stage is from the seed growth and the second from homogeneous nucleation. Therefore, the nucleation rate and growth rate were each calculated by the Yasuoka-Matsumoto method. As seed size increased the growth rate decreased, but there was no clear seed influence on the homogeneous nucleation characteristics. Besides the classical nucleation theory, cluster formation free energy and kinetic analysis were conducted. The free energy in the exponential term of the classical nucleation theory and that obtained from the cluster formation free energy showed different characteristics.
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